Kiss of Hot Sun (9 page)

Very deliberately, the inspector played a card before replying. “Why should you think it odd, signore?”

“Surely it is unusual?”

The mobile shoulders shrugged. “I think not. In any event, I am glad he is come. Cesare Pastore is a very... a very promising young policeman.”

“He is not with you tonight?”

“He is busy.” Laughing, the inspector added: “It is right that the young should work and the old should relax, eh?”

Adeline, partnering George Blunt, frowned at her cards, and there was a general silence until she had played. Then, with a triumphant flourish, Zampini slapped down his card, and looked round for approval. But doggedly, he still pursued his evident interest in Cesare.

“And is your young friend on the track of some criminal desperado?”

The inspector regarded him blandly. “I think, signore, you have played the wrong suit.” He glanced at the other two questioningly. “We will let him take it back, yes, as this is only a friendly game?”

Scowling blackly, Zampini snatched up the trespassing card. His question was not repeated.

I was bored. Once again I found myself wishing Giles were here. Hanging around in the daytime he got in my way, but he certainly enlivened the rather sedate atmosphere of the
Villa Stella d’Oro.
Giles would have been fun right now.

Or even Cesare Pastore. He’d have been company of my own age group. That, I told myself, was what I lacked.

I couldn’t settle to reading, though I had an exciting book on the go. Very down in the dumps, I slipped quietly out of the salon, doubting if anyone would even notice I’d gone. At this time of evening there was really nothing that needed doing. I went upstairs, thinking I might as well play the radio in my room. I’d sit on the balcony and stare out into the black velvet night. And I ought to write to my sister in Canada; Annabel was overdue a letter. Maybe I’d do that—later on.

As I ambled along the upstairs hall, I could hear faint creaks. Somebody was coming down the uncarpeted attic staircase. I thought nothing of it until, when I opened my bedroom door, the noise stopped abruptly. It was as if the rattle of my latch had given a warning.

Why should one of the servants be so stealthy?

I paused for a moment in the open doorway, listening. But there was only silence. I decided I’d better go along and investigate.

The attic stairs were dark, barely a glimmer reaching up from the landing. I found a switch and a light sprang on at the top. A tall figure stood there, black against the glare.

I recognised instantly who it was. Philip was about halfway up, standing quite still, facing me.

“Perhaps you’d care to explain,” I said coldly.

Reluctantly, he started coming down. He seemed to be moving awkwardly, and when he got closer I could see why. He was carrying something bulky, holding it behind his back.

He gave me a grim smile. “I nearly got away with it, too!”

My eyebrows asked the question.

“Let’s not pretend you don’t know what I’m talking about,” he said scornfully. “Hadn’t you better run down and tell the rest of them that you’ve caught me red-handed?”

I shook my head at him weakly, bewildered by this suddenly inflammable situation. Absurdly, I began wishing I hadn’t decided to come up to my room just now. Then I’d not have heard Philip on the attic stairs; then I wouldn’t have been faced with the need to make a decision.

“I haven’t the least idea what this is all about,” I said, managing to stay icily cold. “But it’s pretty plain that you’re up to something shady. What’s that you’re hiding?”

Philip hesitated.

Just in case he imagined I still had any personal interest in what he got up to, I let him have it between the eyes. “As far as I’m concerned I don’t give two hoots what your game is. But I happen to work for Miss Harcourt, and I’ve got a duty towards her.”

“I’m sure you have.”

From behind his back he produced a painting. It was some twenty inches by fifteen, and seemed to be of a woman’s head and shoulders. But I couldn’t see it very clearly, and Philip made no attempt to show me.

“Tell me,” he asked, “was it chance that brought you upstairs at that precise moment? Or did you suspect me already?”

“Suspect you of what? That you’d try to steal one of Miss Harcourt’s paintings?”

“You know damn well I’m not.”

“Then what are you doing with it?”

He was looking at me closely. “You puzzle me,” he said slowly. “I just can’t fathom you at all.”

I was getting mad at this riddle talk. “Look here, if you refuse to explain what you’re up to, then I’ll have to go down and tell Miss Harcourt.”

