Jude the Obscure (Barnes & Noble Classics Series) (64 page)

“He’s sleeping nicely, thank you,” said Arabella.

“That’s right. Well now, can’t you give yourself half-an-hour’s relaxation, Mrs. Fawley, and come along with us? ‘Twould do you good.”

“I should like to go,” said she. “I’ve never seen the boat-racing, and I hear it is good fun.”

“Come along!”

“How I wish I could!” She looked longingly down the street. “Wait a minute, then. I’ll just run up and see how he is now. Father is with him, I believe; so I can most likely come.”

They waited, and she entered. Downstairs the inmates were absent as before, having, in fact, gone in a body to the river where the procession of boats was to pass. When she reached the bedroom she found that her father had not even now come.

“Why couldn’t he have been here!” she said impatiently. “He wants to see the boats himself—that’s what it is!”

However, on looking round to the bed she brightened, for she saw that Jude was apparently sleeping, though he was not in the usual half-elevated posture necessitated by his cough. He had slipped down, and lay flat. A second glance caused her to start, and she went to the bed. His face was quite white, and gradually becoming rigid. She touched his fingers; they were cold, though his body was still warm. She listened at his chest. All was still within. The bumping of near thirty years had ceased.

After her first appalled sense of what had happened the faint notes of a military or other brass band from the river reached her ears; and in a provoked tone she exclaimed, “To think he should die just now! Why did he die just now!” Then meditating another moment or two she went to the door, softly closed it as before, and again descended the stairs.

“Here she is!” said one of the workmen. “We wondered if you were coming after all. Come along; we must be quick to get a good place.... Well, how is he? Sleeping well still? Of course, we don’t want to drag ’ee away if——”

“0 yes—sleeping quite sound. He won’t wake yet,” she said hurriedly.

They went with the crowd down Cardinal Street, where they presently reached the bridge, and the gay barges burst upon their view. Thence they passed by a narrow slit down to the riverside path—now dusty, hot, and thronged. Almost as soon as they had arrived the grand procession of boats began; the oars smacking with a loud kiss on the face of the stream, as they were lowered from the perpendicular.

“O, I say—how jolly! I’m glad I’ve come,” said Arabella. “And—it can’t hurt my husband—my being away.”

On the opposite side of the river, on the crowded barges, were gorgeous nosegays of feminine beauty, fashionably arrayed in green, pink, blue, and white. The blue flag of the Boat Club denoted the centre of interest, beneath which a band in red uniform gave out the notes she had already heard in the death-chamber. Collegians of all sorts, in canoes with ladies, watching keenly for “our” boat, darted up and down. While she regarded the lively scene somebody touched Arabella in the ribs, and looking round she saw Vilbert.

“That philter is operating, you know! he said with a leer. ”Shame on ’ee to wreck a heart so!”

“I shan’t talk of love to-day.”

“Why not? It is a general holiday.”

She did not reply. Vilbert’s arm stole round her waist, which act could be performed unobserved in the crowd. An arch expression overspread Arabella’s face at the feel of the arm, but she kept her eyes on the river as if she did not know of the embrace.

The crowd surged, pushing Arabella and her friends sometimes nearly into the river, and she would have laughed heartily at the horse-play that succeeded, if the imprint on her mind’s eye of a pale, statuesque countenance she had lately gazed upon had not sobered her a little.

The fun on the water reached the acme of excitement; there were immersions, there were shouts: the race was lost and won, the pink and blue and yellow ladies retired from the barges, and the people who had watched began to move.

“Well—it’s been awfully good,” cried Arabella. “But I think I must get back to my poor man. Father is there, so far as I know; but I had better get back.”

“What’s your hurry?”

“Well, I must go.... Dear, dear, this is awkward!”

At the narrow gangway where the people ascended from the riverside path to the bridge the crowd was literally jammed into one hot mass—Arabella and Vilbert with the rest; and here they remained motionless, Arabella exclaiming, “Dear, dear!” more and more impatiently; for it had just occurred to her mind that if Jude were discovered to have died alone an inquest might be deemed necessary.

“What a fidget you are, my love,” said the physician, who, being pressed close against her by the throng, had no need of personal effort for contact. “Just as well have patience: there’s no getting away yet!”

It was nearly ten minutes before the wedged multitude moved sufficiently to let them pass through. As soon as she got up into the street Arabella hastened on, forbidding the physician to accompany her further that day. She did not go straight to her house; but to the abode of a woman who performed the last necessary offices for the poorer dead; where she knocked.

“My husband has just gone, poor soul,” she said. “Can you come and lay him out?”

Arabella waited a few minutes; and the two women went along, elbowing their way through the stream of fashionable people pouring out of Cardinal meadow, and being nearly knocked down by the carriages.

“I must call at the sexton’s about the bell, too,” said Arabella. “It is just round here, isn’t it? I’ll meet you at my door.”

By ten o’clock that night Jude was lying on the bedstead at his lodging covered with a sheet, and straight as an arrow. Through the partly opened window the joyous throb of a waltz entered from the ball-room at Cardinal.

Two days later, when the sky was equally cloudless, and the air equally still, two persons stood beside Jude’s open coffin in the same little bedroom. On one side was Arabella, on the other the Widow Edlin. They were both looking at Jude’s face, the worn old eyelids of Mrs. Edlin being red.

“How beautiful he is!” said she.

“Yes. He’s a ’andsome corpse,” said Arabella.

The window was still open to ventilate the room, and it being about noontide the clear air was motionless and quiet without. From a distance came voices; and an apparent noise of persons stamping.

“What’s that?” murmured the old woman.

“Oh, that’s the doctors in the Theatre, conferring Honorary degrees on the Duke of Hamptonshire and a lot more illustrious gents of that sort. It’s Remembrance Week, you know. The cheers come from the young men.”

