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Authors: Zizou Corder

Lionboy

BOOK: Lionboy
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Table of Contents
 
 
 
a cognizant original v5 release october 14 2010
First published in the United States 2004
by Dial Books
A member of Penguin Group (USA) Inc.
345 Hudson Street
New York, New York 10014
 
Published in Great Britain 2003
by Puffin Books
Text copyright © 2003 by Louisa Young and Isabel Adomakoh Young Illustrations copyright © 2003 by Fred Van Deelen
Music copyright © 2003 by Robert Lockhart. All rights administered by Rights Worldwide Ltd.
 
 
 
Library of Congress Cataloging-in-Publication Data
 
Corder, Zizou.
Lionboy / Zizou Corder.
p. cm.
Summary: In the near future, a boy with the ability to speak the language of cats sets out from London to seek his kidnapped parents and finds himself on a Paris-bound circus ship learning to train lions.
eISBN : 978-1-101-04271-7
[1. Human-animal communication—Fiction. 2. Kidnapping—Fiction.
3. Cats—Fiction. 4. Lions—Fiction. 5. Circus—Fiction.
6. Voyages and travels—Fiction.] I. Title.
PZ7.C815345Li 2004
[Fic]—dc21
2003009103

http://us.penguingroup.com

L
ionboy
is dedicated to Greenside School, especially Year Six, 2003-4: Kehinde Ogunseitan, Taiwo Ogunseitan, Hannah Laidley, Melanie Phillips, Kitty Wordsworth, Rosie Gravante, Alice Broughton, Daniel da Cunha Blaker, Jake Kidston Kerr, Charlie Raven, Charlie Regis, Madeleine Ellis Peterson, Queenie Ingrams, Theo Caldwell, Cieran Lacey, Salma Ahmed, Tamsin Stewart, Arta Avdullahu, Naim Saleh, Tiffany Copeland, Hafsa Wardhere, Alison Woronkowicz, Paris Rhoden, Lauren Castle, Gavin Burchard de Taunton, Liam O’Neill, Karim Cherifi, Harry Guyan.
 
A nicer bunch of kids there never was.
 
