Little Black Book of Stories (2 page)

DID THEY HEAR IT first or smell it first? Both sound and scent were at first infinitesimal and dispersed. Both gave the strange impression of moving in—in waves—from the whole perimeter of the forest. Both increased very slowly in volume, and both were mixed, a sound and a smell fabricated of many disparate sounds and smells. A crunching, a crackling, a crushing, a heavy thumping, combined with threshing and thrashing, and added to that a gulping, heaving, boiling, bursting steaming sound, full of bubbles and farts, piffs and explosions, swallowings and wallowings. The smell was worse, and more aggressive, than the sound. It was a liquid smell of putrefaction, the smell of maggoty things at the bottom of untended dustbins, the smell of blocked drains, and unwashed trousers, mixed with the smell of bad eggs, and of rotten carpets and ancient polluted bedding. The new, ordinary forest smells and sounds, of leaves and humus, fur and feathers, so to speak, went out like lights as the atmosphere of the thing preceded it. The two little girls looked at each other, and took each other’s hand. Speechlessly and instinctively they crouched down behind a fallen tree-trunk, and trembled, as the thing came into view.

Its head appeared to form, or become first visible in the distance, between the trees. Its face—which was triangular—appeared like a rubbery or fleshy mask over a shapeless sprouting bulb of a head, like a monstrous turnip. Its colour was the colour of flayed flesh, pitted with wormholes, and its expression was neither wrath nor greed, but pure misery. Its most defined feature was a vast mouth, pulled down and down at the corners, tight with a kind of pain. Its lips were thin, and raised, like welts from whipstrokes. It had blind, opaque white eyes, fringed with fleshy lashes and brows like the feelers of sea-anemones. Its face was close to the ground, and moved towards the children between its forearms which were squat, thick, powerful and akimbo, like a cross between a monstrous washerwoman and a primeval dragon. The flesh on these forearms was glistening and mottled, every colour, from the green of mould to the red-brown of raw liver, to the dirty white of dry rot.

The rest of its very large body appeared to be glued together, like still-wet papier-mâché, or the carapace of stones and straws and twigs worn by caddis-flies underwater. It had a tubular shape, as a turd has a tubular shape, a provisional amalgam. It was made of rank meat, and decaying vegetation, but it also trailed veils and prostheses of man-made materials, bits of wire-netting, foul dishcloths, wire-wool full of panscrubbings, rusty nuts and bolts. It had feeble stubs and stumps of very slender legs, growing out of it at all angles, wavering and rippling like the suckered feet of a caterpillar or the squirming fringe of a centipede. On and on it came, bending and crushing whatever lay in its path, including bushes, though not substantial trees, which it wound between, awkwardly. The little girls observed, with horrified fascination, that when it met a sharp stone, or a narrow tree-trunk, it allowed itself to be sliced through, flowed sluggishly round in two or three smaller worms, convulsed and reunited. Its progress was achingly slow, very smelly, and apparently very painful, for it moaned and whined amongst its other burblings and belchings. They thought it could not see, or certainly could not see clearly. It and its stench passed within a few feet of their tree-trunk, humping along, leaving behind it a trail of bloody slime and dead foliage, sucked to dry skeletons.

Its end was flat and blunt, almost transparent, like some earthworms.

When it had gone, Penny and Primrose, kneeling on the moss and dead leaves, put their arms about each other, and hugged each other, shaking with dry sobs. Then they stood up, still silent, and stared together, hand in hand, at the trail of obliteration and destruction, which wound out of the forest and into it again. They went back, hand in hand, without looking behind them, afraid that the wicket-gate, the lawn, the stone steps, the balustrade, the terrace and the great house would be transmogrified, or simply not there. But the boys were still playing football on the lawn, a group of girls were skipping and singing shrilly on the gravel. They let go each other’s hand, and went back in.

THEY DID NOT SPEAK to each other again.

