I'll Get You For This (24 page)

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Authors: James Hadley Chase

BOOK: I'll Get You For This
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  "Let's go upstairs," the blonde said, suddenly, impatiently. "It's too hot to dance."
  "Sure," I said, and we danced over to the door.
  I caught Hoskiss's eye. He looked reproachful.
  I winked, waved and followed the blonde out of the room. She ran up a steep flight of stairs, along a passage.
  I followed her into a small room furnished with a divan, a cupboard and a carpet.
  She stood by the divan, eyed me expectantly.
  "You're not going to be mean, are you, honey?" she said.
  I reached inside my pocket, produced three five-dollar bills, dangled them before her.
  Her eyes lit up and she smiled. The bored, resigned expression vanished.
  "Run along and tell Madam Durelli I want to see her," I said.
  She stared. "What's the idea?" she demanded, her voice hardening. "Don't you like me or something?"
  "Can't you earn yourself a little dough without sounding off? I'm offering it you the easy way. Take this and get Madam. Go on, beat it."
  She snatched the money, slipped it into the top of her stocking, went to the door.
  "I thought you were a queer fish the moment I saw you," she said. "Stick around. I'll get her."
  I sat on the edge of the divan, lit a cigarette, waited.
  Minutes dragged by, then I heard a step outside. The door opened and a big. middle-aged woman came in Her lean face was hard, her eyes jet-beads, and her blonde frizzy hair brittle through constant bleaching. She closed the door, leaned against it, raked me with her eyes.
"What's on your mind?" she asked. Her voice was harsh and flat.
I glanced at my wrist-watch. It was twenty-five minutes past eleven.
  "Last night," I said, "the new Chief of Police knocked off a boat belonging to Juan Gomez. Maybe you read about it in the Morni
ng Start"
  An alert, suspicious expression jumped into her eyes.
  "Who are you?" she demanded.
  "Never mind who I am," I said. "I'm tipping you off. That makes me your pal. How do you like me as a pal?" She continued to stare at me. "Keep talking," she said.
  "You look smart," I said, flicking ash on the worn carpet. "I don't have to draw you a map. Gomez is mad because Killeano knocked off his boat. He's on his way out here to start trouble."
  She stiffened. "How do you know?"
  "I got a fleet of midgets who keep me informed about such things," I said.
  "I think I'll get someone to talk to you," she said, a snap in her voice. She turned to the door.
  I reached out, grabbed her wrist, jerked her round. Her flesh felt soft, puffy. I didn't fancy touching her.
  "No, you won't," I said. "I'm dealing with you. If you can't take a friendly tip, then the hell with it. You haven't much time. Gomez will be here any moment now. You'd better get rid of your clients and the girls. He's bringing his mob."
  She studied me for a moment. "Wait," she said, went out.
  I sneaked to the door, listened, then stepped into the passage.
  She was disappearing into a room at the end of the passage as I came out. I went after her, peered into a well-furnished office. She was trying to get some action from the telephone. It didn't take her long to realize it wasn't working. Her face gave her away. She was scared.
  "Get organized," I said from the door, "and make it snappy."
She pushed past me, almost ran from the room.
  I heard her on the stairs, followed her. I was only three steps behind her when she reached a door to the right of the foot of the stairs.
  She turned.
  "Get out of here," she snarled, breathing hard. "Go in there and amuse yourself; scram, but don't follow me around."
  I nodded.
  "Just so long as you know what to do," I said, turned and walked back to the main hall. As I passed the open front door, I paused.
  Two big closed cars were drawing up by the tumbledown huts. Men spilled from them.
  I thought I might as well launch the balloon. I drew my gun and fired three times above the heads of the running men. Then I slammed the front door, shot home the bolts, put my gun back in its holster, and walked into the dance hall.
7
  Hoskiss and I sat under the bar counter. We had the redheaded girl with us, but we had kicked the Cuban out, considering him poor company.
  Hoskiss was telling the red-head about his adventures in the Army. He made them sound very exciting and dangerous. The red-head didn't seem to be listening. She sat huddled up, her hands clasping her knees, a look of strained terror on her face.
