own compensations.
His son Peter was now ten years old. He was attending a
school of quality, and he penned his father a letter every week.
The letters were becoming progressively literate, showing signs
of a precociousness of which Render could not but approve. He
would take the boy with him to Europe in the summer.
As for JillJill DeVille (what a luscious, ridiculous name!he
loved her for it)she was growing, if anything, more interesting
to him. (He wondered if this was an indication of early middle
age.) He was vastly taken by her unmusical nasal voice, her
sudden interest in architecture, her concern with the unremov-
able mole on the right side of her otherwise well-designed nose.
He should really call her immediately and go in search of a new
restaurant. For some reason though, he did not feel like it.
It had been several weeks since he had visited his club. The
Partridge and Scalpel, and he felt a strong desire to eat from an
oaken table, alone, in the split-level dining room with the three
fireplaces, beneath the artificial torches and the boars' heads
like gin ads. So he pushed his perforated membership card into
the phone-slot on his desk and there were two buzzes behind
the voice-screen.
"Hello, Partridge and Scalpel," said the voice. "May I help
you?"
"Charles Render," he said. "I'd like a table in about half an
hour."
"How many will there be?"
"Just me."
"Very good, sif. Half an hour, then.That's 'Render'?
R-e-n-d-e-rl"
"Right."
"Thank you."
He broke the connection, rose from his desk. Outside, the
day had vanished.
The monoliths and the towers gave forth their own light
now. A soft snow, like sugar, was sifting down through the
shadows and transforming itself into beads on the windowpane.
Render shrugged into his overcoat, turned off the lights,
locked the inner office. There was a note on Mrs. Hedges'
blotter.
Miss DeVille called, it said.
He crumpled the note and tossed it into the waste-chute. He
would call her tomorrow and say he had been working until late
on his lecture.
He switched off the final light, clapped his hat onto his head,
and passed through the outer door, locking it as he went. The
drop took him to the sub-subcellar where his auto was parked.
It was chilly in the sub-sub, and his footsteps seemed loud on
the concrete as he passed among the parked vehicles. Beneath
the glare of the naked lights, his S-7 Spinner was a sleek gray
cocoon from which it seemed turbulent wings might at any
moment emerge. The double row of antennae which fanned
forward from the slope of its hood added to this feeling. Render
thumbed open the door.
He touched the ignition and there was the sound of a lone
bee awakening in a great hive. The door swung soundlessly
shut as he raised thesteering wheel and locked it into place. He
spun up the spiral ramp and came to a rolling stop before the
big overhead.
As the door rattled upward he lighted his destination screen
and turned the knob that shifted the broadcast map.Left to
right, top to bottom, section by section he shifted it, until he
located the portion
of Carnegie Avenue he desired.
He
punched out its coordinates and lowered the wheel. The car
switched over to monitor and moved out onto the highway
marginal. Render lit a cigarette.
Pushing his seat back into the centerspace, he left all the
windows transparent. It was pleasant to half-recline and watch
the oncoming cars drift past him like swarms of fireflies. He
pushed his hat back on his head and stared upward.
He could remember a time when he had loved snow, when it
had reminded him of novels by Thomas Mann and music by
Scandinavian composers. In his mind now, though, there was
another element from which it could never be wholly dis-
sociated. He could visualize so clearly the eddies of milk-
white coldness that swirled about his old manual-steer auto,
flowing into its fire-charred interior to rewhiten that which had
been blackened; so clearlyas though he had walked toward it
across a chalky lakebottomit, the sunken wreck, and he, the
diverunable to open his mouth to speak, for fear of drowning;
and he knew, whenever he looked upon falling snow, that
somewhere skulls were whitening. But nine years had washed
away much of the pain, and he also knew that the night was
lovely.
He was sped along the wide, wide roads, shot across high
bridges, their surfaces slick and gloaming beneath his lights,
was woven through frantic cloverleafs and plunged into a
tunnel whose dimly glowing walls blurred by him like a mirage.
Finally, he switched the windows to opaque and closed his
eyes.
He could not remember whether he bad dozed for a moment
or not, which meant he probably had. He felt the car slowing,
and he moved the seat forward and turned on the windows
again. Almost simultaneously, the cutoff buzzer sounded. He
raised the steering wheel and pulled into the parking dome,
stepped out onto the ramp, and left the car to the parking unit,
receiving his ticket from that box-headed robot which took its
solemn revenge on mankind by sticking forth a cardboard
tongue at everyone it served.
As always, the noises were as subdued as the lighting. The
place seemed to absorb sound and convert it into warmth, to
lull the tongue with aromas strong enough to be tasted, to
hypnotize the ear with the vivid crackle of the triple hearths.
Render was pleased to see that his favorite table, in the
corner off to the right of the smaller fireplace, had been held for
him. He knew the menu from memory, but he studied it with
zeal as he sipped a Manhattan and worked up an order to
match his appetite. Shaping sessions always left him ravenously
hungry.
"Doctor Render . . . ?"
"Yes?" He looked up.
"Doctor Shallot would like to speak with you," said the
waiter.
"I don't know anyone named Shallot," he said. "Are you sure
he doesn't want Bender? He's a surgeon from Metro who
sometimes eats here . . ."
The waiter shook his head.
"No sir'Render.' See here?" He extended a three-by-five
card on which Render's full name was typed in capital letters.
"Doctor Shallot has dined here nearly every night for the past
two weeks," he explained, "and on each occasion has asked to
be notified if you came in."
"Hm?" mused Render. "That's odd. Why didn't he just call
me at my office?"
The waiter smiled and made a vague gesture.
"Well, tell him to come on over," he said, gulping his
Manhattan, "and bring me another of these."
"Unfortunately, Doctor Shallot is blind," explained the
waiter. "It would be easier if you"
"All right, sure." Render stood up, relinquishing his favorite
table with a strong premonition that he would not be returning
to it that evening.
"Lead on."
They threaded their way among the diners, heading up to
the next level. A familiar face said "hello" from a table set back
against the wall, and Render nodded a greeting to a former
seminar pupil whose name was Jurgens or Jirkans or something
like that.
He moved on, into the smaller dining room wherein only two
tables were occupied. No, three. There was .one set in the
corner at the far end of the darkened bar, partly masked by an
ancient suit of armor. The waiter was heading him in that
direction.
They stopped before the table and Render stared down into
the darkened glasses that had tilled upward as they approached.
Doctor Shallot was a woman, somewhere in the vicinity of
her early thirties. Her low bronze bangs did not fully conceal
the spot of silver which she wore on her forehead like a caste-
mark. Render inhaled, and her head jerked slightly as the
tip of his cigarette flared. She appeared to be staring straight up
into his eyes. It was an uncomfortable feeling, even knowing
that all- she could distinguish of him was that which her minute
photo-electric cell transmitted to her visual cortex over the hair-
fine wire implants attached to that oscillator-convertor:
in
short, the glow of his cigarette.
"Doctor Shallot, this is Doctor Render," the waiter was
saying.
"Good evening," said Render.
"Good evening," she said. "My name is Eileen and I've
wanted very badly to meet you." He thought he detected a
slight quaver in her voice. "Will you join me for dinner?"
"My pleasure," he acknowledged, and the waiter drew out
the chair.
Render sat down, noting that the woman across from him
already had a drink. He reminded the waiter of his second
Manhattan.
"Have you ordered yet?" he inquired.
"No."
". . . And two menus" he started to say, then bit his tongue.
"Only one," she smiled.
"Make it none," he amended, and recited the menu.
They ordered. Then:
"Do you always do that?"
"What?"