Again he studied my face, his eyes serious. Then he said heavily: “God knows, I’m probably making a prize idiot of myself, but I’ll give you the benefit of the doubt. I’ll assume you don’t know what’s going on at the
Stella d’Oro,”

“What are you talking about?”

We both turned sharply, hearing the clip-clop of footsteps on the main staircase. Somebody was coming up.

“We don’t want to be seen now,” Philip whispered urgently. “Come on!”

Catching hold of my wrist fiercely, he dragged me along the landing. He had whipped open the door of his bedroom and thrust me into the darkness before I could protest.

“Hey, you can’t just...!” I began indignantly as the door shut behind us. His hand came clamping over

my mouth.

“Be quiet,” he hissed.

I could have shaken free, but I let his hand stay across my lips while we both listened. We heard the click of the Blunts’ door closing. I guessed Rosalind was another refugee from boredom.

Philip let me go then, and put on the light. “Sorry if I hurt you,” he said carelessly, “but I had to stop you giving us away.”

I stepped a pace back. “I could have walked out if I’d wanted. You certainly couldn’t have stopped me.”

His lips curled in a smile of cynical amusement. “And how would you have explained being in my bedroom?”

"I’d have told the truth, of course.”

"Ah, but what is the truth, Kerry?”

Did he mean the truth about us—that curious magnetic force that had gripped us? Or was he talking about the strange happenings at the
Villa Stella d’Oro?
I
didn’t know. I only knew that he had called me Kerry again.

I said nothing, because to have said anything would have given too much away.

Philip was still carrying the picture. He held it up so we could both see.

“What do you think of it?”

The woman was dressed in a medieval style and held a yellow rose clutched to her ivory bosom. The colours were dimmed with age.

“What do you mean—what do I think of it?”

He was looking at me in a sort of puzzled fury, his eyes full of doubt. It was just as though our positions were reversed—as though
he
had caught
me
out in suspicious circumstances.

“It’s a simple enough question, isn’t it?” he demanded harshly. “What do you think of this painting?”

Vaguely, I looked at the picture again. “I... I’m afraid I don’t know much about painting...”

“Oh come now.” He was impatient. “If I were to tell you it’s a Raphael would you believe me?”

“Yes, I suppose so.” I’d never have guessed for myself, but now that Philip pointed it out... I began to get excited. “A Raphael! But that’s fantastic!”

Philip crushed me. “I didn’t say it was a Raphael.”

“But you did, surely...?” I floundered. “Oh... I get you—it was painted by one of his pupils?”

Philip switched on the lamp by his writing table, and studied the painting carefully in the better light. He must have taken several minutes, while I watched him, feeling foolish.

At last he said thoughtfully: “I’d say this was painted within the last twelve months, though it’s quite a clever piece of work. Very crafty!”

“You mean—it’s a deliberate forgery?”

“That’s right. Not in the top class, by any means. It’s certainly not good enough to fool an expert.”

“You being the expert?” I said sarcastically. His superior manner was getting me mad.

He wasn’t a bit put out by my sneer. “Without undue modesty, I
am
by way of being an art expert.”

Badly shaken, my comeback was too slow to be really effective. “That should make a nice change from selling electric switchgear, or whatever it is you’re supposed to do.”

“Perhaps we’d better forget that story,” Philip said airily.

“Are you telling me now it isn’t true?”

He was unrepentant. “You asked me what I did, so I fed you my cover story. I couldn’t risk you talking out of turn. After all, I didn’t know anything about you.”

“And don’t want to know, it seems.” My voice was sour. “You made that perfectly clear the moment you turned up here.”

There was a tiny pause. “How did you expect me to act?” Philip asked coldly. “After putting it out that you’d gone to the United States.”

“I wish I knew what you’re talking about,” I said faintly.

“Do you deny telling your hotel in Rome to say you’d left for the States?”

“Of course I deny it.”

Philip said slowly, with false patience: “The receptionist told me distinctly that you and your employer—Monica what’s-it?—had quit the hotel; some yarn about her getting married in New York.”

“That’s perfectly true about Monica getting married. It was all fixed at twenty-four hours’ notice. But before going she got me this job with Miss Harcourt.”

