âAnd besides,' he muttered under his breath, touching the religious amulet on his forearm, âanyone so unafraid of death deserves to live!'
Alphonse walked into the heart of the city. Nobody saw his face. Nobody knew if his bright blue eyes were brighter than ever with grief, sorrow, despair, even joy. Nobody saw his expression at all as he passed like a ghost through the heart of the city, like a god traversing the desert of his kingdom. Heavy rain began to fall with the twilight, casting a misty glow over the carved suns of the Tuileries that had burnt red hot, cooling the smouldering ruins of the Hôtel de Ville, of a city that had fought and been defeated, loved and lost. There was nothing to hear but the sound of fire meeting water with the crackle and hiss of a serpent's kiss â the flames being put out once and for all.
Alphonse walked on. The rain kept falling.
Epilogue
It was a bright clear day after some showers. New dewdrops sparkled in old cobwebs, the Seine gleamed under the bridges and the boulevards were busy and bustling again as Laurie would have wished. A small crowd had gathered beside the Préfecture de Police to gawk at the Venus de Milo as she came out of hiding. Having lain dormant, as it were, in storage for the past twelve months in an ignominious little cell used for the temporary holding of petty criminals, drunkards and rabble rousers (many of whom having unwittingly sat upon her in their darkest hour, caroused, sobered up and mended their ways upon her) she was about to face the light of day once more. She had survived so much! The wrath of the Prussians, her own cell mates, the devastating flames of the Commune. She'd come out of it all intact along with the ex Chief of Police's beloved glass paperweight and a cigarette tin belonging to a previous occupant of the ignominious little cell. A burst water pipe had saved them all. A small miracle in the middle of the night, in the middle of the flames. A jammed stopcock, a burst water pipe.
Four burly men carried her out in her coffin-like box, staggering under the weight of her â which led someone to remark dolefully that all great beautÂies were made of stone â and a thrill of excitement tore through the crowd.
There were oohs and aahs as the lid came off. Everyone craned their necks to peer at the statue, half naked and smiling that vague and tender smile, her lips slightly parted as if to breathe in new life, as if to breathe in the first breath of summer.
âGreen!' a voice burst out from the midst of the crowd. âGreen she was and bloated when they fished her out. But they say the water saved her!' Mistigris, resplendent in a cornflower-blue jacket, his whiskers trimmed and a stonecutter's belt about his waist, was gesticulating wildly. âIn the dead of night the water saved her! A pipe sprayed all over her!'
A great cheer went up at this and Madame Larousse, blushing a little, slipped her hand into his. âNow, now,' she warned him under her breath. âNow, now.'
âShe is risen like the phoenix from the ashes,' he went on in an awestruck voice, and his eyes shone with tears. âShe is dead and is reborn. As we all are,' he wept. âAs we all are!'
They filed past in pairs and alone, chattering excitedly or silent, reverential, getting their fill of the miracle, the phoenix, the
Venus de Milo
. There wasn't a scratch upon her. She glimmered up softly from the bottom of the box, symbol of new hope, new beginnings, like a rare and precious pearl found glowing in the mud. Everyone wanted a piece of her! Someone threw a marigold for luck, another a gold coin, one elderly gentleman even made a dive for her, cocking his leg to get in the box (much to Madame Larousse's disgust) and things might have got quite out of hand if one of the burly men hadn't quickly stepped forward.
There was to be no touching, no throwing, no kissing, only looking.
âAlways the way,' the jester crowed with a woebegone expression, âwith the great beauties. More's the pity!'
In the end they went away, back to work, to play, drifting off over the bridges into the streets and the boulevards, evaporating like droplets of rain in the sunshine. There was so much to see, to taste, to smell. Ma Gorot's liver and onion stall whiffing out the Rue des Pommes as it always had; cafés offering sodas and sorbets half price, eager to get their custom back; old boutiques dusting off their shutters and parading a new line of clothing as bright as canaries. There were jugglers, mountebanks, conjurors and acrobats. And the artists! The artists were everywhere, sticking up their easels impromptu style in any old place on the parapets, dabbling in a strange new palette of ruin and renewal and taking inspiration from the sudden haphazard impression of things, from the beauty of the ordinary, the mundane, the unique.
âParis Herself Again!' sang the newspaper sellers from the top of the Pont des Arts to the top of Montmartre. âParis Herself Again!'
And the crowds bustled and dawdled through the streets where already one or two dainty flowers and vigorous plants were thrusting their way up through the fire-cracked tarmac.
Dearest Sis,
Please let it be known at the balloon factory that all letters were delivered safely as well as top-secret guvvermental desk patches despite reservacions on account of my age and inexperience. It was a perilus flight. The Professor let out too much gas all at once and passed out, so I had to fly the balloon single handed for miles and miles over seas and continenz. They look very small from the sky, like stamps. We are in Gnaw Way now, studying the Gnaw-them lights and collecting air at different elevacions to test for density. It is a cold and beautiful country. I am to enrol at the Academy pon my return under the Professor to learn about milky ways and comics. Tell Papa that a great bear is waiting to pop out at him if he stares up on a clear night.
Your brother Jacques.
PS: Neptune is bringing this message so you will have to read it under magic lanten. Also, please tell Monsieur Pagini that we let the other birds go last month so they should be coming home any day now.
PPS: Fifi has six kittens. She is an extra-ordinary harlot.
Annotations
Seren is the book imprint of
Poetry Wales Press Ltd
57 Nolton Street, Bridgend, Wales, CF31 3AE
www.serenbooks.com
© Zillah Bethell 2010
ISBN 978-1-78172-119-3
The right of Zillah Bethell to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988.
A CIP record for this title is available from the British Library.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder.
Cover design by Mark-Cavanagh.co.uk
from the painting âLe dépeceur de rats' by Narcisse Chaillou
(Saint-Denis â musée d'art et d'histoire, cliché: Irène Andréani)
The publisher works with the financial assistance of
the Welsh Books Council.
The author wishes to acknowledge the award of a Writer's Bursary from Academi for the purpose of completing this book.