Authors: Colson Whitehead
Forget the South. The South will kill you. He possesses the standard amount of black Yankee scorn for the South, a studied disdain that attempts to make a callus of history. It manifests itself in various guises: sophisticated contempt, a healthy stock of white trash jokes, things of that nature, an instinctual stiffening to the words County Sheriff. One look at the cannibals massing at the arrival gate and his revulsion rubs its paws together and hisses. The faces are different: He always feels this fact keenly when he touches down in a place he has never been before. But on this occasion his dread expresses itself so forcefully that he has half a mind to scurry back up the ramp for the protection of his aisle seat. He has arrived at a different America he does not live in. The undiagnosed press toward the gate waiting for kin. Placed hip-to-hip, the rivulets and shadings of their acid-washed jeans describe a relief map of blighted confederacy. Powerline kids suck fingers. Between the hems of oversized shorts and lips of polyknit athletic socks sally bright red lobster flesh and craggy knees, dumb and unashamed things, sea-bottom tubers uncataloged by any known system of biological taxonomy. (None of this is true, of course, but perception is all; to and from each his own
dark continent.) One man had fashioned his beard into a slim rattail, they all draw from the same tainted well, it is simply disturbing.
An image of the impending buffet shimmers in the air before him and his seizure subsides. He’s been to Atlanta a few times, but Atlanta is a chocolate city and he was never permitted to stray from the record companies’ publicity circuits. Covered Mardi Gras for the travel section of a daily in Des Moines, but felt protected in the prevailing madness of celebration, which creates pockets of safety and violence in equal measure. Stopovers in Texas but damned if he left the borders of terminal city. It is not difficult to indulge his preferences; media events tend to emerge near media centers and that means the coasts. He’s been very conscientious about staying away from the forge of his race’s history. And now here he is in Charleston, West Virginia, at the behest of the United States Postal Service and a smudge town called Talcott to cover the unveiling of a postage stamp, inertial, grubbing, hoarding receipts, because he is on a three-month junket jag he is too unwilling or too scared to break. He thinks, these people are liable to eat me.
J. searches for his name in crayon on a slab of cardboard but cannot find his driver at the gate or at baggage claim. Nice summer day: the man is probably down at the fishing hole. Or rocking in a frayed hammock. He decides to wait outside.
Hubbub of vehicles at the curb. He doesn’t have much choice other than to wait. He has no idea where he is going. Yeager Airport, named after Brigadier General Charles E. “Chuck” Yeager, or so he reads on a well-polished bronze plaque. Chuck Yeager is a native son. No wonder he took flight. J. waits for his driver to pull up in a red pickup with a bunch of chickens in the back spitting feathers.
In the passenger loading and unloading zone the carbon monoxide, so terrible after the careful atmosphere of the terminal, hangs low around his heels, heavier than air. A gang of dirty clouds loiters over there. J. says, “What a dump,” and for the second time that day he blesses the certainty of airports because he can always turn around and go someplace else.
United States Postal Service—Postal News
For Immediate Release
June 6, 1996
W
ASHINGTON
—One of America’s best-loved folk heroes will come to life this summer when the town of Talcott, West Virginia, holds the first annual “John Henry Days” festival, which will coincide with release of the U.S. Postal Service’s Folk Heroes stamp series. Since the 1870s, John Henry has been extolled as a strongman born with a hammer in his hands and the ability to drive steel for ten continuous hours. It is said that while working for the Chesapeake & Ohio Railroad on the Big Bend Tunnel just outside Talcott, John Henry challenged a steam drill to a race and swung his hammers so hard that he beat the machine. Railroad workers who arduously labored during the building of the nation’s rail system literally sang the praises of this hero.
The town of Talcott is pleased to honor one of its famous residents. On the weekend of July 12, 1996, the town will host the inaugural “John Henry Days” festival, a three-day celebration of railroad history and local culture. Representatives of the United States Postal Service will be on hand for the official unveiling of the Folk Heroes stamp series, and many surprise guests and activities have been scheduled. “Folk heroes like John Henry represent the best of American values,” said Postmaster General Marvin Runyon. “The U.S. Postal Service is proud to continue their tales through our commemorative stamp series.”
