Making Things Better

Table of Contents

Title Page

Praise

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

About the Author

ALSO BY ANITA BROOKNER

Copyright Page

Acclaim for Anita Brookner's

MAKING THINGS BETTER

“Deeply moving. . . . This book, with its wrenching little twist at the end, represents perhaps [Brookner's] most fully imagined and affecting writing.” —
Seattle Post-Intelligencer

“Over the course of her distinguished two decades as a novelist, Brookner has maintained a high standard of artistic accomplishment, as she painstakingly, almost obsessively, explores the claustrophobic interior worlds of sensitive, inhibited, secretly romantic souls trying to break through their solitude.” —
The Baltimore Sun

“Brookner has consistently put out thought-provoking, character-driven fiction, and her newest offering continues this trend. . . . A well-written and intimately detailed portrait.” —
The Plain Dealer

“Elegantly imagined.” —
Elle

“Brookner's insight into human unhappiness is keen, and her use of the English language is skilled and beautiful.” —
Fort Worth Star-Telegram

1

Herz had a dream which, when he awoke into a night that was still black, left him excited and impressed. He dreamed that he had received a call from his cousin, Fanny Bauer, the love of his life. He was to take her to the cinema, she ordained. Eager to conform to her wishes, as he always had been, he shrugged on his coat, and within seconds was elsewhere, as was the norm in dreams of wish-fulfilment. Although it was a weekday afternoon the cinema was so crowded that they had to stand at the back of the auditorium. Fanny was as he had always known her and still remembered her: petulant, with the petulance of a spoilt pretty woman, demanding and discontented. Shortly after the beginning of the film she had clutched his arm and declared that she felt unwell. Again, without transition, they found themselves in the vast café that was part of the cinema complex. Fanny had recovered somewhat but looked uncharacteristically dishevelled, with a large camel-hair coat slung over her shoulders. He was conscious of retaining his eager smile, but felt discomfited. This feeling had something to do with the coat, which he recognized as his own, the coat he should have been wearing. He had no memory of having offered it to her. The coat, and Fanny's malaise, remained closely associated in his mind. It was only when he understood that it was he who had been taken ill that the dream attained its peak of significance. Ailing, smiling, he had offered her his remaining health and strength, and she, not in the least grateful, had carelessly dispossessed him, not noticing that she had done so. This was so akin to their real life association that, if anything, his newly awakened self was conscious of its reality. Brought back to himself he was aware of the smile—of complicity, of acquiescence—directed to the corners of the dark bedroom. Only the relentless ticking of his clock informed him that he had woken up, that this would soon be a new day, all too closely resembling the others, the normal days of his present existence, in which nothing happened nor could be expected to happen.

He had not seen her for thirty years. In the dream they were both young and she was still unmarried, before Nyon, before Mellerio, before his own family had come to England. It was his longing that had made him feel close to her, since he thought about her so often and so much that there seemed to be no distance between them. This longing extended to her parents, whom he preferred to his own. He knew that his own parents were socially inferior, although he suspected that morally they had the upper hand. His mother had never forgiven her sister for marrying out, though by no means observant in her own right. His father, a modest man, deferred to his brother-in-law without ever feeling entirely comfortable in his presence. Yet it was this brother-in-law, Hubertus, who had guaranteed them safe passage out of Berlin. Their house, one of those chic villas that Hubertus was so good at constructing, had all the charm of a more carefree establishment, an hotel, for example, or some kind of resort. By the same token, his aunt, Anna, appeared always on the verge of giving a party. They played bridge, drank cocktails, yet even at his young age he could see that they were merely fashionable, slightly meretricious. He did not know then that they were worried about the fate of their ardent dark-eyed daughter, whose looks were so suspect in the Germany of that time. His own parents were worried, morbidly worried, not about their own fate, but for that of their elder son, Freddy, their musical genius, rather than that of the eagerly smiling Julius. This had brought the two families momentarily closer; there were more telephone conversations than had previously been the case. Hubertus would stay behind; that was never in any doubt. But it would be prudent for his wife and daughter to be moved elsewhere, out of harm's way. Herz's own father, an employee in a firm that made musical instruments, had every faith in his colleagues, in his director, to whom he had pledged his loyalty. How could such loyalty not be recognized, and if necessary protected? His mother, who was afraid of everything, dreamed of escape from the many difficulties with which life had presented her. She, rather than her husband, put her diminishing faith in Hubertus; he rather than her too humble partner would know what to do.

