Mariana (2 page)

Which meant there was nobody home. And, I told myself happily, since there was nobody home, it followed that no one would be disturbed if I went round to the back of the house and looked in a few windows. Having thus rationalized my trespassing, I retraced my steps to the drive and followed it round the north side of the house.

Here the drive ended abruptly at a squat, low-slung stone building with a weedy thatched roof. Presumably this had once been the stables, but the bumper of a car protruding from one of the open stalls left no doubt as to its present use.

The view from where I stood, looking across the level farmlands and gently undulating downs, broken here and there by clusters of dark-green trees and wild shrubs, was truly beautiful. There was no yard as such, although a tumbled heap of stone a hundred feet or so behind the house looked as if it might once have been part of a boundary wall. And though I had counted three oaks, a fruit tree, and several shrubs at the front, the only bit of vegetation growing close against the back wall of the house was a solitary
poplar with gnarled bark, its silvery-green branches trembling in the breeze.

There was another dark-green door here, with an old-fashioned latch, and another double row of white-painted windows. Beneath what I assumed must be the kitchen window, someone had piled a precarious stack of ancient flowerpots, their sides encrusted with thick black moss from lack of use. I stretched on tiptoe and leaned closer, cupping one hand against the glass to shield my eyes against the reflected glare of the sun. It
was
a window to the kitchen, or perhaps the pantry. I could just make out a shelf of tinned goods and an old porcelain sink. I was angling my head for a better look when a man's voice spoke suddenly out of the air behind me.

'He's not there.'

It was a friendly voice, with a faintly un-English burr to it, and had come from some distance away. But I didn't register any
of
that immediately. I spun round, startled, and sent the pile of flowerpots crashing to the ground.

At first I could see no one, but as I stood there staring, the figure of a man detached itself from the tumbled stone wall and came across the grass toward me. He was a young man, perhaps five years my senior, dressed in rough working clothes and wearing leather gauntlets that looked oddly medieval and out of place.

'I didn't mean to frighten you,' he apologized. 'I just thought, if you're looking for Eddie, he's not there.'

He was quite close now, close enough for me to clearly see the combination of auburn hair and flint-gray eyes that is, somehow, so distinctively Scottish. He smiled, a friendly smile that matched the voice.

'Are you a friend of Eddie's?' he asked.

I shook my head.

'A relative, then.'

'No.' To my credit, I blushed a little. I had a hunch my tale of phony car trouble would not make it past those shrewd gray eyes. 'No, I don't know the owner. Will he be back soon, do you know?'

The man tilted his head to one side and gave me a long, measuring look that rather reminded me of my brother.

'I hope not,' he said evenly. 'We buried him last month.'

'Oh, I'm sorry.' I blushed deeper. 'I really am sorry.'

'No harm done.' He shrugged. 'You're just having a poke about, then?'

My face, by this time, was crimson, and I had a feeling that he was enjoying my obvious discomfort. It took a moment, but the full importance of what he'd just told me finally sank in, and I abruptly forgot my embarrassment.

I lifted my eyes quickly. 'Is the house for sale, then?'

'Aye. Did you want to have a look at it?'

'I want to buy it. I've waited twenty-five years for this house.'

The man raised a russet eyebrow, and for some absurd reason I found myself babbling out the whole story of "The House and I,' to which he listened with admirable patience. I can't imagine he found it very interesting. When I'd finished my childish narrative, his level gaze met mine for a second time, and the resemblance to my brother was even more pronounced.

'Well, then,' he said solemnly, 'you'd best see Mr. Ridley in the High Street. I've not got my own keys with me, or I'd show you round myself.' He stripped off one gauntlet and extended a hand in greeting. 'I'm Iain Sumner, by the way.'

'Julia Beckett.' I must have altered my expression at the sight of his hand, because he smiled again, looking down at the tiny lacerations marring his skin.

'Brambles,' he explained. 'They'd choke out my garden if I didn't thin them back. It's not painful,' he assured me, pulling the glove back on. 'I'd best be getting back to my work. Good luck with the house.'

'Thank you,' I said, but he was already out of earshot.

