In a Dark, Dark Wood (35 page)

BOOK: In a Dark, Dark Wood
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I just never knew how much I loved my own space until now.

Flo died a few hours after I saw Tom – three days after she’d taken the overdose. Nina was right about that. And right, too, that she’d changed her mind by the end. I never saw her, but Nina visited her, and listened while she cried, and talked, and planned for the future and what she’d do when she left hospital. Her parents were with her when she died. I don’t know if it was peaceful – Nina wouldn’t tell me, which makes me think not.

I sigh and let my case fall to the floor. I am tired, and parched, and stiff from the long drive.

I open up the coffee maker, pour in the water, and fold the filter paper just so. Then I open up my glass coffee jar and sniff the grounds. They’re a week old, but still fresh enough to make the inside of my nose sing.

The sound the machine makes as it percolates is the sound of home, and the scent of the steaming grounds is the smell of home, and then at last I curl my battered body on the bed, my still-packed case on the rug, and I take a long, slow sip. The winter sun is filtering through the rattan blinds, and the traffic below makes a soft roar, too far away to disturb, more like the sound of the sea on a shore.

I think of that glass house, far away, in the stillness of the forest, with the birds swooping past and the woodland animals padding quietly through the garden. I think of its blank glass walls, reflecting the dark shapes of the trees, and the moonlight filtering through.

Flo’s aunt is selling, apparently. Flo’s parents told Nina. Too much blood spilt, too many memories. And she said she was planning to burn the planchette, when the police released it.

That’s the one part I don’t understand. The seance.

Everything else was necessary. Everything else was part of the plan. But the ouija board, and that creepy, creepy message?

I can still see it now, looping and scrolling across the page.

M m mmmmuurderrrrrrrrrrrrrer

Lamarr thought it was deliberate, all part of the plan to unnerve everyone, get them sufficiently on edge so that when the back door swung open, we’d be more inclined to panic, and react to a suggestion to get out the gun.

But I’m not so sure. I think again about what Tom said, about the messages that float up from the subconscious … was it Clare’s unwilling hand, spelling out what she was so desperately trying to suppress?

I shut my eyes, trying to block the memory of that night. But there
is
no way of shutting it out completely. Flo is gone, but the rest of us, Tom, Nina and I, we’ll have to live with what happened, with what Clare did, with what we
all
did, for the rest of our lives.

My case is on the floor, and I open it up and pull out my laptop. The police still have my phone, but at least I can check my emails. It’s more than a week since I left London, and as I fire it up, a message flickers: ‘Downloading 1 of 187 emails’.

I sit and watch as they drop, one by one, into my inbox.

There’s an email from my editor. And another. Two from my agent. One from my mum, headed ‘R U OK?’ Then, last of all, come the emails from my website address: ‘Hot Thai Babes’ … ‘One weird tip to melt belly fat!’ … ‘You have three comments waiting for approval.’

And in amongst the spam … ‘From: Matt Ridout. Subject: Coffee’

I feel in my pocket for the curling piece of cardboard, torn off a paper cup. It’s nearly unreadable now, his number. The biro is blurring into nothing, and there’s a crease across the middle two digits, but I think I can make out that they’re both sevens, or possibly ones.

I was going to let fate decide. If I got my phone back from the police before the number disappeared …

And now this.

I remember the way he buried his face in his hands as he cried over James.

I remember his smile.

I remember the expression in his eyes as he said goodbye.

I’m not sure I can do this. I’m not sure I can let go of everything that happened, start again. For a minute my finger hovers irrationally over the delete button.

And then I click.

This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorized distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

Epub ISBN: 9781473512344
Version 1.0

1 3 5 7 9 10 8 6 4 2

Harvill Secker, an imprint of Vintage Publishing,
20 Vauxhall Bridge Road,
London SW1V 2SA

Harvill Secker is part of the Penguin Random House group of companies whose addresses can be found at
global.penguinrandomhouse.com
.

Copyright © Ruth Ware 2015

Ruth Ware has asserted her right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988

First published by Harvill Secker in 2015

www.vintage-books.co.uk

A CIP catalogue record for this book is available from the British Library

ISBN
9781846558917 (hardback)
ISBN
9781846559594 (trade paperback)

BOOK: In a Dark, Dark Wood
13.91Mb size Format: txt, pdf, ePub
ads

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