Lying Under the Apple Tree (58 page)

“Not to school,” I said. But I did start making use of the bike, riding it out to the country along the back roads on Sunday afternoons. There was hardly a chance then of meeting anybody I knew, and sometimes I met nobody at all.

I liked to do this because I was secretly devoted to Nature. The feeling came from books, at first. It came from the girls’ stories by the writer L. M. Montgomery, who often inserted some sentences describing a snowy field in moonlight or a pine forest or a still pond mirroring the evening sky. Then it had merged with another private passion I had, which was for lines of poetry. I went rampaging through my school texts to uncover them before they could be read and despised in class.

To betray either of these addictions, at home or at school, would have put me into a condition of permanent vulnerability. Which I felt that I was in already, to some extent. All someone had to say, in a certain voice, was
you would
, or
how like you
, and I felt the taunt, the chastening air, the lines drawn. But now that I had the bike, I could ride on Sunday afternoons into territory that seemed waiting for the kind of homage I ached to offer. Here were the sheets of water from the flooded creeks flashing over the land, and here were the banks of trillium under the red-budded trees. And the chokecherries, the pin cherries, in the fencerows, breaking into tender bits of bloom before there was a leaf on them.

The cherry blossoms got me thinking about the trees in Miriam McAlpin’s field. I wanted to look at them when they flowered. And not just to look at them—as you could do from the street—but to get underneath those branches, to lie down on my back with my head against the trunk of the tree and to see how it rose, as if out of my own skull, rose up and lost itself in an upside-down sea of blossom. Also to see if there were bits of sky showing through, so that I could screw up my eyes to make them foreground not background, bright-blue fragments on that puffy white sea. There was a formality about this idea that I longed for. It was almost like kneeling down in church, which in our church we didn’t do. I had done it once, when I was friends with Delia Cavanaugh and her mother took us to the Catholic church on a Saturday to arrange the flowers. I crossed myself and knelt in a pew and Delia said—not even whispering—“What are you doing that for? You’re not supposed to do that. Just us.”

I
LEFT
the bike lying in the grass. It was evening, I had ridden through town on back streets. There was nobody in the stable yard or around the house. I got myself over the fence. I tried to go as quickly as possible, without running, over the ground where the horses had been cropping the early grass. I ducked under the branches of the big tree and went on stooping and stumbling, sometimes hit in the face by the blossoms, till I reached the trunk and could do what I’d come to do.

I lay down flat on my back. There was a root of the tree making a hard ridge under me, so I had to shift around. And there were last year’s apples, dark as chunks of dried meat, that I had to get out of the way before I could settle. Even then, when I composed myself, I was aware of my body’s being in an odd and unnatural situation. And when I looked up at all the dangling pearly petals with their faint rosy smear, all the pre-arranged nosegays, I was not quite swept into the state of mind, of worship, that I had been hoping for. The sky was thinly clouded, and what I could see of it reminded me of dingy bits of china.

Not that this wasn’t worth doing. At least—as I began to understand as I got to my feet and scrambled out of there—it was worth having done. It was along the lines of an acknowledgment, rather than an experience. I hurried across the field and over the fence, retrieved my bicycle, and was in fact starting to ride away when I heard a loud whistle, and my name.

“Hey. You. Yeah. You.”

It was Miriam McAlpin.

“You come on over here for a minute.”

I wheeled around. There in the driveway between the old house and the horse barns, Miriam was talking to two men, who must have driven up in the car parked beside the road. They were wearing white shirts, suit vests, and trousers—just the same thing any man who worked at a desk or behind a counter in those days would be wearing from the time he got dressed in the morning till he got undressed to go to bed. Next to them, Miriam in her work pants and loose checked shirt looked like a cocky twelve-year-old boy, though she was a woman of between twenty-five and thirty. Either that, or she looked like a jockey. Cropped hair, hunched shoulders, raw skin. She gave me a look that was threatening and derisive.

“I saw you,” she said. “Over in our field.”

I said nothing. I knew what the next question would be and I was trying to think of an answer.

“So. What were you doing there?”

“Looking for something,” I said.