As the boy, Julius, presented himself at his aunt's tea-table, his smile making up for his lack of an invitation (he would overlook this though they might not), he was given the sort of greeting into which he read so much: familiar, if slightly impatient. He had just missed Fanny, he would be told; she was playing tennis with friends, with some of her ‘set', but he would stay for a quick cup of tea, his aunt queried, with a lift of her pencilled eyebrow? Useless to wait for Fanny, who would be spending the evening with her friends. The family well? This question was a pure formality, the kind in which she normally dealt. He would sit humbly in their glass and chrome drawing-room, with its pale wood and white curtains, comparing its discomfort favourably with his parents' flat, all subfusc and dim, the furnishings still those of his grandparents who had ruled their loyal daughter and meek son-in-law not entirely mercifully, and from whom Anna, the disloyal daughter, had parted with few backward glances. Her marriage to a Protestant was considered an act so terrible that she was never to be forgiven, although Hubertus was a good man whose discreet allowance had ensured a comfortable old age for the tyrannical elders who continued to vilify him. It was probably a matter of survival to agree with them on this. Nevertheless the moral discomfort that this brought about made Hubertus and Anna seem an enlightened pair, as perhaps they were, and their house a haven of modernity, for which he craved. Even if Fanny were not at home—and she so rarely was—he could sense her presence, picture her picking up her tennis racquet, follow her in sympathy as she issued into the bright afternoon. The image was so gratifying that he would count his unscheduled visit a success, taking home impressions to be added to his meagre store, and already looking forward to another similar afternoon, when surely, one day, she would be at home and delighted to see him.

Fanny Bauer! In the dream she had been young, pretty, a heart-breaker, her fickle behaviour part of her charm. In the dream his own age was indeterminate, but he recognized the smile, which in fact had never left him. When he finally reconciled himself to a day like any other he knew, without a shadow of a doubt, that he was seventy-three years old, ‘retired', as they said of old people with too little to do, and that Fanny would be a year older. In fact when he had last seen her, in Nyon, at the Beau Rivage, she was already altered. He had sought her out after his divorce, with the intention of asking her to marry him. He had found a stout dignified woman who did not even possess her mother's chic. ‘Julius!' she had said. ‘What on earth are you doing here?' And he had made his request, far too early in the proceedings, without the proper setting or preparation, to have it waved away by a still pretty hand. He did not tell her that he had followed her progress by dint of some unnecessary detective work, for what was there to discover? He already knew that Fanny and her mother had, by virtue of Hubertus's prudence, been dispatched to Switzerland, to the most peaceful and neutral of lakeside towns, until things improved. He knew that equally prudent Aunt Anna had found her daughter a husband, an architect called Mellerio who had taken them both on, installing them in his ugly villa, from which they escaped as often as they could, to eat cakes at the English tea-room or to sit on the terrace of the Beau Rivage, to which they quite naturally retired after Mellerio's death from a fall when he was inspecting one of his own buildings. The sale of his house and of his business had left them well off: the hotel suited them, or rather hotel life suited them, was appropriate to a deracinated existence which could surely be only temporary. They were safe, more than safe, for the time being, but in fact never went home, for home no longer existed, flattened by Allied bombs, and Hubertus no longer alive to make plans for them all.

Calmly Fanny had rejected his proposal, not unkindly, simply demonstrating that she was better off as she was. She did not speak as if she had a lover, nor did he suspect her of living an irregular life. She was placid, comfortable; she played bridge with women friends, looked after her mother in the suite they shared, still frequented the English tea-room or sat on the terrace before retiring to make alterations to her appearance and thus ushering in the evening. She was practically Swiss now, just as he was practically English, but their childhood had left its mark. That was why he was so grateful that part of them remained untouched. More realistically he could see that she would never exchange Nyon for London. He accepted defeat, joined Fanny and her mother for dinner at their habitual table, and left for home the next day. Neither of them had thought his visit anything out of the ordinary. He had returned home to an empty flat, promising to keep in touch. This he had done sparingly, unable to identify the stout calm woman who was Fanny in late middle age with her younger dark-haired dark-eyed self. Therefore he was more than happy to have encountered her in his dream, intact, unchanged. Even in the dream he had not possessed her, yet, untouched, innocent, he preferred it so, or was conscious of having decreed that this should be. At heart he was still a young man, a boy, even, to whom adult-hood had come as a surprise and had never ceased to be a burden.

