studied Dr. Blair with the same kind of thoroughness with which we studied the English grammar. Every week a division of the school was appointed to write compositions; but there was, besides, a call for volunteers, and Mr. Rossiter had a smile of approbation for those who volunteered to write every week; and so we were always among that number.
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It was remarkable that the very best writers, as a general thing, were among the female part of the school. There were several young men, of nineteen and twenty years of age, whose education had been retarded by the necessity of earning for themselves the money which was to support them while preparing for college. They were not boys, they were men, and, generally speaking, men of fine minds and fine characters. Some of them have since risen to distinction, and acted leading parts at Washington. But, for all that, the best writers of the school, as I have before said, were the girls. Nor was the standard of writing low: Mr. Rossiter had the most withering scorn for ordinary sentimental nonsense and school-girl platitudes. If a bit of weakly poetry got running among the scholars, he was sure to come down upon it with such an absurd parody that nobody could ever recall it again without a laugh.
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We wrote on such subjects as "The Difference between the Natural and Moral Sublime," "The Comparative Merits of Milton and Shakespeare," "The Comparative Merits of the Athenian and Lacedæmonian Systems of Education." Sometimes, also, we wrote criticisms. If, perchance, the master picked up some verbose Fourth of July oration, or some sophomorical newspaper declamation, he delivered it over to our tender mercies with as little remorse as a huntsman feels in throwing a dead fox to the dogs. Hard was the fate of any such composition thrown out to us. With what infinite zeal we attacked it! how we riddled and shook it! how we scoffed, and sneered, and jeered at it! how we exposed its limping metaphors, and hung up in triumph its deficient grammar! Such a sharp set of critics we became that our compositions, read to each other, went through something of an ordeal.
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Tina, Harry, Esther, and I were a private composition club. Many an hour have we sat in the old school-room long after
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