“Looking for something. Yeah. What?”

“A bracelet.”

I had never owned a bracelet in my life.

“So. Why did you think it was in there?”

“I thought I’d lost it.”

“Yeah. In there. How come?”

“Because I was in there the other day looking for morels,” I floundered. “I had it on then and I thought it could have slipped off.”

It was true enough that people looked for morels under old apple trees in the spring. Though I don’t suppose they wore bracelets while they were at it.

“Unh-hunh,” said Miriam. “Did you find any? Whatchamacallums? Morels?”

I said no.

“That’s good. ’Cause they would’ve been mine.”

She looked me up and down and said what she’d been wanting to say all along. “You’re starting early, aren’t you?”

One of the men was looking at the ground, but I thought he was smiling. The other looked straight at me, raising his eyebrows slightly in droll reproach. Men who knew who I was, men who knew my father, would probably not have let their looks say so much.

I understood. She thought—they all thought—that I had been under the tree, yesterday evening or some other evening, with a man or a boy.

“You go on home,” Miriam said. “You and your bracelets go on home and don’t ever come back monkeying around on my property in the future. Go on.”

Miriam McAlpin was well known for her tendency to bawl people out. I had once heard her in the grocery store, carrying on at the top of her voice about some bruised peaches. The way she was treating me was predictable, and the suspicions she had of me seemed to rouse an unambiguous feeling in her—pure disgust—which did not surprise me.

It was the men who made me sick. The looks they gave me, of proper disapproval and sneaky appraisal. The slight dull droop and thickening of their features, as the level of sludge rose in their heads.

The stable boy had come out while this was going on. He was leading a horse belonging to one or both of the men. He halted in the yard, did not come closer. He seemed not to be looking at his boss, or the horse owners, or at me, not to take any interest in the scene. He would be used to Miriam’s way of telling people off.

People’s thoughts about me—not just the kind of thoughts the men or Miriam might be having, each kind rather dangerous in its own way—but any thoughts at all, seemed to me a mysterious threat, a gross impertinence. I hated even to hear a person say something relatively harmless.

“I seen you walking down the street the other day. Looked like you were off in the clouds.”

Judgments and speculations all like a swarm of bugs trying to get into my mouth and eyes. I could have swatted them, I could have spat.

“D
IRT
,”
MY
sister whispered to me when I got home. “Dirt on the back of your blouse.”

She watched me take it off in the bathroom, and scrub at it with a hard bar of soap. We didn’t have running hot water except in the winter, so she offered to get me some from the kettle. She didn’t ask me how the dirt had got there, she was only hoping to get rid of the evidence, keep me out of trouble.

O
N
S
ATURDAY
nights there was always a crowd on the main street. At that time there wasn’t such a thing as a mall anywhere in the county, and it wasn’t until several years after the war that the big shopping night would shift to Friday. The year I’m talking about is 1944, when we still had ration books and there were a lot of things you couldn’t buy—like new cars and silk stockings—but the farmers came into town with some money in their pockets and the stores had brightened up after the Depression doldrums and everything stayed open till ten o’clock.

Most town people did their shopping during the week and in the daytime. Unless they worked in the stores or restaurants they stayed out of the way on Saturday evenings, playing cards with their neighbors or listening to the radio. Newly married couples, engaged couples, couples who were “going out,” cuddled in the movie house or drove, if they could get the gas coupons, to one of the dance halls on the lakeshore. It was the country people who took over the street and the country men and girls on the loose who went into Neddy’s Night Owl, where the platform was raised above a dirt floor and every dance cost ten cents.

I stood close to the platform with some friends of my own age. Nobody came along to pay ten cents for any of us. No wonder. We laughed loudly, we criticized the dancing, the haircuts, the clothes. We sometimes spoke of a girl as a slut, or a man as a fairy, though we did not have a precise definition of either of these words.

Neddy himself, who sold the tickets, was apt to turn to us and say, “Don’t you think you girls need some fresh air?” And we would swagger off. Or else we would get bored and leave on our own initiative. We bought ice-cream cones and gave each other licks to try the different flavors, and walked along the street in a haughty style, swinging around the knots of talkers and through the swarms of children squirting water at each other from the drinking fountain. Nobody was worth our notice.

