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Authors: Richard Matheson

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FIGHT ON MISSOURI!

Fight on Missouri!
Win your battle for the day!
You have your honor
to hold!
Fight on Missouri!
Sink the foe that’s in your way
beneath a sea
Black and gold!
Though we win
or we lose
we will keep our heads
ever high!
But if we
got to choose
Then let
win-win-win
!
be our cry!
Fight on Missouri!
Your sons and daughters
are behind you
We will root – root
you through!
they may shout “Hold that Tiger!”
but they’ll never see it done!
If you fight on, fight on
FIGHT!
Missouri U
!

Good melody too. I thought I might win that contest. I didn’t.

*    *    *    *

Well,
something
positive must have happened to our hero or heroine in ACT I.

BECAUSE OF YOU

My heart is all aflame
Because of you.
The stars don’t seem the same
Because of you.
The clouds that filled my sky before
have all been blown away
and love has made a sky of blue
for every day.
What good was lover’s lane
and twilight glow?
Alone, the hours dragged.
They seemed to know.
But then we met
and all at once I knew
That love was mine
Because of you.

Also listed on the schedule for ACT I, Scene 2 was
IT’S A WONDERFUL LIFE!
(I wrote it before the Frank Capra classic was released.)

IT’S A WONDERFUL LIFE

Can’t you tell
It’s a Wonderful Life
!
Oh, yes, you know darn well
It’s a Wonderful Life
!
Everything about living
is lots more fun
When you’re give-give-giving!
Everytime you can smile when you’re sad
You’ll change your frown away
and the blues that you had!
Force a smile if you have to
that’s the best way to live!
Laugh – ter!
“Dat’s da tonic!” da doctor say
So try it!
Just try it any day!
Tell your sister, your brother, your wife!
Let everybody know
It’s a Wonderful Life
!
Let’s all shout it together!
It’s a Wonderful Life
!

*    *    *    *

ACT II will, largely, consist of descriptive material found in my notes, obviously material Norman and I prepared. The sequence is mostly sung.

I think that SADIE was performed by Jean Vickerstaff.

*    *    *    *

ACT II – Sc. 1

It is the opening night of Van and Alec’s new show. The “Sadie” routine is one of the main production numbers of the show. There are six men arranged in a wide semi-circle around the bench on which Sadie sits. It is a park scene. The time is about 1910. The men are dressed in light suits, spats and straw hats; Sadie in wide skirt, bonnet and with a light parasol. The men all have handlebar mustaches.

1st:
You’re lovely
2nd:
You’re adorable
3rd:
But conditions
4th:
Are deplorable
5th:
Why won’t you please
6th:
Make up your mind?
Goodness gracious Sadie honey
5th:
Can’t you see that it’s not funny
4-1:
And it isn’t just your coldness that we mind
All:
When you look at us
We’re just like a burning house
1-3:
And just when we’re burning
4-6:
Just when we’re yearning
All:
You play with us just
Like a cat plays with a mouse
1st:
You’re exceptionally
2nd:
Attractive
3rd:
You would make a corpse’s heart
4th:
Quite active
All:
Sadie, won’t you be mine?
(Brief musical break)
SADIE:
I can’t
Cause there’s something in me
Extant
Like a bird that is free
I want romance and loving
But I can’t forego
This endless urge for gaily roving
I would
If I could but I can’t
So I won’t
So you see if you rant
Forever
Forever and a day
I would always be compelled to say “nay, nay”
For I can’t, I can’t, I can’t.
ALL MEN:
(Get up and do simple movements while singing)
Sadie
I love you so, I love you so, I love you so-O-o-oh
Sadie
How well you know, how well you know, how well you know
Why don’t you flee with me
To faraway places
Kick off the traces
Bay-hay-hay-hay-hay-bee
Sadie
I’m in despair
I never met another
That I’d rather make a mother
Than Sadie
Be my lady Mi-ne
(Now they go into a dance routine while Sadie watches. When their routine is almost over, Johnny (as the hero) comes on stage right reading a book. He does not notice her but she pretends to draw him in by pulling her fingers magically towards the bench so that he follows them and sits down at the other end of the bench. The men see this when they are finished and making various signs of heartbreak they break up into little groups.)
  
  
SADIE:
(Casts little side glances and then clears her throat. He looks at her but then back at his book. She frowns and then smiles. She drops her handkerchief on the ground. He does not notice and she picks it up with a frown with the end of her umbrella. Then she draws it through the air and he smells the perfume on it. He looks up at her.)
Won’t you come a little closer
Little closer, sir to me,
If you do then you will know, sir,
What the meaning is of ecstasy
I promise not to bite your head off
I’m as gentle as can be
So won’t you move a little closer, closer
Little closer, sir, to me.
  
  
JOHNNY:
(coolly)
Whether it’s December or it’s June
I’m immune
From nature and her tricks
From winsome smiles
and girlish wiles
From sparkling eyes
And breathless sighs
And all the things that mix
A fellows mind until he doesn’t know
If there is snow
Or grass upon the ground
So all your invitations
To the rest may be occasions
But this boy has been around.
  
