Idoru (3 page)

Going now.

She took a deep breath. Her mother's house seemed to take one as well, but more tentatively, its wooden bones creaking in the winter morning cold.

The cab arriving as scheduled, but magically nonetheless, and no, it didn't honk, exactly as requested. Kelsey having explained how these things were done. Just as Kelsey, briskly interviewing Chia on the circumstances of her life, had devised the cover for her impending absence: ten days in the San Juans with Hester Chen, whose well-heeled luddite mother so thoroughly feared electromagnetic radiation that she lived phoneless, in a sod-roofed castle of driftwood, no electricity allowed whatever. “Tell her you're doing a media fast, before your new school thing comes together,” Kelsey had said. “She'll like that.” And Chia's mother, who felt that Chia spent entirely too much time gloved and goggled, did.

Chia was actually fond of the gentle Hester, who seemed to get what Lo/Rez were about, though somehow without being quite as fundamentally moved as could have been expected, and Chia had in fact already tried the pleasures of Mrs. Chen's island retreat. But Hester's mother had made them both wear special baseball caps, sewn from some EMR-proof fabric, so that their young brains might not be bathed quite so constantly in the invisible soup of bad media.

Chia had complained to Hester that the caps made them both look like meshbacks.

—Don't be racist, Chia.

—I'm not.

—Classist, then.

—It's a matter of
aesthetics
.

And now in the overheated cab, her one bag beside her on the seat, she felt guilt at this deception, her mother sleeping there behind those darkened windows matted with frost, under the weight of her thirty-five years and the flowered duvet Chia had bought at Nordstrom's. When Chia had been small, her mother had worn her hair in a long braid, its tip skewered with turquoise and abalone and carved bits of bone, like the magical tail of some mythical animal, swaying there for Chia to grab. And the house looked sad, too, as if it regretted her leaving, white paint peeling from the underlying gray of ninety-year-old cedar clapboards. Chia shivered. What if she never came back?

“Where to?” the driver said, a black man in a puffy nylon jacket and a flat plaid cap.

“Sea Tac,” Chia said, and pushed her shoulders back into the seat.

Pulling out past the old Lexus the neighbors kept up on concrete blocks in the driveway.

Airports were spooky places, early in the morning. There was a hollowness that could settle on you there, something sad and empty. Corridors and people moving away down them. Standing in line behind people she'd never seen before and would never see again. Her bag over her shoulder and her passport and ticket in her hand. She wanted another cup of coffee. There was one back in her room, in the Espressomatic. Which she should've emptied and cleaned, because now it would go moldy while she was away.

“Yes?” The man behind the counter wore a striped shirt, a tie with the Air Magellan logo repeated down it diagonally, and a green jade labret stud. Chia wondered what his lower lip looked like when he took it out. She never would, she decided, if she had one of those. She handed him her ticket. He sighed and removed them from the folder, letting her know that she should've done that herself.

She watched him run a scanner over her ticket.

“Air Magellan one-oh-five to Narita, economy return.”

“That's right,” Chia said, trying to be helpful. He didn't seem to appreciate that.

“Travel document.”

Chia handed him her passport. He looked at it as though he'd never seen one before, sighed, and plugged it into a slot in the top of his counter. The slot had beat-up aluminum lips, and someone had covered these with transparent tape, peeling now and dirty. The man was looking at a monitor Chia couldn't see. Maybe he was going to tell her she couldn't go. She thought about the coffee in her Espressomatic. It would still be warm.

“Twenty-three D,” he said, as a boarding-pass spooled from a different slot. He pulled her passport out and handed it to her, along with her ticket and the boarding pass. “Gate fifty-two, blue concourse. Checking anything?”

“No.”

“Passengers who've cleared security may be subject to noninvasive DNA sampling,” he said, the words all run together because he was only saying it because it was the law that he had to.

