House of Leaves (12 page)

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Authors: Mark Z. Danielewski

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f
= C/2
[(flIL)2
+ (m/W)2 + (P/H)21 1/2 Hz

 

Notice that if L, W, and H all equal
oo,
f
will equal 0.

Along with resonance frequencies, the study of sound also takes into account wave acoustics, ray acoustics, diffusion, and steady-state pressure level, as well as sound absorption and transmission through walls. A careful examination of the dynamics involved in sound absorption reveals how incident sound waves are converted to energy. (In the case of porous material, the subsurface lattice of interstices translates sound waves into heat.) Nevertheless, above and beyond the details of frequency shifts and volume fluctuations—the physics of ‘otherness’ —what matters most is a sound’s delay. [63—Further attention should probably be given to sabins and Transmission Loss as described by TL = 10 log 1/ r dB, where r= a transmission coefficient and a high TL indicates a high sound insulation. Unfortunately, one could write several lengthy books on sound alone in
The Navidson Record
.
Oddly enough, with the sole exception of Kellog Pequity’s article on acoustic impedance in Navidson’s house
(Science,
April 1995, p. 43), nothing else has been rendered on this particularly resonant topic. On the subject of acoustic coefficience, however, see Ned Noi’s “Echo’s Verse” in
Science News,
v.
143, February 6, 1993, p. 85.]

Point of fact, the human ear cannot distinguish one sound wave from the same sound wave if it returns in less than
50
milliseconds. Therefore for anyone to hear a reverberation requires a certain amount of space. At 68 degrees Fahrenheit sound travels at approximately 1,130 ft per second. A reflective surface must stand at least
56
½ ft away in order for a person to detect the doubling of her voice. [64—Parallel surfaces will create a flutter echo, though frequently a splay of as little as 16mm (5/8 inch) can prevent the multiple repetitions.]

In other words, to hear an echo, regardless of whether eyes are open or closed, is to have already “seen” a sizable space.

 

 

 

Myth makes Echo the subject of longing and desire. Physics makes Echo the subject of distance and design. Where emotion and reason are concerned both claims are accurate.

And where there is no Echo there is no description of space or love. There is only silence.

 

[
65—There is
something more at work here, some sort of antithetical reasoning and proof making, and what about light?, all of which actually made sense to me at a certain hour before midnight or at least came close to making sense. Problem was Lude interrupted my thoughts when he came over and after much discussion (not to mention shots of tequila and a nice haircut) convinced me to share a bag of mushrooms with him and in spite of getting violently ill in the aisle of a certain 7-Eleven (me; not him) led me to an after hours party where I soon became engrossed in a green-eyed brunette (Lucy) who had no intention of letting our dance end at the club, and yet even in our sheet twisting, lightless dance on my floor, her own features, those pale legs, soft
arms, the fragile
collar bone tracing a shadow of (—can’t write the word—), invariably became entwined and permanently??? entangled, even entirely replaced??? by images of a completely different woman; relatively new, or not new at all, but for reasons unknown to me still continuing to endure as a center to my thoughts; her—

 

 

 

—first encountered in the company of Lude and my boss at a place my boss likes to call The Ghost. The problem is that in his mind The Ghost actually refers to two places: The Garden of Eden on La Brea and The Rainbow Bar & Grill on Sunset. How or why this came about is impossible to trace. Private nomenclature seems to rapidly develop in tight set—upon circles, though truth be told we were only set—upon on a good day, and tight here should be taken pretty loosely.

How then, you ask, do you know what’s being referred to when The Ghost gets mentioned?

You don’t.

You just end up at one or the other. Often the Rainbow. Though not always the Rainbow. You see, how my boss defines The Ghost varies from day to day, depending mostly on his moods and appetites. Consequently, the previously mentioned “pretty loosely” should probably be struck and re-stated as “very, very loosely.”

