Lost and Found in Russia: Encounters in the Deep Heartland (24 page)

BOOK: Lost and Found in Russia: Encounters in the Deep Heartland
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At a casual glance, she looked little changed: she still wore her hair in a tonsure which framed her grave brown eyes with their blue-tinged whites. She still walked as though facing into her own private gale, head down, striding. But the force field of tension around her had died down. It was only occasionally now that I felt her alarm, flapping like the wings of a wild bird. She was much better dressed, too. Indeed, all in all, she was looking rather handsome.

On our way to the Volga we drove through the outskirts of Marx, through the area they called New Thieftown. Since my last visit brand-new buildings had sprouted up. They were fantastical in design, towered, turreted, indiscriminately arrayed with arches, pillars, dormers, mansard roofs, windows French, oriole, and gothic. “Each time the builders start work on a new building we try and find out who they belong to,” Anna commented. “But they put the builders under oath to say nothing—and the paperwork always credits ownership to some Ivanov, or pensioner aunt.”

Misha finally stopped the car in a meadow studded with tiny white and yellow flowers. The floodwaters of the Volga had just died down. The mass of inlets which fissured the landscape on this low eastern bank were still full of water. On a finger of dry land between two inlets, two men were harpooning their quarry with long-handled forks as the fish spread their eggs in the shallows.

It was the first picnic of the year. The sun was shining. The branches of the trees were still bare, but even before the buds burst, an aura of green hung around them. Although the air was cool Anna stripped off down to her lime-green bikini and offered her long pale shanks to the sun. We all wandered around, collecting driftwood for the bonfire. Above our heads, a cloud of gnats filled the air with a ringing tone, and from the nearby willows a chorus of frogs were singing in contralto bursts. Such moments of beauty were rare in European Russia, where the most beautiful places had been despoiled by man’s messy pursuit of an unrealizable idea.

As we hauled our wood back to the fire I ventured to ask Anna how her crusade against corruption was going. “I can’t bear it when journalists play at false heroics,” she growled, slamming the door on further questions. “There are risks in journalism, of course, but you have to be realistic.” Realistic? Anna? She had taken the job of law correspondent at the newspaper. I understood that she started to thrive from that moment on. Indeed, last year she was voted one of the twenty best journalists in Russia by the Writers’ Union. “I’m not even a member!” she said crossly, and I understood that she was just trying not to sound too proud.

That was not all.
Izvestia
asked her to become their full-time correspondent in the city. She refused: she was quite happy where she was, thank you. What a sweet moment that must have been, considering how some years ago the paper had asked her up to Moscow for a trial, then failed to offer her a job. Now, in her capacity as law correspondent she earned more than any other journalist on the staff. Finally, most important for her, her poems were being recognized: the city’s literary journal,
Volga
, was publishing them regularly.

At this point, I embarrassed Anna by bursting into tears. I felt so proud. It was paying off, the long, slow bet I had placed on these intelligent, decent young provincial Russians. The way their lives were progressing bore out my growing conviction about the country and its postcommunist time of troubles. Despite the chaos—indeed because of it—it was proving an enormously creative time on the level of individual lives. While the country’s leaders flailed around, behaving reprehensibly, on the level of ordinary people something important was beginning to happen, something on which Russia’s future depended. Anna and Misha did not count as remotely ordinary—they were too smart. But in one sense they were. For they both started with no advantage but native wits and education. Where they led, others could follow. Given time, people who did not have their natural advantages would also start recovering from their addiction to state control. They would lose that terrible obedience to the state which was Russia’s curse. The frightened little person who sits inside every Russian was starting to shrink. Russia’s people had started their twelve-step cure. It was early days yet, the trees were still bare, but the aura of green was there.

Later on, at Anna’s office I would leaf through her recent articles, observing the common thread now running through her work. She was keeping up a sustained attack on the popular sentimentality for “the good old days” which had started to settle in. She was educating people about themselves and their past. Here she was interviewing an old man who was a prosecutor during the Khrushchev years. He was haunted by the memory of sending a man to the camps for ten years for complaining about bread rationing: “I knew the worker was right. But I kept my protest to myself …” Nothing had happened to change Anna’s view that fascism was creeping in. But rather than offering herself as a despairing sacrifice she was working to ensure that the Russian people would be better able to resist it.

Recently, when a gang in Saratov gunned down eleven young rival gangsters with submachine guns, the shock waves reverberated right around Russia. The national press blamed capitalism, and demonized the thugs, assuming that they belonged to a criminal underclass. But Anna tracked down their parents. She found that these “demons” were children of the old Soviet proletariat, communism’s favored class. They still lived at home; washed their hands before meals, and gave their mothers flowers on Mothers Day. She wanted her readers to understand what had happened to these young people. When the economy collapsed, their sudden descent from privilege into poverty was more than they could cope with. They responded by helping themselves to what they were brought up to think was theirs by right.

I went out and bought a good bottle of wine: I wanted to celebrate Anna. In the old days, we had both been culpably wishful. But she was now using her journalism to encourage her readers to acquire the basic tools needed if that missing civic space were going to be built in Russia. It was going to take time, a long time. But if politics were going to change here, ordinary people were going to need to develop a new take on individuality, one which vastly increased their sense of the rights and responsibilities due to the individual.

Now, as we sat on the flower-studded water meadows, something began to stir far away in the steppe. Minutes later, the wind was on us, gusting through the trees. The poplars were dancing and the tops of the willows and birches swaying. But here on the ground, the air was quite still. Then, as suddenly as it had come, the wind moved on and a gust of rain swept in, sending us diving for shelter.

