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Authors: Ruth Reichl

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BOOK: Garlic and Sapphires
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The busboy cleared the table; the waiter brought our main courses. Helen took a bite of her fish and nodded thoughtfully. “I adore Chilean sea bass,” she said in a voice meant to carry to the next table, “such a rich and elegant fish.”
“Actually,” I said, “that's not Chilean sea bass.”
“Thank you very much,” she replied indignantly, “I am quite aware of what I ordered.”
“I know you ordered Chilean sea bass,” I insisted, trying to reclaim a little dignity for poor Betty, “but there is no such thing. You are eating Patagonian toothfish.”
“I couldn't be,” she said.
“You are. I'm sure you won't be surprised to learn that it didn't sell very well under its own name. So they changed it.”
“Really?” There was grudging respect in her voice. I thought I'd see if I could keep it. “May I taste those prosciutto-stuffed mashed potatoes?” I asked. She passed me a bite and I tasted, thoughtfully. “Good-quality prosciutto,” I said.
“How do you know?” she asked.
“I can taste it. Real prosciutto, the kind they make in Parma, has a sweetness and a softness that others lack. Lesser prosciutto has a waxy quality, and it's often over-salted. The color's different too.”
“How odd that someone like you should know so much,” said Helen, giving me a long slow look.
“Yes,” I said sweetly, “isn't it?” And I turned back to my food. Meanwhile Helen and the man at the next table kept exchanging glances, and Claudia sat there like a director admiring the scene she had created.
“Dessert, ladies?” asked the waiter.
“Oh no,” said Helen, “I never eat sweets.” She glanced briefly at the next table. The silver-haired man smiled. Claudia ordered gingerbread, and I pointed at a waiter walking cautiously across the room.
“Young man,” I said, pointing at the drink the waiter was carrying with such care. It looked like a captive rainbow. “What is that beautiful concoction?”
“A pousse café, madam,” he replied.
“A who?” I asked.
“It's a kind of cocktail.”
“All those layers? How do they make it?”
“Carefully,” he said, “very carefully. You see, different liqueurs weigh different amounts. So if you start with the heaviest, and then keep pouring a lighter liqueur on top, you can keep them from mixing. At least, a good bartender can.”
“Isn't it difficult?” I asked.
“Oh yes, madam,” he said, “very.”
“What if you trip while you're carrying it?”
“The bartender kills you,” he said solemnly. “And the court rules it justifiable homicide.” This was clearly a joke he had made before.
“I'll have one,” I decided.
As he walked away I murmured, “Grenadine, crème de cacao, maraschino, curaçao, crème de menthe, parfait amour, cognac.”
“What's that?” asked Helen.
“The order of a pousse café. Red on the bottom, followed by brown, white, orange, green, violet, and finally the cognac on the top. They have to be made very, very slowly. Bartenders usually pour them over the back of a spoon to spread out the liquid. They're difficult to make correctly.”
“I thought you didn't know what it was,” she said, giving me another long look.
“I was just testing him.” I peeked at Claudia and saw that she was enjoying herself hugely.
When the drink came, I held it out to Helen. “Would you care to taste it?”
“Oh no,” she said. The silver-haired man was looking at her again and she smiled—a little coyly I thought—and said, “Well, maybe just a sip.”
She grimaced—the thing truly was horrid—and then there was a small awkward silence. Helen was looking at me, clearly weighing whether or not to say what was on her mind. Finally she decided. “May I speak frankly?”
“Certainly,” I said.
“I don't know what to make of you, but you seem like a good enough person. Why don't you take better care of yourself? A good haircut—and perhaps a silver rinse—would do wonders. I have a facialist who could improve your skin tone. And I could point you to a shop where a few chic outfits would not cost much money. I just can't understand why anyone would go through life looking so . . . pitiful.” She looked at my face and added, “I hope I have not offended you?”
“Not at all,” I said. “That's very kind. I'd be very grateful for your help.” Claudia made a little choking sound.
“What, may I ask, is so funny?” asked Helen.
“Later, my darling,” gasped Claudia, attempting to control her mirth. “I will tell you later.”
Helen looked miffed and Claudia abruptly changed the subject. “Have I told you,” she asked, “that I am moving to Los Angeles for a few months?”
“You didn't tell me that!” I said, so shocked that I used my own voice. Helen's eyes narrowed. I lowered it to ask, “Why?”
“One of my old students has been given an excellent role in a big new film, and he insists that I must come coach him. I thought it might be fun. And I cannot deny that the notion of leaving New York for the duration of the winter has enormous appeal.”
“I'm going to miss you,” I said.
“Don't worry, my darling,” she said, patting my hand. “I will come hurrying back. I could not bear to miss seeing the transformation Helen has planned. I suspect you'll be an entirely different person. In fact, I'm sure of it.” She tried to catch Helen's eye but Helen was, once again, looking at the man at the next table. I wondered if anything would come of it.
RESTAURANTS
by Ruth Reichl
PATRICK CLARK is a terrific chef. Unfortunately, he is only human, and it would take a magician to make food good enough to overcome the service at Tavern on the Green.
Consider the meal I had in the spring, soon after Mr. Clark took over the kitchen of America's largest-grossing restaurant. We were seated at 7:30 P.M. By 8:30 we had eaten our way through the entire bread basket, visited the gift shop twice, taken a stroll through the gardens, admired the lanterns and the topiary. We begged for food. When we could find someone to beg. Once I looked across that vast windowed room, past the balloons, flowers and chandeliers, and counted only four service people. They were all studiously avoiding our waving hands.
