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Authors: Orson Scott Card

BOOK: Hart's Hope
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5

The Captive King

This is how a man may be a slave, though he is free to go all places in the world but one.

T
HE
T
ORMENTS OF
B
EAUTY

Shall I catalogue the suffering of your exile for you, Palicrovol?

The foreign ambassadors reviled you, or their bladders would burn when they urinated.

Your own soldiers spat when you came near, or they would be infested with lice.

No matter how the cooks labored, all food served to you was covered with mold, all drinks were filmed with slime.

You fenced yourself with wizards, to give you a few moments' respite now and then; Beauty tore away their feeble barriers whenever she chose, and whatever wizard helped you was incapable of coupling from that moment.

You called also upon the priests, even though God had lost all power and was silent in the world; the priests that comforted and honored you all developed huge goiters and tumescences on the head and neck.

For a week she would make you strain at stool, to no avail; then for another week she would give you dysentery, and open your bowels in public places, so that you were forced to diaper yourself out of courtesy to those who kept you company.

You awoke itching unbearably in the middle of the night. You froze in summer, could not bear clothing in winter because of the heat she forced on you. For days terrible dreams would waken you; then for weeks you would doze off even as you sat in judgment, or led meetings of your generals.

One of her worst tricks was to trade vision with you. She would look out of your eyes and see whatever was going on around you, and at the same time you would see whatever she saw within the palace. She did not do it in order to spy on you—she had her Sight, and could sense the whole Kingdom of Burland at will. She did it so that you would be forced to see Weasel being beaten for some offense or other; Craven feebly carrying some burden, or leaning on a serving boy; Urubugala cavorting before a laughing audience of baronets and scions of wealthy merchant families. Your friends, suffering for your sake, and you helpless to save them. So you fashioned golden cups and covered your eyes with them, so that no light could enter at all. That was how you came to be known by one of your names: the Man with the Golden Eyes. They also called you the Horned Man, the Man Who Cannot Be Alone, and the Husband of Far Beauty. And your people were not fooled: You might be Beauty's toy, but you were a good King, and they prospered and lived mostly free, and paid your slight taxes willingly enough, and submitted to your judgment with trust.

Yet, ironically, her plagues did you good as well as harm. You knew if a man stayed to serve you that he was not with you for pleasure or honor, or even because he pitied you or hated Queen Beauty. Those who stayed with you in those hard times, who lived closely with you, and were privy to your inmost thoughts—you knew that they served you either because they knew your heart and loved you or because they loved good government and endured you and the life they had to live with you for the sake of the people of Burland. You had a gift few kings are ever given—you could trust everyone near you.

That good was matched with evil. With bitter injustice, your very justice made it all the harder for you to raise and keep an army—for whose heart stirred to oust Beauty from Inwit, when things went so well for Burland as it was? Only adventurers came to your army, and the Godsmen who hated her for silencing God, and the ne'er-do-wells who had no hope of any other trade. To fill your fifties and your regiments you had to conscript soldiers, which gave you an unwilling, weakish army, on the whole. It was enough to keep the enemies of Burland at bay, but rarely enough for you to hope to overcome the Queen herself.

And thus it was for days, for weeks, for years, for decades, for centuries. Your loyal followers would come to you and serve you, grow old, and die, but still you lived on, and Urubugala lived on, and Craven lived on, and Weasel lived on, for Beauty, broken as a child, could never grow straight however many years she lived: she would live forever exacting painstaking vengeance for a brief and unwilling cruelty so many years before.

Three times you brought your army to the gates of Inwit. Three times Queen Beauty let you hope for deliverance. And then she sent terror into the hearts of your soldiers, faced them with whatever they feared most in all the world, and all but the most resolute handful of them fled from your army, and you retreated from the city that you had won from her father so many years before, forced to begin again, ashamed again before the other nations of the world.

T
HE
H
ART'S
H
OUR

After three centuries and more of exile, on a day when you wore the golden cups over your eyes, there came a vision to you. At first you thought it came from Beauty, but in only a moment you knew that it did not. You saw the Hart, the great shaggy stag, the one that Zymas had seen. The eagle clung to his belly, holding closed the wound there. And the Hart stopped, and turned his heavy head to face you, and you saw that he wore an iron collar around his neck, and his hooves were also banded and chained, and he bade you follow him, and set him free.

I cannot, you said.

Come, he told you, though you heard no words.

It will do no good, you said. Beauty will see me, and thwart all my works.

Come, he said. For this hour, she sees not, and sees not that she sees not.

So you took the golden cups from your eyes, and walked forth from your camp into the forest, and armed with your bow you followed the tracks of a deer into the wood, and went where the deer chose to lead you.

It was all the power that the gods could muster, exercised for you that day in the woods not far from the town of Banningside. Did you not wonder why they led you where they led you, why you did what you did? Will you now kill what came from that hour? It was your salvation, Palicroval. It was your only son.

6

The Farmer's Wife

Now the life of Orem Scanthips, the Little King, began this way: with a man following a hart through the wood; with a woman bathing at a stream.