In retrospect even his visit to Nyon—his only visit— seemed to possess a kind of charm. This had more to do with his own initiative than with the reception offered. For he had still been relatively young, able to make decisions, or maybe trusting more to chance than he was ever willing to do in normal circumstances. Fanny's rejection of his proposal did not alter his impression of adventure, of acting on an impulse that impressed him as heroic. For both of them her refusal was final. He knew that he would never see her again. He wrote to her, keeping her in touch with news of the family, such as it was, but received few replies. Eventually a letter came informing him that her mother was unwell and that she was to marry again, the two pieces of information logically linked. Her new husband was a German businessman; she had met him at the hotel where he was on holiday, and in due course she would move back to Germany with him, to Bonn. She seemed to have no qualms about this return. Assured of protection, she disregarded the wider implications. But that had always been part of her charm: her utter selfishness. And this same selfishness gave her a character to be reckoned with. She was no longer the young beauty whose tears usually ensured that her wishes were met. He did not blame her. He wrote congratulating her, and then the letters stopped. He had no new address for her, relinquished her symbolically as well as emotionally. He no longer knew anything about her, whether she was ill or well, whether, in fact, she was still alive. For some reason he sent a card to her, care of the Beau Rivage, one year after their last communication. It was met with silence, as he knew it would be.

Thinking back to the dream, the details of which were still clear in his mind's eye, he reflected that everything was retrievable, or so it seemed. He frequently dreamed of his parents, but not with the weary impatience he now felt for them, and was entitled to feel now that he had somehow survived them. In dreams he was once more the tender affectionate boy he had once been, able to tolerate his mother's complaints, his father's humility, his brother Freddy's assumption of superiority, always with that eager placating smile, trying to make things better. How much of his life he had wasted in this attempt! Making things better seemed to have been assigned to him as his life's work, particularly making things better for Freddy, to whom he had been something of a guardian, although he was the younger brother. How he had admired Freddy and his prowess at the violin! How he loathed them in retrospect! As far as he could remember Freddy had always been regarded as a genius, largely by his parents, but it was true that he had enormous facility and was easily persuaded to perform. His youth and his poetic looks had prevailed easily on agents and concert promoters, and soon Freddy's engagements became a priority in their little household. He played well, but confined himself to easier popular pieces— Sarasate, Saint-Saëns—acquired a certain wider prestige, was a name, a prodigy, whose gifts might or might not last. It was not his gifts that let him down, but rather his temperament. He was unequal to the concert platform for which his parents destined him, developed nervous trouble, a tremor in his right hand, and with the collapse of his future willed himself into a kind of invalidism which in time became ineluctable. This was not helped by their translation from Berlin to London, where his father found employment in a record shop; visits to the hospital or the nursing-home had absorbed all his free time, time that might have been put towards his studies. But these, once interrupted by the change in language and curriculum, never really flourished, and were in any case not a priority. Freddy was the priority. He now marvelled that he had never questioned this.

All gone now, all over, and himself the survivor. As he eased himself out of bed he reflected that survival was a mixed blessing. It involved surrendering that once young self to time, and time taught harsh lessons. Only the moments one managed to save from time were acceptable, and those were not always in one's gift. Yet the dream had restored him momentarily to his younger self. How quick he had been, how candid! He no longer remembered how he had looked, but knew the eager confident smile which had faded somewhat with age and experience. There was no one now on whom to lavish that smile, yet on occasions it still preceded him, seemed to announce his future cooperation in whatever was decided. He knew he was alone, that he must rouse himself, make a cup of tea, prepare himself for another boring day. This pacifying routine brought no rewards, was often accomplished with a sigh, and, worse, had to be eternally undertaken. Solvent, and as healthy as he could be at his age, he nevertheless knew that his journeyings were nearly over, that he would remain in this small home he had made for himself until he was eclipsed, he hoped far from indifferent eyes. Sparse now, but not noticeably diminished, he could still convince anyone who cared to look that he was a viable concern. To a careless observer he seemed to be making out a good case for survival. But his heart still ached over the intervening middle years, which were ones of curatorship, of his parents, of Freddy. Their deaths had not emboldened him to strike out on his own. Even his resolute holidays were accompanied by a feeling of sadness, for he knew that he would always have to return to accumulated sadness, the sadness of his stricken parents, the sadness of those visits to Freddy in hospital, in the nursing-home, and finally to that windswept Quaker establishment, half hotel half rehabilitation centre, where he had languished (where both of them had languished) until Freddy's death. The memory of those weekend visits would, he thought, be with him beyond the grave. All the deaths were natural, yet all had an aura of horror. It was their lives rather than their deaths that were regrettable, and all the frustrated love that had failed to sweeten their end.