Hard-Boiled Wonderland and the End of the World (20 page)

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Authors: Haruki Murakami

Tags: #Fiction, #Literary, #Fantasy, #Contemporary, #Magical Realism

BOOK: Hard-Boiled Wonderland and the End of the World
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I pulled back the towel and looked at the wound. The cut wasn't very deep, but deep enough to see pink.

"We're gonna go now. When your System boys show up, let 'em see this little example of wanton violence. Tell 'em when you wouldn't tell us where the skull was, we went nuts. But next time, our aims won't be so high, and we might have to go for your nuts, heh heh. You can tell 'em we said that. Anyway, you didn't know nothing, so you didn't tell us nothing. That's why we decided to take a rain check. Got it? We can do a real nice job if we want to. Maybe one day soon, if we have the time, we'll give you another demonstration."

I crouched there with the towel pressed against my gut. Don't ask me why, but I got the feeling I'd be better off playing their game.

"So you did set up that poor gas inspector," I sputtered. "You had him blow the act on purpose so I would go hide the stuff."

"Clever, clever," said the little man. "Keep that head of yours working and maybe you'll survive."

On that note, my two visitors left. There was no need to see them out. The mangled frame of my steel door was now open for all the world.

I stripped off my blood-stained underwear and threw it in the trash, then I moistened some gauze and wiped the blood from the wound. The gash throbbed pain with every move. The sleeves of my sweatshirt were also bloody, so I tossed it too. Then from the clothes scattered on the floor, I found a dark T-shirt which wouldn't show the blood too much, a pair of jockeys, and some loose trousers.

Thirty minutes later, right on schedule, three men from Headquarters arrived. One of whom was the smart-ass young liaison who always came around to pick up data, outfitted in the usual business suit, white shirt, and bank clerk's tie. The other two were dressed like movers. Even so, they didn't look a thing like a bank clerk and movers; they looked like they were trying to look like a bank clerk and movers. Their eyes shifted all over the place; every motion was tense.

They didn't knock before walking into the apartment, shoes and all, either. The two movers began immediately to check the apartment while the bank clerk proceeded to debrief me. He scribbled the facts down with a mechanical pencil in a black notebook. As I explained to him, a two-man unit had broken in, wanting a skull. I didn't know anything about a skull; they got violent and slashed my stomach. I pulled my briefs down.

The clerk examined the wound momentarily, but made no comment about it. "Skull? What the hell were they talking about?"

"I have no idea," I said. "I'd like to know myself."

"You really don't know?" the bank clerk probed further, his voice uninflected. "This is critical, so think carefully. You won't be able to alter your statement later. Semiotecs don't make a move if they have nothing to go on. If they came to your apartment looking for a skull, they must have had a reason for thinking you had a skull in your apartment. They don't dream things up. Furthermore, that skull must have been valuable enough to come looking for. Given these obvious facts, it's hard to believe you don't know anything about it."

"If you're so smart, why don't you tell me what this skull business is supposed to be about," I said.

"There will be an investigation," the bank clerk said, tapping his mechanical pencil on his notebook. "A thorough investigation, and you know how thorough the System can be. If you're discovered to be hiding something, you will be dealt with commensurately. You are aware of this?"

I was aware of this, I told him. I didn't know how this was going to turn out, but neither did they. Nobody can outguess the future.

"We had a hunch the Semiotecs were up to something. They're mobilizing. But we don't know what they're after, and we don't know how you fit into it. We don't know what to make of this skull either. But as more clues come in, you can be sure we'll get to the heart of the matter. We always do."

"So what am I supposed to do?"

"Be very careful. Cancel any jobs you have. Pay attention to anything unusual. If anything comes up, contact me immediately. Is the telephone still in service?"

I lifted the receiver and got a dial tone. Obviously, the two thugs had chosen to leave the telephone alone.

"The line's okay."

"Good," he said. "Remember, if anything happens, no matter how trivial, get in touch with me right away. Don't even think about trying to solve things yourself. Don't think about hiding anything. Those guys aren't playing softball. Next time you won't get off with a scratch."

"Scratch? You call that a scratch?"

The movers reported back after completing their survey of the premises.

"We've conducted a full search," said the older mover. "They didn't overlook a thing, went about it very smoothly. Professional job. Semiotecs."

