Instruments of Darkness

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Authors: Imogen Robertson

Tags: #Historical fiction, #Crime Fiction

BOOK: Instruments of Darkness
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Instruments of Darkness
 
 
IMOGEN ROBERTSON
 
 
headline
 
Copyright © 2009 Imogen Robertson
 
 
The right of Imogen Robertson to be identified as the Author of
the Work has been asserted by her in accordance with the
Copyright, Designs and Patents Act 1988.
 
 
Apart from any use permitted under UK copyright law, this publication may only
be reproduced, stored, or transmitted, in any form, or by any means, with prior permission
in writing of the publishers or, in the case of reprographic production, in accordance
with the terms of licences issued by the Copyright Licensing Agency.
 
 
First published as an Ebook by Headline Publishing Group in 2010
 
 
All characters - other than the obvious historical figures - in this publication are fictitious
and any resemblance to real persons, living or dead, is purely coincidental.
 
 
Cataloguing in Publication Data is available from the British Library
 
eISBN : 978 0 7553 4964 7
 
 
This Ebook produced by Jouve Digitalisation des Informations
 
 
HEADLINE PUBLISHING GROUP
An Hachette UK Company
338 Euston Road
London NW1 3BH
 
Table of Contents
 
 
 
 
 
 
 
 
For
The Family
ACKNOWLEDGEMENTS
To the following all my thanks: to Ros Taylor and Rachel Halliburton for their crucial advice on early drafts; to the judges of the
Daily Telegraph
‘First Thousand Words of a Novel’ competition for their encouragement and lunch; to fellow writers Roddy Lumsden, Ahren Warner, Camellia Stafford, Amy Key, Heather Phillipson and Wayne Smith for teaching me about cadence, amongst other things; to the staff at the superb British Library, where I did much of my research; to Kath, Emma, Neel, Sam, Shona, Nat, David, Stephen, Duncan, Jonathan, Ned and my parents for the necessary emotional support; to Annette Green for liking the book enough to sell it; to Jane Morpeth and Flora Rees for liking it enough to buy it; and particular thanks to Ed Stern and family for kindnesses too numerous to mention.
PART I
I.1
Friday, 2 June 1780, West Sussex, England
 
G
ABRIEL CROWTHER OPENED his eyes.
‘Mr Crowther, sir?’
The light in the room was weak. Morning light.
‘Whoever it is, send them away,’ he said.
He blinked. The maid was still there.
‘She won’t go, sir. It’s Mrs Westerman from Caveley Park. She said she is determined, sir. And she said to give you this.’
The maid held out a piece of paper, staying as far away from the bed as she could, as if she feared her master would bite.
The intrusion was unusual. Crowther had done a good job of ignoring his neighbours since taking up residence in Hartswood, near Pulborough, the previous summer, and their visits had swiftly petered out. He did not need companions with whom to pass his time and had no intention of participating in diversions, picnics and subscription dinners of what passed for society in the county. The rest of the village never expected to have much to do with him, but after a month or two of observation, many of the local women found the easiest way to still a child was to threaten it with Mr Crowther and his big knife. He was a student of Anatomy. He wanted to know how bodies lived, what record a man’s life left on his physical remains, and he had the leisure and means to inquire.
His habits soon became known. To the educated, he was a man of science cursed with an appalling lack of manners; to everyone under ten he was a devil doctor who cut the souls from the living bodies of naughty children and ate them.
The maid still held the note out towards him; it trembled a little. He snatched it from her with a low growl and flicked it open. It was written on notepaper - taken from his own desk downstairs, he noticed - in an educated female hand. The writer had not troubled with compliments or excuses about the hour, but confined herself to some dozen words:
I have found a body on my land. His throat has been cut.
Crowther passed the note back to his maid.
‘My compliments to Mrs Westerman, and tell her I shall wait on her as soon as I am dressed. Have my horse got ready and brought round.’
The maid stared at him open-mouthed.
‘Do it
now
, if you please, madam.’
 
