Haggopian and Other Stories (34 page)

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Authors: Brian Lumley

Tags: #Horror

BOOK: Haggopian and Other Stories
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“Here!” The nervous look left Pasty’s face as he turned to Joe. “Listen to this.” He rapped on a square panel. The sound was dull, hollow. Pasty swung his cosh back purposefully.

“No, wait—I’ll open is for you.” Crow held up his hands in protest.

“Go on then, get it open.” Joe ordered. Crow moved over to the wall and expertly slid back the panel to reveal a dim shelf behind. On the shelf was a single book. Pasty pushed Crow aside, lifted out the book and read off its title:

“The…what?…
Cthaat Aquadingen
! Huh!” Then his expression quickly turned to one of pure disgust and loathing.
“Ughhh!”
He flung the book away from him across the room, hastily wiping his hands down his jacket. Titus Crow received a momentary but quite vivid mental message from the mind of the startled thug. It was a picture of things rotting in vaults of crawling darkness, and he could well understand why Pasty was suddenly trembling.

“That…that damn book’s
wet
!” the shaken crook exclaimed nervously.

“No, just sweating!” Crow informed. “The binding is, er, human skin, you see. Somehow it still retains the ability to sweat—a sure sign that it’s going to rain.”

“Claptrap!” Joe snapped. “And you get a grip of yourself,” he snarled at Pasty. “There’s something about this place I don’t like either; but I’m not letting it get me down.” He turned to Crow, his mouth strained and twisting in anger: “And from now on you speak when you’re spoken to.” Then carefully, practicedly, he turned his head and slowly scanned the room, taking in the tall bookshelves with their many volumes, some ancient, others relatively modern; and he glanced at Pasty and grinned knowingly. “Pasty,” Joe ordered, “get them books off the shelves—I want to see what’s behind them. How about it, recluse, you got anything behind there?”

“Nothing, nothing at all,” Crow quickly answered. “For goodness sake don’t go pulling them down; some of them are coming to pieces as it is.
No
!”

His last cry was one of pure protestation; horror at the defilement of his collection. The two thugs ignored him.

Pasty, seemingly over his nervousness, happily went to work, scattering the books left, right and centre. Down came the collected works of Edgar Allan Poe, the first rare editions of Machen’s and Lovecraft’s fiction; then the more ancient works, of Josephus, Magnus, Levi, Borellus, Erdschluss and Wittingby; closely followed by a connected set on oceanic evil: Gaston Le Fe’s
Dwellers in the Depths
, Oswald’s Legends of
Liqualia,
Gantley`s
Hydrophinnae
, the German
Unter-Zee Kulten
and Hartrack’s
In Pressured Places…

Crow could merely stand and watch it all, a black rage growing in his heart; and Joe, not entirely insensitive to the occultist’s mood, gripped his pistol a little tighter and unsmilingly cautioned him: “Just take it easy, hermit. There’s still time to speak up—just tell us where you hide your money and it’s all over. No? Okay, what’s next?” His eyes swept the now littered room again, coming to rest in a dimly lighted corner where stood a great clock.

In front of the clock—an instrument apparently of the “grandfather” class; at least, from a distance of that appearance—stood a small occasional table bearing an adjustable reading-lamp, one or two books and a few scattered sheets of notepaper. Seeing the direction in which Joe’s actions were leading him, Crow smiled inwardly and wished his criminal visitor all the best. If Joe could make anything of that timepiece, then he was a cleverer man than Titus Crow; and if he could actually open it, as is possible and perfectly normal with more orthodox clocks, then Crow would be eternally grateful to him. For the sarcophagus-like thing in the dim corner was that same instrument with which Crow had busied himself all the previous day and on many, many other days since first he purchased it more than ten years earlier. And none of his studies had done him a bit of good! He was still as unenlightened with regard to the clock’s purpose as he had been a decade ago.

Allegedly the thing had belonged to one Etienne-Laurent de Marigny, once a distinguished student of occult and oriental mysteries and antiquities, but where de Marigny had come by the coffin-shaped clock was yet another mystery. Crow had purchased it on the assurance of its auctioneer that it was, indeed, that same timepiece mentioned in certain of de Marigny’s papers as being “a door on all space and time; one which only certain adepts—not all of this world—could use to its intended purpose!” There were, too, rumours that a certain Eastern mystic, the Swami Chandraputra, had vanished forever from the face of the Earth after squeezing himself into a cavity hidden beneath the panel of the lower part of the clock’s coffin shape. Also, de Marigny had supposedly had the ability to open at will that door into which the Swami vanished—but that was a secret he had taken with him to the grave. Titus Crow had never been able to find even a keyhole; and while the clock weighed what it should for its size, yet when one rapped on the lower panel the sound such rappings produced were not hollow as might be expected. A curious fact—a curious history altogether—but the clock itself was even more curious to gaze upon or listen to.

