Graceland (2 page)

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Authors: Chris Abani

Tags: #Gritty Fiction, #Fiction, #Africa, #Literary

BOOK: Graceland
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“Are you still here?”

Elvis opened his mouth to answer but thought better of it.

The road outside their tenement was waterlogged and the dirt had been whipped into a muddy brown froth that looked like chocolate frosting. Someone had laid out short planks to carve a path through the sludge. Probably Joshua Bandele-Thomas, Elvis thought. Joshua was the eccentric who lived next door and spent his days pretending to be a surveyor.

Elvis and his father lived at the left edge of the swamp city of Maroko, and their short street soon ran into a plank walkway that meandered through the rest of the suspended city. Even with the planks, the going was slow, as he often had to wait for people coming in the opposite direction to pass; the planks were that narrow.

While he waited, Elvis stared into the muddy puddles imagining what life, if any, was trying to crawl its way out. His face, reflected back at him, seemed to belong to a stranger, floating there like a ghostly head in a comic book. His hair was closely cropped, almost shaved clean. His eyebrows were two perfect arcs, as though they had been shaped in a salon. His dark eyes looked tired, the whites flecked with red. He parted his full lips and tried a smile on his reflection, and his reflection snarled back. Shit, he thought, I look like shit. As he sloshed to the bus stop, one thought repeated in his mind: What do I have to do with all this?

Sitting on the crowded bus, he thought his father might be right; this was no way to live. He was broke all the time, making next to nothing as a street performer. He needed a better job with a regular income. He pulled a book from his backpack and tried to read. It was his current inspirational tome, a well-thumbed copy of Rilke’s
Letters to a Young Poet.
He read books for different reasons and had them everywhere he was: one in his backpack, which he called his on-the-road book, usually one that held an inspirational message for him; one by his bed; and one he kept tucked in the hole in the wall in the toilet for those cool evenings when a gentle breeze actually made the smell there bearable enough to stay and read. He opened the book and tried to read, sitting back as far as he could in the narrow seat. He hated the way he was being pressed against the metal side by the heavyset woman sitting next to him, one ample buttock on the seat, the other hanging in the aisle, supported against a standing stranger’s leg. Elvis shifted, careful of the loose metal spring poking up through the torn plastic of the seat cover. Giving up on reading, he let his mind drift as he stared at the city, half slum, half paradise. How could a place be so ugly and violent yet beautiful at the same time? he wondered.

He hadn’t known about the poverty and violence of Lagos until he arrived. It was as if people conspired with the city to weave a web of silence around its unsavory parts. People who didn’t live in Lagos only saw postcards of skyscrapers, sweeping flyovers, beaches and hotels. And those who did, when they returned to their ancestral small towns at Christmas, wore designer clothes and threw money around. They breezed in, lived an expensive whirlwind life, and then left after a couple of weeks, to go back to their ghetto lives.

But for one brilliant moment, they dazzled: the women in flashy clothes, makeup and handbags that matched their shoes, daring to smoke in public and drink beer straight from the bottle; and the men, sharp dressers who did not rat on you to your parents if they caught you smoking. They let you take sips of their beer and shoved a few naira into your shirt pocket.

Lagos did have its fair share of rich people and fancy neighborhoods, though, and since arriving he had found that one-third of the city seemed transplanted from the rich suburbs of the west. There were beautiful brownstones set in well-landscaped yards, sprawling Spanish-style haciendas in brilliant white and ocher, elegant Frank Lloyd Wright-styled buildings and cars that were new and foreign. Name it and Lagos had a copy of it, earning it the nickname “One Copy.” Elvis had read a newspaper editorial that stated, rather proudly, that Nigeria had a higher percentage of millionaires—in dollars, not local currency—than nearly any other country in the world, and most of them lived and conducted their business in Lagos. The editorial failed to mention that their wealth had been made over the years with the help of crooked politicians, criminal soldiers, bent contractors, and greedy oil-company executives. Or that Nigeria also had a higher percentage of poor people than nearly any other country in the world. What was it his father had said about statistics?

“If you have it, flaunt it; if you don’t, flaunt statistics.”