The girls who took part in this parade were not out of the top drawer—as my mother would have said, with a wistful and lightly sarcastic edge to her voice. Not one of them had a sunroom on their house or a father who wore a suit on any day but Sunday. Girls of that sort were at home now, or in each other’s houses, playing Monopoly or making fudge or trying out hairstyles. My mother was sorry not to see me accepted into that crowd.

But it was all right with me. This way, I could be a ringleader and a loudmouth. If that was a disguise it was one that I managed easily. Or it might not have been a disguise, but just one of the entirely disjointed and dissimilar personalities I seemed to be made up of.

On a vacant lot at the north end of town some members of the Salvation Army had set up their post. There was a preacher and a small choir to sing the hymns and a fat boy on the drum. Also a tall boy to play the trombone, a girl playing the clarinet, some half-grown children equipped with tambourines.

Salvation Army people were even less top drawer than the girls I was with. The man who was doing the preaching was the drayman who delivered coal. No doubt he had washed himself clean, but his face still had a gray shadow. Sweat was running down it from the exertion of his preaching and it seemed as if his sweat must be gray too. Some cars would honk to drown him out as they passed. (In spite of the waste of gas, there were certain cars driven, by young men, up the street to the north end, and down the street to the south end, over and over again.) Most people walked past with uneasy but respectful faces, but some halted to watch. As we did, waiting for something to laugh at.

The instruments were raised for a hymn, and I saw that the boy who lifted the trombone was the same stable boy who had stood in the yard while Miriam McAlpin was giving me the dressing-down. He smiled at me with his eyes as he began to play, and he seemed to be smiling not to recall my humiliation but with irrepressible pleasure, as if the sight of me woke the memory of something quite different from that scene, a natural happiness.

“There is Power, Power, Power, Power, Power in the Blood,” sang the choir. The tambourines were waved above the players’ heads. Joy and lustiness infected the bystanders, so that most people began to sing along with a jolly irony. And we permitted ourselves to sing with the others.

Soon after that the service was at an end. The stores were closing up, and we took our separate ways home. There was a shortcut for me, a footbridge over the river. When I had nearly reached the end of it I heard heavy running, some sort of thumping, behind me. The boards shuddered under my feet. I turned sideways, backing against the railing, slightly scared but concerned not to show it. There were no lights near the footbridge and now it was quite dark.

When he got close I saw that it was the trombone player in his heavy dark uniform. The trombone case made the thumping sound, knocking against the railing.

“Okay,” he said, out of breath. “It’s just me. I was only trying to catch up with you.”

“How did you know it was me?” I said.

“I could see a little. I knew you lived out this way. I could tell it was you by the way you walk.”

“How?” I said. With most people, such presumption would have made me too angry to ask.

“I don’t know. It’s just the way you walk.”

H
IS NAME
was Russell Craik. His family belonged to the Salvation Army, his father being the drayman-preacher and his mother one of the hymn-singers. Because he had worked with his father and got used to horses, he had been hired by Miriam McAlpin as soon as he left school. That was after Grade Eight. It was not at all uncommon in those years for boys to do that. Because of the war, there were lots of jobs for them to take up while they were waiting, as he was, to be old enough to go into the Army. He would be old enough in September.

If Russell Craik had wanted to take me out in the usual way, to take me to the movies or to dances, there would not have been a chance of its being allowed. My mother would have pronounced that I was too young. Probably she would have felt it was not necessary to say that he worked as a stable boy and his father delivered coal and his whole family put on Salvation Army outfits and regularly testified on the street. Those considerations would have meant something to me too, if it had come to displaying him publicly as my boyfriend. They would have meant something at least until he got into the Army and became presentable. But as it was, I didn’t have to think about any of that. Russell could not take me to the movies or to a dance hall because his religion forbade him to go there himself. The arrangement that developed between us seemed easy, almost natural, to me because it was in some ways—not all—much like the casual, hardly recognized, and temporary pairing off of boys and girls of my age, not his.