The previous evening, Adams Music Shop, Tichfield Street near Soho Square, London
 
Susan Adams pressed her ear to the floor. On the first of each month her father hosted a little concert in his shop for his neighbours and friends. It was a ritual of his since he had begun, in a small way, to succeed with his business of engraving and printing musical scores and selling them, along with collections of popular songs and airs, to London’s musically inclined residents. It was a kind of offering he made in thanks for his seven rooms, workshop and yard. His children built their own rituals around it. Jonathan would come into Susan’s room, claiming he wished to hear the music better, then be asleep before the first piece was over in the comfort of his older sister’s bed.
‘Susan?’ he grumbled. ‘You’re supposed to be in bed too. You can hear the music from here, and it is not so hard as the floor.’
‘Shush, Jonathan. I’m listening.’ She heard a sigh as her brother gave up and fidgeted the bedclothes around him. The air was still heavy with the heat of the June day passed.
‘Well, tell me what is happening then.’ He yawned.
She smiled; one of her blond ringlets tickled her ear. She tucked it away and considered.
‘Mr Paxton, Mr Whitaker and Miss Harding have all arrived. Mr Paxton has his cello, Mr Whitaker is to play my harpsichord and Miss Harding is to sing. They are all drinking punch in the shop.’
‘I helped sweep it this afternoon.’
Susan had watched Jonathan’s attempts to help the maid, Jane, while she tidied away the scores and parts with her father. She did not think he had been very helpful at all, but he was still only six, and should therefore be indulged by someone three years his senior such as herself. Though he could be annoying. She ignored the interruption.
‘The chairs have been dragged into long rows. Mrs Service is sitting very shy in a corner, because she never buys any music, and her dress is old. Mr and Mrs Chase from Sutton Street are here, because Mr Chase loves a little music when business is done. And Mr Graves is here, of course, frowning and trying to rub inkstains off his fingers because he’s only just noticed them.’
There was a sleepy giggle from the bed, followed by: ‘Is Miss Chase here?’
‘Of course.’ Susan leaped up suddenly and stood very straight, pointing one bare and not very clean foot in front of her. ‘She is walking in right now, like this.’
The little girl bent her head to one side, adjusted the shawl over her narrow shoulders and put one hand to her waist; the other gathered a pinch of her nightdress like the full skirts of an evening gown and she moved between the imaginary chairs, smiling to left and right. The room seemed to flood with candlelight and conversation.
Jonathan sat up in bed again. ‘And Mr Graves is watching her?’
‘Yes, from his corner.’
She hopped into a high-backed chair by the empty fireplace and became a tangle of limbs, a young man trying hard to look at his ease, and not entirely succeeding. His mouth opens as if he would like to address someone, then he stops himself and returns to examining his fingernails.
Jonathan laughed again. Susan held up her hand. Faintly from the room below came the first low rasp of Mr Paxton’s violoncello.
‘They are beginning.’
Susan jumped from her chair and crouched again, her ear pressed to the gap between the floorboards. She could feel the music from the room below entering through her hands. She could feel it on her open lips.
 
Crowther was not afraid of silence, but the morning seemed unnaturally bare of birdsong for early June. His visitor had already remounted when he came out of the house, and was waiting with her groom by his own chestnut bay. She had greeted him with nothing more than a nod of her head and then urged her horse forward out of the yard and into the roadway as soon as he had taken the reins. Crowther’s house was the first of any significance in the town, so in moments they were among the fields and hedgerows.
He was surprised, even a little annoyed at her silence. He looked sideways at her profile. A woman in her early thirties perhaps, neatly dressed and at some expense. She could never, even in her first bloom of youth, have been very beautiful. Her face was a little too long, and a little too narrow. Her carriage and neat figure suggested good health and habits, however. Her gloved hands rested easily on the reins and her hair was a dark red, curled under the edge of her riding hat.
‘Do you like it?’ she asked. ‘My maid Dido always rejoices when I agree to have my hair curled. I find it gets in my eyes.’
Crowther started, and faced forward at once. ‘My apologies, madam. I did not mean to stare.’
She turned to him, looking at him squarely for a moment or two, then smiled. Crowther noted the dark green of her eyes, was surprised to find himself wondering briefly what she might think of him.

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