 

 

 

Anyway, what I’m about to tell you happened on one of those rare evenings when we actually all got together. My boss was chattering incessantly about his junk days in London and how he’d contemplated sobriety and what those contemplations had been like. Eventually he detoured into long winded non-stories about his Art School experiences in Detroit,—lots of “Hey, my thing for that whole time thing was really a kinda art thing or something”—which was about when I hauled out my pad of sketches, because no matter what you made of his BS you still couldn’t fault him for his work. He was one of best, and every tatted local knew it.

Truth be known, I’d been waiting for this chance for a while, keen on getting his out-of-the-Shop perspective on my efforts, and what efforts they were—diligent designs sketched over the months, intended someday to live in skin, each image carefully wrapped and coiled in colors of cinnabar, lemon, celadon and indigo, incarnated in the scales of dragons, the bark of ancient roods, shields welded by generations cast aside in the oily umber of shadow & blood not to speak of lifeless trees prevailing against indifferent skies or colossal vessels asleep in prehistoric sediment, miles beneath even the faintest suggestion of light—at least that’s how I would describe them—every one meticulously rendered on tracing paper, cracking like fire whenever touched, a multitude of pages, which my boss briefly examined before handing them back to me.

“Take up typing,” he grunted.

Well that’s nice, I thought.

At least the next step was clear.

Some act of violence would be necessary.

And so it was that before another synapse could fire within my bad-off labyrinthine brain, he was already lying on the floor. Or I should say his mangled body was lying on the floor. His head remained in my hands. Twisted off like a cap. Not as difficult as I’d imagined. The first turn definitely the toughest, necessitating the breaking of cervical vertebrae and the snapping of the spinal cord, but after that, another six or so turns, and voilà—the head was off. Nothing could be easier. Time to go bowling.

My boss smiled. Said hello.

But he wasn’t smiling or saying hello to me.

Somehow she was already standing there, right in front of him, right in front of me, talking to him, reminiscing, touching his shoulder, even winking at me and Lude.

Wow. Out of nowhere. Out of the blue.

Where had she come from? Or for that matter, when?

Of course my boss didn’t introduce her. He just left me to gape. I couldn’t even imagine twisting off his head for a second time as that would of meant losing sight of her. Which I found myself quite unwilling to do.

 

 

 

Fortunately, after that evening, she began dropping by the Shop alot, always wearing these daisy sunglasses and each time taking me completely
o
ff
guard.

She still drives me nuts. Just thinking of her now and I’m lost, lost in the smell of her, the way of her and everything she conjures up inside me, a mad rush of folly & oddly muted lusts, sensations sublimated faster than I can follow, into— oh hell I don’t know what into, I probably shouldn’t even be using a word like sublimate, but that’s beside the point, her hair reminding me of a shiny gold desert wind brazed in a hot August sun, hips curving like coastal norths, tits rising and falling beneath her blue sweatshirt the way an ocean will do long after the storm has passed. (She’s always a little out of breath when she climbs the flight of stairs leading up to the Shop.) One glance at her, even now in the glass of my mind, and I want to take off, travel with her, who knows where either, somewhere, my desire suddenly informed by something deeper, even unknown, pouring into me, drawn off some peculiar reserve, tracing thoughts of the drive she and I would take, lungs full of that pine rasping air, outracing something unpleasant, something burning, in fact the entire coast along with tens of thousands of acres of inland forest is burning but we’re leaving, we’re getting away, we’re free, our hands battered by the clutch of holding on—I don’t know what to, but holding just the same—and cheeks streaked with wind tears; and now that I think of it I guess we are on a motorcycle, a Triumph?, isn’t that what Lude always talks about buying?, ascending into colder but brighter climes, and I don’t know anything about bikes let alone how to drive one. And there I go again. She does that to me. Like I already said, drives me nuts.

 

 

 

“Hello?”

That was the first word she ever said to me in the Shop. Not like “Hi” either. More like “Hello, is anyone home?” hence the question mark. I wasn’t even looking at her when she said it, just staring blankly down at my equally blank pad of tracing paper, probably thinking something similar to all those ridiculous, sappy thoughts I just now recounted, about road trips and forest fires and motorcycles, remembering her, even though she was right there in front of me, only a few feet away.

