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Authors: Erica Jong

BOOK: Fear of Flying
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“I have to get away for a while,” I said again, wavering.

“You’re not going to be alone—I am.” It was true. A really independent woman would go to the mountains alone and meditate—not take off with Adrian Goodlove in a battered Triumph.

I was desolate. I lingered and lingered.

“What the hell are you waiting for? Why don’t you
go
already?”

“Where are you going? Where can I find you?”

“I’m going to the airport. I’m going home. Maybe I’ll go to London and see if I can cash in the charter flight ticket or maybe I’ll go right home. I don’t care. What do you care?”

“I care. I care.”

“I’ll bet.”

And with that I picked up my suitcase and walked out of the hotel. What else could I do? I had painted myself into a corner. I had written myself into this hackneyed plot. By now it was a bet, a dare, a game of Russian roulette, a test of Womanhood. There was no way to back out. Bennett stood there very calmly, saving face. He was wearing a bright red turtleneck. Why didn’t he run out and sock Adrian in the jaw? Why didn’t he fight for what was his? They might have had a duel in the Vienna woods using volumes of Freud and volumes of Laing as shields. They might have dueled with words at least. One word from Bennett and I would have stayed. But nothing was forthcoming. Bennett assumed it was my right to go. And I had to seize that right even if by now it sickened me.

“You’ve been over an hour, ducks,” Adrian said, putting my suitcase into the trunk of the car, which he called “the boot.” And we beat it out of Vienna like a couple of exiles escaping from the Nazis. On the road past the airport I wanted to say “Stop! Leave me there! I don’t want to go!” I thought of Bennett standing alone in his red turtleneck, waiting for some plane or other to some place or other. But it was too late. I was in this adventure for better or worse and I had no idea where it would land me.

 

 

11

Existentialism

Reconsidered

 
 
 
 
 
 
 
 
 

existentialists declare That they are in complete despair, Yet go on writing.

—W. H. Auden

When I threw in my lot with Adrian Goodlove, I entered a world in which the rules we lived by were his rules—although, of course, he pretended there
were
no rules. It was forbidden, for example, to inquire what we would do tomorrow. Existentialists were not supposed to mention the word “tomorrow.” It was to be banished from our vocabulary. We were forbidden to talk about the future or to act as if the future existed. The future did not exist. Only our driving existed and our campsites and hotels. Only our conversations existed and the view beyond the windshield (which Adrian called the “windscreen”). Behind us was the past—which we invoked more and more to pass the time and to amuse each other (in the way that parents make up games of geography or identify-the-song-title for their bored children during long car rides). We told long stories about our pasts, embellishing, embroidering, and dramatizing in the manner of novelists. Of course, we pretended to be telling the truth, the whole truth, and nothing but the truth, but nobody (as Henry Miller says) can tell the absolute truth; and even our most seemingly autobiographical revelations were partly fabrications—literature, in short. We bought the future by talking about the past. At times I felt like Scheherazade, amusing my king with subplots to keep the main plot from abruptly ending. Each of us could (theoretically) throw in the towel at any point, but I feared that Adrian was more likely to do it than me, and that it was my problem to keep him amused. When the chips are down and I’m alone with a man for days on end, then I realize more than ever how unliberated I am. My natural impulse is to toady. All my high-falutin’ rebelliousness is only a reaction to my deep-down servility.

 

It’s only when you’re forbidden to talk about the future that you suddenly realize how much the future normally occupies the present, how much of daily life is usually spent making plans and attempting to control the future. Never mind that you have no control over it. The idea of the future is our greatest entertainment, amusement, and time-killer. Take it away and there is only the past—and a windshield spattered with dead bugs.

Adrian made the rules, but he also had a tendency to change them frequently to suit himself. In this respect, he reminded me of my older sister Randy when she and I were kids. She taught me to shoot craps when I was seven (and she was twelve) but she used to change the rules around from minute to minute depending on what she rolled. After a ten-minute session with her, I would be divested of the entire contents of my carefully hoarded piggybank, while she (who started out broke) wound up as flush as Sky Masterson. No matter how Lady Luck had smiled on me, I always ended up a loser.

“Snakes eyes—I win!” my sister would yelp.

“You do?” (I used to hoard my dollar allowance like the ant while she spent hers like the grasshopper—but she always wound up flush and I wound up bankrupt.) The perils of primogeniture. And I the perennially second-born. Adrian, in fact, was born in the same year as Randy (1937) and also had a younger brother he’d spent years learning how to bully. We quickly picked up the threads of these old patterns of behavior as we made our way through the labyrinth of Old Europe.

