Gateways (21 page)

Read Gateways Online

Authors: Elizabeth Anne Hull

BOOK: Gateways
12.68Mb size Format: txt, pdf, ePub

Pretorocha was where they said I’d lost my finger, and it was where the most Confederación casualties had been recorded. Was it possible that the drug just didn’t work on me?

What was more likely, if I properly understood the literature, was one of two things: one, the place had changed so much that my recovering memory didn’t pick up any specifics; two, that I’d never actually been here.

That second didn’t seem possible. I’d left a finger here, and the Confederacíón verified that; it had been paying for the lost digit for thirty years.

The first explanation? Pictures of the battle looked about as bleak as this blasted landscape. Maybe I was missing something basic, like a smell or the summer heat. But the literature said the drug required visual stimuli.

“Maybe it doesn’t work as well on some as on others,” Braz said. “Or maybe you got a bad batch. How long do we keep driving around?”

I had six tubes of pills left. The drug was in my system for sure: cold sweat, shortness of breath, ocular pressure. “Hell, I guess we’ve seen enough. Take a pee break and head back.”

Standing by the side of the road there, under the low hot sun, urinating into black ash, somehow I knew for certain that I’d never been there before. A hellish place like this would burn itself into your subconscious.

But aqualethe was strong. Maybe too strong for the remedy to counter.

I took the wheel for the trip back to Console Verde. The air-conditioning had only two settings, frigid and off. We agreed to turn it off and open the nonbulletproof windows to the waning heat.

There was a kind of lunar beauty to the place. That would have made an impression on me back then. When I was still a poet. An odd thing to remember. Something did happen that year to end that. Maybe I lost it with the music, with the finger.

When the road got better I let Braz take over. I was out of practice with traffic, and they drove on the wrong side of the road anyhow.

The feeling hit me when the first buildings rose up out of the rock. My throat. Not like choking; a gentler pressure, like tightening a necktie.

Everything shimmered and glowed.
This
was where I’d been. This side of the city.

“Braz . . . it’s happening. Go slow.” He pulled over to the left and I heard warning lights go
click-click-click.

“You weren’t . . . down there at all? You were here?”

“I don’t know! Maybe. I don’t know.” It was coming on stronger and stronger. Like seeing double, but with all your body. “Get into the right lane.” It was getting hard to see, a brilliant fog. “What is that big building?”

“Doesn’t have a name,” he said. “Confederación sigil over the parking lot.”

“Go there . . . go there . . . I’m losing it, Braz.”

“Maybe you’re finding it.”

The car was fading around me, and I seemed to drift forward and up. Through the wall of the building. Down a corridor. Through a closed door. Into an office.

I was sitting there, a young me. Coal-black beard, neatly trimmed. Dress uniform. All my fingers.

Most of the wall behind me was taken up by a glowing spreadsheet. I knew what it represented.

Two long tables flanked my workstation. They were covered with old ledgers and folders full of paper correspondence and records.

My job was to steal the planet from its rightful owners—but not the whole planet. Just the TREO rights, Total Rare Earth Oxides.

There was not much else on the planet of any commercial interest to the Confederación. When they found a tachyon nexus, they went off in search of dysprosium nearby, necessary for getting back to where you came from, or continuing farther out. Automated probes had found a convenient source in a mercurian planet close to the nexus star Poucoyellow. But after a few thousand pioneers had staked homestead claims on Seca, someone stumbled on a mother lode of dysprosium and other rare earths in the sterile hell of Serarro.

It was the most concentrated source of dysprosium ever found, on any planet, easily a thousand times the output of Earth’s mines.

The natives knew what they had their hands on, and they were cagey. They quietly passed a law that required all mineral rights to be deeded on paper; no electronic record. For years, seventy-eight mines sold 2 percent of the dysprosium they dug up, and stockpiled the rest—as much as the Confederación could muster from two dozen other planets. Once they had hoarded enough, they could absolutely corner the market.

But they only had one customer.

Routine satellite mapping gave them away; the gamma ray signature of monazite-allenite stuck out like a flag. The Confederación deduced what
was going on, and trained a few people like me to go in and remedy the situation, along with enough soldiers to supply the fog of war.

While the economy was going crazy, dealing with war, I was quietly buying up small shares in the rare earth mines, through hundreds of fictitious proxies.

When we had voting control of 51 percent of the planet’s dysprosium, and thus its price, the soldiers did an about-face and went home, first stopping at the infirmary for a shot of aqualethe.

I was a problem, evidently. Aqualethe erased the memory of trauma, but I hadn’t experienced any. All I had done was push numbers around, and occasionally forge signatures.

So one day three big men wearing black hoods kicked in my door and took me to a basement somewhere. They beat me monotonously for hours, wearing thick gloves, not breaking bones or rupturing organs. I was blindfolded and handcuffed, sealed up in a universe of constant pain.

Then they took off the blindfold and handcuffs and those three men held my arm and hand while a fourth used heavy bolt-cutters to snip off the ring finger of my left hand, making sure I watched. Then they dressed the stump and gave me a shot.

I woke up approaching Earth, with medals and money and no memory. And one less finger.

Woke again on my bunk at the inn. Braz sitting there with a carafe of
melán
, what they had at the inn instead of coffee. “Are you coming to?” he said quietly. “I helped you up the stairs.” Dawn light at the window. “It was pretty bad?”

