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Authors: John Verdon

Let the Devil Sleep (36 page)

BOOK: Let the Devil Sleep
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Prologue

I
t had taken time to get the wording right, more time than he’d expected. There had been so much going on, so much to manage. But he was finally satisfied. The message finally said everything it needed to say:

Greed spreads in a family like septic blood in bathwater. It infects everyone it touches. Therefore the wives and children you hold up as objects of sorrow and pity shall also be cut down. The children of greed are evil, and evil are those whom they embrace. Therefore they, too, shall be cut down. Whomsoever you hold up for the fools of the world to console, they all shall be cut down, whether related by blood or by marriage to the children of greed
.

To consume the product of greed is to consume its stain. The fruit leaves its mark. The beneficiaries of greed bear the guilt of greed, and they must bear its punishment. They will die in the spotlight of your praise. Your praise shall be their undoing. Your pity is a poison. Your sympathy condemns them to death
.

Can you not see the truth? Have you gone blind?

The world has gone mad. Greed masquerades as laudable ambition. Wealth pretends to be proof of talent and worth. The channels of communication have fallen into the hands of monsters. The worst of the worst are exalted
.

With devils in pulpits and angels ignored, it falls to the honest to punish what the mad world rewards
.

These are the true and final words of the Good Shepherd
.

He printed two copies to be sent by overnight mail. One to Corazon, one to Gurney. Then he carried the printer out in back of the house and smashed it with a brick. He gathered the pieces, even shards of plastic as small as fingernail clippings, and put them in a garbage bag, along with the remaining printer paper, to be buried in the woods.

An investment in caution was always wise.

Chapter 29
Too Damn Many Bits and Pieces

A
s he drove out of Branville into the rolling hills and scrubby pastures of northeastern Delaware County, Gurney’s mind was swirling. His natural facility for organizing data into meaningful patterns was stymied by the volume of it all.

It was like trying to make sense out of a heap of tiny puzzle pieces without knowing whether every piece was present—or even how many puzzles the pieces were part of. One minute he would be certain that all the debris was the result of a single central storm; the next minute he would be certain of nothing. Maybe he was too damn eager to come up with one explanation, one elegant equation.

Passing a roadside sign welcoming him to Dillweed suggested a modest next step. He pulled over and called the one Dillweed resident he knew personally. An undiluted face-to-face dose of Jack Hardwick could be a good antidote to fanciful thinking.

Ten minutes later, four miles up a succession of twisty dirt roads, he arrived at the unimposing rented farmhouse, much in need of paint, that Hardwick called home. The man answered the door dressed as usual in a T-shirt and cutoff sweatpants.

“You want one?” he asked, holding up an empty Grolsch beer bottle.

First Gurney said no, then he said yes. He knew he’d have alcohol on his breath when he got home, and he’d be more comfortable attributing it to a beer with Jack than to a Bloody Mary with Rebecca.

After getting Gurney a Grolsch and himself another, Hardwick sank down into one of two overstuffed leather chairs, motioning
Gurney toward the other. “So, my son,” he said in a harsh whisper that pretended a level of inebriation that was belied by his sharp gaze, “how long has it been since your last confession?”

“Thirty-five years, more or less,” said Gurney, humoring the man from whom he wanted help. He sampled the beer. It wasn’t bad. He looked around the little living room. Like Jack’s attire, the painfully bare space was the same as it had been on Gurney’s last visit. Not even the dust had moved.

Hardwick scratched his nose. “You must be in a great deal of trouble to be seeking the solace of Mother Church after such a long time. Speak freely, my son, of all your blasphemies, lies, thievings, and adulteries. I’d be most interested in the details of the adulteries.” He produced an absurdly salacious wink.

Gurney leaned back in the wide soft chair and took another swallow of beer. “The Good Shepherd case is getting complicated.”

“Always was.”

“The problem is, I’m not sure how many cases I’m dealing with.”

“Too much shit for one latrine?”

“Like I said, I’m not sure.” He recounted, in as much detail as he could, the long litany of facts, events, oddities, suspicions, and questions on his mind.