The liaison nodded, and the two operants exited. It was now the liaison and me.

"If all they were looking for was a skull," I wondered out loud, "why would they rip up my clothes? How was I supposed to hide a skull there? If there
was
a skull, I mean."

"They were professionals. Professionals think of every contingency. You might have put the skull in a coin locker and they were looking for the key. A key can be hidden anywhere."

"True," I said. Quite true.

"By the way, did these Factory henchmen make you a proposition?"

"A proposition?"

"Yeah, a propostion. That you go to work for them, for example. An offer of money, a position."

"If they did, I sure didn't hear it. They just demanded their skull."

"Very well," said the liaison. "If anyone makes you an offer, you are to forget it. You are not to play along. If the System ever discovers you played ball with them, we will find you, wherever you are, and we will terminate you. This is not a threat; this is a promise. The System is the state. There is
nothing
we cannot do."

"I'll keep that in mind," I said.

When I was alone again, I went over the story piece by piece. No matter how I stacked the essential details, they didn't lead anywhere. At the heart of the mystery was the Professor and whatever he was up to. If I didn't know that, I couldn't know anything. And I didn't have the vaguest notion what was whirling around in that old head of his.

The only thing I knew for certain was that I had let myself betray the System. If they found that out—and soon enough they would—that'd be the end, exactly as my smart-ass bank-clerk liaison had been kind enough to point out. Even if I had been coerced into lying like I did. The System wasn't known for making exceptions on any account.

As I was assessing these circumstances, my wound began to throb. Better go to the hospital. I rang up for a taxi. Then I stepped into my shoes. Bending over to tie my laces, I was in such pain I thought my body was going to shear in two.

I left the apartment wide open—as if I had any other option—and took the elevator down.

I waited for the cab behind the hedge by the entranceway. It was one-thirty by my watch.

Two and a half hours since the demolition derby had begun. A very long two-and-a-half hours ago.

Housewives filed past, leek and
daikon
radish tops sticking up from supermarket bags. I found myself envying them. They hadn't had their refrigerators raped or their bellies slashed. Leeks and
daikon
and the kids' grades—all was right with the world. No unicorn skulls or secret codes or consciousness transfers. This was normal, everyday life.

I thought, of all things, about the frozen shrimp and beef and tomato sauce on the kitchen floor. Probably should eat the stuff before the day was out. Waste not, want not. Trouble was, I didn't want.

The mailman scooted up on a red Supercub and dis-tributed the mail to the boxes at the entrance of the building. Some boxes received tons of mail, others hardly anything at all.

The mailman didn't touch my box. He didn't even look at it.

Beside the mailboxes was a potted rubber plant, the ceramic container littered with popsicle sticks and cigarette butts. The rubber plant looked as worn out as I felt. Seemed like every passerby had heaped abuse on the poor thing. I didn't know how long it'd been sitting there. I must have walked by it every day, but until I got knifed in the gut, I never noticed it was there.

When the doctor saw my wound, the first thing he asked was how I managed to get a cut like that.

"A little argument—over a woman," I said. It was the only story I could come up with.

"In that case, I have to inform the police," the doctor said.

"Police? No, it was me who was in the wrong, and luckily the wound isn't too deep. Could we leave the police out of it, please?"

The doctor muttered and fussed, but eventually he gave in. He disinfected the wound, gave me a couple of shots, then brought out the needle and thread. The nurse glared suspiciously at me as she plastered a thick layer of gauze over the stitches, then wrapped a rubber belt of sorts around my waist to hold it in place. I felt ridiculous.

"Avoid vigorous activity," cautioned the doctor. "No sex or belly-laughing. Take it easy, read a book, and come back tomorrow."

I said my thanks, paid the bill, and went home. With great pain and difficulty, I propped the door up in place, then, as per doctor's orders, I climbed into what there was of my bed with Turgenev's
Rudin
. Actually, I'd wanted to read
Spring Torrents
, but I would never have found it in my shambles of an apartment. And besides, if you really think about it,
Spring Torrents
isn't that much better a novel than
Rudin
.

