In the Time of Butterflies (34 page)

BOOK: In the Time of Butterflies
7.25Mb size Format: txt, pdf, ePub
“Those bastards!” Jaimito exclaimed once they were back in the pickup. He kept striking the vinyl seat with his fist. “They’re not going to get away with this!” This was the same old violence Dedé had cowered under for years. But now instead of fear, she felt a surge of pity. There was nothing Jaimito or anyone could do. But it touched her that he had found his way to serve the underground after all—taking care of its womenfolk.
Watching him, Dedé was reminded of his fighting cocks which, in the barnyard, appeared to be just plain roosters. But put them in a ring with another rooster, and they sprang to life, explosions of feathers and dagger claws. She had seen them dazed, stumbling, eyes pecked out, still clawing the air at an attacker they could no longer see. She remembered, too, with wonder and some disgust and even an embarrassing sexual rush, how Jaimito would put their heads in his mouth, as if they were some wounded part of him or, she realized, of her that he was reviving.
On the way back to Mamá‘s, Dedé and Jaimito made plans. Tomorrow early, they would drive down to the capital and petition for the girls, not that it would do any good. But doing nothing could be worse. Unclaimed prisoners tended to disappear. Oh God, Dedé could not let herself think of that!
It was odd to be riding in the pickup, the dark road ahead, a slender moon above, holding hands, as if they were young lovers again, discussing wedding plans. Dedé half expected Minerva and Lío to pop up in back. The thought stirred her, but not for the usual reason of lost opportunity recalled. Rather, it was because that time now seemed so innocent of this future. Dedé fought down the sob that twisted like a rope in her gut. She felt that if she let go, the whole inside of her would fall apart.
As they turned into the driveway, they saw Mama standing at the end of it, Tono and Patria at her side, trying to hush her. “Take everything, take it all! But give me back my girls,
por Dios
!

she was shouting.
“What is it, Mama, what is it?” Dedé had leapt out of the pickup before it had even come to a full stop. She already guessed what was wrong.
“Minerva, they’ve taken Minerva.”
Dedé exchanged a glance with Jaimito. “How do you know this, Mamá?”
“They took the cars.” Mama pointed to the other end of the drive and, sure enough, the Ford and the Jeep were gone.
Some of the SIM guards left behind had asked her for the keys. They were confiscating the two vehicles registered under a prisoner’s name. Minerva! No one had ever bothered to change those documents since Papa’s time. Now they were SIM cars.
“Lord.” Mama looked up, addressing those very stars Dedé had already discounted. “Lord, hear my cry!”
“Let’s go talk to Him inside,” Dedé suggested. She had seen the hedges move slightly. They were being spied upon and would be from now on.
In Mamá’s bedroom, they all knelt down before the large picture of the Virgencita. It was here that all the crises in the family were first addressed—when Patria’s baby was born dead, when the cows caught the pinkeye, when Papa had been jailed, and later when he died and his other family had come to light.
Now, in the small room, they gathered again, Patria, Noris, Mama, even Jaimito, though he hung back sheepishly, unaccustomed to being on his knees. Patria led the rosary, breaking down every now and then, Dedé filling in those breaks with a strong, full voice. But really her heart was not in it. Her mind was thinking over all she must do before she and Jaimito left in the morning. The boys had to be dropped off at Dona Leila‘s, and Minou had to be sent for in Monte Cristi, and the pickup had to be filled with gas, and some bags packed for the girls in whatever prison held them, and a bag for her and Jaimito in case they had to stay overnight.
The praying had stopped. Everyone was crying quietly now, touching the veil of the Virgin for comfort. Looking up at the Blessed Mother, Dedé saw where Minerva’s and Mate’s pictures had been newly tucked into the frame that already held Manolo, Leandro, Nelson, Pedrito. She struggled but this time she could not keep down her sobs.
That night as she lay beside Jaimito, Dede could not sleep. It was not the naughty insomnia that resulted from a trip out to the shed to listen to the contraband station. This was something else altogether. She was feeling it slowly coming on. The dark of a childhood closet, the odor of gasoline she never liked, the feel of something dangerous pawing at her softly to see what she would do. She felt a tickling temptation to just let go. To let the craziness overtake her before the SIM could destroy all she loved.
But who would take care of her boys? And Mama? And who would coax Patria back if she wandered away again from the still waters and green pastures of her sanity?
Dedé could not run away. Courage! It was the first time she had used that word to herself and understood exactly what it meant. And so, as Jaimito snored away, Dedé began devising a little exercise to distract her mind and fortify her spirit.
Concentrate, Dedé
!
she was saying. Remember a clear cool night a lot like this one. You are sitting under the anacahuita tree in the front yard....
And she began playing the happy memory in her head, forcing herself to imagine the scent of jasmine, the feel of the evening on her skin, the green dress she was wearing, the tinkle of ice in Papa’s glass of rum, the murmured conversation.
But wait! Dedé didn’t make up that memory game the night of the arrests. In fact, she didn’t invent it at all. It was Minerva who taught her how to play it after she was released from prison and was living those last few months at Mamá’s with Mate and Patria and the children.
Every day Dedé would go over to visit, and every day she would have a fight with Minerva. Dedé would start by pleading, then arguing with Minerva to be reasonable, to stay home. The rumors were everywhere. Trujillo wanted her killed. She was becoming too dangerous, the secret heroine of the whole nation. At the pharmacy, in church, at the
mercado,
Dedé was being approached by well-wishers. “Take care of our girls,” they would whisper. Sometimes they would slip her notes. “Tell the butterflies to avoid the road to Puerto Plata. It’s not safe.” The butterflies, Lord God, how people romanticized other people’s terror!
But Minerva acted unconcerned about her safety. She could not desert the cause, she’d argue with Dedé, and she would not stay holed up in Ojo de Agua and let the SIM kill her spirit. Besides, Dedé was giving in to her exaggerated fears. With the OAS clamoring about all the jailings and executions, Trujillo was not going to murder a defenseless woman and dig his own grave. Silly rumors.
“Voz del pueblo, voz del cielo,”
Dedé would quote. Talk of the people, voice of God.
One time, towards the end, Dedé broke down in tears in the middle of one of their arguments. “I’m losing my mind worrying about you, don’t you see?” she had wept. But instead of caving in to Dedé’s tears, Minerva offered her an exercise.
“I made it up in La Victoria whenever they’d put me in solitary,” she explained. “You start with a line from a song or a poem. Then you just say it over until you feel yourself calming down. I kept myself sane that way.” Minerva smiled sadly. “You try it, come on. I’ll start you off.”
Even now, Dedé hears her sister, reciting that poem she wrote in jail, her voice raspy with the cold she never got rid of that last year.
And the shades of night begin to fall, and the traveler hurries home, and the campesino bids his fields farewell....
No wonder Dedé has confused Minerva’s exercise and her poem about the falling of night with that sleepless night before their first trip to the capital. A dark night
was
falling, one of a different order from the soft, large, kind ones of childhood under the anacahuita tree, Papa parceling out futures and Mama fussing at his drinking. This one was something else, the center of hell maybe, the premonition of which made Dedé draw closer to Jaimito until she, too, finally fell asleep.
CHAPTER TEN
Patria
January to March 1960
 
