Read Flow Chart: A Poem Online
Authors: John Ashbery
In riper times of trial we stayed together. But in this kind of bleached-out crisis-
feeling, the best one can do is remain polite while dreaming of revenge in another key, even
with a different cast of characters who know nothing of the life you came from,
that neat trajectory that gradually became confused and later submerged in th’encroaching
gloom of everybody’s opinion of what you should do to prevent it.
I suppose it does congeal slowly, like those footprints a primate
made one morning zillions of years ago, and that says
something
about spontaneity
as well as one’s right to privacy. It’s not like it was fused in a furnace;
it slowly ebbed into its permanent state just by appearing every so often
unchallenged; its absences too were seldom commented on, even as they grew less infrequent,
so that it became one’s privileged daily routine without anyone’s being the wiser.
The man told us that first-off. No one can plead ignorance, therefore,
and any other plea-bargain seems out of the question, though my
backers will tell you otherwise. And I can see no outcome but further fractioning
as precious time elapses, and a totally unexpected split decision that benefits no one
except perhaps those it lulls to sleep with promises of “good times”
long after its half-truths have been assimilated by the rabble it now seeks to contain
with only partial success. Our love, that we didn’t know about, mitigated
our reception at the outset; the misunderstanding could only grow, so that it seems
desolation and solitude were the point we had set out for, the times of mirth
forgotten now, recorded in disappearing ink that doesn’t outlast winter
and its holidays, its occasions. If I said to you now, let’s go out somewhere, you know
what you would think; it’s hardly worth disturbing even the sour calm of whatever fell
from day to day, like a croquet ball tentatively negotiating a stair, all cakes and notions
of pleasure screened by the past, the evergreens that shot up
in the twenty years you were away. Does it look like
I care now, that it matters still? Or is it the calm
of a moment of eternity, not something one lives in, fusses over, but only builds?
I must ask you to leave now. It seems we are fresh out of turnips.
The big spider of the day is broken. Who could repair it?
“Whatever things men are doing shall germ
the motley subject of my page.” And that shall leave a great deal after it
in the way of trails. Besides, as trails go, we are pretty incompetent
except to watch the sun slide away, and the trellis of clouds
with it, while the city’s modest spires stay put, again, as usual.
The madhouse statuary seemed to dispel the pre-life we gave it
in sleep, to become the one bauble rescued from that hoard, whose shapes
no one now will know. It cannot be said they existed. Yet
surely there was life once in those seams, life the daughters of the iron teeth
of time gave it, and swallows flew over it. One might say, casually,
that there was variation in it, that there was texture. More, though,
one still couldn’t say. Yet one day the sanitation department decreed
it was coming through, a nice day in May with the usual blossoms, though these
were only accessories, having no bearing on the tale or
its context, petal-like, in fact, like a cat’s nose, but the judge
happened by just then and told them to stop it. They went away and someone,
a bushy-haired man, came back and said it was OK, they could keep on doing it
if they wanted to, but not to say he said so, but that it was OK.
I long meanwhile for the confines of any other principality, but can’t abandon
working even if I wanted to, it’s like play to me though I get no pleasure from it
except pausing at odd moments to watch the rill for a few seconds,
and then it’s back to work again, more work, lots of it, and the pollution
attendant on it, like Hebe to the rainbow’s gauzy showers, or web, and I
can’t stand on tradition nor beside it. Here it suits me, boys, to turn
over a new leaf like a chunk of recalcitrant granite. I know no other gadfly
who berates me so much; I love it; the woman came back to say she was in the way
and would we go away please it was four o’clock. Not on your life thundered the
hangman, and so it became a kind of ritual, then a game, and every day
someone came to ask after the stone, and someone would stand up to say
it has gone away, go lose yourself in studies or the wilderness;
more none can say. He just came up that day,
had a look round, and left. We aren’t even sure
we saw him. It could have been wildflowers in the wallpaper
or stray ashes in the grate, no more. Then the bird came back and shat
on the stone, and that proved it was there for a while, but somehow
that got forgotten and we were thrust out of doors to play in the rain
and sleet, and somebody got hold of the key, we entered, and presto, no one
was there, it was a different room, another empty one too, and had
obviously been vacated pretty recently. A smell of kippers
hung in the front hall. OK, I said, we must press on to the last house
they were seen in in the next block. The green cement one. But my
companions whispered why, let’s ditch him at the first opportunity, no
let’s not even wait that long, which is why I came across the lawn bruised
and moist, and trembling with pity to be let in, and you came
and let me in. Nowhere did I have anything to say again, but that
was not noticed until yesterday, too late to have us do anything about it.
One source said it was the tulips, against the nice gesture to be led and fed
and have others shut up about it. But one said, you can’t have that
and not condone the listless others who don’t know yet they’re walking
in your tracks and will be sorry when they find out, but another man joined
the woman and said you could too talk about it, it was just a subject
and therefore forgotten, i.e. dead. And Joan she said
too it was like being dead only she didn’t care, she might as well be anyway, for all
she cared, and then someone came back with beef. And said here
put a rose on this, you’re not afraid, you do it, and someone said, O if the law
decree it he must do it. So the one went in and the others stayed out and waited.