Hardwick took a rumpled tissue out of his sweatpants pocket and blew his nose in it. “So what are you asking me?”

“Just for your gut sense of how much of that stuff fits into one big picture and how much is likely to be something else entirely.”

Hardwick made a clucking sound with his tongue. “I don’t know about the arrow. Maybe if someone shot an arrow up your ass, but … stuck in the ground out there with the turnips? That doesn’t mean much to me.”

“And the other stuff?”

“The other stuff would get my attention. Apartment bugging, barn burning, booby-trapping the staircase, the trapdoor in the young lady’s ceiling—that kind of shit requires an investment of time and energy, plus legal risks. So it’s serious. Meaning there’s something serious at stake. I’m not giving you any news here, right?”

“Not really.”

“You’re asking me, do I think it’s all tied together in a grand
conspiracy?” He screwed his face up into an exaggerated mask of indecision. “Best answer is something you said to me a long time ago when we were working on the Mellery job. ‘It’s safer to assume there’s a connection that turns out to be false than to ignore one that turns out to be true.’ But there’s a bigger question.” He paused to belch. “If the Good Shepherd case wasn’t about the righteous slaughter of the evil rich, then what the fuck
was
it about? Answer that, Mr. Holmes, and you’ll have the answers to all your other questions. You want another Grolsch?”

Gurney shook his head.

“By the way, if you really try to demolish the case premise, you’ll be in the middle of a once-in-a-lifetime shit storm. Galileo at the Vatican. You understand that, right?”

“I started getting the message today.” Gurney pictured Agent Trout, baleful Doberman at his side, on his cheerless Adirondack porch. His references to “complications.” His allusion to the arson situation. And Daker, the assassin in a hundred films.

“Okay, my boy, just so you know. Because—” The ring of Jack’s cell phone interrupted him. He pulled it out of his pocket. “Hardwick.” He was quiet at first, his expression growing more interested, more perplexed. “Right … Right … What? … Holy shit! … Yeah … That was the only one? … You have the original application date? … Okay … Right … Thanks … Yeah … Bye.” When he ended the call, he continued to stare at the phone as though some additional clarification might emerge from it.

“The hell was that about?” asked Gurney.

“Answer to your question.”

“Which one?”

“You asked me to find out if Paul Mellani had any registered guns.”

“And?”

“He has one handgun. A Desert Eagle.”

F
or most of Gurney’s half-hour homeward drive from Dillweed to Walnut Crossing, he could think of little else. But as startling as the discovery was, it was more troubling than actionable. Rather like discovering that an ax murderer and his victim, previously believed to
be unconnected, had shared a desk in kindergarten. Attention-getting, but what the hell did it mean?

It would be important to know how long Mellani had owned the gun. However, the record accessed by Hardwick’s colleague, showing a currently valid concealed-carry permit, did not indicate the original application date. Calls to Mellani’s office number and cell number had both gone into voice mail. Even if the man chose to return the calls, he was under no obligation to explain his unusual choice of sidearm.

Obviously this curious new fact exacerbated Gurney’s original concern: that depression and easy access to a firearm could be a high-risk combination. But “concern” was all it was. There was no hard evidence that Paul Mellani was a credible danger to himself or others. He had said nothing—uttered none of the key phrases, none of the psychiatric alarm words—that would justify notifying the Middletown police, nothing that would justify any intervention beyond the personal calls that had been made.

But Gurney kept thinking about it—imagining the probable content of Kim’s contacts with the man prior to their Saturday meeting, her letter and phone call explaining her project. These reminders of his father’s death—reminders of his father’s apparent lack of concern for him—may have focused him on the emptiness of his life, the sinking ship of his career.

Lost in the miasma of depression, might he be planning to end it all? Or, God forbid, perhaps he already had? Perhaps that’s why the calls went into voice mail?

Or what if Gurney had it all backward? What if the purpose of the Desert Eagle wasn’t suicidal but homicidal?