Joining John Henry on the Folk Heroes series are Paul Bunyan, Mighty Casey and Pecos Bill. Paul Bunyan, according to lore, was a giant lumberjack who journeyed the country with Babe, the Blue Ox, clearing trees. Bunyan was a hero to legions of lumberjacks, who spun yarns about Bunyan clearing acres of outsized trees and employing legions of loggers from across the continent. Generations of
children have heard the classic “Casey at the Bat,” which first appeared in the
San Francisco Examiner
in 1888. Written by Ernest Lawrence Thayer and popularized by William DeWolf Hopper, that ballad relates the story of an arrogant young baseball player who strikes out at bat, causing his team to lose an important game. Since his original tale appeared in
Century Magazine
in 1923, Pecos Bill and his mastery of the American frontier have been a part of our national lore. Legend contends that this folk hero was raised by a coyote and was rugged enough to ride a mountain lion and commandeer a rattlesnake as a lasso.
The stamps were designed by artist Dave La Fleur of Derby, Kansas, and will be available nationwide beginning July 15. “The folk heroes are illustrated exactly as in at least one written version of their tales,” said stamp artist La Fleur. “Each hero’s most memorable moment is depicted: Casey just before he swings his bat, John Henry wielding his hammer, Paul Bunyan his ax, and Pecos Bill his rattlesnake.”
The Postal Service will issue 113 million Folk Heroes series stamps in panes of twenty stamps. Each pane will sell for $6.40.
A special reception for members of the media will be held on Friday, July 12, at the historic Millhouse Inn. Accommodations will be arranged. If you plan to attend this event, please contact rlene at the Summers County Visitors Center.
J
sits in the backseat of an American car of recent vintage. Jesus Christ
r.
hangs from the rearview mirror and shakes at every turn as if trying to wiggle His crucifix from the ground. Arnie apologizes again for being late to pick up J. at the airport.
J. says no problem. He looks out the back window and returns to his activity of the past ten minutes, a cool contemplation of the eighteen-wheeler chasing their rear bumper. A plastic sheet detailing the Confederate flag dominates the truck’s front grille. He can’t see the driver but he waves hello to the black window and turns. Around him the outlands of the city of Charleston, clumps of industrial parks and jumbo shopping centers and entire new species of parking lot, recede into the countryside. There is the problem of horizontal space. In the distance J. sees mountains, insurgent green lids peering over the rim of the world, whenever the smaller peaks the road cleaves through allow him to see that far. Did the settlers ever think they’d get past these slopes, J. asks himself. Cross an ocean, they make it this far into the land and worry that the whole place is like this: a concatenation of cliffs and banks, as if some hobgoblin roosting on the other side of the hills had shoved up the earth. Like a giant kicking a bunch of green carpet. Hearty folk, the mountain people.
“Do you mind if I take the back roads?” Arnie asks. He gestures at the lane ahead, the congealing traffic. “They close it up to one lane a couple of miles ahead. For construction. It might take the same time, but it won’t take longer.”
“You know the way,” J. answers. With a little luck, the monster vehicle behind them won’t follow. J. puts Arnie in his forties, paying alimony and owning his cab after years of scrimping, part of the far-flung fleet of New River Gorge Taxi. Fleet, as in two or three rheumy vehicles. Arnie’s straw hair thins and golden stubble sprouts from his chin. Eats what he catches. The interior of the car smells, not unpleasantly, of the better class of urinal cake.
“So,” Arnie clears his throat, “what are you, with the Post Office?”
“I’m a journalist.”
“Writing an article about the festival?”
“That’s right.”
Arnie asks him if he writes for newspapers and magazines and J. says yeah, even though this particular piece is for a new travel website. J. doesn’t feel like explaining the web; this guy probably thinks a laptop is some new kind of banjo. Lucien set it up. J. hasn’t worked for the web before but knew it was only a matter of time: new media is welfare for the middle class. A year ago the web didn’t exist, and now J. has several hitherto unemployable acquaintances who were now picking up steady paychecks because of it. Fewer people are home in the afternoon eager to discuss what transpires on talk shows and cartoons and this means people are working. It was only a matter of time before those errant corporate dollars blew his way. He attracts that kind of weather.
