Lucca (2 page)

He remembered he was to have Lea the following weekend. If
it kept on raining they could always play table tennis and hire some videos. And they had been talking of making a kitchen garden. He had already bought garden tools from the hardware shop and been to the garden centre for seeds. The tools were in the scullery beside the washing machine, painted red, with beechwood handles. He hadn't even removed their stickers with bar codes. If the weather was reasonable they might get started. He hadn't wanted to do it on his own even though he had the time. The idea was for them to do it together.

The librarian had questioned him about Lea, he had even shown her some pictures. While he talked about his daughter she had smiled and looked at him with her nice eyes, and he could sense that the small anecdotes raised him in her feminine esteem. That embarrassed him, and he shied away from talking to her like that. Her encouraging gaze and understanding smile made him feel pathetically disarmed.

He lit a cigarette. Andreas Bark's masculine but painfully vulnerable face came to mind again. He didn't know what he should have said to him. After all, his wife was not dead. With a bit of luck and a few months' rehabilitation she would be able to go on, blind but alive. The untold marital drama being acted out behind the man's tragic mien and her refusal to see him was a far cry from his medical field of action.

Throughout his years as a doctor it had often occurred to him that it was the reverse side of life with which he was occupied, the side with the seam. Just like tailors of old who had only an indirect glimpse of the glittering world of fine ladies, it was the sad moments in people's lives that he shared with them, when some functional fault or accident prevented them from getting on with their dramatic or uneventful existence.

After he had moved to the provinces and by degrees accustomed himself to his new and quieter lifestyle, he had to admit that Monica had been right when she reproached him for not being more ambitious. Naturally he wanted to be proficient, and he did try to improve, but he never dreamed of being a virtuoso. The appointment at a provincial hospital was anything but progress in his career, and he discovered, to both his surprise
and relief, that he didn't mind. The hospital was the innermost sphere in his world, it was there he spent most of his time, and it was from there that he looked out on the world where other people moved. Now and again they passed through his, but to them that was an unpleasant parenthesis, which they hastened to forget as soon as they escaped.

Their lives were not his concern, only their bodies, and he had grown used to working with the human body as a closed circuit separate from the life it lived. The organism was sufficient to itself and unaffected by the dreams and ideas raging within it. That was an idea he found encouraging. He liked his work, he liked vanishing into it, completely engrossed in finding out what was wrong with people, and what should be done about it. He liked observing how every aim for beauty and social status was irrelevant when it came to the body's own solitary life, the vegetation of the organs in time to the soft, meaningless rhythm of the pulse. In his eyes the anonymous innocence of the interior organs offset the broken illusions of the exterior, socialised body, its ugliness, obesity and wear and tear. But the anonymity of the organs was also a cunning commentary on the spoilt, exacting beauty of other and luckier bodies.

One day he had shown Lea an anatomical atlas with detailed colour plates. He described what she was looking at and carefully explained the function of the organs, but she wrinkled her nose and asked him to close the book. She thought the pictures were distasteful and protested when he reminded her that she herself looked like that inside, like everyone else, whether they were beautiful or ugly. It amazed him that the interior of the body could be as terrifying as its exterior seemed seductive. Perhaps it was not the organs that caused the disgust but the anatomical dissecting gaze that by revealing them so matter-of-factly also showed how vulnerable they were.

To the patients the hospital was an ominous place with its clinical atmosphere of linoleum, white coats, disinfectant and rust-free steel, and all of them had the same anxiety in their eyes, whether they tried to hide it or give it free rein. Hospital reminded them that whatever happened they would have to
die sometime, regardless of how many wiles the doctors used to stave off the inevitable. When they relinquished themselves to his authority and placed all their hope in his white coat, he sometimes had to ask himself if it was the terror of being admitted that made them so meek rather than the hope of being discharged again.

But he knew very well that horror and hope walked together, and he had probably become hard to scare only because he had seen so many sick people and despite everything had cured a good many of them. He had even grown less horrified by incurable diseases simply by encountering them regularly. Sometimes he thought that one day it could be he himself lying there afraid of dying, but identifying with the dying did not make him more fearful than he would otherwise have been, rather the reverse.

