pile of wood lay behind the boy and to the right. The headless angel hovered
above him.
She concentrated on Davy's drawing of his stepfather first. He had made him look
like a monster, and she noted how much this contrasted with her first impression
of Mr. Boyce as a handsome man with distinct features. But Davy had exaggerated
his stepfather's size and made him appear as big as Frankenstein. His nose
loomed as two huge nostrils, which she recognized as the perspective Davy would
have looking up at him. She picked up the pen and wrote in the boy's file that
the large appearance of the nostrils strongly suggested that Davy feared the
emotion Mr. Boyce expressed around him. This was Celia's analytical side. Her
emotions provided a simple and more direct verdict: Boyce was a beast.
The boy hadn't ignored his stepfather's dark eyes either. Even on paper they
looked monstrous; and he'd drawn him with massive feet, legs, and arms; boxy
shoulders; a thick neck; and, most grotesque of all, a hand shaped like an axe.
A big belt buckle drew attention to Mr. Boyce's crotch in the picture much as he
intended to— consciously or not— in real life. She remembered the way its oval
shape pressed against his narrow waist, the bronzed relief of a horse bucking
right over his belly button.
Just below the buckle Davy had colored in his stepfather's lower abdomen. The
shading extended down to the tops of his legs. Celia realized that the boy had
put a great deal of effort into covering up Mr. Boyce's genital area, and she
knew she didn't need a degree in art therapy to reach an obvious and sickening
conclusion.
But she hesitated before picking up her pen because the longer she studied the
picture the more aware she became of other damning elements. The hand shaped
like an axe, for instance, was aimed at the wedge, which the stick-figure boy
held over the log. The wedge, Celia saw with a shock, resembled a penis. No
question about it. Not even a stretch. And the stick figure with his twisted
mouth and missing features looked as scared as he had in the earlier picture.
But she still couldn't take her eyes off of Davy's drawing long enough to write
up her notes because one alarming image led to another. She mulled over the pile
of logs on the right side of the drawing for a couple of minutes before
understanding that this might well be Davy's way of saying the abuse would go
on. Abuse? A queasy feeling muddied her stomach, and she thought, abuse? Abuse?
Call a spade a spade, it's rape!
And then as she sat there studying the drawing, her anger building, she suddenly
understood the chilling reason why Davy had used so much red: it was the devil's
color. Of course, that's it! Davy saw himself in hell with his stepfather, his
mother rising above them, free only in death. Celia looked for the angel's feet
but found that Davy hadn't included them. That made sense too. In the earlier
drawings of women he'd included big feet, which had indicated to her that he'd
felt weighted down. But this angel was on the move, rising from the hell below.
But what had been so horrible for his mother, so harrowing that she remained
headless in the boy's otherwise vivid imagination? What could possibly ...
The answer that came to Celia stilled all her other thoughts and made her search
the shadows in the room. Murder. Maybe Boyce had killed her, committed an act so
terrifying that Davy could not render it. Or maybe he could not even remember
what had happened and had blocked out all but her absence. If that was the case,
then the boy's memory might return slowly, painfully, perhaps even faintly at
first, like an angel barely visible, faceless but not forgotten. Celia studied
the empty space above the wings, and nodded to herself. The boy who had spoken
without words might have drawn an important clue without lines.
Now she did pick up her pen and try to write, but succeeded with only the
basics: "Graphic indicators of sexual abuse. Check with state and local
authorities to see if stepfather has criminal record. Check death certificate
for mother— Becker, Idaho. Alert Services to Children and Families."
There, she'd finished, but the hand that held the pen still shook and she could
barely read what she'd written. That's okay, she didn't have to read her notes.
She'd read Davy's drawings, and they all spelled out a simple plea for help. She
would make sure he got it too. She'd nail that bastard Boyce, send him to prison
and set the boy free. At best Boyce was an abuser, and he might also be
something far worse.
She closed the file and placed it on the table, then checked the clock. Late.
Too late to call Tony tonight, for all good it would do; but tomorrow morning
he'd hear from her, Sunday or not. And he'd get on the line to the state or
she'd do it herself, protocol be damned.
She stood up, yawned deeply, and felt her exhaustion. A shiver of fear too. She
double-checked the locks on the doors, dragged herself into the bathroom to
brush her teeth, and never once looked at the shade, the window, or the world
outside.
47
They'd hiked, hit the hot tub, polished off a bottle of wine, and made love. And
now, as Helen prepared herself in the bathroom for yet another round of sex,
Jack lay in the log bed next to the log wall staring at the log door, and felt
pathetically incapable— despite his sylvan surroundings— of producing even the
flimsiest of woodies.
Helen had dismissed his concerns with a flick of the wrist and the promise of
"greater delights to come." He could have done without the pun. Actually, he
could have done without Helen but he knew this was a situation entirely of his
own doing.
He heard the rustling in the bathroom and wondered what she had in mind now.
When she opened the door a few minutes later she wore a gauzy white gown that
flared fetchingly from her waist to mid-thigh. Jack had to admit that the
backlighting from the bathroom did turn her formidable figure into an enchanting
silhouette.
"I'll be with you in just a sec, sweetheart."
A moment ago he would have taken that as a threat, but he found himself
mesmerized by the sight of Helen carefully and seductively putting on lipstick.
He stirred, and a sting issued from where she'd rubbed him raw just a couple of
hours ago. But the discomfort faded as his excitement grew.
He looked down and witnessed the yeasty effect of her appearance in the tent
pole poking up the covers. Amazing. At that moment he decided she was indeed a
miracle worker, an Annie Sullivan of sex.