THE NEXT DAY they were separated and placed with strange families. Their time in these families— Primrose was in a dairy farm, Penny was in a parsonage—did not in fact last very long, though then the time seemed slow-motion and endless. These alien families seemed like dream worlds into which they had strayed, not knowing the physical or social rules which constructed those worlds. Afterwards, if they remembered the evacuation it was as dreams are remembered, with mnemonics designed to claw back what fleets on waking. So Primrose remembered the sound of milk spurting in the pail, and Penny remembered the empty corsets of the vicar’s wife, hanging bony on the line. They remembered dandelion clocks, but you can remember those from anywhere, any time. They remembered the thing they had seen in the forest, on the contrary, in the way you remember those very few dreams—almost all nightmares—which have the quality of life itself, not of fantasm, or shifting provisional scene-set. (Though what are dreams if not life itself?) They remembered too solid flesh, too precise a stink, a rattle and a soughing which thrilled the nerves and the cartilage of their growing ears. In the memory, as in such a dream, they felt, I cannot get out, this is a real thing in a real place.

THEY RETURNED from evacuation, like many evacuees, so early that they then lived through wartime in the city, bombardment, blitz, unearthly light and roaring, changed landscapes, holes in their world where the newly dead had been. Both lost their fathers. Primrose’s father was in the Army, and was killed, very late in the war, on a crowded troop-carrier sunk in the Far East. Penny’s father, a much older man, was in the Auxiliary Fire Service, and died in a sheet of flame in the East India Docks on the Thames, pumping evaporating water from a puny coil of hose. They found it hard, after the war, to remember these different men. The claspers of memory could not grip the drowned and the burned. Primrose saw an inane grin under a khaki cap, because her mother had a snapshot. Penny thought she remembered her father, already grey-headed, brushing ash off his boots and trouser-cuffs as he put on his tin hat to go out. She thought she remembered a quaver of fear in his tired face, and the muscles composing themselves into resolution. It was not much, what either of them remembered.

AFTER THE WAR, their fates were still similar and dissimilar. Penny’s widowed mother embraced grief, closed her face and her curtains, moved stiffly, like an automat, and read poetry. Primrose’s mother married one of the many admirers, visitors, dancing partners she had had before the ship went down, gave birth to another five children, and developed varicose veins and a smoker’s cough. She dyed her blonde hair with peroxide when it faded. Both Primrose and Penny were only children who now, because of the war, lived in amputated or unreal families. Penny developed crushes on poetical teachers and in due course—she was clever—went to university, where she chose to study developmental psychology. Primrose had little education. She was always being kept off school to look after the others. She too dyed her blonde curls with peroxide when they turned mousy and faded. She got fat as Penny got thin. Neither of them married. Penny became a child psychologist, working with the abused, the displaced, the disturbed. Primrose did this and that. She was a barmaid. She worked in a shop. She went to help at various church crèches and Salvation Army reunions, and discovered she had a talent for story-telling. She became Aunty Primrose, with her own repertoire. She was employed to tell tales to kindergartens and entertain at children’s parties. She was much in demand at Hallowe’en, and had her own circle of bright yellow plastic chairs in a local shopping mall, where she kept an eye on the children of burdened women, keeping them safe, offering them just a
frisson
of fear and terror that made them wriggle with pleasure.

THE HOUSE AGED differently. During this period of time—whilst the little girls became women—it was handed over to the Nation, which turned it into a living museum, still inhabited by the flesh and blood descendants of those who had built it, demolished it, flung out a wing, closed off a corridor. Guided tours took place in it, at regulated times. During these tours, the ballroom and intimate drawing-rooms were fenced off with crimson twisted ropes on little brass one-eyed pedestals. The bored and the curious peered in at four-poster beds and pink silk
fauteuils,
at silver-framed photographs of wartime Royalty, and crackling crazing Renaissance and Enlightenment portraits of long-dead queens and solemn or sweetly musing ancestors. In the room where the evacuees had eaten their rationed meals, the history of the house was displayed, on posters, in glass cases, with helpful notices, and opened copies of old diaries and records. There were reproductions of the famous paintings which had lain here in hiding during the war. There was a plaque to the dead of the house: a gardener, an under-gardener, a chauffeur and a second son. There were photographs of military hospital beds, and of nurses pushing wheelchairs in the grounds. There was no mention of the evacuees whose presence appeared to have been too brief to have left any trace.