We came to know the meager Austrian pension with its white lace curtains in the parlor, its windowsill full of cactuses, its red-cheeked proprietress (who always asked how many children we had—as if she had forgotten what we told her double some kilometers back), its peculiar king-sized bed with a mattress divided into three horizontal parts (the valleys coming at strategic bodily landmarks—like the breasts and genitals—so that you invariably awoke in the middle of the night with one nipple, or one testicle I suppose, wedged between part I and part II or between part II and part III). We came to know the Austrian feather beds which drench you with sweat during the early hours of the night, slither to the floor by means of witchcraft just as you fall into a deeper sleep, cause you to spend the whole night retrieving them, and then finally awaken you with monstrously puffy lips and eyes from the centuries of old dust (and other more sinister allergens) trapped within them.

 

We came to know pension breakfasts of cold hard rolls, factory-packaged tinlets of apricot jam, meager curls of butter, and gargantuan cups of
café au lait
with diseased-looking skins on top. We came to know the humbler sort of campsite, with its pervasive sewer smell, long tin trough for face-washing and tooth-brushing, stagnant mosquito-breeding swimming hole (where Adrian invariably swam), and jolly German citizens who made brilliant conversation about Adrian’s English pup tent (in whose electric-blue nylon glow we slept) and interrogated us about our lives like horribly experienced spies. We came to know the German
Autobahn
automats with their plates of sauerkraut and knockwurst, their blotting-paper coasters advertising beer, their foul-smelling pay toilets, their vending machines for soap and towels and condoms. We came to know the German beer gardens with sticky tables and middle-aged buxom waitresses in dirndls, and drunken truck drivers who made obscene remarks to me as I made my way unsteadily to the bathroom.

We were usually drunk from noon on, careening down the
Autobahn
in a right-hand-drive car, taking wrong turns everywhere, being tailgated by Volkswagens going 80 miles an hour, by Mercedes-Benzes blinking their headlights aggressively and doing 110, by BMWs trying to outrun the Mercedes-Benzes. All a German had to see were our English license plates and he was out to run us off the road. Adrian drove like a maniac, too, passing on the wrong side, weaving in and out of the truck lane, allowing himself to get riled by the Germans and trying to outrun them. There was part of me that was terrified by this, but another part of me which thrilled to it. We were living on the edge. It was likely we’d be killed in a horrible wreck which would obliterate every trace of our faces and our sins. At least I knew for sure I wasn’t bored.

Like all people who are preoccupied with death, who hate plane rides, who study their tiniest wrinkles in the mirror and are morbidly afraid of birthdays, who worry about dying of cancer or a brain tumor or a sudden aneurysm, I am secretly in love with death. I will suffer morbidly through a shuttle flight from New York to Washington, but behind the wheel of a sports car I’ll start doing 110 without hesitation and love every terrifying minute. The excitement of knowing that you may be the author of your own death is more intense than orgasm. It must have been what the kamikazes felt, creating their own holocaust and being swallowed up by it, instead of waiting for the holocaust to catch up with them some surprising morning in their safe beds in Hiroshima or Nagasaki.

 

There was another reason for our heavy drinking: namely my depressions. I would alternate between elation and despair (self-hatred for what I’d done, dismal despair over being alone with a man who did not love me, anguish about the future I was not supposed to mention). So we got drunk, and in our giggling drunken antics, the despair would get blurred. It would never quite vanish, of course, but it would become easier to bear. Like getting drunk on a plane to ease your fear of flying. You still believe you’re going to die whenever the sound of the engines changes, but you don’t care anymore. You almost like the idea. You imagine yourself gliding down through the flocculent clouds into a blue ocean full of your fondest memories of childhood.

We came to know French truck stops with Italian espresso machines serving thick excellent coffee. We came to know the pleasures of Alsatian beer and boxes of peaches bought from farmers by the side of the road. We knew we were in France when the headlights of the cars turned from white to mustard yellow and the bread became delicious. We came to know the ugliest part of France, that badland near the German border where the roads are broken-surfaced meandering two-lane caravans and the French refuse to repair them, saying that the Germans get to Paris fast enough anyway. We came to know an endless series of cheap hostelries with two-watt light bulbs and fly-speckled bidets (into which we peed because we were reluctant to trek out to the filthy hall toilet whose light only went on when you broke your nails turning the door lock). We came to know the more posh sort of campsite with indoor toilets and a bar with a jukebox blaring the Beatles. But most of the time (this being August and every burgher in Europe being on a camping vacation with his 2.5 children), we found the better campsites filled and had to pitch our tent by the side of the road (and crap squatting with the weeds tickling our asses and the horseflies zooming hideously close to our assholes to alight upon the fresh turds). We came to know the
Autostrada del Sole
with its phantasmagoric Pavese auto-grills—Fellini visions of cellophane-wrapped candy, mountains of toys, barrels of silver-foil wrapped
panetone,
gift-ribboned jam pots, and tricycles trailing streamers of lollipops. We came to know the Italian madmen who race their Fiat Cinquecenti ninety miles an hour, but always stop to cross themselves and drop a few lire in the collection box at a roadside Jesus. We came to know dozens of major and minor airports in Germany and France and Italy, because at that point in the day when the second round of beers wore off and my massive depression reared its ugly head once more (along with secondary symptoms of headache and hangover), I would panic and command Adrian to drive me to the nearest airport. He never said no. Oh he would become silent and act disappointed with me, but he never directly opposed any clearly stated wish of mine. To the nearest
Flughafen
or
aeroporto
we went, getting lost and asking directions a dozen times along the way. When we got there we inevitably found out that the next plane was not for two days, or that it was booked solid (
Europa im August: tout le monde en vacances
)
,
or that it had left two minutes ago. And then there would be a bar at the airport and we would drink more beer and Adrian would kiss me and joke with me and grab my ass affectionately and talk about our shared adventure. So off we’d go again in good spirits for the time being. After all, I wasn’t entirely sure I had any other place to go.