  
SADIE:
(Moves closer and sings. He tries to read but by the end of the song he does what she asks.)
You’ve never kissed me.
You’ve never known me
You’ve never held me
Close in your arms.
You’ve never kissed me
Because I’ve never flown
So I could always be
Close to your charms.
So if you kiss me
And I will know if it’s true
That I will never see
More than friendship from you.
So as it narrows down
There’s only one guarantee
That I meant nothing to you
And that’s for you-to-kiss-me.
(She is right by him and gives him a long lingering kiss.)
  
  
JOHNNY:
(Sits dumbly on the bench staring ahead. Then he starts to sing weakly.)
I didn’t know what I was talking about
I hadn’t the slightest idea that I’d find
Romance so exciting
So wonderfully rare
That my heart would be fighting
To jump out of the frigid-air.
If I had once ever suspected that love
Could sail any heart in the blue shy above,
I’d have given up the struggle
And let my locked heart out
I didn’t know what I was talking about.
Sadie. I love you. Marry me.
  
  
SADIE:
I can’t.
JOHNNY:
Why?
SADIE:
I don’t know. There’s just something holding me back.
(She begins to sing “I Can’t” and Johnny joins in with her. Both songs are sung in unison per lead sheet. While they sing – towards the end of the song – a Spaniard comes walking out onto stage right with sombrero, guitar, bright sash, et al. Johnny does not notice him until the end of the song, the Spaniard offers her his hand and she smiles, rises and walks off at left upstage.)
JOHNNY:
(Looks dazed at this occurrence. He stares at where they have exited and then gets up. He wanders over to where all the men are watching. He looks at them, and shrugs his shoulders with his arms raised, palms up.) I don’t get it.
ALL:
(Ala “Good Evening Friends”) You never will…
JOHNNY:
(He sits down on another bench and stares at the stage.)
ALL:
(Group around him and start singing to the tune of “Come a Little Closer”… with changes for difference in meter of words.)
Welcome to the club we call it
Those who’ve sat too close incorporate
If a fellow flops at love, then he
Should do well in our fraternity
We’re the flotsam and the jetsam
On the sea of sweet romance
We’re the guys who sat too close to Sadie
And only got a kick in the pants.
(They take him in their midst and all exit stage right as Sadie and the Spaniard come on stage left, arm in arm. She sits down on the bench and he kneels before it.)
  
  
SPANIARD:
Senorita where I come from
This can only mean one thing.
You and I are going to marry
I’ll go now to get the ring.
We will live in hacienda
We will eat tortilla beans.
We will raise a great big family.
That’s what this means
(He gets up and they start dancing to “Sadie” in a tango beat. At the end of the dance she kisses him lightly, and he falls back in a faint to be caught by two chorus men, who have rushed on stage just at the right moment. They drag him off stage right. Sadie wanders over to bench and sits down, arranging her hair and primping. At this point a very well dressed Englishman with a monocle and all the graces comes on from left upstage. He walks over to her in a manner that indicates he expects to be knighted or at least to ascent very shortly. He takes a handkerchief from his pocket, puts it down carefully and kneels down gingerly.)
ENGLISHMAN:
I’ve crossed the Atlantic Ocean
To extend my propositions
I think that we’d be happy
Under marital conditions
Sadie, please marry me
Sadie please say you’ll be
The Lady Sadie Tudor Fitzhugh the Seventh
or is it the eleventh
I really cannot recall
But Sadie I promise you.
That half of our children’s blood will be absolutely blue.
For I’m extremely wealthy
And my family quite healthy
So dear Sadie
Be my lady mine.
(He rises carefully and they dance a waltz to the melody of “Sadie.” At the end she kisses him. He gives a loud English laugh, passes out and is carried off right downstage by two chorus members, who again have appeared just in time.)
SADIE:
(Repeats her performance that happened after she kissed the Spaniard.)
(Enter a Russian dressed boldly and extravagantly. He comes on stage left with long strides and throws himself before her.)
RUSSIAN:
Sadie, won’t you be mine
Sadie, you’re looking fine
I think that you will be an adequate modder
I’ll be the fodder
Let’s be off for the Kremlin.
Sadie, your life will be
Full of sweet ecstasy
Cause you’ve never been kissed
Til you’ve been kissed by a Communist
Sadie be my laddie mine.
(He starts to dance violently and at the end of the dance he is so tired that he collapses and is dragged off the stage.)
SADIE:
(Sighs and leans back on the bench. The lights grow dimmer as if it were later in the day. She starts to sing slowly and unhappily. As she sings, the chorus men, Johnny and the other
three slowly come out and hum in the background, as they stand there looking at her.)
There doesn’t seem to be
anyone for me
I guess it’s all because
of my perversity.
But I keep searching
Hoping that I’ll find
The man who fills my dreams
Fills my searching mind.
So I’ll go on and on
Reaching for a star         (she starts off stage)
And breaking hearts because
That’s what hearts are for.
I know I’m callous inside
I haven’t denied
It’s true
But I will search for my dre-am
Until I can see him
Until I can really know.
(She stands for a moment at the edge of the stage left downstage. Then after they all sing slowly “Sadie we love you sooooo,” she twirls her parasol a little and exits.)

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