She put her passport and ticket away in the special pocket inside her parka. She kept the boarding pass in her hand. She went looking for the blue concourse. She had to go downstairs to find it, and take one of those trains that was like an elevator that ran sideways. Half an hour later she was through security, looking at the seals they'd put on the zippers of her carry-on. They looked like rings of rubbery red candy. She hadn't expected them to do that; she'd thought she could find a pay-station in the departure lounge, link up, and give the club an update. They never sealed her carry-on when she went to Vancouver to stay with her uncle, but that wasn't really international, not since the Agreement.

She was riding a rubber sidewalk toward Gate 52 when she saw the blue light flashing, up ahead. Soldiers there, and a little barricade. The soldiers were lining people up as they came off the sidewalk. They wore fatigues and didn't seem to be much older than the guys at her last school.

“Shit,” she heard the woman in front of her say, a big-haired blond with obvious extensions woven in. Big red lips, multilevel mascara, padded shoulders out to here, tiny little skirt, white cowboy boots. Like that country singer her mother liked, Ashleigh Modine Carter. Kind of a meshback thing, but with money.

Chia stepped off the end of the rubber sidewalk and took her place in line behind the woman who looked like Ashleigh Modine Carter.

The soldiers were taking hair samples and slotting people's passports. Chia assumed that was to prove you really were who you said you were, because your DNA was there in your passport, converted into a kind of bar code.

The sampler was a little silver wand that vacuumed the tips of a couple of strands in and clipped them off. They'd wind up with the world's biggest collection of split ends, Chia thought. Now it was the blond's turn. There were two boy-soldiers there, one to work the sampler and one to rattle off the line about how you'd already agreed to this by coming this far, and please produce your passport.

Chia watched as the woman handed over her passport, becoming somehow instantly and up-front sexy, like a lightbulb coming on, with a big smile for the soldier that made him blink and swallow and nearly drop the passport. Grinning, he stuck the passport into a little console attached to the barricade. The other soldier raised his wand. Chia saw the woman reach up and choose one of her hair-extensions, offering the end of this for sampling. The whole thing taking maybe eight seconds, including the return of her passport, and the first soldier was still smiling now that it was Chia's turn.

The woman moved on, having just committed what Chia felt fairly certain would be a federal offense. Should she tell the soldier?

But she didn't, and then they were handing back her passport and Chia was on her way to Gate 53. Where she looked for the woman but didn't see her.

She watched the ads cycle by on the walls, until they were called to board by rows.

Seat 23E remained empty as Chia waited for takeoff, sucking on a peppermint the flight attendant had given her. The only empty seat on the plane, she figured. If nobody arrived to take it, she thought, she'd be able to fold the armrest away and curl up there. She tried putting out a negative mental field, a vibe that would keep anyone from getting on at the last minute and sitting there. Zona Rosa was into that, part of her whole girl-gang martial arts thing. Chia didn't see how you could seriously believe it would work.

And it didn't, because here came that blond down the aisle, and wasn't that an eye-click of recognition Chia saw there?

3. Almost a Civilian

It had been a weeknight, a Wednesday, when Laney had last seen Kathy Torrance, and her tattoo had not been visible. She'd stood there in the Cage, screaming as he cleaned out his locker. She was wearing an Armani blazer cut from gun-metal fustian, its matching skirt concealing the sign from outer space. A single strand of pearls was visible at the open throat of her white, man-tailored blouse. Her dress uniform. Called on the carpet for her subordinate's defection.

He knew that she was screaming because her mouth was open, but the syllables of her rage couldn't penetrate the seamless hissing surf of the white-noise generator provided by his lawyers. He'd been advised to wear the generator at all times, during this last visit to the Slitscan offices. He'd been instructed to make no statements. Certainly he would hear none.