THE TWO WOMEN met in this room on an autumn day in 1984. They had come with a group, walking in a chattering crocodile behind a guide, and had lingered amongst the imagery and records, rather than going on to eavesdrop on the absent ladies and gentlemen whose tidy clutter lay on coffee tables and escritoires. They prowled around the room, each alone with herself, in opposite directions, without acknowledging each other’s presence. Both their mothers had died that spring, within a week of each other, though this coincidence was unknown to them. It had made both of them think of taking a holiday, and both had chosen that part of the world. Penny was wearing a charcoal trouser suit and a black velvet hat. Primrose wore a floral knit long jacket over a shell-pink cashmere sweater, over a rustling long skirt with an elastic waist, in a mustard-coloured tapestry print. Her hips and bosom were bulky. They coincided because both of them, at the same moment, half saw an image in a medieval-looking illustrated book. Primrose thought it was a very old book. Penny assumed it was nineteenth-century mock-medieval. It showed a knight, on foot, in a forest, lifting his sword to slay something. The knight shone on the rounded slope of the page, in the light, which caught the gilding on his helmet and sword-belt. It was not possible to see what was being slain. This was because, both in the tangled vegetation of the image, and in the way the book was displayed in the case, the enemy, or victim, was in shadows.

Neither of them could read the ancient (or pseudo-ancient) black letter of the text beside the illustration. There was a typed explanation, or description, under the book, done with a faded ribbon and uneven pressure of the keys. They had to lean forward to read it, and to see what was worming its way into, or out of, the deep spine of the book, and that was how they came to see each other’s face, close up, in the glass which was both transparent and reflective. Their transparent reflected faces lost detail—cracked lipstick, pouches, fine lines of wrinkles—and looked both younger and greyer, less substantial. And that is how they came to recognise each other, as they might not have done, plump face to bony face. They breathed each other’s names, Penny, Primrose, and their breath misted the glass, obscuring the knight and his opponent. I could have died, I could have wet my knickers, said Penny and Primrose afterwards to each other, and both experienced this still moment as pure, dangerous shock. But they stayed there, bent heads together, legs trembling, knees knocking, and read the caption, which was about the Loathly Worm, which, tradition held, had infested the countryside and had been killed more than once by scions of that house, Sir Lionel, Sir Boris, Sir Guillem. The Worm, the typewriter had tapped out, was an English Worm, not a European dragon, and like most such worms, was wingless. In some sightings it was reported as having vestigial legs, hands or feet. In others it was limbless. It had, in monstrous form, the capacity of common or garden worms to sprout new heads or trunks if it was divided, so that two worms, or more, replaced one. This was why it had been killed so often, yet reappeared. It had been reported travelling with a slithering pack of young ones, but these may have been only revitalised segments. The typed paper was held down with drawing-pins and appeared to continue somewhere else, on some not visible page, not presented for viewing.

BEING ENGLISH, the recourse they thought of was tea. There was a tea-room near the great house, in a converted stable at the back. There they stood silently side by side, clutching floral plastic trays spread with briar roses, and purchased scones, superior raspberry jam in tiny jam jars, little plastic tubs of clotted cream. “You couldn’t get cream or real jam in the war,” said Primrose in an undertone as they found a corner table. She said wartime rationing had made her permanently greedy, and thin Penny agreed, it had, clotted cream was still a treat.

They watched each other warily, offering bland snippets of autobiography in politely hushed voices. Primrose thought Penny looked gaunt, and Penny thought Primrose looked raddled. They established the skein of coincidences—dead fathers, unmarried status, child-caring professions, recently dead mothers. Circling like beaters, they approached the covert thing in the forest. They discussed the great house, politely. Primrose admired the quality of the carpets. Penny said it was nice to see the old pictures back on the wall. Primrose said, funny really, that there was all that history, but no sign that they, the children, that was, had ever been there. Penny said no, the story of the family was there, and the wounded soldiers, but not them, they were perhaps too insignificant. Too little, said Primrose, nodding agreement, not quite sure what she meant by too little. Funny, said Penny, that they should meet each other next to that book, with that picture. Creepy, said Primrose in a light, light cobweb voice, not looking at Penny. We saw that thing. When we went in the forest.