Even now Joe was doing just those things: looking at and listening to the clock. He had switched on and adjusted the reading-lamp so that its light fell upon the face of the peculiar mechanism. At first sight of that clock-face Pasty had gone an even paler shade of grey, with all his nervousness of a few minutes earlier instantly returned. Crow sensed his perturbation; he had had similar feelings while working on the great clock, but he had also had the advantage of understanding where such fears originated. Pasty was experiencing the same sensations he himself had known when first he saw the clock in the auction rooms. Again he gazed at it as he had then; his eyes following the flow of the weird hieroglyphs carved about the dial and the odd movements of the four hands, movements coinciding with no chronological system of earthly origin; and for a moment there reigned an awful silence in the study of Titus Crow. Only the strange clock’s enigmatic and oddly paced ticking disturbed a quiet which otherwise might have been that of the tomb.

“That’s no clock like any I’ve ever seen before!” exclaimed an awed Joe. “What do you make of
that
, Pasty?”

Pasty gulped, his Adam’s apple visibly bobbing. “I…I don’t like it! It…it’s shaped like a damned
coffin
! And why has it four hands, and how come they move like that?” He stopped to compose himself a little, and with the cessation of his voice came a soft whispering from beyond the curtained windows. Pasty’s eyes widened and his face went white as death.
“What’s that?”
His whisper was as soft as the sounds prompting it.

“For God’s sake get a grip, will you?” Joe roared, shattering the quiet. He was completely oblivious to Pasty’s psychic abilities. “It’s rain, that’ s what it is—what did you bleeding think it was, spooks? I don’t know what’s come over you, Pasty, damned if I do. You act as if the place was haunted or something.”

“Oh, but it is!” Crow spoke up. “At least the garden is. A very unusual story, if you’d care to hear it.”

“We don’t care to hear it,” Joe snarled. “And I warned you before—speak when you’re spoken to. Now, this…
clock
! Get it open, quick.”

Crow had to hold himself to stop the ironic laughter he felt welling inside. “I can’t,” he answered, barely concealing a chuckle. “I don’t know how!”

“You what?” Joe shouted incredulously. “You don’t know how? What the hell d’you mean?”

“I mean what I say,” Crow answered. “So far as I know that clock’s not been opened for well over thirty years!”

“Yes? S…so where does it p…plug in?” Pasty enquired, stuttering over the words.

“Should it plug in?” Crow answered with his own question. Joe, however, saw just what Pasty was getting at; as, of course, had the “innocent” Titus Crow.

“Should it plug in, he asks!” Joe mimed sarcastically. He turned to Pasty. “Good point, Pasty boy—now,” he turned back to Crow, menacingly, “tell us something, recluse. If your little toy here isn’t electric, and if you can’t get it open—
then just how do you wind it up
?”

“I don’t wind it up—I know nothing whatsoever of the mechanical principles governing it,” Crow answered. “You see that book there on the occasional table? Well, that’s Walmsley’s
Notes on Deciphering Codes, Cryptograms and Ancient Inscriptions
;
I’ve been trying for years merely to understand the hieroglyphs on the dial, let alone
open
the thing. And several notable gentlemen students of matters concerning things not usually apparent or open to the man in the street have opinionated to the effect that yonder
device
is not a clock at all! I refer to Etienne-Laurent de Marigny, the occultist Ward Phillips of Rhode Island in America, and Professor Gordon Walmsley of Goole in Yorkshire; all them believe it to be a space-time-machine—
believed
in the case of the first two mentioned, both those gentlemen now being dead—and I don’t know enough about it yet to decide whether or not I agree with them! There’s no money in it, if that’s what you’re thinking.”

“Well, I warned you, guv’,” Joe snarled, “space-time machine!—My God!—H.G. bloody Wells, he thinks he is! Pasty, tie him up and gag him. I’m sick of his bleeding claptrap. He’s got us nervous as a couple of cats, he has!”