The rain stopped as abruptly as it started, and we gathered around the bonfire to drink beer and eat salt fish. On the bonfire, Misha was cooking long kebabs which we threaded onto stripped green branches. His boyish face had filled out and he looked confident and, for a moment, almost relaxed. When we first met, there was little to distinguish him from all the other young men who were trading in anything they could lay their hands on. I did not yet understand what it was in the circumstances of his life, or parentage, that stiffened him for success. His rarest quality, it seemed to me, was his faith in the future. Fortune favors those who can imagine a future when others cannot.

Right now he was in a rage. He had just been turned down by the local authorities for the only loan he could afford. “They took one look at our application, assumed we were just traders, and turned us down! It’s outrageous! I’m just the kind of entrepreneur Russia needs! I’m making something really essential—and my money’s all here! But they just treat us with contempt. In fact we’re the only source of money they’ve got to pay all their tax-men and policemen. Do you know we’ve now got four hundred policemen in Marx—yes, in the town alone! They squeeze us and squeeze us.

“No matter how hard I work, I’ll never be able to live as well as the most piddling of these bureaucrats. It’s not that they earn much, but boy do they steal! It would be OK if they robbed in moderation, but their greed for other people’s money is bottomless. Who is it that lives in castles and drives foreign cars around here? It’s the officials. And when they’ve lined their own nests, they go on to house their parents, to set up their kids, their cousins and aunts! They don’t just take money, they take anything—building materials, workmen—anything!”

“Ah well, at least the young don’t have illusions anymore,” Anna said, looking over at Polina and her friend, who had tuned in to some music on the car radio, opened the car doors, and were dancing on the flower-studded grass.

Anna accompanied me to the railway station. It was growing dark as we stood on the platform. A man was going down the train, tapping the wheels, testing for metal fatigue, just as he was doing a century ago, when Anna Karenina watched him before throwing herself under the wheels of the train.

There was no one else in the four-bunk compartment of the sleeper. In the old days, the train would have been full. We would have shared food, stories, jokes, and fears. Now only the rich could afford to travel. As the train prepared to leave, my friend who had always seemed so allergic to intimacy was affectionate as never before. She gave me a book, on the first page of which she had written: “Sometimes you find that you are much closer to a person who was born on the other side of the world and who speaks a different language than to those you live alongside.”

The train set off into the night, over the long-suffering Volga countryside. “I think that you are a-little-bit-me,” Anna had once written to me, when she barely knew me. I was moved by her words, moved enough to return to Marx. But I did not understand what prompted them. Now I had come to love this difficult, intelligent, intractably honest woman and to share her feeling that in some mysterious way our lives really were connected.

MUSIC OF THE SPHERES

For a long time I barely dared open up the memory of that music I heard in the forest. But it had gone on resonating in my mind, that glorious chord which sounded as if all the choirs of Russia were singing at once, hidden in the trees. Natasha’s story had reassured me. It allowed me to own my experience again.

At the start of my journey, I had dreamed about traveling to a strange city full of totemic objects where I communicated with people in trochees and spondees. The reality had been even stranger than that dream. How could trees sing? I made desultory attempts to find out, but I had no idea where to look.

Then, in the course of the winter, I came across a clue in a footnote in a remaindered book. It was about a waterfall in western Mongolia which was said to “sing.” Herds of wild animals would come there to listen. People came, too, from all over Mongolia, students of
hoomi
, the native tradition of throat singing. They came to learn from the waterfall.

Back home, I went to hear a group of visiting
hoomi
singers from southern Siberia. Their wild rhythmic music, the songs of a herding people who lived and slept under the sky, was interspersed with high light ringing sounds that seemed to take on a life of their own. Though the sounds were strange, the intervals were familiar. That was when I understood. The
hoomi
singers had perfected the art of teasing out the harmonics in a single, sustained, guttural note, using the cavities of the head to amplify the sound. What I heard in the forest were natural harmonics.

Pythagoras is credited with being the first to start exploring natural harmonics in a systematic way. After hearing the sound of a hammer striking an anvil, he observed the intervals of the overtones released by that blow. He worked out the mathematics of the ratios involved, and explored their significance for geometry and astronomy.

•  •  •

What was it that had produced the music I heard as I stood in the Stony Tunguska River, with the Siberian forest stretching for miles around? Had the receding outboard motors of the Old Believers’ dinghies, or the approaching plane, triggered the harmonics of the forest, setting every cedar for miles around ringing with sound?

I began to become aware of the harmonics around me, aware that everything from planets to plants, wind to engines, was in a state of constant vibration. One night on the radio I heard a snatch of music from Fontenay Abbey, in France. It was a single bass voice, singing low sustained notes. The singer was releasing silvery scarves of sound that floated on the air, bursting into harmonic cadences. That was when I realized that the art of playing with the harmonics of the voice, which those
hoomi
singers had preserved, was integral to the great European tradition of sacred singing in the Middle Ages. So much so that some of the architects of the monasteries had even learned how to build in such a way that the church would act as a resonating chamber, triggering those harmonics. All this we knew once and then forgot.

My travels in the unraveling Soviet reality had taken me a long way off the map of my known world. Again and again I had come up against things I could not describe, because I did not understand them. Doing so had made me despair, for what kind of a writer was I if I could not lassoo the reality around me into words? But now I began to accept that I did not need to understand everything. Even as I grasped what that music was, I also realized how little understanding mattered. What did was the music, those vibrations of the Big Bang, the sound of life itself. Plato and the classical world had regarded it as the music of the spheres. This was where thought and language gave way to silence. But “For most of us,” as Eliot put it,

there is only the unattended
Moment, the moment in and out of time
,
The distraction fit, lost in a shaft of sunlight
,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses
,
Hints followed by guesses …
BOOK: Lost and Found in Russia: Encounters in the Deep Heartland
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