What if it had always
been
homicidal? What if …

Jesus Christ! What if. What if. What if. Enough!
The man had a legal permit to possess a legal handgun. There were millions of depressed people in the world who never came close to harming themselves or anyone else. Yes, the brand name of the handgun raised obvious questions, but these questions could be asked and answered when Mellani called back, which he surely would. Strange coincidences usually had pedestrian explanations.

Chapter 30
Showtime

W
hen Gurney arrived home at 2:02
P.M.
, Madeleine was out. Her car was still parked by the side door, which meant she was probably hiking one of the forest trails that radiated out from the high pasture.

During the final few miles of the drive, his obsession with Paul Mellani’s gun had subsided—only to be replaced by the echo of Hardwick’s Big Question: If the Good Shepherd murder spree wasn’t the psycho mission described in the manifesto,
then what was it?

Gurney got a pad and pen and sat down at the breakfast table. Putting things on paper was the best way he knew to minimize mental overload. The next hour produced the beginning of an investigatory premise and a short list of “starter” questions that might open up avenues worth exploring.

PREMISE:
There are irreconcilable differences in thought processes and style between the efficient, machinelike planning and execution of the murders and the sententious, fake-biblical pronouncements of the manifesto. True personality is revealed by behavior. Brilliance and efficiency can’t be faked. The disconnect between the killer’s way of acting and his emotional psycho-mission-based explanation of that action suggests that the explanation may be false and designed to distract attention from a more pragmatic motive
.

QUESTIONS:

If not because of their “greed,” why were these victims chosen?

What is the significance of the similar vehicles?

Why did the murders occur when they did, in the spring of the year 2000?

Was the sequence in which they occurred significant?

Were they all equally important?

Were any of the six necessitated by any of the others?

Why such a dramatic weapon?

Why the little plastic animals at the shooting sites?

What lines of inquiry did the arrival of the manifesto cut off?

Gurney looked over what he had written, knowing that it was the barest beginning and not expecting an immediate breakthrough insight. He knew that “Aha!” moments never occurred on demand.

He decided to share his list with Hardwick to see what kind of response it would provoke. And with Holdenfield, for the same reason. He wondered about giving a copy to Kim and decided not to. Her goals were different from his, and his questions would only upset her again.

He went to his computer in the den, wrote separate introductions on e-mails to Hardwick and to Holdenfield, and sent them. After he printed a copy to show to Madeleine, he stretched out on the den couch and fell asleep.

“Dinner.”

“Hmm?”

“Dinnertime.” Madeleine’s voice. Somewhere.

He blinked, gazed blearily up at the ceiling, thought he saw a pair of spiders gliding across the white surface. He blinked again, rubbed his eyes, and the spiders disappeared. His neck hurt. “What time is it?”

“Nearly six.” She was standing in the den doorway.

“Jesus.” He sat up slowly on the couch, rubbing his neck. “Dozed off.”

“You certainly did. Anyway, dinner’s ready.”

She returned to the kitchen. He stretched, went to the bathroom, splashed cold water on his face. When he joined her at the table, she’d already laid out two large bowls of steaming fish chowder, two green salads, and a plate of buttery garlic bread.

“Smells good,” he said.

“Have you reported the bugs to the police?”

“What?”

“The listening devices, the trapdoor in the ceiling—has anyone notified the police?”

“Why are you asking about that now?”

“Just wondering. That stuff is against the law, right? Bugging someone’s apartment? If it’s a crime, shouldn’t it be reported?”

“Yes and no. Should be, maybe. But in most cases there’s no legal requirement to report a criminal act, unless the failure could be interpreted as impeding an ongoing investigation.”

She stared at him, waiting.

“In this situation, if I were the investigating officer, I’d want everything left as is.”

“Why?”

“It’s a potential asset. A working bug that the bugger doesn’t know has been blown can give you a resource later for trapping him.”

“How?”

“By letting him listen to a setup conversation that would then make him do something that would identify or incriminate himself. So it could be useful. But that might not be the way Schiff or other detectives in the Syracuse PD would see it. They might just stomp in and blow the whole thing. Once I tell Schiff, it’s out of my control, and right now I’d like to hang on to every little plus I can.”

BOOK: Let the Devil Sleep
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