If the River Was Whiskey (31 page)

The porch smelled of pine—old pine, dried up and dead—and it depressed him. In fact, everything depressed him—especially this vacation. Vacation. It was a joke. Vacation from what?

He poured himself a drink—vodka and soda, tall, from the plastic half-gallon jug. It wasn’t noon yet, the breakfast dishes were in the sink, and Tiller and Caroline were down at the lake. He couldn’t see them through the screen of trees, but he heard the murmur of their voices against the soughing of the branches and the sadness of the birds. He sat heavily in the creaking wicker chair and looked out on nothing. He didn’t feel too hot. In fact, he felt as if he’d been cored and dried, as if somebody had taken a pipe cleaner and run it through his veins. His head ached too, but the vodka would take care of that. When he finished it, he’d have another, and then maybe a grilled swiss on rye. Then he’d start to feel good again.

His father was talking to the man and his mother was talking to the woman. They’d met at the bar about twenty drinks ago and his father was into his could-have-been, should-have-been, way-back-when mode, and the man, bald on top and with a ratty beard and long greasy hair like his father’s, was trying to steer the conversation back to building supplies. The woman had whole galaxies of freckles on her chest, and she leaned forward in her sundress and told his mother scandalous stories about people she’d never heard of. Tiller had drunk all the Coke and eaten all the beer nuts he could hold. He watched the Pabst Blue Ribbon sign flash on and off above the bar and he watched the woman’s freckles move in and out of the gap between her breasts. Outside it was dark and a cool clean scent came in off the lake.

“Un huh, yeah,” his father was saying, “the To the Bone Band. I played rhythm and switched off vocals with Dillie Richards.…”

The man had never heard of Dillie Richards.

“Black dude, used to play with Taj Mahal?”

The man had never heard of Taj Mahal.

“Anyway,” his father said, “we used to do all this really outrageous stuff by people like Muddy, Howlin’ Wolf, Luther Allison—”

“She didn’t,” his mother said.

The woman threw down her drink and nodded and the front of her dress went crazy. Tiller watched her and felt the skin go tight across his shoulders and the back of his neck, where he’d been burned the first day. He wasn’t wearing any underwear, just shorts. He looked away. “Three abortions, two kids,” the woman said. “And she never knew who the father of the second one was.”

“Drywall isn’t worth a damn,” the man said. “But what’re you going to do?”

“Paneling?” his father offered.

The man cut the air with the flat of his hand. He looked angry. “Don’t talk to me about paneling,” he said.

Mornings, when his parents were asleep and the lake was still, he would take the rowboat to the reedy cove on the far side of the lake where the big pike lurked. He didn’t actually know if they lurked there, but if they lurked anywhere, this would be the place. It looked fishy, mysterious, sunken logs looming up dark from the shadows beneath the boat, mist rising like steam, as if the bottom were boiling with ravenous, cold-eyed, killer pike that could slice through monofilament with a snap of their jaws and bolt ducklings in a gulp. Besides, Joe Matochik, the old man who lived in the cabin next door and could charm frogs by stroking their bellies, had told him that this was where he’d find them.

It was cold at dawn and he’d wear a thick homeknit sweater over his T-shirt and shorts, sometimes pulling the stretched-out hem of it down like a skirt to warm his thighs. He’d take an apple with him or a slice of brown bread and peanut butter. And of course the orange lifejacket his mother insisted on.

When he left the dock he was always wearing the lifejacket—for form’s sake and for the extra warmth it gave him against the raw morning air. But when he got there, when he stood in the swaying basin of the boat to cast his Hula Popper or Abu Reflex, it got in the way and he took it off. Later, when the sun ran through him and he didn’t need the sweater, he balled it up on the seat beside him, and sometimes, if it was good and hot, he shrugged out of his T-shirt and shorts too. No one could see him in the cove, and it made his breath come quick to be naked like that under the morning sun.

“I heard you,” he shouted, and he could feel the veins stand out in his neck, the rage come up in him like something killed and dead and brought back to life. “What kind of thing is that to tell a kid, huh? About his own father?”