“It was . . . not what I expected.” I levered myself upright and accepted a cup. “I wasn’t really a soldier. In uniform, but just a clerk. Or a con man.” I sketched out the story for him.

“So they actually chopped off your finger? I mean, beat you senseless and then snipped it off?”

I squeezed the short stump gingerly. “So the drug would work.

“I played guitar, before. So I spent a year or so working out alternative fingerings, formations, without the third finger. Didn’t really work.”

I took a sip. It was like kava, a bitter alkaloid. “So I changed careers.”

“You were going to be a singer?”

“No. Classical guitar. So I went back to university instead, pre-med and then psychology and philosophy. Got an easy doctorate in Generalist Studies. And became this modern version of the boatman, ferryman. . . Charon—the one who takes people to the other side.”

“So what are you going to do? With the truth.”

“Spread it around, I guess. Make people mad.”

He rocked back in his chair. “Who?”

“What do you mean? Everybody.”

“Everybody?” He shook his head. “Your story’s interesting, and your part in it is dramatic and sad, but there’s not a bit of it that would surprise anyone over the age of twenty. Everyone knows what the war was really about.

“It’s even more cynical and manipulative than I thought, but you know? That won’t make people mad. When it’s the government, especially the Confederación, people just nod and say, ‘more of the same.’ ”

“Same old, we say. Same old shit.”

“They settled death and damage claims generously; rebuilt the town. And it was half a lifetime ago, our lifetimes. Only the old remember, and most of them don’t care anymore.”

That shouldn’t have surprised me; I’ve been too close to it. Too close to my own loss, small compared to the losses of others.

I sipped at the horrible stuff and put it back down. “I should do something. I can’t just sit on this.”

“But you can. Maybe you should.”

I made a dismissive gesture and he leaned forward and continued with force. “Look, Spivey. I’m not just a backsystem hick—or I am, but I’m a hick with a rusty doctorate in macroeconomics—and you’re not seeing or thinking clearly. About the war and the Confederación. Let the drugs dry out before you do something that you might regret.”

“That’s pretty dramatic.”

“Well, the situation you’re in is
melo
dramatic! You want to go back to Earth and say you have proof that the Confederación used you to subvert the will of a planet, to the tune of more than a thousand dead and a trillion hartfords of real estate, then tortured and mutilated you in order to blank out your memory of it?”

“Well? That’s what happened.”

He got up. “You think about it for a while. Think about the next thing that’s going to happen.” He left and closed the door quietly behind him.

I didn’t have to think too long. He was right.

Before I came to Seca, of course I searched every resource for verifiable information about the war. That there was so little should have set off an alarm in my head.

It’s a wonderful thing to be able to travel from star to star, collecting exotic memories. But you have no choice of carrier. To take your memories back to Earth, you have to rely on the Confederación.

And if those memories are unpleasant, or just inconvenient . . . they can fix that for you.

Over and over.

 

Afterword

I sent my first SF story, “Out of Phase,” to
Galaxy Magazine
when Fred was editor, and he sent me back a tiny note (less than two inches square, typed), saying that if I could boil the first four pages down to one, he would look at it again.

In fact, I boiled the pages down to one word. I sent the revised story back to him with a one-line cover letter, as the writing magazines at the time advised: “Dear Mr. Pohl—Here is the story with the changes you requested.”

But Mr. Pohl had meanwhile quit the job at
Galaxy
! His replacement, Ejler Jakobsen, hadn’t edited a science fiction magazine in twenty-some years, and he probably didn’t know Haldeman from Heinlein. I suspect he read the cover letter and, under deadline pressure, accepted the story without reading it.

Years later I met Fred at a cocktail party and told him he might have been responsible for my becoming a science fiction writer. He shrugged and said, “Everybody makes mistakes.”

 

—J
OE
H
ALDEMAN

L
ARRY
N
IVEN

GATES (VARIATIONS)
1

Outside the Coffee Bean they found an empty table, and sat. Traffic was noisy, and they had to raise their voices. Todd Varney didn’t care who overheard.

“I haven’t tried this notion on my agent,” Varney said. “Roy, would you know what I mean by ‘the singularity’?”

Roy was Varney’s nephew. He taught grade school. He said, “I know some math teachers. A singularity is a place where the math doesn’t work. It’s not magical. In a polar coordinate system you define a point as an angle plus the radial distance from the center, but the center is zero plus any angle you like. That’s a singularity.”

“Not . . .
quite
what the science fiction writers mean. This is a predictive thing. One variation is, when someone learns how to increase his own intelligence, makes himself smarter, learns how to increase his intelligence again—”

“Or hers?”

“Or its. Could be a computer. The point is that the curve goes to infinity. Once you’re smart enough, you can
see
how to get smarter yet. The singularity, the way writers like Greg Bear see it, is the point where
all
the curves start going to infinity. Intelligence. Available energy. Lifespan. Price of oil, or bread. Computer power per dollar. And after the singularity comes, you can’t predict a future.”

“I don’t know this Greg Bear.”

“He’s another science fiction writer, like me. The point is, it’s
hard work
writing about the singularity. Nothing’s harder than writing about a character who’s smarter than the author. Even so, the singularity could be coming right down our throats. Bear wonders if the next generation will be recognizably human.”

Other books

The Bridges of Constantine by Ahlem Mosteghanemi
It Can't Happen Here by Sinclair Lewis
Goal-Line Stand by Todd Hafer
Duet for Three by Joan Barfoot
Missing From Home by Mary Burchell
Fool's War by Sarah Zettel