J. checks the receipt nook in his wallet again, just to make sure. He makes a concerted effort to enjoy the scenery. It is hard: all trees look alike to him. The route slips between the places the government blasted through, the hills, and the scarred rock faces stare at each other from the sides of the road, grim, still grudgeful after all these years at their sunderance. Water trickles down the rock from unknown springs, high up springs, who knows what, this is nature, down the slopes, across the roots of intrepid trees, and wets the rock faces like perspiration on the brow of a boxer. The driver is taking J. deep in. Off the interstate. He is being taken in. Lucien set the gig up when J. called and expressed his serious doubts as to whether he could place a story about a fucking stamp. It was mostly a philosophical problem; they don’t have to write about all the various events they attend, just enough to keep from looking like complete hacks. No one wants the game to be exposed, not the junketeers and not the p.r. folks who set the itineraries. Most of the time it is enough to pull out a notebook and scribble for appearance’s sake, in between passes at the hors d’oeuvres table. After a couple of years, J. has learned to only write up the events where the number of expenses and the dollar-per-word bounty make coasting prohibitive. There are never any repercussions. Publicists continue to greet him warmly and hand out press material that remains unopened, he carries away promotional items by the bushel, he eats and drinks his fill. He remains on the List.
But this stamp problem. This stamp gig was so unusual, J. put it to Lucien as a kind of challenge: who in the world would possibly care about this event? What magazine employed copy editors who could bear to touch a
comma of such a piece, what newspaper had a readership that consisted entirely of drooling and defenseless shut-ins? They’d been in rough straits before, Lucien and his journalist allies, but always came through in the end if they had to, placed the piece about Ronald McDonald’s rap record (open-faced filet mignon burgers and chocolate margarita shakes at the press party), found the sympathetic editor who had column space for the plastic surgeon who specialized in Hollywood kindergartens (everyone who attended the press conference got a free estimate and a computer-generated hypothetical face to take home with them). But a postage stamp? It seemed ridiculous even by their degraded standards. In West Virginia yet. J. just wanted to know if the world had progressed to a point where such a thing was possible. He just wanted to know.
Lucien was calm and patient. He gave a little speech. He told J. to stick around his hotel room for a few minutes. A few minutes later the features editor of Time Warner’s travel website rang and said he was thinking of running a piece on the Talcott celebration and would J. be interested. Like that.
Now the road dives between peaks, past towns persistent beyond the defeat of founding father ambition. The speckling of quiet houses and rusted trucks draws itself from the muck and develops a culture and evolves into strip malls, bright knots of gas stations and fast food outlets, before collapsing again into a barbarism of shacks and rusted trucks. The strip malls are reaching for perfection. Each time they enter into the outlands of a new strip mall, J. wonders if this time the franchisees and maverick entrepreneurs will get it right, if this time the ratios are correct and density, placement, brand will configure a new and final product. One beautiful single product with acreage and registers, with multiple fire exits and convenient business hours. But each creation is botched and maladjusted, it will not play with the other kids or has a morbid disposition, and subsides, inevitably, into the silence of black country road. And soon the strip malls disappear altogether and J. will see a sign for a town, and one or two lone houses jammed into hillside accelerate into a cluster of abodes and then thin out again. Presently he’ll see the sign for the next town, all without ever passing what passes for a town in his definition. Not even a store beyond a gas station. He is confused.
Arnie says, “Nice and peaceful. Sure beats the city, huh?” Having assumed correctly that J. is not a son of the South.
“It certainly is green,” J. says.
“First time in West Virginia?”
“Yeah.”
“You’re going to like it,” Arnie assures. “ ‘The most northern of the southern, the most southern of the northern, the most western of the eastern, and the most eastern of the western.’ That’s what they say, and I can vouch for it. We’ve got everything here. Skiing in Beckley a good part of the year. If you get a chance over the weekend, you should check out the river. They have all sorts of white water rafting trips you can take.”