  Bullets sang through the air; gunfire crackled.
  "It reminds me of the time when I was cut off from the rest of the boys after crossing the Rhine," Hoskiss said reminiscently. "I was bottled up in a fox-hole, and the Jerries started to mortar my position. I didn't have any whisky to fortify me, and I was scared."
  "Not you," I said. "Not a big guy like you."
  He anchored his mouth to a bottle of Scotch, took a Ions pull.
"You don't have to be sarcastic," he said. "I bet there was time when you were scared too."
I took the bottle away from him, gave myself a stiff shot.
  Someone quite close started firing an automatic rifle. Tb noise was considerable. The redhead screamed, flung her round Hoskiss's neck, clung to him.
  "I'm glad you invited me to this party," he said to me. "The baby has lost her repressions. She's almost a woman again." He held the red-head tightly, winked at me over her head.
  "I hope this counter is bullet proof," I said, pressing the partition with my fingers. It seemed solid enough.
  "So long as they can't see me, I feel safe," Hoskiss said "Don't undermine my confidence."
  "I want to go home," the red-head wailed. They were the first words she had uttered since the shooting had begun.
  "I should wait if I were you, baby," Hoskiss said kindly. "The air outside is awfully unhealthy. I'd hate to see holes those pretty pants of yours. Besides, what should I do without you?"
  I worked my way to the end of the counter, cautiously peer round. The dance floor was deserted. I could make out the four members of the band sheltering under the piano. The nigger's face was grey; his eyes were closed; he held his drum sticks tightly clenched in his right hand. He was more expose than the other three, and he kept trying to wriggle further under cover, but they wouldn't let him.
  Two of the girls had overturned a table and were crouching behind it. I could see their silk clad legs, no more. Over the other side of the room, a man and girl sat against the wall. The girl looked terrified. The man was smoking. His red, mottled face was slack. He kept saying in a loud voice, "Aw, the hell with it."
  All the other men and girls had gone. They were probably hiding in the rooms at the back of the building.
  Desultory gunfire kept the night alive. Apart from the automatic rifle, there seemed no organized opposition from within.
"These lads are slow off the mark," I said to Hoskiss.
  "Well, we have lots of time," he returned, giving himself another drink. "Do you expect me to join in or something?"
  "Not just yet," I said. 'You better case off on the Scotch. When you do go into action, you'll need calm and courage."
  "I'm always calm," he returned, grinning, "and I'm stocking up in courage."
  I wanted to locate the automatic rifle. It kept banging off near by, but from where I lay, I couldn't see who was using it. I lay flat, wriggled further out, until my head and shoulders were clear of the protecting counter.
  "That's how guys won the Purple Heart," Hoskiss said to the red-head. "It's also a good way to qualify for a funeral."
  I looked around, spotted the sportsman with the rifle. He was kneeling against the front of the counter, and every so often he'd fire blindly at the shuttered windows. He was middle-aged, going bald. Thick glasses sat uneasily on his short fat nose.
  "How are you making out, bud?" I asked him. "Think you're hitting anyone?"
  He jumped round with a snarl of fright, swung the gun in my direction. I didn't wait, but pulled back so fast the red-head squealed with terror.
  "Someone say 'Boo!' to you?" Hoskiss asked, grinning.
  I sat up, wiped my face, shook my head.
  "There's a middle-aged sportsman out there on his own," I explained. "He's banging away without even sighting. Maybe I'd better go out and get things organized. This is no way to wage war."
  "Don't be so bloodthirsty," Hoskiss said, frowning. "Me and the girl friend find it exciting, don't we, Tutz?"
  The red-head said it was too exciting. The language in which she expressed this opinion startled us.
  "I can't imagine where you girls pick up such talk," Hoskiss said, pained. "When I was your age–—"
  The red-head told him to go boil his head, and she added a couple of other suggestions in case the first one didn't appeal to him.
  It was funny to see a tough guy like Hoskiss turn pink.
