It's Only a Movie: Alfred Hitchcock (45 page)
Read It's Only a Movie: Alfred Hitchcock Online
Authors: Charlotte Chandler
Tags: #Direction & Production, #Film & Video, #Performing Arts, #Motion Picture Producers and Directors - Great Britain, #Hitchcock; Alfred, #Entertainment & Performing Arts, #Great Britain, #Motion Picture Producers and Directors, #Biography & Autobiography, #Individual Director, #Biography
Gable, Clark
Gainsborough Pictures
Hitchcock hired by
Hitchcock’s career launched at
Hitchcock’s departure from
Galeen, Henrik
Galsworthy, John
“Gas” (Hitchcock)
Gassmann, Remi
Gaumont-British
Gavin, John
Gelin, Daniel
Geraghty, Carmelita
Gielgud, John
Gish, Lillian
Goetzke, Bernard
Goldman, Milton
Gone With the Wind
Goodbye Piccadilly, Farewell Leicester Square
(La Bern)
Good Companions, The
Gounod, Charles
Graham, Winston
Granger, Farley
Grant, Cary
Billy Wilder on
as Hitchcock’s alter ego
at Hitchcock’s knighting ceremony
in
North by Northwest
in
Notorious
in
Suspicion
in
To Catch a Thief
Grapes of Wrath, The
Great Expectations
(Dickens)
Green, Hilton
on Hitchcock’s love of films
on
Psycho
Green, Pamela
Greenwood, Edwin
Grey, Anne
Griffies, Ethel
Griffith, D. W.
Griffith, Melanie
Guilaroff, Sydney
Guy, Alice
Gwenn, Edmund
Haas, Dolly
“Hairless Mexican, The” (Maugham)
Hale, Sonny
Hall-Davis, Lillian
Hamilton, John
Hamilton, Patrick
Handford, Peter
Haney, Carol
Hardwicke, Cedric
Harker, Gordon
Harlan, Veit
Harmony Heaven
Harrington, Curtis
Harris, Barbara
Harris, Robert A.
Harrison, Joan
Harvard Film Archive
Harvey, Laurence
Hasse, O. E.
Hasty Heart, The
Hatful of Rain
Haye, Helen
Hayes, John Michael
Hays Office
Hayward, Leland
Hayward, Susan
Head, Edith
first Hitchcock screen credit for
on Grace Kelly
on Kim Novak’s coat in
Vertigo
Hecht, Ben
Hedren, Nathalie “Tippi,”
The Birds
in
Marnie
Helmore, Tom
Henley Social Club Magazine
Hepburn, Audrey
Hepburn, Katharine
Herrmann, Bernard
last Hitchcock score by
Psycho
score by
Hichens, Robert
Hicks, Seymour
Highsmith, Patricia
Hiller, Arthur
Hindenburg, The
Hirschfeld, Al
Hitchcock, Alfred:
actors as treated by
American Film Institute tribute to
American relocation by
art collection of
as assistant director
Balcon’s break with
birth of
cameo appearances by
on casting’s importance
childhood and youth of
citizenship of
as connoisseur
death of
drawings and sketches by
early career of
education of
favorite film of
fears of
filmography of
see also specific film and TV show titles
as film producer
on films as “frightmares,”
Film Society of Lincoln Center tribute to
first film directed by
first film job of
first sound film of
on his life and aging
as Hollywood outsider
homes of
homosexuality in films of
honeymoon of
Houseman’s friendship with
illnesses of
inspirations of
knighthood of
last silent film of
at London opening of
To Catch a Thief
MacGuffins in films of
marriage of
marriage proposal of
Mary Rose
project of
mother’s influence on
movie scene ideas of
nickname of
personality of
physique of
practical jokes of
on
Psycho
’s effect on viewers
reading of
on
Rear Window
religion of
retirement of
San Francisco loved by
Selznick’s relationship with
seventy-fifth birthday party for
sexuality of
on taking movies seriously
technical skills of
and Thinnes firing
Thom Mount on working with
on 3–D film process
“ticking bomb” theory of
Transatlantic Pictures project of
travel interest of
visual sense of
wardrobe of
wealth of
weight and dieting of
work methods of
in World War I
World War II and
as writer
Hitchcock, Alma Reville
and American relocation
The Birds
disliked by
birth of
citizenship of
contribution of, to Hitchcock films
cooking skills of
death of
favorite Hitchcock films of
film appearances of
first film jobs of
as Hitchcock’s assistant
Hitchcock’s courtship of
Hitchcock’s marriage proposal to
on Hitchcock’s
Mary Rose
project
Hitchcock’s tribute to
honeymoon of
illnesses of
at London opening of
To Catch a Thief
marriage of
reading of
San Francisco loved by
as screenwriter
and Thinnes firing
Tippi Hedren noticed by
travels of
and
The Trouble with Harry
Hitchcock, Ellen Kathleen
Hitchcock, Emma Jane
Hitchcock, Pat
on the “Alma test,”
on American relocation
birth of
childhood and youth of
childhood drawing by
education of
family of
father’s relationship with
favorite Hitchcock films of
Ferris wheel story of
Hitchcock’s bequests to
on Hitchcock’s fame
on
Lifeboat
’s phony diet ad
Hitchcock, William
Hitchcock, William, Jr.
Hitler, Adolf
Hodiak, John
Hogan, Dick
Holden, William
Homolka, Oscar
Houdini
Houseman, John
House of Dr. Edwardes, The
(Beeding)
House of Wax
Hume, Benita
Hunter, Evan
Hunter, Ian
Hunter, Kim
I Confess
Iles, Francis
Incredible Shrinking Woman, The
Intermezzo
Irvine, Robin
Islington Studios
“It Had to Be Murder” (Woolrich)
“It’s a Long Way to Tipperary,”
Iwerks, Ub
Jack the Ripper
Jamaica Inn
James Bond
Jazz Singer, The
Jeans, Isabel
Jefferson, Thomas
Jepson, Selwyn
Johnny Belinda
Johnson, Joseph MacMillan
Jones, Barry
Jones, Jennifer
Jourdan, Louis
Juno and the Paycock
(film)
Juno and the Paycock
(O’Casey)
Kaleidoscope Frenzy
Katz, James C.
Kazan, Elia
Kazanjian, Howard G.
Keen, Malcolm
Kelly, Grace
in
Dial M for Murder
in
Rear Window
in
To Catch a Thief
Kendall, Henry
Kingsley, Sidney
Kirkbride, Ronald
Kiss Me Kate
Klee, Paul
Knight, Esmond
Knott, Frederick
Kolthoff, Sonja
Konstam, Phyllis
Konstantin, Leopoldine
Korda, Alexander
Krampf, Günther
Krasna, Norman
Kristel, Sylvia
Kruger, Otto
La Bern, Arthur
Lady Vanishes, The
plot of
“Lamb to the Slaughter” (Dahl)
Landau, Martin
Landis, Jessie Royce
Landis, John
Lane, Priscilla
Lang, Fritz
Langley, Bryan
on
Murder!
and
Mary
on
Number 17