And to Mr. Morant, Mr. Andrews, Mrs. Hart, Mrs. Lyne, Miss Ellis, Mrs. Joyce, Miss Barakat, Mrs. Shine and everyone. Thank you!
CHAPTER 1
O
ne Saturday afternoon in September Charlie’s mum was on a ladder in the backyard, doing things to plants halfway up the wall. Charlie didn’t know what, or care. He liked the yard, the gorgeous honey-lemon smell of the flowers, and the great Christmas tree that hung over the back wall, with its shiny silver and green and purple fruits that he would harvest toward midwinter and sell at the market. He liked climbing around in the tree and in the ruins beyond, running down to the river, and talking to the cats that lived down there. But he didn’t care what his mum was doing on the ladder—until he heard a shriek and a clatter and a rude word, and he ran out to see.
His mum was on all fours, on the fallen ladder, on the ground, with festoons of the honey-smelling plant around her, her red hair wild and her face as white as ice.
“Stupid, stupid,” she was muttering.
“No you’re not,” said Charlie. He offered her his hand and she pulled up to her feet, wincing. “You wouldn’t be a professor if you were stupid.”
“Clever people can do stupid things,” she said. “Let me into the house.”
She hobbled inside and Charlie followed, worried but not worried, because his mum was the strongest, cleverest, bravest person in the world, apart from his dad, of course, and if anyone could handle falling off a ladder, she could.
“Owwwww,” she said. Charlie had already passed her the aloe, a piece of chocolate, and a small bottle of her secret shock remedy, which she made in her laboratory and which smelled of comfort and brandy and sweet winter herbs.
“Best take a look,” she said, and slid carefully out of the long leather breeches she always wore for outdoor work.
“Owww,” they both said, at the sight of the raw red scratches, the pinky purple swellings, and the nasty gashes that adorned her shin. Charlie handed over a clean paper towel and Mum dabbed at her wound.
“Bring me some Bloodstopper Lotion,” she said. “Twenty-seven Red. It’s in the rack.” She handed Charlie the keys to her lab. Charlie smiled. Mum, Professor Magdalen Start, PhD, MD, PQRST, LPO, TP, kept her laboratory locked on strict instructions of the government, indeed of the Empire, because her work was so important that no one was to be allowed to know anything about it. Except of course for Charlie’s dad, Aneba Ashanti, Doctor of Endoterica and Tropical Sciences at the University of Accra in Ghana (currently on sabbatical at London University), Chief of Knowledge of all the Tribes of Akan, and Brother of Lions, who knew all about it because they worked together. Charlie’s dad knew everything that had ever been known about the plants of the West African forests, what they were good for, and what was good for them.
“Your mum and I have different ways of knowing about the same thing,” Dad would say. “Very good system.”
Charlie was honored. Every day these days he was allowed to do new things: new things that showed they realized he was growing up. Last Christmas he’d been allowed to sell the shiny fruit at the market by himself, alone; on his way home from his lessons he was allowed to hang out for a while at the fountain, drinking sherbets and playing football or oware with the other big kids. And now he was allowed to fetch a lotion from his mother’s lab. It felt good, being big.
“In the rack by the door,” Mum said with a little smile.
He’d been inside the lab before, of course. As a baby, after they’d come here to London from Africa, he’d practically lived in there. While Mum worked, mixing and smelling and flicking between her burners and her computer screen, he would paddle around the place in a sort of pair of shorts hung on a wheeled frame: He could scoot and whiz, and once disappeared completely under a table, so Mum couldn’t find him. He’d loved his shorts on wheels.
He loved the lab too. Because it was in a separate shed in the backyard, it had always seemed like a different world. Pushing open the door now, he got a waft of the smell of it: somewhere between a cake baking, old books, sweet strong incense, and underneath it the hard cold smell of science. It looked like it smelled. The walls were old and paneled with well-polished dark wood. The tables to the left were gleaming steel with glass cupboards, VDT screens and instruments of the most precise and modern specifications, while to the left a huge old wooden table stood empty except for a massive globe beneath a rack of hanging dried herbs. Along the back wall were stacked shelf upon shelf upon shelf of books—ancient leather-bound tomes, colorful paperbacks, smart-looking hardbacks, parchments laid out flat, and scrolls, rolled tight and piled carefully, plus CD-roms and DVDs, and old, old thick black vinyl discs, which played on a machine with a huge curling horn. It seemed to Charlie that all the knowledge in the world, past and present, lived in his mother’s laboratory, and if it didn’t you could find out here where it did live.
By the door was a tall flattish wooden rack, made up of rows of shelves. On each shelf was a row of small, shiny, colored glass bottles, held in place by a little wooden bar along the front. If you looked carefully you could see that the color was not in the glass, but in the contents of the bottle, and they were arranged in order of color like a rainbow: Red Orange Yellow Green Blue Indigo Violet. Charlie craned up to where the reds began in the top left-hand corner, and scanned along the shelves looking for 27 Red. There it was: a deep crimson, blood-colored, only not so thick-looking. He reached up to take it and, giving the lab a last yearning look, took it back to where his mother was waiting in the kitchen.
“Thank you, sweetie,” she said, and was just about to lift the lid and drip a drop of the lotion onto her still-bleeding wound, when she hesitated.
“Bring me a pen and paper,” she said suddenly.
Charlie fetched one of the strong swirling glass pens that they used for every day, and the green kitchen ink, and a scrap of envelope.
“Proper paper,” she said, and he brought a piece of heavy clean parchment from the drawer.
Mum pulled herself up, and as she did so the movement made the blood bubble a little more from her shin. She took no notice. Instead, she lifted her leg and laid it along the kitchen table, as if she were doing her yoga, or ballet. The parchment lay on the kitchen table; the ink was ignored. Mum took the Venetian pen and cautiously dipped it in the beading blood of her wound.
Charlie stared.
“Don’t worry,” she said to him. “I just thought of something I’ve been meaning to do for a while.”
He still stared.
Mum started to write. By dipping the sharp little nib in her deepest cut she had enough blood to write a full, elegant paragraph, and a signature.
“What is it?” he asked, feeling a little ill.
“You’ll know soon enough,” she said. She flapped the parchment gently and watched the scarlet turn to a delicate brown. It looked like a magical text, an ancient spell, a decree by some all-powerful and long-dead king or queen.
“I’m putting it up here,” she said as she rolled it up, tied it quickly, and popped it behind the photo of her and Aneba on their honeymoon in Venice, on the top shelf of the cabinet. “And Charlie . . .” Here she stopped and looked at him, her blue eyes sure and clear: “If you need to go anywhere, take it with you.”
A sudden sharp sense of importance welled up inside him. She didn’t mean “take it to the bathroom,” or “take it when you go to bed.” She meant something bigger, more grown-up, more important. Sometimes Charlie felt that the grown-ups around him existed on that other level—talking of things they didn’t mention to him, taking care of things, dealing with things that were not to do with children. Until recently he’d ignored it, and carried on reading his book or taking extra cake while they weren’t paying attention. But lately . . . lately there’d been a lot of talking downstairs after he had gone to bed, a lot of hushed telephone calls, and furrowed brows. This look in his mother’s eyes, this sudden mysterious writing in blood, were to do with the same things, he was sure.
Just then the great noise that heralded the Return of Dad started up. There was a Ghanaian song about dinner—delicious mamuna with spicy dawa dawa—that he sang to himself whenever he wasn’t doing anything else:
“Tuwe tuwe, mamuna tuwe tuwe, abosom dar ama dawa dawa, tuwe tuwe . . .”
You could hear it from the distance as he strolled up the street. Then the firm, solid tread of his feet crossing the yard, and the jangle of his big bunch of keys because once again he hasn’t noticed that the door is unlocked. “Three, two, one . . .” Charlie counted down in his head, and his timing was perfect: On “Blast-off!” came Dad’s huge voice calling out, “He-llo! He-llo! Where’s my family?”
BOOK: Lionboy
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