  Without warning a machine-gun began firing. Bullets smashed through the wooden shutters. A row of bottles above our heads flew into pieces. Liquor and glass showered down on us. The red-head was soused with gin. Whisky poured over Hoskiss's trouser ends. A piece of flying glass cut my cheek, but I kept dry.
  "She'll taste interesting now if you kiss her," I said to Hoskiss.
  "I can't stomach gin," he said, regarding the girl crossly. "Why couldn't it've been Scotch?"
  "Well, you can always chew your trousers. You might start a new craze."
  The red-head had collapsed into Hoskiss's arms, wailing with fright. He shoved her off.
  "I don't love you any more. You smell like hell."
  The sportsman with the automatic rifle began blazing away again. I peeped out.
  The nigger drummer rolled his eyes at me. The two pairs of silk clad legs behind the table were still as death. The red-faced man over the other side of the room was glaring angrily at the torn shutters. He suddenly got to his feet, lurched across the room. He was very drunk. As he reached the shutters, the machine-gun started up. He was swept backwards by the hail of bullets. Everyone in the room heard the slugs socking into his body. He landed up on his back, blood ran out of him on to the polished dance floor.
  "Real bullets," I said, wriggling back under cover. "They've just killed a drunk."
  "Shocking waste of good liquor," Hoskiss said, unmoved. He joined me at the end of the counter, looked at the dead man, shook his head. "I feel like letting off my gun now. Childish, isn't it?"
  The door to the dance hall suddenly pushed open and three men came in on their hands and knees. They all carried automatic rifles, all looked business-like.
"Shock troops," Hoskiss said, beaming. "Now something ought to happen."
  I pulled back as I spotted Don Speratza in the doorway. He didn't come into the room, but directed the men to take up positions by the window. He was careful not to expose himself more than necessary. I was glad to see him.
  The men crawled across the dance floor, crept to the windows and began pouring lead into the night. A sudden yell outside proved they knew their job.
  "We might take a little walk before long," I said. "I'm getting tired of staying one place."
  "Ready when you are," Hoskiss said, pulling a Mauser pistol from his hip pocket. He thumbed down the safety catch.
  The red-head squeaked, "Don't leave me," grabbed at him. He threw her arms off impatiently.
  "Lay off," he said roughly. "I got work to do now, Tate."
  Speratza had vanished. I could hear shooting going on at the back of the building. There were yells. It sounded like a break-in.
  "Think your boys will take any action?" I whispered.
  "They're on the job now," Hoskiss said, cocking an ear. "I recognize the sound of a Mauser any place. Hark."
  We could hear a lot of shooting going on outside.
  "That's fine," I said. "In your official capacity I guess you wouldn't hesitate to shoot if anyone looked troublesome?"
  "You bet I'd shoot," he said.
  "In that case, brother, you'd better go first. I'll cover your rear."
  "If you want to lead, go ahead," he said hastily. "I'll take full responsibility for any deaths you cause."
  Put like that I hadn't the heart to refuse. I dived for the door, passed into the main hall.
  A dim shape standing by the front door twisted round, fired. I felt the wind from the slug fan my face. I shot the dim shape through the head.
  "You see how it is," I said apologetically to Hoskiss. "People just naturally shoot at me."
  "Don't let it grieve you," Hoskiss said, peering round the hall. "You go ahead. You're faster with a gun than I am. I want to come out of this alive."
  There didn't seem any further opposition in the hall. I made for the door at the foot of the stairs.
  "This way, pal," I said. "Be ready for action."
  I pushed open the door, faced a flight of stairs leading down into a dimly lit basement.
  I walked down the stairs, making no more noise than a breath of wind. Hoskiss kept at my heels.
  We reached the bottom of the stairs, moved along a passage. I pointed to a thick electric cable running along the wall near the ceiling. Hoskiss nodded, grinned.
  At the end of the passage was a door. I paused outside, listened. I couldn't hear anything.
  "Shall we go in?" I whispered in Hoskiss's ear.
  "I suppose so," he said. "G-men always go in."
  I turned the handle, pushed.
  The room was big; elaborately equipped with printing presses. Green shaded lights illuminated the stacks of banknotes piled neatly on benches.

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