And if you’re not going to do it, and if it’s none of your business, why are
you going to do it, the first one said, to which that one said: begone. You are my
business in any case and it behooves me not to be in the shadow of you
while I wait. And then one who came from a great distance said, why does it suit you
to be ornery, if others cannot join the general purgative exodus, to which that one inside
said, and so it becomes you, if it become you. And then in the shade they put their heads
together, and one comes back, the others being a little way off, and says, who
do you think taught you to disobey in the first place? And he says, my father.
And at that they were all struck dumb
and left that place falling all over each other
in their haste to get away, and it was all over for that day.
But another day came and the rice was still laying
on the ground, next to the dust ball. And one took it up, saying,
this is all that shall be till I get back from my trip.
And the others were amused because he had never mentioned a trip before,
but he spat at them, saying, you are too powerful now for my injunction to take hold,
but just wait till the others see you in my chamois costume, because if you think it’s too late
now what will you think when it has gotten really out of hand
like a vine that grows and grows and cannot stop growing, or a fire
deep in a coal mine that burns for centuries before anyone can do anything
about it. So he stepped down at last. And the others, charred
and unrecognizable, concurred that something extraordinary had taken place and that there
was nothing to be done about it. And so he went away.
Love that lasts a minute like a filter
on a faucet, love that is always like headlights in the glistening dark, heed
the pen’s screech. Do not read what is written. In time
it too shall become incoherent but for the time being it is good
just to tamper with it and be off, lest someone see you. And when this veil
of twisted creeper is parted, and the listing tundra is revealed
behind it, say why you had come to say it: the divorce. The no reason, as
the plane dives up into the sky and is lost. All that one had so carefully polished
and preserved, arranged in rows, boasted modestly to the neighbors about,
is gone and there is nothing, repeat nothing, to take its place. Only should we
wander a bit and then return without expectations, does some faint impulse twitch at its
base before expiring, and a lesbian truth rise up for a split second, and the faint
material truth dies again, and then flickers like a post-mortem arrangement
until the rabble of the skies cries and all is assumed to be productive.
Get your ass out of here. But it is time
to work again, but a sad, a tragic time, a time of trifles
and vast snowbanks, and so
you put on your hat backwards and decipher it again dutifully; it’s the home stretch
but dare I say more before you think it’s time to go and they think so
but they say only, is no more time to stay
here
, in any case we would have gone
if we knew where to go, but we have a place to go, so we will go there. And behind
the barn it behooves us again to take up the principle, so like the art
of tragedy and so unlike, and so we let it rest carefully, and someone says
he would like to be off, and the others agree, it ignites a general stampede
before the clock closes down. In the old corners of why the situation
was ever allowed to come into existence in the first place, the nasal whining
is first heard, then perturbed groans and idle retreats into shuttered
middle distances and auxiliary alcoves. Aw, shucks, someone
seems to be repeating, we could stay here all night if we wanted to
but that couldn’t bring the child back into being, and I say, I suppose so.
One’s gone for some grants. Be back
when the coal trestle is finished, and idle
against the apricot lamé of the distance here. And boys I know
the distance between your empty bellies and the jobs that will not fill them,
but I still maintain you are better here, but better off far from here
where the choo-choo whistles and a deadly white wind stoops to take a few prisoners,
where we shall be pleasant once the future has had its way with us. And you know,
he said, sure, that’s the way to hell and its conundrums if that’s the way
you want to go, and they all said we know, we are going that way
cautiously approved of in the introduction, only it seems so full of asperities now.
And he said that’s the way it was, it was a tangle and will never be anything
more than a diagram pointing you in a senseless direction toward yourself.
Sure, they come with snacks you have foreseen,
but that doesn’t excuse you for having been caught in this place. And they all said
giddyap, let’s go on to the next
place on the side, for having won, and being here to count up our winnings, which are
surely all right with us. Watch it, he said.
So the initial exuberance departed. But that was fine, because surely
the beginning of a festival is a nice place to be, if it’s Asia, and more hogs
were brought down. But when he saw the hogs, the owner of the grain elevator was angry
and went out. Now, there were two others who were there. And they were
each determined to get what was coming to them. The master returning, said OK boys,
never let it be said you didn’t ask for it. And in that moment a fuzz of bloom
was on them. Each spring the desert comes alive with birds and flowers,
a breathtaking view at the foot of the famed Superstition Mountains,
reported home of the Lost Dutchman Mine with its still undiscovered caches of gold.
And all around it is nice too. The mineral springs I wanted so much to exploit—what
does any of it matter now, now that I have found my home in a narrow cleft
stained with Indian paintbrush and boar’s blood, from which an avenue eventually leads
to the flatter, more civilized places I have no quarrel with either. After all,
we
have
to go in once or twice a month to pick up supplies, the few
articles we don’t grow such as coffee, to which I’m still addicted by the way, and
records too from a local music shop, which are important to have—no man
needs to live by his own law in the wilderness after all, but even if he is going
to try it is best not to let the old world slip too casually. Rather it should come about
naturally, without too much fuss or horn tooting. And then, by and by, if he sees
he likes it, why then there is always time to make such decisions later on as regards
one’s insurance, and such, and peter out from there—trickle accurately
into the sand so that each drop is utilized to the max, and then we’ll see
how the desert is improving—only “improve” is a word I don’t want to use too much
either. For after all everything is good of its kind to start with. It’s all a
question only of finding out what the kind is and letting the thing ferment