S
HE
W
AS
A P
OET OF
A
LL
T
HINGS
T
HAT
G
REW OF
T
HEMSELVES

Molly the farmer's wife had her six sons and didn't long for more. Six sons, three daughters: too many sons to divide the farm among them, too many daughters to marry them off with any sort of dowry. It was not a son she longed to make when she went that spring morning to her hidden place on the banks of the Banning. She went with a twist of magic in her fingers, so none could follow; but she was followed. Or rather, she was found.

It was a dark place, a still place, where the river ran narrow and deep and so swiftly that a twig was lost in an instant, so quietly that all songs were heard, all footfalls noted. The trees reached out over the water and met in a dense roof so that the sun did not dance upon the stream. It was cold here, even in the summer. A cave made of leaves and water, all the cold and terrible things of a woman: it was Molly's truest home, the place where she dared to call herself by her most secret name.

Bloom, she whispered, naming herself.

Hush, spoke the river in reply. Hush, for the end of your life is coming, following the traces of a deer.

T
HE
P
ANDERING
H
ART

A great grey hart stood across the stream from her. Molly knew him well, knew that in the hart and hind were magics beyond the reach of the silly farm women of Waterswatch. Beyond even her own reach, and she was the best of them. The blood of the Hart, they say, stains all the world. So she watched as the hart condescended to drink from the stream; watched as water fell silver from his mouth back to the river; watched as behind the great beast a hunter came, arrow nocked, bow down but ready to be drawn in an instant.

Do not dare to harm the horned head, she cried silently.

And, as if obedient to her utterance, the hunter stood and watched the deer drink, letting the nock slip from the string, letting the bow grow slack. No death today for the hundred-pointed head.

Molly studied the hunter as the hunter studied the hart. He was a strong-looking man. Not tall, and as dark as men of the west always were. He wore the deep green of the King—a soldier, then. But not like most soldiers, for Molly had never seen a slogger who had the wit to recognize the beauty of a deer; nor did she know any man at all who could fix his attention on one thing for such a long time. The man's eyes gleamed in the darkness of her green and silent cave. He was so still, and yet even slack his arms had power in them. Even silent, his lips commanded attention. And she knew, or thought she knew, or dreamed it even as it happened: she knew that this was no common soldier of the King. It was Palicrovol himself, yes, Palicroval the Exile, the Husband of Far Beauty. No wonder, she thought, no wonder he stares with such longing at the hart. He wishes some god could be freed to bring him ease. Well, Queen Beauty, if you watch today, see how I bring him ease, thought Molly, thought fecund Daughter Bloom, for I will have this man, will have the life of him in me.

I am a chaste woman, a part of her cried out. And his children are born monsters.

But a part of her answered, with peace only the Sweet Sisters could bring, My children are not born monsters, and a woman is not truly chaste if she refuses what man the Hart brings. Her womb, which had been so often full, cried out to be filled again. But this time, this time with a King's son, this time with the Hart's child.

“Man,” she whispered. Such was the stillness of the place that he heard and yet was not afraid.

“Woman,” he said, and his face showed cold amusement.

“Are you strong as this river?”

“Are you,” he answered, “as deep?”

In answer she lay upon the grassy, leafy bank and smiled. Come to me, if there's as much man as king in you.

As if he heard her taunt, he crossed the river, naked now except for his knife—for he would not be unarmed. He fought the current bravely, but still he came ashore far downstream from her, and she watched as he came dripping and exhausted from the water. River Banning was called unfordable and far from safe to swim. Yet the King had crossed it for her. Molly's legs trembled.

He stood over her, leaves and grass and dirt clinging to his shins. He had no beauty to him, and yet there was a quivering deep in her belly as she looked at him.

“Woman, what do they call you?” There was neither lust nor affection in his gaze. He would not pretend that she was young and beautiful, for she was neither. Her belly sagged within her skirts, her thighs were heavy and her dugs hung as loose as the udder of an aging cow. What the Hart brings together is what would not have come together without him. Beauty or not, it was plain that he desired what she desired, and as much.

“I am Bloom,” she said, giving her secret woman's name to him, though he was a man. The Hart had led him.

“Has the forest given you to me?”

“I have a husband,” she said. “I will not be yours.”

To her surprise, he looked angry and stepped back, as if her wife-hood would be a bar to him.

“Man,” she said, “I will not be yours. But will you not be mine?”

“Yes,” he said, “Yes I will. Yes.”

He took her as the hart mounts the hind, and she cried out in the pain and pleasure of the giving and the taking. He put the seed of a son in her, and then kissed her at the small of her back, behind her womb. “What comes of this only God will say,” he said to her. But she only hummed and lay naked on the bank, not even turning to watch him as he plunged again into the flood and swam away. God had not brought him, didn't he know it? No, it was not God but the Hart that would say what came of this; the blood of the Hart, the blood that flowed from her belly even though she had not been a virgin, as though he had secretly pierced her with his knife. What you have made in me, O Palicrovol, she said to her memory of his flesh, what you have made in me I will make stronger than you. I will make him large and strong. Nine children I have born alive, and always my husband's own. But this one is not my husband's. This one is mine. I will name him Orem, for silver water flowed from his father's body on the morning he was made.

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