Horror and hope. Perhaps you had to be really frightened to know what hope was. Perhaps. He didn't hope so much for his own sake, and Lea was the only person in his life more important than himself. The only thing which could terrify him was the thought that she might get meningitis or be run over by a truck.

The reeds whispered and swayed from side to side when a bird suddenly flew up with feverishly flapping wings. He threw away his cigarette stub and heard the glow fizz in the muddy water. Again he thought of the mutilated Lucca Montale, how he had patched her up to the best of his ability. She had driven along the dark side-roads, the road markings, the grass verges and the black trees had rushed past her long-distance lights, and a cat or a fox might have seen her, stiffened with phosphorescent eyes, with one forepaw raised. Not even at the utmost limits of her inflamed mind could she have imagined that twelve hours later she would wake up swaddled like a mummy to be told she had seen the sun shining on the grass and through the trees' foliage for the last time. She had been utterly electrified by the drama that had sent her out on the roads the worse for drink, and in her impassioned state she had ignored the fact that the most violent changes are brought about just as often by chance as by the violent travesties of the emotions.

She didn't want to see him, her unhappy, unshaven husband, who had waited for her ravaged body to decide whether to live or die. She insisted on this, throughout all the outward havoc her impulsive inebriated journey had occasioned. He must really have upset her. Again Robert visualised the silhouette of the dancing gypsy through the fog of tobacco, with her snaking hips, her tambourine raised in a fervent gesture, among the pile of case notes. He recalled the insistent gaze of the other man, the restrained desperation in his eyes. Andreas Bark had been sweating, and Robert had had to open the window when he left to get rid of the odour of his desperate body and his French cigarettes.

He heard voices from behind the reeds, a young woman's laugh. Robert stood up. He did not want to be seen hunched on his spar in the forest of reeds like some queer fish sitting there dreaming. His legs tingled and felt slightly stiff. He went out into the open along a narrow spit that divided the submerged meadowlands from the lake. There was no-one to be seen. Further along where the spit widened out there was a tall wooden shed, and when you walked past, the sky and the water on the other side glittered in the gaps between the perpendicular tarred planks of its walls. He could hear them in there, now the man laughed. The young woman said something in a fond, low voice. Then silence. Robert could make out their outlines in the narrow, bright spaces between the planks. He had stopped, but walked on hastily when he realised they might be keeping quiet because they had seen him out on the path.

Before his rounds the following morning the sister told him that Lucca Montale had had terrible nightmares in the night followed by long bouts of weeping. They had given her a sedative. Two large bouquets were on her bedside table. The previous day there had been only the one that Andreas Bark had asked them to take in to her. A thoughtless gesture, thought Robert. What use were flowers to her? Weren't they rather a signal to the people around her that others were thinking of her? The nurse asked how she was. She wrenched her mouth sideways in something
meant to be a sarcastic smile. She really did look like a mummy, swathed as she was in plaster and bandages, reduced to a pale mouth that uttered brief answers when she was spoken to. Her condition had stabilised, now it was just a question of waiting.

For what? The nurse looked at him, perplexed, as he considered how to reply. He sat down on the edge of the bed and cautiously put a hand on her right shoulder, the only visible part of her body apart from her jaw which was not bandaged or plastered. Well, he couldn't say, he said, surprised at the gentleness in his voice. She made no answer, her mouth lay still in its folds, as if she were asleep. The nurse told her Lauritz would be coming in the afternoon. She spoke in an earnest, entreating voice. It was probably the best answer to give her. Lucca Montale asked her to take the flowers away, the stench was choking her. Robert and the nurse looked at each other.