He had been fourteen when he arrived in Lagos two years before, miserable and unable to fit into school, where his small-town thinking and accent marked him. The differences did not seem that obvious, but they were glaring to the other kids—he’d never played cricket at school, his experience of the movies had been with old dubbed-over silents and the Americanisms he knew were old and outdated. Where the other kids used slang like “cool” and “hip,” he was limited to cowboy lingo like “shucks” and “yup” and “darn those rustlers.”

So he cut school, spending long periods of time on a deserted beach, not too far from the ghetto of Maroko where they lived. He practiced his dance routines for hours to the sound of his little radio. At first the sand slowed him down, making his movements jerky. But he persevered until his moves appeared effortless. Subsequently, when he danced on smooth surfaces, he seemed to float. The beach was also refuge to the homeless beggars moved on by the police; always polite, they offered to share their “tickets to paradise.” Elvis always refused the marijuana, but the smell hung in the hot air, and it soon became difficult to engage fully with the reality around him.

A man arguing loudly in the back of the bus intruded on his thoughts and reminded Elvis of his first molue ride. Molues were buses unique to Lagos, and only that place could have devised such a hybrid vehicle, its “magic” the only thing keeping it from falling apart. The cab of the bus was imported from Britain, one of the Bedford series. The chassis of the body came from surplus Japanese army trucks trashed after the Second World War. The body of the coach was built from scraps of broken cars and discarded roofing sheets—anything that could be beaten into shape or otherwise fashioned. The finished product, with two black stripes running down a canary body, looked like a roughly hammered yellow sardine tin.

The buses had a full capacity of forty-nine sitting and nine standing, but often held sixty and twenty. People hung off the sides and out of the doors. Some even stood on the back bumpers and held on to the roof rack. The buses wove through the dense traffic so fast they threw the passengers about, and caused those hanging on to sway dangerously. An old man on the bus had told him that the spirits of the road danced around the buses trying to pluck plump offerings, retribution for the sacrilege of the road, which apparently, when it was built, had severed them from their roots, leaving them trapped in an urban chaos that was frightening and confusing. Elvis never knew whether these spirits inhabited a particular road or all roads, or what they looked like. But the old man’s story sounded so plausible it had stayed with him.

Elvis yawned, closed his eyes and rested his head on the cool metal side. Suddenly a man in the front got up, rapped his knuckles noisily on the roof of the bus and cleared his throat.

“Good morning, ladies and gentlemen.”

His voice had a curious ring to it.

“We get new product for sale today call Pracetmol. It cures all pains, aches and fever caused in de body. If you look at de package, you will see dat de expiry date is December eighty-three. Dis is a new drug from de white people’s labs and plenty research done go into it. It is manufacture in Yugoslavia. In dat country dey call it narcotics and it is costing plenty money. We in Star Advertising Agency with head office in Orile Lagos have been choose by de makers to promote dis drug in Nigeria. Today you can obtain your copy at cheap rate from me. Due to and because of advert purpose, dis packet containing twenty tablet is costing only one naira. If you check any chemist it is costing three naira dere. Buy your own now, for mama, papa and childrens too …”

Elvis tried to tune out the voice of the drug vendor but could not. Luckily the vendor got off at the next stop and Elvis watched him cross the road and hop onto a bus going the opposite way, relieved that he didn’t have to listen to him all the way to Iddoh Park. Sitting back, Elvis closed his eyes again, and just as he drifted off, the insistent calling of a mobile preacher woke him. The preacher was wearing a grimy, threadbare white robe and unkempt dreadlocks; he had a Bible in one hand, and in the other a huge bell with which he punctuated his ravings. He must have gotten on when the drug vendor got off.

“Repent, I say. I am a voice crying out in de wilderness. Repent and come unto de Lord before it becomes too late. I saw a vision from de Lord and he did reveal many things to me. Listen—I say, listen,” he said, reinforcing his ranting with loud and generous peals from his bell.