 

Our tour was hardly a leisurely pleasure jaunt. If we looped and zigzagged and went round in circles, it was because our itinerary took its shape not from landmarks or Michelin three-star attractions, but from my own vertiginous moods—and, to a lesser extent, Adrian’s. We zigzagged from depression to depression, looped around drunken sprees, circled good moments. Our itinerary had no geographical rhyme or reason, but of course, I can only see that in retrospect when I list the sites we visited. We touched down in Salzburg long enough to visit Mozart’s
Geburtshaus,
stuff ourselves with
Leberknödel,
sleep fitfully and then continued on to Munich. We meandered through Munich and the Alps beyond, visited various castles built by Mad King Ludwig of Bavaria, climbed the winding road to
Schloss Neuschwanstein
in a sudden drenching downpour, toured the castle with an army of potato-shaped hausfraus in orthopedic shoes who elbowed past us making guttural noises in their mellifluous tongue and turning beet-red with pride in their glorious national heritage of Wagner, Volkswagens, and
Wildschwein.

I remember the countryside around Neuschwanstein with almost nightmarish clarity: the picture-postcard Alps, the clouds hooked on the jagged mountaintops, the arthritic fingers of old snow sculpturing the Aretes, the silent horns of the peaks confronting the smoky blue sky, the velvety green meadows in the valleys (beginner ski slopes in winter), and the chalet-roofed brown and white houses placed as in a children’s game.

Germany’s most famous castle is not in Schwetzingen or Speyer, Heidelberg or Hamburg, Baden-Baden or Rotenburg, Berchtesgaden or Berlin, Bayreuth or Bamberg, Karlsruhe or Kranichstein, Ellingen or Eltz—but in Disneyland, California. Amazing how much Walt Disney and Mad King Ludwig of Bavaria resemble each other mentally. Ludwig’s Neuschwan-stein is a phony nineteenth-century evocation of a Middle Ages that never existed. Disney’s castle is a phony of a phony.

I was particularly entranced by Ludwig’s centrally heated plaster grotto between bedroom and study, his plaster stalactites and stalagmites illuminated with neon-green spotlights, his murals of Siegfried and Tannhäuser (featuring fat blond goddesses with breasts as smooth as epoxy resin and blond-bearded warriors reclining in leafy glens on mossy rocks). I was hypnotized by Ludwig’s portrait with its paranoid eyes. And everywhere throughout the
Schloss
there was evidence of all that is corniest, most sentimental and nauseating about German culture—especially that boasting self-congratulatory belief in the spirituality of their “race”: we are a
geistig
people, we feel deeply, we love music, we love the woods, we love the sound of marching feet. …

Notice the cupids and doves hovering around Tannhäuser who reclines on a gray plaster rock leaning his painted satin elbow on the overmodeled drapery which flows from Venus’ overfed haunches. But notice especially how in this castle, these paintings, this country (as in Disneyland)—
nothing
is left to the imagination. Each leaf is crisply outlined and shaded; each breast points its literal nipple at you like an idiot’s eye; each feather in Cupid’s wing is quiveringly palpable. No imagination—that’s what makes a beast.

After Munich and its environs, we drove north as far as Heidelberg (stopping, looping and zigzagging along the way), took the
Autobahn
to Basle (Swiss chocolate, Schwitzer-deutsch and a dour sandstone cathedral overlooking the Rhine), then on to Strasbourg (home of stuffed goose livers and great beer), a wild zigzagging tour of back roads leading more or less toward Paris, then down through the South of France, into Italy (via the Riviera), south as far as Florence, then north again to Verona and Venice, across the Alps, through the Ticino and into Austria again, then north up through Germany once more, then into France, and finally to Paris, for the last time, where the truth (or one of them) was revealed to me but did not (not yet) make me free.

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