As they walked along the corridor she told him the patient's mother had visited Lucca the previous day. She had not stayed in the room for more than a couple of minutes before coming out again, visibly shaken. The nurse had offered her a cup of coffee, but she had driven back to Copenhagen at once. She had looked surprisingly young, according to the nurse, who had recognised her voice but been unable to recall where she had heard it before, this beautiful, expressive female voice. Later in the day she had remembered. Lucca Montale's mother was a broadcaster. The nurse had asked Lucca if she was right, but the patient had been very curt and replied that she did not want visits from her mother or anyone else apart from her son.

Her decision did not need to be enforced, her mother did not come again, nor others. When Lauritz visited her, Andreas Bark waited outside the room, hunched in despair. Robert greeted him when he passed by and gave him brief reports of the patient's condition, controlling his impatience to continue along the corridor and escape the other's eyes. Andreas Bark must have registered his aversion and Robert was relieved to find he did not seek him out in his office again. Robert could not explain to himself what it was about the man that filled him with such revulsion. He did not try very hard to discover. There were other
patients and their families to look after, and Lucca Montale took her place in the rows of prone figures in hospital gowns whose faces and sufferings changed at varying tempos, according to the seriousness of their cases and how soon they were discharged.

He only saw her for a few minutes during his daily rounds, and as a rule he was the one who spoke, when he repeated more or less what he had said to her the day before. Under the circumstances everything went on as it should do. He himself thought that sounded hypocritical, but why, in fact? If someone drank themselves senseless and drove at 150 km an hour along the wrong side of the motorway, there were limits to the miracles he could perform. She should be glad to be alive at all. Unless she had driven like a madwoman to get it over with once and for all. Get what over? Life, quite simply? Or whatever it had been in her life that had made her wish she were dead? She probably hadn't made any distinction.

Every time he thought about her he grew more convinced that Lucca Montale must have decided to kill herself that evening she quarrelled with her husband and got into their car to drive towards the motorway. But it made no difference what he thought. His task was to get her on her feet again so she could be discharged to whatever awaited her outside. He knew no more about her, on the whole, than he knew about his other patients. Besides, he only thought of her now and then, in the intervals when he paused for a moment's reflection in his office, dictaphone in hand, looking down on the hospital garden below. Otherwise not.

His days resembled each other. When he was at home he listened to music, Brahms, Mahler, Bruckner, Sibelius, the great symphonies that were like cathedrals, with the same shadowy heights, the same ribbed arches, and the same mysterious, coloured light divided into rays, cones and rosettes on the stone floor. Exactly like the real cathedrals in the south, which he and Monica had always visited in the days when everything was going well or at least seemed to be. She had not shared his taste in music, he had had to listen with earphones in the evenings when they were
alone, and then she reproached him for isolating himself. At least it was some progress that now he could fill the empty house with one symphony orchestra after another without upsetting anyone. He did not think about anything when he listened to music. It poured through him like an impersonal energy, a huge, transforming power, and as long as it filled him it did not matter who or where he was. He watched the evening sky behind the birch trees in the garden, the grass in the wind, the children on cycles and the cars that occasionally passed along the road behind the fence, soundless as a silent film, while at the same time he felt both united and cut off from everything.

He went into Copenhagen once or twice a month and spent the afternoon and evening buying records, going to a concert or visiting some of his old friends. He had kept in touch only with friends from his life before he met Monica, and it was seldom he saw even those friends after he moved. Sometimes he went out to see his mother, she lived in a small flat in a block from the Thirties with a balcony where she could sit and look out over the harbour, the local heating station's row of slim chimneys and the railway lines with the express trains' shunting track.

His father had left her shortly after Robert was born and he had not seen him since; he had moved to Jutland and probably started another family there. He was a barber, thinking of him seemed quite abstract. He might already be dead. When Robert was fifteen he had decided to go in search of him. He succeeded in finding the address and telephone number. He could still remember the silence from the other end when he had told the strange man who he was. They arranged to meet in Århus, on neutral ground, as his father said in a tired voice that was hoarse and short of breath. He must be a chain-smoker. But when he was in the ferry crossing the Great Belt Robert began to lose heart, and he got off the train at Odense. What was the point of this?