I got up and went to the kitchen, where I poked around in the mess of broken bottles in the sink. There under spears of glass, I found the bottom of a bottle of Chivas that was fairly intact, holding maybe a jigger of precious amber liquid. I held the bottle-bottom up to the light, and seeing no glass bits, I took my chances on the lukewarm whiskey for a bedtime nurse.

I'd read
Rudin
before, but that was fifteen years ago in university. Rereading it now, lying all bandaged up, sipping my whiskey in bed in the afternoon, I felt new sympathy for the protagonist Rudin. I almost never identify with anybody in Dostoyevsky, but the characters in Turgenev's old-fashioned novels are such victims of circumstance, I jump right in. I have a thing about losers. Flaws in oneself open you up to others with flaws.

Not that Dostoyevsky's characters don't generate pathos, but they're flawed in ways that don't come across as faults. And while I'm on the subject, Tolstoy's characters' faults are so epic and out of scale, they're as static as backdrops.

I finished
Rudin
and tossed the paperback on top of what had been a bookcase, then I returned to the glass pile in the sink in search of another hidden pocket of whiskey. Near the bottom of the heap I spied a scant shot of Jack Daniels, which I coaxed out and took back to bed, together with Stendhal's
The Red and the Black
. What can I say? I seemed to be in the mood for passe literature. In this day and age, how many young people read
The
Red and the Black
?

I didn't care. I also happened to identify with Julien Sorel. Sorel's basic character flaws had all cemented by the age of fifteen, a fact which further elicited my sympathy. To have all the building blocks of your life in place by that age was, by any standard, a tragedy. It was as good as sealing yourself into a dungeon. Walled in, with nowhere to go but your own doom.

Walls.

A world completely surrounded by walls.

I shut the book and bid the last thimbleful of Jack Daniels farewell, turning over in my mind the image of a world within walls. I could picture it, with no effort at all. A very high wall, a very large gate. Dead quiet. Me inside. Beyond that, the scene was hazy.

Details of the world seemed to be distinct enough, yet at the same time everything around me was dark and blurred. And from some great obscure distance, a voice was calling.

It was like a scene from a movie, a historical blockbuster. But which? Not
El Cid
, not
Ben Hur
, not
Spartacus
. No, the image had to be something my subconscious dreamed up.

I shook my head to drive the image from my mind. I was so tired.

Certainly, the walls represented the limitations hemming in my life. The silence, residue of my encounter with sound-removal. The blurred vision of my surroundings, an indication that my imagination faced imminent crisis. The beckoning voice, the everything-pink girl, probably.

Having subjected the hallucination to this quick-and-dirty analysis, I reopened my book.

But I was no longer able to concentrate. My life is nothing, I thought. Zero. Zilch. A blank. What have I done with my life? Not a damned thing. I had no home. I had no family. I had no friends. Not a door to my name. Not an erection either. Pretty soon, not even a job.

That peaceful fantasy of Greek and cello was vaporizing as I lay there. If I lost my job, I could forget about taking life easy. And if the System was going to chase me to the ends of the earth, when would I find the time to memorize irregular Greek verbs?

I shut my eyes and let out a deep sigh, then rejoined
The Red and the Black
. What was lost was lost. There was no retrieving it, however you schemed, no returning to how things were, no going back.

I wouldn't have noticed that the day was over were it not for the Turgenevo-Stendhalian gloom that had crept in around me.

By my keeping off my feet, the pain in my stomach had subsided. Dull bass beats throbbed occasionally from the wound, but I just rode them out. Awareness of the pain was passing.

The clock read seven-twenty, but I felt no hunger. You'd think I might have wanted to eat something after the day I'd had, but I cringed at the very thought of food. I was short of sleep, my gut was slashed, and my apartment was gutted. There was no room for appetite.

Looking at the assortment of debris around me, I was reminded of a near-future world turned wasteland buried deep in its own garbage. A science fiction novel I'd read. Well, my apartment looked like that. Shredded suit, broken videodeck and TV, pieces of a flowerpot, a floor lamp bent out of shape, trampled records, tomato sauce, ripped-out speaker wires… Joseph Conrad and Thomas Hardy novels spattered with dirty vase water, cut gladioli lying in niemorium on a fallen cashmere sweater with a blob of Pelikan ink on the sleeve… All of it, useless garbage.

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