She wasn’t answering. She’d backed up in a corner of the kitchen and she wasn’t answering. And what could she say, the bitch? He’d heard her. Dozing on the trundle bed under the stairs, wanting a drink but too weak to get up and make one, he’d heard voices from the kitchen, her voice and Tiller’s. “Get used to it,” she said, “he’s a drunk, your father’s a drunk,” and then he was up off the bed as if something had exploded inside of him and he had her by the shoulders—always the shoulders and never the face, that much she’d taught him—and Tiller was gone, out the door and gone. Now, her voice low in her throat, a sick and guilty little smile on her lips, she whispered, “It’s true.”

“Who are you to talk?—you’re shit-faced yourself.” She shrank away from him, that sick smile on her lips, her shoulders hunched. He wanted to smash things, kick in the damn stove, make her hurt.

“At least I have a job,” she said.

“I’ll get another one, don’t you worry.”

“And what about Tiller? We’ve been here two weeks and you haven’t done one damn thing with him, nothing, zero. You haven’t even been down to the lake. Two hundred feet and you haven’t even been down there once.” She came up out of the corner now, feinting like a boxer, vicious, her sharp little fists balled up to drum on him. She spoke in a snarl. “What kind of father are you?”

He brushed past her, slammed open the cabinet, and grabbed the first bottle he found. It was whiskey, cheap whiskey, Four Roses, the shit she drank. He poured out half a water glass full and drank it down to spite her. “I hate the beach, boats, water, trees. I hate you.”

She had her purse and she was halfway out the screen door. She hung there a second, looking as if she’d bitten into something rotten. “The feeling’s mutual,” she said, and the door banged shut behind her.

There were too many complications, too many things to get between him and the moment, and he tried not to think about them. He tried not to think about his father—or his mother either—in the same way that he tried not to think about the pictures of the bald-headed stick people in Africa or meat in its plastic wrapper and how it got there. But when he did think about his father he thought about the river-was-whiskey day.

It was a Tuesday or Wednesday, middle of the week, and when he came home from school the curtains were drawn and his father’s car was in the driveway. At the door, he could hear him, the
chunk-chunk
of the chords and the rasping nasal whine that seemed as if it belonged to someone else. His father was sitting in the dark, hair in his face, bent low over the guitar. There was an open bottle of liquor on the coffee table and a clutter of beer bottles. The room stank of smoke.

It was strange, because his father hardly ever played his guitar
anymore—he mainly just talked about it. In the past tense. And it was strange too—and bad—because his father wasn’t at work. Tiller dropped his bookbag on the telephone stand. “Hi, Dad,” he said.

His father didn’t answer. Just bent over the guitar and played the same song, over and over, as if it were the only song he knew. Tiller sat on the sofa and listened. There was a verse—one verse—and his father repeated it three or four times before he broke off and slurred the words into a sort of chant or hum, and then he went back to the words again. After the fourth repetition, Tiller heard it:

For half an hour his father played that song, played it till anything else would have sounded strange. He reached for the bottle when he finally stopped, and that was when he noticed Tiller. He looked surprised. Looked as if he’d just woke up. “Hey, ladykiller Tiller,” he said, and took a drink from the mouth of the bottle.

Tiller blushed. There’d been a Sadie Hawkins dance at school and Janet Rumery had picked him for her partner. Ever since, his father had called him ladykiller, and though he wasn’t exactly sure what it meant, it made him blush anyway, just from the tone of it. Secretly, it pleased him. “I really liked the song, Dad,” he said.

“Yeah?” His father lifted his eyebrows and made a face. “Well, come home to Mama, doggie-o. Here,” he said, and he held out an open beer. “You ever have one of these, ladykiller Tiller?” He was grinning. The sleeve of his shirt was torn and his elbow was raw and there was a hard little clot of blood over his shirt
pocket. “With your sixth-grade buddies out behind the handball court, maybe? No?”

Tiller shook his head.

“You want one? Go ahead, take a hit.”

Tiller took the bottle and sipped tentatively. The taste wasn’t much. He looked up at his father. “What does it mean?” he said. “The song, I mean—the one you were singing. About the whiskey and all.”

His father gave him a long slow grin and took a drink from the big bottle of clear liquor. “I don’t know,” he said finally, grinning wider to show his tobacco-stained teeth. “I guess he just liked whiskey, that’s all.” He picked up a cigarette, made as if to light it, and then put it down again. “Hey,” he said, “you want to sing it with me?”