Hideous Love: The Story of the Girl Who Wrote Frankenstein (22 page)

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Authors: Stephanie Hemphill

Tags: #Juvenile Fiction, #Biographical, #European, #Family, #General, #Love & Romance

BOOK: Hideous Love: The Story of the Girl Who Wrote Frankenstein
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in a duel over his daughter.
Claire gives up her crazy
ideas of freeing Allegra,
but fears that her daughter ails.
In April, we find out
that Allegra has died from typhus.
She is only five years old.
Teresa breaks the news
to Byron, who at first
is devastated and cannot
be moved from his chair,
but then never wishes
Allegra’s name to be mentioned
to him again.
I fear Claire’s reaction.
She overhears us discuss
the convent and guesses
that something is wrong with Allegra.
On April 30 we inform her
that her dear daughter has died.
Shelley worries Claire will
go mad from grief,
but she remains solid
as an iceberg. Of course,
we cannot see
all that floats beneath
the surface.

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SYMPATHY

Spring 1822

We share more than
the loss of a childhood home now,
Claire and me.
We both know
that sorrow cannot be measured
by the size of a little one’s shoe.
A part of you
buries under the earth
never to be retrieved,
a sound without an echo.
I hold my sister’s hand,
wordless,
but our grasp understands.

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THE RETURN OF CLAIRE

May 1822

Claire comes to Pisa
unannounced on May 21.
She becomes another
member of our group
of exiles, though
she refuses to visit Byron.
She has become calmer
than I have seen her in years,
as though in some ways
the finality of Allegra’s death
removes her from the purgatory
in which she suffered.
Shelley and Edward’s boat
arrives mid-May and they
delight in
everything about the
Don Juan
except its name.
Shelley calls it
Ariel
.
I suffer from this pregnancy.
I fear trauma.
Claire allows me some relief
and helps with Percy.
Yet the only time I am truly
happy and feel well
is when aboard the boat
Ariel
I lie down with my head
on Shelley’s knee.
There I can close my eyes
and allow the wind
and the swift motion
of the boat alone
to soothe me.
I am not sure that
I could handle
even a thimble’s worth
of grief right now.

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MISCARRIAGE

June 16, 1822

I hemorrhage blood
and slip in and out
of consciousness.
Jane and Claire
send for a doctor
and ice to stop
the incessant bleeding.
The ice arrives before
the doctor. No one
will say it aloud,
but I have lost so much blood
we all fear that I am going to die,
as my mother did with me.
Shelley forces me
into an ice bath
which stems the flow of blood
until the doctor arrives.
The doctor swears
Shelley saved my life.
For days I can do little more
than crawl from my bed
to the balcony I am so weak.
My dream of a new family
is dead.
There was a kicking,
a beat inside my self,
yet beyond me,
a voice that was squelched out.
And I ask only why?

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THE HARD DAYS

June 1822

I know there are times
when I must be difficult
to bear, when sorrow
strips away my smile
and remorse cripples my limbs.
I know I can be cold
and distant as the moon,
dependent upon and awaiting
light from another.
I close myself off
like an eyelid,
protect myself from
viewing certain horrors,
but obscure myself
from witnessing joy as well.
Still I struggle like a tree
in a tornado
to be good and rooted
for those
who love me most.

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THE HUNTS’ ARRIVAL

June–July 1822

The Hunts and their six children
finally land in Italy at Genoa
on the twentieth of June.
Shelley rejoices
that they are finally here
and he and Edward
make plans to sail
to meet them in Genoa.
Marianne Hunt is very ill,
but so too am I,
and I entreat Shelley
please not to go.
But my pleas
are as cries to the deaf,
seen but not heard.
The Hunts change their plans
and decide they will go to Livorno,
so Shelley, Edward, Captain Roberts,
and Charles Vivian, their
one-boy crew,
will sail to meet them there.
I beg Shelley not to go again,
but he refuses me
as though I am but a nagging fly
in this oppressive summer heat.
Before he leaves,
Shelley promises me he will
look for new lodging for us
at Pugnano for the rest of the summer.
This calms me a little
like a handkerchief
offered to the mourning.
Still I have a mind to pack up
Percy and head to Pisa myself.

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NO GOOD NEWS FOR MARY

July 1822

On July fourth a most upsetting
letter arrives from Shelley
that he will not in fact
look for a new house at Pugnano
and he cannot say when he will return.
He wishes that I stay in Lerici
where I am in such agony
under the scorching sun
and without him.
He tells me he and Hunt
had a joyous reunion
in Livorno after not seeing
each other for four years.
They then traveled to Pisa,
where the Hunts were installed
in the apartments set aside
for them in Byron’s palazzo.
Marianne is said to be in grave
health and all are concerned
for her, the travel has made
her so very weak.
I understand how she feels.
Also the Hunts
are destitute and fully dependent
on the idea of living off the profits
from this new journal Hunt
is to edit with Byron.
Byron tires of the idea
of the journal
before it is even begun.
Byron contemplates leaving
Tuscany altogether, because
Teresa and her family
face trouble here
after the whole Masi affair.
Shelley mends the broken
bond over the journal,
like a tailor stitching up
a tattered suit,
and Byron agrees to stay in Pisa.
But my Shelley maneuvers
much negotiation on Hunt’s behalf.
Edward wishes to return to Jane
here in Lerici, as would be
expected of a husband.
I send the saddest of letters
to my Shelley in his absence.
Shelley writes letters to Jane
worried about how she handles
her solitary and melancholy,
but he directs
no sympathy to me.

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THEN

July 1822

I lie back against
my mother’s gravestone,
and Shelley runs
his fingers through
my fine red hair.
The limbs of the willow
embrace us
with their verdant arms.
His wild eyes
blaze with a passion
I have never known
like a thousand
acres aflame.
I want to say something,
but Shelley
seals my lips.
“All words fail
this moment,”
he says.
I fervently nod my head.
I hear a small whimper
like the wind’s whistling cry.
“Mama.”
I push the covers
from my bed.
I was reveling
in a lovely dream.

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THE STORM

July 8, 1822

The
Ariel
sets sail from Livorno
to come back to Lerici.
The only people aboard
are Shelley, Williams,
and the crew boy, Charles Vivian.

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