Finally our first courses came. I relaxed as I tasted a fine shrimp cocktail with a jazzy smoked tomato rémoulade and a parsley-lemon salad. Crab cakes were impressively served with a spicy pumpkin seed sauce. I admired roasted chunks of lobster meat in a spicy red Thai curry sauce. Even plain old Caesar salad was dressed up with sheets of crisped Parmesan. There was just one problem: my asparagus soup was nowhere to be seen.
It took a while to attract someone's attention and point out that I had not been served. Ten minutes later, the soup showed up. No apology, but after the waiter had painstakingly poured it into my bowl, he proudly announced, “Not a drop!”
Then our entrées came so quickly that the appetizer plates were still on the table. “Hold that please,” said the waiter, indicating that I was to pick up my soup bowl so he could put my entrée down. Meanwhile, my companions were clearing off the extra plates and stacking them on the floor.
For all that, the food was impressive. Mr. Clark is serving more than 1,500 meals a day, and he has carefully constructed his menu within the limits of quantity cooking. He builds each plate around a sturdy center-piece, starting with food that can take a little abuse and using imaginative accompaniments to perk it up. His grilled pork porterhouse, a robust portion, was served with a glorious mush of potatoes, bacon and cabbage. On the side, standing in for ap plesauce, was a zesty rhubarb-apple chutney.
Grilled swordfish steak was accented with sautéed pea greens and wild mushroom dumplings. He made salmon special by giving it a Moroccan glaze, setting it on a buttery bed of savoy cabbage and a cake of cous cous. But he also knows when to leave well enough alone; his rotisserie chicken was sensibly plain, served with haricots verts and potatoes mashed with just a hint of green chilies.
Should we chance dessert? Anticipating another endless wait, we quit while we were ahead. There was, however, one bright point. As one friend noted, “They certainly didn't rush us.”
Every restaurant has its off nights, but in my experience they are standard at Tavern on the Green. One recent night, we waited 40 minutes after placing our order before any food arrived. The captain acted as if he were bestowing a favor each time he honored us with his presence, and the waiters hardly deigned to glance our way. A request to take dessert home was met with this response: “We don't do that.” But the worst thing was that after being requested to surrender our coats ($1 each), we found ourselves seated next to the window, freezing. We spent a small fortune on tea trying to get warm.
Still, the dinner was delicious. Short-rib-and-horseradish dumplings were a sly take on a Chinese dish. Soups were thick, a little too sweet, but satisfying. Crab cakes were filled with chunks of sweet crabmeat. And foie gras sautéed with pears was completely luxurious.
Grilled Chilean sea bass was nicely cooked; it's a very forgiving fish. A fine loin of venison was paired with a puree of squash and cranberry sauce. And a double rack of pork, another huge portion, came with irresistible cheese-filled mashed potatoes and braised red cabbage.
Desserts were good, too. I liked the cheesecake and the crème brûlée. But the dessert that seemed most appropriate to this gaudy, glitzy, enchantingly over-the-top room was the banana split, an exercise in American excess that is almost good enough to make you forget how shabbily you have been treated.
Looking around at that fairyland of lights, I felt a surge of rage. To thousands of visitors, Tavern on the Green is New York. They are so happy to be here that you see them all around the room, videotaping one another as they eat their meals. This is an expensive restaurant; does it really have to be such a blatant example of our famous rudeness?
No, it does not. I discovered that on my last visit when waiters and captains were suddenly hovering attentively over my table. The food came in a flash. It was warm in that inner circle of the Garden Room in more ways than one. Forgive me for thinking that I must have been recognized.
The evening seemed enchanted. I looked out over that splendidly silly space as I ate beautifully arranged poached shrimp in a lime, soy and ginger sauce. Orecchiette were beautifully cooked and tossed with broccoli rabe and sausage. And if the thick fillet of smoked salmon on truffle mashed potatoes seemed more appropriate as an entrée than an appetizer, who's to quibble with generosity?
Then there was moist turkey with stuffing, sweet potatoes, brussels sprouts and cranberry sauce: a holiday on a plate. Pork, one of Mr. Clark's best dishes, was as satisfying as it always is.
As I sat there, basking in the attention and enjoying the Christmas decorations, I looked around at the people seated on the edges of the room. I hoped they were having as nice a time as I was. I suspected they were not.
 
 
 
 
TAVERN ON THE GREEN
Betty never got her makeover. Helen was furious when Claudia told her the truth, and when I called to apologize, she hung up on me. But in the ensuing months Betty slipped unobtrusively in and out of Felidia, Aquavit, Lutèce, and Gramercy Tavern. My most useful disguise, she usually went with a group, sitting silently at the table like somebody's poor old aunt, the charity case, brought along out of duty or as an act of kindness. Betty never looked at a wine list and when confronted with the menu tended to say, “You order for me, dear. You know much more about food” in a voice so soft it was barely audible. Since she never paid a bill she had no need for credit cards, and she continued to be as anonymous as a shadow.
BOOK: Garlic and Sapphires
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