He touched himself, as if to confirm the Lazarus between his legs, and watched
Helen place the lipstick on a bureau and move to the end of the bed. She lifted
the covers with a flourish and disappeared. The mattress creaked as she began to
kiss the inside of his knees. Her hands soon swirled up over his thighs, and as
her lips closed around him Jack felt all of his reservations dissolving like
mints in his mouth.
When he grew fully erect she lifted her gown and straddled him. He entered her
gratefully.
His pulse quickened as he offered his thrusts, and though spent, though clearly
pushing beyond the broad limits of simple desire, he made love to her.
He rolled her over, found a rhythm and gloried in it. He perspired and dripped
his salty excess onto her face and chest. His entire body turned slick from
exertion, and Helen's did too. They squirmed and slipped and slapped against
each other, a wet heaving bundle of tremulous flesh. His ample stomach spilled
over hers as he tried to come, to feel his great pleasure at last. Ten minutes,
fifteen. Twenty. His muscles burned— arms, shoulders, back— as he pressed
repeatedly into her. His buttocks shook and his belly rolled, but still the
shiny carrot of climax eluded him. He reached for it, chased it, and always it
remained just out of reach, a teasing spectacle of doubt. And then the first
hints, the first brutal hints of impotence.
Oh Jesus, not that! He moved even more vigorously, but for naught, and grew
mortified at the prospect of flopping out of her a defeated man. He tried to
conjure up every erotic moment he'd ever known with Helen, but no memory moved
him. And then he thought of Celia, a summer afternoon a few years ago out on the
deck. She'd been wearing shorts and a halter top when she suddenly stood up and
took them off.
"What are you doing?" he'd asked.
"I'm going to sunbathe."
She'd lain on her stomach on a towel in the bright sun, and he'd sat beside her
and slowly caressed her pale cheeks. His hand had moved to her upper thighs, and
without a word from either one of them she'd parted her legs. His fingers slid
easily over her opening.
Within minutes her back arched and those pale cheeks rose as she pressed against
his hand. Her breath sounded quick and hard in the stillness, and when she came
she cried out his name. He'd quickly mounted her from behind, as hard as he'd
ever been.
He stiffened again and pounded at Helen with renewed confidence. The fickleness
of his passion stunned him even as he felt the cunning strength of every muscle
freeze in the first flash of climax. And then he knew their staggering release,
the way they poured the blue balance of all eternity into a single spasm of
time.
He lay on top of Helen spent and panting, happy and dumb and wildly
accomplished. Three times in twenty-four hours. A regular world-beater. But now
that he'd come, he thought only of leaving.
48
Celia snuggled beneath the covers, but could not stop thinking about how
unsettling her evening had been. It had started at dusk with those weird noises
on the hike back to the house, and ended after midnight with Davy's most
disturbing picture. She'd handled some tough cases but Davy's looked like the
grimmest yet. Abuse, maybe even murder. Come morning she'd report Boyce, which
might mean going head-to-head with Tony. She sure didn't welcome that prospect.
So much for her weekend. She wished she could put aside all of her anxiety and
let her tiredness take over. She even tried to tell herself that everything
would work out okay. You'll see. Just relax.
And so she did. She fell into a sleep so deep that it spared her all the
troubles that had bedeviled her day. She was at rest with the timeless dreamless
passage of night and never heard the footsteps stealing across the deck, or the
stealthy hands moving up the wall until they reached the window right above her
bed.
*
Chet bit down on the razor. He loved the taste of the metal, the familiar flavor
that whipped up his sweetest memories. A blade was a thing of true beauty, like
taking a thousand pins— just the very tip of each one, the part that sinks into
skin like it's born to be there— and sealing them all together into a single
straight line. That was a blade. And the most beautiful thing about a blade was
the way it sliced the whole world into two— winners and losers. None of this
in-between shit. And she was a loser. She sure as hell was. He'd known that when
he first laid eyes on her. Standing there all snugged up in her tight little
jeans with her little-boy's haircut.
Who's she think she is?
And now she's lying on the bed, inches away. It wouldn't be long now. He smiled
and his lower lip peeled open. The razor nested right above it, a steady steely
presence making its way into the night. Maybe he would kiss her first, bless her
with the blood of her very own lips, joined in the beginning as they would be in
the end.
He studied the layers he'd have to get through. First, the screen. Then the
window itself. And finally, the curtain. It hung lifelessly, a light color,
maybe even white, but that could have been the moon's doing. It was a full son
of a bitch tonight, and he paused long enough to thank the moon for thinking of
him.
He took the razor out of his mouth and ran it swiftly down the left side of the
screen. He was a man who knew his tools, his product, his trade. It made a
zinging noise, but soft. That was the thing about razors, and Chet knew this to
be true: they made everything they touched seem soft, especially skin. You
thought you knew a lot about skin, you thought it was soft, but you had no idea
how soft skin was till you put a razor against it and pressed down just the
slightest little bit. Soft, soft, soft, that's what it was.
He thought he heard her stir, and listened closely. He had to. It was do-or-die
time. If she moved quickly, it meant she'd found him out, and he'd have to tear
through that window before she tried to get away. That's when it got messy,
searching the house, dragging their sorry ass out of a closet or bathroom, or
finding them on the goddamn phone dialing and dialing and having to take it away
'cause it might be one of those cell phones, but otherwise he'd laugh 'cause
he'd already ripped the hell out of the phone box. It was always the first thing
he did. A good warm-up, popping it open and cutting all those wires. But there
they'd be dialing away until they finally got the message, and he'd tell them
"Put it down," and sure enough they'd do just like he said, like they'd never
planned to use it in the first place. He'd never had one that didn't. It's like
they knew it was all over, and you know what? They were right. It was all over.
The stirring sound faded. He didn't think she was awake. Not so much as a peep