“Hey asshole,” my boss shouted. “Hang up her fucking pants. What’s the matter with you?”

Something would have to be done about him.

But before I could hurl him through the plate glass window into the traffic below, she smiled and handed me her bright pink flip-flops & white Adidas sweats. My boss was lucky. This magnificent creature had just saved his life.

Gratefully I received her clothes, lifting them from her Lingers tips like they were some sacred vesture bestowed upon me by the Virgin Mary herself. The hard part, I found, was trying not to stare too long at her legs. Very tricky to do. Next to impossible, especially with her just standing there in a black G-string, her bare feet sweating on the naked floor.

I did my best to smile in a way that would conceal my awe.

“Thank you,” I said, thinking I should kneel.

“Thank you,” she insisted.

Those were the next two words she ever said to me, and wow, I don’t know why but her voice went off in my head like a symphony. A great symphony. A sweet symphony. A great-fucking-sweet symphony. I don’t know what I’m saying. I know absolutely shit about symphonies.

“What’s your name?” The total suddenly climbing to an impossible six words.

“Johnny,” I mumbled, promptly earning four more words. And just like that.

“Nice to meet you,” she said in a way that almost sounded like a psalm. And then even though she clearly enjoyed the effect she was having on me, she turned away with a wink, leaving me to ponder and perhaps pray.

At least I had her ten words: “hello thank you what’s your name nice to meet you.” Ten whole fucking words. Wow. Wow. Wow. And hard as this may be for you to believe, I really was reeling. Even after she left the Shop an hour or so later, I was still giving serious thought to petitioning all major religions in order to have her deified.

In fact I was so caught up in the thought of her, there was even a moment where I failed to recognize my boss. I had absolutely no clue who he was. I just stared at him thinking to myself, “Who’s this dumb mutant and how the hell did he get up here?” which it turns out I didn’t think at all but accidentally said aloud, causing all sorts of mayhem to ensue, not worth delving into now.

Quick note here: if this crush—slash—swooning stuff is hard for you to stomach; if you’ve never had a similar experience, then you should come to grips with the fact that you’ve got a TV dinner for a heart and might want to consider climbing inside a microwave and turning it on high for at least an hour, which if you do consider only goes to show what kind of idiot you truly are because microwaves are way too small for anyone, let alone you, to climb into.

Quick second note: if that last paragraph didn’t apply to you, you may skip it and proceed to this next part.

As for her real name, I still don’t know it. She’s a stripper at some place near the airport. She has a dozen names. The first time she came into the Shop, she wanted one of her tattoos retouched. “Just an inch away from my perfectly shaved pussy,” she announced very matter—a—factly, only to add somewhat coyly, slipping two fingers beneath her G-string and pulling it aside; no need to wink now: “The Happiest Place On Earth.”

Suffice it to say, the second I saw that rabbit the second I started calling her Thumper.

 

 

 

I do admit it seems a little strange, even to me, to realize that even after four months I’m still swept up in her. Lude sure as hell doesn’t understand it. One— because I’ve fallen for a stripper: “fuck a’ and ‘fall for’ have very different meanings, Hoss. The first one you do as much as you can. The second one you never ever, ever do.”; and two— because she’s older than me: “If you’re gonna reel for a stripper,” he advises. “You should at least reel for a young one. They’re sexier and not as bent.” Which is true, she does have a good six years on me, but what can I say? I’m taken; I love how enthralled she remains by this festival of living, nothing reserved or even remotely ashamed about who she is or what she does, always talking blue streak to my boss about her three year old child, her boyfriend, her boyfriends, the hand jobs she gets extra for, eleven years of sobriety, her words always winding up the way it feels to wake up wide awake, everything about her awakening at every moment, alive to the world and its quirky opportunities, a sudden rite of spring, Thumper’s spring, though spring’s already sprung, rabbit rabbit, and now April’s ruling April’s looming April’s fooling, around, in yet another round, for this year’s ruling April fool.

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