“Just like that?” scoffed Philip.

“Yes,” I snapped. “Just like that.”

I knew it must sound nearly incredible to anyone not Monica-hardened. But I didn’t see why Philip was entitled to a fuller explanation; I’d been through too much on his account.

“If you had phoned earlier, as arranged,” I pointed out, sharply acid, “I would have told you all about it.”

“I couldn’t phone you earlier. Something cropped up.”

And I knew what that something was. Rosalind Blunt had cropped up, and Philip had calmly ditched me for that blonde cutie. He couldn’t possibly realise I’d spotted him with her on that hotel terrace. Otherwise, he’d never have the nerve to be acting this way.

“I called you as soon as I could,” Philip added resentfully.

“The arrangement was that you’d ring in the morning—good and early, you said. I like people who keep their word.”

He exploded. “You must have known I’d call later on. How was I to guess a few hours’ delay would matter?”

In the ordinary way it wouldn’t have mattered. Only a morning of panic, a frozen dread that I’d seen the last of that marvellous man I’d just met. And then he’d have come through, and the world would have zoomed back to bright heaven.

Stabbed through with misery, I twisted the knife. “What was it delayed you, anyway? What cropped up?”

“Business,” he said shortly.

“But not electric switchgear business? Some mysterious other business that nobody must know about.”

Philip hesitated; then he said reluctantly: “If you must know, I’m acting as buyer for an American art collector.”

I too paused, while I digested this. “But why all the secrecy? Why couldn’t you have told me in the first place?”

“Don’t you see—if the news gets around the prices shoot up at once. I have to operate very cannily.”

It made a kind of sense. But I couldn’t shake off the feeling of desperate hurt that Philip had lied to me. On a wonderful evening in Rome I’d believed there was complete frankness between us, an open-hearted getting to know one another. If he could have lied about himself so smoothly then, why should I be any more ready to accept this new version?

Maybe
nothing
he said was true. Maybe he just made it all up as he went along, ad-libbing an answer to each of my questions. Would he have admitted anything at all, I wondered, if I’d not threatened to go straight down to Miss Harcourt?

Very well then, I thought angrily, if that’s the way it’s got to be, then I’ll force you to tell me some more. Or invent some more!

“You still haven’t told me why you were bringing that painting down from the attic.”

“I suspected it was a forgery. But the light up there wasn’t good enough to be sure.”

“That’s all very well, but what right had you to be up there at all?”

“Every right. If I’m going to be offered the chance to buy an old master, I owe it to... to the man I’m working for to make darn sure it’s genuine.”

“And what makes you imagine you’re going to be offered an old master?”

“I know I am.” He was going to say something more, but snapped his mouth shut. I waited, and at last he added: “That’s why I was brought here.”

“Don’t be crazy. Nobody brought you here. You came of your own free will.”

“All right then—let’s say I was lured here.”

“Lured? Who by?”

But Philip wasn’t going to be drawn again. “It’s a long story. Why don’t you trust me, Kerry?”

“Trust
you?
Why should I trust you? Almost everything I know about you is pure fabrication.”

He looked hurt. “That’s not fair, Kerry.”

“You’ve already admitted you lied to me.”

“But I had a good reason for that. I’ve explained...”

“And I don’t doubt you’ll be just as glib explaining away your other lies—as and when the need arises. I suppose you wouldn’t like to swear you’re telling me the truth now?”

A deep flush burst upon his face. He fiddled with the picture, turning the canvas over and over in his hands.

“Look here, Kerry, there’s no need for you to know the whole story—not yet. Just give me time.”

“Time for what? Time for you to steal some of Miss Harcourt’s valuable paintings and beat it?”

“You don’t really believe that, Kerry.”

His eyes burned me with reproach, and I felt myself weakening. He was right, of course. In spite of all the evidence, in spite of knowing him to be a liar, even in spite of catching him red-handed, I couldn’t make myself believe he was a thief.

“I know you’re up to something, though,” I muttered unhappily.

Philip took his time. I could see he was carefully weighing his words.

“Kerry, please just trust me a little. Keep quiet about seeing me with this painting, for a few days at least. Give me a chance to get things sorted out.”