And later he would sometimes wonder exactly how she might have framed her fury. Some restatement of her theory of celebrity and the nature of its price, of Slitscan's place in that, of Laney's inability to function there? Or would she have focused on his treason? But he hadn't heard; he'd only put these things he didn't really want into a corrugated plastic carton that still smelled faintly of Mexican oranges. The notebook, screen cracked now, useless, that he'd carried through college. Insulated mug with the Nissan County logo peeling away. Notes he'd made on paper, counter to office policy. A coffee-stained fax from a woman he'd slept with in Ixtapa, someone whose initials couldn't be deciphered now and whose name he'd forgotten. Pointless pieces of the self, destined for a cannister in the building's parking lot. But he'd leave nothing here, and Kathy kept on screaming.

Now, in Death Cube K, he imagined that she'd told him that he'd never work in that town again, and indeed it seemed he might not. Disloyalty to one's employers being a particularly difficult notch on anyone's ticket, and perhaps particularly so, in that town, when the act itself had sprung from what Laney recalled had once been called scruples.

The word itself striking him now as singularly ridiculous.

“You smiled.” Blackwell staring at him from across the tiny table.

“Seratonin depletion.”

“Food,” said Blackwell.

“I'm not really hungry.”

“Need to carbo-load,” Blackwell said, standing. He took up a remarkable amount of space.

Laney and Yamazaki got to their feet and followed Blackwell down out of Death Cube K, to descend the O My Golly Building itself. Out of roach-light, into the chrome and neon gulch of Roppongi Dori. A reek of putrid fish and fruit even in this chill damp night, though muted somewhat by the baking-sugar sweetness of Chinese gasohol from the vehicles whirring past on the expressway. But there was comfort in the steady voice of traffic, and Laney found it better to be upright, moving.

If he kept moving, perhaps he could puzzle out the meaning of Keith Alan Blackwell and Shinya Yamazaki.

Blackwell leading the way across a pedestrian overpass. Laney's hand brushed an irregularity on the alloy rail. He saw that it was an accidental fold or pucker in a bright little sticker; a bare-breasted girl smiling up at him from a palm-sized silvery hologram. As his angle of vision changed, she seemed to gesture at the telephone number above her head. The railing, end to end, was dressed with these small ads, though there were precise gaps where a few had been peeled away for later perusal.

Blackwell's bulk parted the sidewalk crowd on the far side like a freighter through a bobbing stream of pleasure craft. “Carbohydrates,” he said, over a mountainous shoulder. He steered them down an alley, a narrow maw of colored light, past an all-night veterinary clinic in whose window a pair of white-gowned surgeons were performing an operation on what Laney hoped was a cat. A relaxed little tableau of pedestrians paused here, observing from the pavement.

Blackwell eased himself edgewise into a bright cave, where steam rose from cookers behind a counter of reconstituted granite.

Laney and Yamazaki followed him in, the counterman already ladling out fragrant messes of broth-slick beige to the Australian's order.

Laney watched Blackwell raise the bowl to his mouth and apparently inhale the bulk of his noodles, severing them from the remainder with a neat snap of his bright plastic teeth. Muscles in the man's thick neck worked mightily as he swallowed.

Laney stared.

Blackwell wiped his mouth with the back of one vast and pinkly jigsawed hand. He belched. “Give us one of those baby tubes of Dry…. ” He downed the entire beer in a single swallow, absently crushing the sturdy steel can as though it were a paper cup. “Similar,” he said, rattling his bowl for the counterman.

Laney, suddenly ravenous in spite or because of this gluttonous display, gave his attention to his own bowl, where dyed pink slices of mystery meat, thin as paper, basked atop a sargasso of noodles.

Laney ate in silence, as did Yamazaki, Blackwell downing another three beers to no apparent effect. As Laney drank off the remaining broth, and put his bowl down on the counter, he noticed an ad behind the counter for something called Apple Shires Authentic Fine Fruit Beverage. Misreading it initially as Alison Shires, once the object of his scruples.

“Taste the wet warm life in Apple Shires,” the ad advised.