“I’ll say no more,” Crow quickly promised, “you carry on. If you can get it open I’ll be obliged to you; I’d like to know what’s inside myself.”

“Come off it, guv’,” Joe grated, then: “Okay, but one more word—you end up immobile, right?” Crow nodded his acquiescence and sat on the edge of his great desk to watch the performance. He really did not expect the thugs to do much more than make fools of themselves. He had not taken into account the possibility—the probability—of violence in the solution of the problem. Joe, as a child, had never had much time for the two-penny wire puzzles sold in the novelty shops. He tried them once or twice, to be sure, but if they would not go first time—well, you could usually
make
them go—with a hammer! As it happened such violence was not necessary.

Pasty had backed up to the door. He was still slapping his cosh into his palm, but it was purely a reflex action now; a nervous reflex action. Crow got the impression that if Pasty dropped his cosh he would probably faint.

“The panels, Pasty,” Joe ordered. “The panels in the clock.”

“You do it,” Pasty answered rebelliously. “That’s no clock and I’m not touching it. There’s something wrong here.”

Joe turned to him in exasperation. “Are you crazy or something? It’s a clock and nothing more! And this joker just doesn’t want us to see inside. Now what does that suggest to you?”

“Okay, okay—but you do it this time. I’ll stay out of the way and watch funnyman here. I’ve got a feeling about that thing, that’s all.” He moved over to stand near Crow who had not moved from his desk. Joe took his gun by the barrel and rapped gently on the panel below the dial of the clock at about waist height. The sound was sharp, solid. Joe turned and grinned at Titus Crow. There certainly seemed to be
something
in there. His grin rapidly faded when he saw Crow grinning back. He turned again to the object of his scrutiny and examined its sides, looking for hinges or other signs pointing to the thing being a hollow container of sorts. Crow could see from the crook’s puzzled expression that he was immediately at a loss. He could have told Joe before he began that there was not even evidence of jointing; it was as if the body of the instrument was carved from a solid block of timber—timber as hard as iron.

But Crow had underestimated the determined thug. Whatever Joe’s shortcomings as a human being, as a safecracker he knew no peer. Not that de Marigny’s clock was in any way a safe, but apparently the same principles applied! For as Joe’s hands moved expertly up the sides of the panelling there came a loud click and the mad ticking of the instrument’s mechanism went totally out of kilter. The four hands on the carven dial stood still for an instant of time before commencing fresh movements in alien and completely inexplicable sequences. Joe stepped nimbly back as the large panel swung silently open. He stepped just a few inches too far back, jolting the occasional table. The reading-lamp went over with a crash, momentarily breaking the spell of the wildly oscillating hands and crazy ticking of de Marigny’s clock. The corner was once more thrown in shadow and for a moment Joe stood there undecided, put off stroke by his early success. Then he gave a grunt of triumph, stepped forward and thrust his empty left hand into the darkness behind the open panel.

Pasty sensed the
outsideness
at the same time as Crow. He leapt across the room shouting: “Joe, Joe—for God’s sake, leave it alone…
leave it alone
!” Crow, on the other hand, spurred by no such sense of comradeship, quickly stood up and backed away. It was not that he was in any way a coward, but he knew something of Earth’s darker mysteries—and of the mysteries of other spheres—and besides, he sensed the danger of interfering with an action having origin far from the known side of nature.

Suddenly, the corner was dimly illumined by an eerie, dappled light from the open panel; and Joe, his arm still groping beyond that door, gave a yell of utter terror and tried to pull back. The ticking was now insanely aberrant, and the wild sweeps of the four hands about the dial were completely confused and orderless. Joe had braced himself against the frame of the opening, fighting some unseen menace within the strangely lit compartment, trying desperately to withdraw his arm. Against all his efforts his left shoulder abruptly jammed forward, into the swirling light, and at the same moment he stuck the barrel of his gun into the opening and fired six shots in rapid succession.

By this time Pasty had an arm round Joe’s waist, one foot braced against the base of the clock, putting all his strength into an attempt to haul his companion away from whatever threatened in the swirling light of the now fearsome opening. He was fighting a losing battle. Joe was speechless with terror, all his energies concentrated on escape from the clock; great veins stuck out from his neck and his eyes seemed likely at any moment to pop from his head. He gave one bubbling scream as his head and neck jerked suddenly forward into the maw of the mechanical horror…and then his body went limp.

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