“De Lord says de only road to salvation lies in de Yahweh Adonai Latter Day Prophetic Spiritual and Messianic Church of God and His Blessed Son Jesus of Mount Carmel. Amen. Listen, brethren, I am de representation of dis wonderful Church of God and I call on all who will be saved from damnation to visit us on Sundays near Ojo bus stop and see miracles happen. Witness de power of prayer, de lame shall walk and de blind see. Listen …”

Elvis couldn’t take any more and got off at the Bar Beach stop. It was a nice day, not too hot, with a nice breeze coming off the ocean, and he thought he might make some money off white expatriates and the odd tourist tanning on the beach. They were always surprised and pleased to see an Elvis impersonator here, particularly the Americans, who were often quite generous. He crossed the hot sand of the beach that abutted the Hilton Hotel. As he walked toward the makeshift raffia changing stalls, he noted who was there.

Sprawled on a deck chair was a heavyset man with a gargantuan stomach on which sat an open book. The sun was burning the skin around it and Elvis wondered if the resulting white patch would contain any of the text. A harried-looking woman with red hair and skin reddening to match chased after three excited children, ranging from around five to nine. In her hand was a white smudge of sunscreen, and with her distracted expression, she looked as though she suddenly realized she was holding a bodily secretion. Her husband (if he was her husband) was dozing on another deck chair, which was missing a leg. With every snore it tottered precariously but, defying the laws of physics, remained upright. An elderly couple stood looking out to the horizon, hands cupped against the glare of sun on water as though looking for their lost youth.

Meager pickings, he thought, as he ducked into a stall and shed his street clothes. He slipped into the white shirt and trousers, pulled on the socks and canvas shoes, and jammed the wig down on his head. He couldn’t see himself properly in the small pocket mirror he carried. In Iddoh Park, his usual spot, he had come to rely on the glass shop fronts for his reflection. He hoped he looked fine. He rummaged in his bag for his can of sparkle spray. He couldn’t find it, so he began pulling everything out of the bag, including a journal tied with string. Its leather binding was old and cracked.

Elvis paused for a moment and untied it, flicking quickly through the pages as though in search of a spell to find the lost sparkle spray. His fingers traced the spidery writing. It was his mother’s journal, a collection of cooking and apothecary recipes and some other unrelated bits, like letters and notes about things that seemed as arbitrary as the handwriting: all that he had inherited from her, all that he had to piece her life together. He stared at the page he had opened it to and read the recipe as though it were a fortifying psalm. Closing the journal with a snap, he retied it and returned it to his bag with the other items he’d taken out.

Although he found the sparkle spray, when he tried to use it, he realized he’d run out. He shook the can angrily and depressed the nozzle repeatedly. There was a tired hiss of air, but no sparkle. With a defeated sigh, he turned to the small tin of talcum powder stuck in one of the pockets of his bag. He shook out a handful and applied a thick layer, peering into the mirror. He was dissatisfied; this was not how white people looked. If only he could use makeup, he thought, the things he could do. But makeup was a dangerous option, as he could be mistaken for one of the cross-dressing prostitutes that hung around the beach. They were always hassled by the locals, and often beaten severely. Besides, Oye, his grandmother, used to say in her Scottish accent, “Dinna cry about tha’ things you canna change.” Pulling on his gloves, he grabbed his bag and stepped out.

As he walked over to the foreigners, unable to tell the tourists from the expatriates and embassy staff, he noticed that one of the hotel security guards was spraying water from a hose onto the beach. It seemed odd to Elvis, and the only thing he could think of was that it was meant to cool the sand near the foreigners.

They stopped what they were doing to take in his approach. The gargantuan-bellied man sat up, unread book sliding off his stomach. The sleeping husband woke up with a start, promptly falling to the sand as his deck chair finally gave out. The harried woman stopped chasing the children, who gathered around her legs as the wraith that was Elvis drew closer. Even the old couple had given up the search for their youth to watch him.

“Welcome to Lagos, Nigeria,” Elvis said.

He put his bag down and took several steps away from it, the freshly watered sand crunching under his heels. He cleared his throat, counted off “One, two, three,” then began to sing “Hound Dog” off key. At the same time, he launched into his dance routine.

It built up slowly, one leg sort of snapping at the knee, then the pelvic thrust, the arm dangling at his side becoming animated, forefinger and thumb snapping out the time. With a stumble, because the wet sand, until he adjusted to it, sucked at his feet, he launched into the rest of his routine. It was spellbinding watching him hover over the sand, movements as fluid as a wave, and it was some time before any of the foreigners moved or spoke.

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