 
 
I don’t know how it happened that my cross became bearable. We have a saying around here, the humpback never gets tired carrying his burden on his back. All at once, I lost my home, my husband, my son, my peace of mind. But after a couple of weeks living at Mama‘s, I got used to the sorrows heaped upon my heart.
That first day was the hardest. I was crazy with grief, all right. When Dedé and Tono walked me into the house, all I wanted to do was lie down and die. I could hear the babies crying far off and voices calming them and Noris sobbing along with her aunt Mate, and all their grief pulled me back from mine. But first, I slept for a long time, days it seemed. When I woke up, Dedé’s voice was in my ear, invoking the Lord’s name.
And on the third day He rose again...
I got up from bed ready to set up housekeeping at Mamá’s. I asked for a basin for the baby’s bath, and told Noris she had to do something about that hair in her eyes.
Mate and I moved into a front room with the crib for both our babies. I put Noris with Minou and Manolito in the spare room Minerva always used. Mamá, I thought, would do better by herself in her own room.
But past midnight, the sleepers began to shift beds, everyone seeking the comfort of another body. Manolito invariably crawled in with me, and soon after, Raulito would start bawling. That boy was jealous even in his sleep! I’d bring him to my bed, leaving the crib empty for Jacqueline was already cuddled at her mother’s side. In the mornings, I’d find Noris and Minou in Mamá’s bed, their arms around each other, fast asleep.
And on the third day He rose again...
On my third day at Mamá‘s, instead of a resurrection, I got another crucifixion.
The SIM came for Mate.
It was three months before I laid eyes on her or Minerva or our husbands. Three months before I got to hold my Nelson.
As I said, I recovered. But every now and then, I couldn’t get the pictures out of my head.

Other books

The Modern World by Steph Swainston
The Holocaust Industry by Norman Finkelstein
Diann Ducharme by The Outer Banks House (v5)
Evidence of Things Seen by Elizabeth Daly
Marine One by James W. Huston
The Orphan Army by Jonathan Maberry