Five minutes later I was sitting in the offices of Ridley and Stewart, Estate Agents. I confess I don't remember
much about that afternoon. I do recall a confusing blur of conversation, with Mr. Ridley rambling on about legal matters, conveyances and searches and the like, but I wasn't really listening.

'You're quite certain,' Mr. Ridley had asked me, 'that you don't want to view the property first?'

'I've seen it,' I'd assured him.
To
be honest, there seemed no need for such formalities. It was, after all, my house. My house. I was still hugging the knowledge tightly, as a child hugs a present, when I knocked on the door
of
the rectory of St. Stephen's, Elderwel, Hampshire, that evening.

'Congratulate me, Vicar.' I beamed up at my brother's startled face. 'We're practically neighbors. I just bought a house in Wiltshire.'

Two

W
here does this one go, miss?'

The fair young mover's assistant hoisted an upholstered chair as easily as if it were a child's toy, and paused in the hallway for directions.

I was busy rummaging in one of the tidily packed boxes, trying to locate my faithful old teapot before the kettle I'd put on the kitchen stove came to a boil. I glanced over my shoulder, distracted.

'In my bedroom,' I told him. 'First room on your right at the top of the stairs. Aha!'

My hand closed over the familiar contour of the teapot's handle at the same instant that the kettle burst into full boil with a piercing whistle. Switching off the gas ring, I spooned some loose tea into the pot, filled it with water, and set it on the back of the stove to
brew.

'Miss Beckett?' That was Mr. Owen, the head mover, with another assistant in tow at the back door. His cheerful round face was pink with exertion. 'We've got your kitchen table here. Thought it might be best to bring it through the back—I'd hate to make a mark on that paneling in the front hall.'

I moved obligingly out of their way, pulling a box or two along with me.

'I've just put some tea on,' I said, 'if you and your men would like a cup. Oh.' I looked around, suddenly remembering. 'I haven't got any cups unpacked yet.'

'Never you mind, miss.' Mr. Owen winked good-naturedly. 'I've got a box of disposable ones in the truck. Always come prepared, I do.'

The fair-haired young assistant was back again, looking perplexed. 'Are you sure you mean the
first
door on the right, miss? It doesn't look like a bedroom to me—it's awfully small and has an easel or something in it.'

I clapped a hand to my forehead and smiled in apology.

'Sorry, I meant the
third
door on the right. The big bedroom on the north side of the house.'

'Right, miss.' His face cleared, and he was off again.

'Always a bit of a panic, isn't it?' Mr. Owen slid my table into position against the pantry wall. 'You'll get it sorted out soon enough. Right, I think that's all the furniture. Just the boxes left. I'll nip out and get those cups for our tea, then, shall I?'

He was a bit of a marvel, certainly the most organized man I'd ever met, and well worth the extra money I was paying for his services. When I'd bought the house three weeks ago, I hadn't given much thought to the matter of moving my belongings from London to Exbury. But when I returned to my flat in Bloomsbury and started packing op,
I soon realized that professional assistance was called
for. Apart from my prized Victorian bedroom suite— another inheritance from Aunt Helen—there was my lounge and kitchen furniture, all my studio supplies, my drawing board, and the few hundred books I'd picked up at sales and secondhand stores during my years in London. On the recommendation of a close friend, I had called Mr. Owen, and he had come charging like a modern knight to my rescue.

In my flat, the neatly taped and labeled packing boxes had looked huge and overpowering. Here in the house they were barely noticeable, dwarfed by the sheer proportion of the architecture and the spacious, sunlit rooms. I had been pleased to find the interior of the old house every bit as appealing as the exterior, and well suited to my traditional tastes.

One entered through the front door into a large front hall, paneled in richly burnished oak. 'Seventeenth century,' Mr. Owen had pronounced at a glance 'and very good quality." Directly ahead, a heavy oak staircase set in the center of the hall ascended several steps, paused for breath at a square landing, then executed a sharp ninety-degree turn to the left and continued its climb to the first floor. Doors to the sitting room and the study opened off the hall to the left and right, respectively, while to the right of the staircase a narrow passage led through to the kitchen. Dining room, kitchen, and old-fashioned pantry occupied the back half of the ground floor, their large, bright windows looking out over the rolling green plain with its fresh sprinkling of early spring wildflowers.