“Ay; young and strong-lunged! Not like our poor boy here.”

An occasional word, as from some one making a speech, floated from the open windows of the Theatre across to this quiet corner, at which there seemed to be a smile of some sort upon the marble features of Jude; while the old, superseded, Delphin editions of Virgil and Horace, and the dog-eared Greek Testament on the neighbouring shelf, and the few other volumes of the sort that he had not parted with, roughened with stone-dust where he had been in the habit of catching them up for a few minutes between his labours, seemed to pale to a sickly cast at the sounds. The bells struck out joyously ; and their reverberations travelled round the bedroom.

Arabella’s eyes removed from Jude to Mrs. Edlin. “D’ye think she will come?” she asked.

“I could not say. She swore not to see him again.”

“How is she looking?”

“Tired and miserable, poor heart. Years and years older than when you saw her last. Quite a staid, worn woman now. ’Tis the man;—she can’t stomach un, even now!”

“If Jude had been alive to see her, he would hardly have cared for her any more, perhaps.”

“That’s what we don’t know. ... Didn’t he ever ask you to send for her, since he came to see her in that strange way?”

“No. Quite the contrary. I offered to send, and he said I was not to let her know how ill he was.”

“Did he forgive her?”

“Not as I know.”

“Well—poor little thing, ’tis to be believed she’s found forgiveness somewhere! She said she had found peace!”

“She may swear that on her knees to the holy cross upon her necklace till she’s hoarse, but it won’t be true!” said Arabella. “She’s never found peace since she left his arms, and never will again till she’s as he is now!”

 

 

THE END

1
. “The letter killeth”: The reference is to the Bible, 2 Corinthians 3:6: “Who also hath made us able ministers of the new testament; not of the letter, but of the spirit: for the letter killeth, but the spirit giveth life.”

1
(p. 12) hamlet of Marygreen: Hardy uses fictional place names that usually correspond to actual locations in south-central England. Marygreen is Great Fawley, a village in the county of Berkshire. See the map “The Wessex of the Novels” at the beginning of this edition for the location of places in Jude the Obscure. Hardy drew this map of his fictional world, showing actual names in capital letters and fictitious names in uppercase and lowercase.

2
(p. 12) a tall new building of modern Gothic design: Hardy was trained as an architect and, like Jude, undertook work on churches. The novel contains many architectural references and opinions.

1
(p. 18) “‘whose fathers I would have disdained to have set with the dogs of my flock”’. Drusilla Fawley, Jude’s aunt and guardian, is quoting from the Bible, Job 30:1. Hardy invokes Job, who epitomizes religious suffering, repeatedly in the novel, especially in its conclusion. Here it is ironic that Mrs. Fawley is quoting from Job and drawing attention to her own suffering when it is Jude who suffers when Farmer Troutham beats him.

2
(p.18) city of Christminster: Christminster is Hardy’s fictional name for Oxford. In his posthumous autobiography, The Life of Thomas Hardy, he says that Christminster is suggested by Oxford but makes the point that Christminster is a richly detailed fictional place while Oxford is only the general model.

1
(p. 20) the Icknield Street and original Roman road through the district: Icknield Street, or Icknield Way, is an ancient highway of south-central England, one of the four great Roman roads of Britain; it is thought to have extended originally from the county of Norfolk in the northeast to the southern county of Wiltshire or to the south coast.

2
(p. 23) the fancied place he had likened to the new Jerusalem ... the Apocalyptic writer: Jude is likening Christminster to the “new Jerusalem,” a phrase that occurs in the Bible in Revelation 3:12. The “Apocalyptic writer” is John, the apostle who wrote the Book of Revelation. The phrase reflects Jude’s image of Christminster as an idealized place.

3
(p. 23) he seemed to see Phillotson promenading at ease, like one of the forms in Nebuchadnezzar’s furnace: King Nebuchadnezzar is the pagan king in the Bible, Daniel 3:13―30, who tries to force the Jews to worship his golden idol. Shadrach, Meshach, and Abednego refuse and are thrown bound into a burning furnace to be burned alive, but Nebuchadnezzar can see the men, along with a fourth form, walking through the fire unhurt. From then on he blesses their God. That Jude imagines Phillotson walking in Christminster as if he was “one of the forms in Nebuchadnezzar’s furnace” speaks to his intense idealization of the path that the schoolteacher has taken to become a scholar.

1
(p. 31) a labour like that of Israel in Egypt: Jude despairs when he realizes that learning Latin and Greek will take years of memorization and intense study. He compares the task to the slavery Israel endured in the Bible, as recounted in Exodus 1:13-14: “And the Egyptians made the children of Israel to serve with rigour: And they made their lives bitter with hard bondage ... all their service, wherein they made them serve, was with rigour.”

1
(p. 37) returning from Alfredston to Marygreen: The fictional Alfredston corresponds to the town of Wantage in the county of Berkshire. Jude lives there during the week with the stonemason to whom he has apprenticed himself and returns to Marygreen on Saturday afternoons.

2
(p. 38) Livy... Aristophanes: Livy and Tacitus were Roman historians; Herodotus was a Greek historian; Aeschylus and Sophocles were Greek tragedians; Aristophanes was a Greek comic playwright.

3
(p. 38) Euripides ... Bede: Euripides was a Greek tragedian; Aristotle and Epictetus were Greek philosophers; Lucretius was a Roman poet; Seneca was a Roman statesman and philosopher; Antoninus, also known as Marcus Aurelius, was Roman emperor and a philosopher. Bede is Saint Bede, Anglo-Saxon monk and scholar of the late seventh and early eighth centuries.