There were four bedrooms upstairs. The large one, running the full length of the north side of the house above study and pantry, had been the obvious choice for my own use. It even had its own working fireplace, along with a sizable cupboard nestled in the space under the attic stairs. I had selected the small back bedroom for my studio, and was content to leave the two front rooms unfurnished for the time being, to serve as storage areas until I was completely settled. Between my studio and my bedroom, opening onto the wide landing, was a full bath—quite a luxury to find in an older home.

There were a few cracks and creaks, naturally, some protestations from the pipes, and dampness had crumbled the plaster round the upstairs windows, but there was nothing that couldn't be put right, in time.

'It's a lovely old house you've got here,' Mr. Owen said, affirming my own thoughts as he took a seat on the packing crates beside me and passed me a polystyrene cup. 'Built in the 1580's, you said?'

'That's what the house agent told me.' I nodded. I poured out strong tea for the mover and his two perspiring helpers, then settled back on my makeshift seat to enjoy my own steaming cupful. 'I don't know much about its history, I'm afraid.'

'Oh, the village folk will fill you in there, I've no doubt,' said Mr. Owen sagely. 'Old houses like this always have a past. Interesting, most of 'em. You'll learn more over a pint in the local than you will out of any history book.'

'I'll remember that.'

The two younger men drank their tea in respectful silence, waiting patiently for Mr. Owen to finish chatting and give them the signal to return to work. Eventually, after his second cup of tea, he rose to his feet. At precisely the same moment, a terrific bang echoed in the front hall, and I lumped in my seat.

'Just the front door, miss,' one of the younger movers explained. 'The hinges swing inward, see, and the latch is none too sturdy. Strong gust of wind’ll blow it open.'

Mr. Owen promptly examined the door, fitted the inside handle with a protective cover to avoid further damage to the paneled wall behind, and suggested I buy a new lock as soon as possible. 'Can't be too careful,' was his fatherly advice.

It took the three men less than an hour to unload and distribute the remainder of my belongings, and at half-past two I found myself standing in the front doorway, giving a final wave to the retreating van and feeling, for the first time, very unsure of myself. And very much ne.

The enormity of what I'd just done suddenly struck me, with a force that neither my brother's outright skepticism
nor my parents' gentler lectures on the telephone had been able to achieve.

I could do my work just as well from Exbury as I could in London, I'd told everybody. In fact, I would probably be more productive in Exbury, away from the distractions of the city. And property was, after all, a sound investment. The fact that I was exchanging a familiar environment and an established circle of friends for a community of strangers had never seemed to me to be very important. Until now. I felt a tiny pang of longing for my third-floor flat, and for my neighbor Angie, down the hall, who could always be counted on for a cup of coffee and gossip in the mid afternoon.

The longing vanished in an instant, though, as I turned from the hall into the study. It was a lovely, peaceful room, with dark paneled walls, rows of empty bookshelves smelling faintly of lemon oil, and a cozy-looking fireplace that corresponded to the one in my bedroom upstairs. Earlier that morning, sunlight had come spilling in through the curtainless window, falling in wide, slanting squares across the brown leather upholstery of my old sofa. Now the light was indirect, and dimly restful. Apart from the sofa, the only other pieces of furniture I'd added to this room were a matching armchair in front of the fireplace, and a simple walnut writing desk and chair. At the moment, they were buried beneath the boxes of books and papers I'd brought with me.

It was tempting to begin my unpacking in here, but I knew from experience how little it took to distract me. A favourite old book, joyfully discovered in the middle of a box, would mean my spending the rest of the afternoon in blissful, unproductive oblivion. Better to leave the study for last, I reasoned, and begin in the most logical and practical place—the kitchen.

I shut the study door reluctantly and retreated to the back of the house, where for the next few hours I attacked the packing boxes with a fervor that would have made my mother proud. The hard work left me, in the end, covered with dust, and longing—like the mole in my favourite children's story—for a breath of the fresh spring air.

With Mole's impulsiveness, I swung the back door wide and wandered outside, welcoming the gentle breeze that played upon my skin and lifted the curls from my damp forehead. I rubbed my palms on the legs of my jeans to get the worst of the dirt off, and stood for a moment with my hands on my hips, enjoying the feeling of well-earned freedom.

My gaze fell upon the tumbled pile of stones where Iain Sumner had been standing on the day I'd bought the house, and I altered my course toward it, interested.

It was some thirty yards or more distant from the house, well outside my own property line, and while it was therefore unlikely to have been part of a fence, it was far too symmetrical to be a natural feature. As I drew closer, I saw that the stones were arranged in an L shape, the longer side of the L running parallel to the back wall of my house. In places, the wall was not much shorter than my own height of five foot three, and in the shelter of the L someone had carefully broken and cultivated the earth to make a garden. The dark soil was neatly furrowed and newly fertilized, ready for planting.

'So you've bought it.'

For the second time I jumped, and turned, at the sound of Iain Sumner's voice. He was not a small man, and it was a mystery to me how he could have crossed the yard without my hearing him. Recovering quickly, I was able to greet him with my most brilliant smile. He was wearing a rough brown sweater over heavy work trousers, and a brown cap with a stained brim. He pushed the cap back on his head, and his gray eyes smiled back at me.

'You've bought the house,' he repeated. It was a statement, not a question, but I answered it anyway.
'Yes.'

'Well, you've been all the talk of the village these past few weeks, I'd best warn you. Mr. Ridley let out that you were an artist, and from London, so everyone's fair curious. If you don't have a few disreputable, bohemian friends to invite down for weekends, you'd best get some, else the whole village will be disappointed.'

I laughed. 'I'm afraid they'll find me very boring. And I don't have any bohemian friends."

'Not even a disreputable relative?'

'They all moved to New Zealand. My parents are out there now, actually, on holiday, so the only person likely to visit me in the near future is my brother,' I confided. 'And he's a vicar.'

'Ah. Well.' He accepted the information graciously, tilting his head to one side. 'What do you think of my garden?'

'Very
nice,' I said honestly. 'This is your land, then?'

'No.' He shook his head. 'It belongs to a friend of mine. I just do this as a favor to him. There's only room for a few flowers, nothing much.'

'And brambles,' I added, remembering his hands.

'Aye.' He grinned ruefully. 'And brambles. Goes along with the gardening, that does.'

I reached out a hand to touch the stone wall, liking the feel of the sun-warmed roughness beneath my fingers.

'What was this place?' I asked him.

'Used to be a dovecote, they tell me, for keeping pigeons. Not much left of it, now.'

'Is it very old?'

'As old as the house, I believe. Maybe older.'

'The people who lived here were farmers, then, originally?'

'Tenant farmers, maybe.' He shrugged. 'The land you're standing on is manor land, and always has been to my knowledge.'

'I've an interest in old houses,' I confessed, still caressing
the weathered stone with an absent hand, 'especially this one. I'd love to learn more about its history.'

'Ah,' he said, smiting, 'you're talking to the wrong person, then. I've not been here more than five years, myself. Vivien's the one you should ask.'

'Vivien?'

'Aye.' His eyes softened. 'Vivien Wells, at the Red Lion. A regular walking encyclopedia, she is. If she doesn't know it, it's not worth knowing.'

I wasn't really listening, because as I'd raised my head my attention had been captured by a solitary horse and rider who had appeared just over Iain Sumner's shoulder, in the distance. They were standing in the shadow of an oak, watching us. The horse was a large, powerful gray, and the rider was a man, dressed in dark clothes, but they were too far away for me to see them clearly.

Iain Sumner narrowed his eyes. 'Is something wrong?'

'What?' I brought my gaze back to him guiltily. 'Sorry. No, I was just looking at that man.'

'What man?'

That man on the horse, behind you,' I said, pointing.

He turned to look, but the shadow under the oak was empty.

I shook my head. 'He's gone now. A big man, on a gray horse.'