Far from the Madding Crowd (29 page)

“O no — only stand as still as a statue. Now!”

In an instant the atmosphere was transformed to Bathsheba's eyes. Beams of light caught from the low sun's rays, above, around, in front of her, well-nigh shut out earth and heaven — all emitted in the marvellous evolutions of Troy's reflecting blade, which seemed everywhere at once, and yet nowhere specially. These circling gleams were accompanied by a keen rush that was almost a whistling — also springing from all sides of her at once. In short, she was enclosed in a firmament of light, and of sharp hisses, resembling a sky-full of meteors close at hand.

Never since the broadsword became the national weapon had there been more dexterity shown in its management than by the hands of Sergeant Troy, and never had he been in such splendid temper for the performance as now in the evening sunshine among the ferns with Bathsheba. It may safely be asserted with respect to the closeness of his cuts, that had it been possible for the edge of the sword to leave in the air a permanent substance wherever it flew past, the space left untouched would have been almost a mould of Bathsheba's figure.

Behind the luminous streams of this
aurora militaris
, she could see the hue of Troy's sword arm, spread in a scarlet haze over the space covered by its motions, like a twanged harpstring, and behind all Troy himself, mostly facing her; sometimes, to show the rear cuts, half turned away, his eye nevertheless always keenly measuring her breadth and outline, and his lips tightly closed in sustained effort. Next, his movements lapsed slower, and she could see them individually. The hissing of the sword had ceased, and he stopped entirely.

“That outer loose lock of hair wants tidying,” he said, before she had moved or spoken. “Wait: I'll do it for you.”

An arc of silver shone on her right side: the sword had descended. The lock dropped to the ground.

“Bravely borne!” said Troy. “You didn't flinch a shade's thickness. Wonderful in a woman!”

“It was because I didn't expect it. Oh, you have spoilt my hair!”

“Only once more.”

“No — no! I am afraid of you — indeed I am!” she cried.

“I won't touch you at all — not even your hair. I am only going to kill that caterpillar settling on you. Now: still!”

It appeared that a caterpillar had come from the fern and chosen the front of her bodice as his resting place. She saw the point glisten towards her bosom, and seemingly enter it. Bathsheba closed her eyes in the full persuasion that she was killed at last. However, feeling just as usual, she opened them again.

“There it is, look,” said the sergeant, holding his sword before her eyes.

The caterpillar was spitted upon its point.

“Why, it is magic!” said Bathsheba, amazed.

“Oh no — dexterity. I merely gave point to your bosom where the caterpillar was, and instead of running you through checked the extension a thousandth of an inch short of your surface.”

“But how could you chop off a curl of my hair with a sword that has no edge?”

“No edge! This sword will shave like a razor. Look here.”

He touched the palm of his hand with the blade, and then, lifting it, showed her a thin shaving of scarf-skin dangling therefrom.

“But you said before beginning that it was blunt and couldn't cut me!”

“That was to get you to stand still, and so make sure of your safety. The risk of injuring you through your moving was too great not to force me to tell you a fib to escape it.”

She shuddered. “I have been within an inch of my life, and didn't know it!”

“More precisely speaking, you have been within half an inch of being pared alive two hundred and ninety-five times.”

“Cruel, cruel, ‘tis of you!”

“You have been perfectly safe, nevertheless. My sword never errs.” And Troy returned the weapon to the scabbard.

Bathsheba, overcome by a hundred tumultuous feelings resulting from the scene, abstractedly sat down on a tuft of heather.

“I must leave you now,” said Troy, softly. “And I'll venture to take and keep this in remembrance of you.”

She saw him stoop to the grass, pick up the winding lock which he had severed from her manifold tresses, twist it round his fingers, unfasten a button in the breast of his coat, and carefully put it inside. She felt powerless to withstand or deny him. He was altogether too much for her, and Bathsheba seemed as one who, facing a reviving wind, finds it blow so strongly that it stops the breath. He drew near and said, “I must be leaving you.”

He drew nearer still. A minute later and she saw his scarlet form disappear amid the ferny thicket, almost in a flash, like a brand swiftly waved.

That minute's interval had brought the blood beating into her face, set her stinging as if aflame to the very hollows of her feet, and enlarged emotion to a compass which quite swamped thought. It had brought upon her a stroke resulting, as did that of Moses in Horeb, in a liquid stream — here a stream of tears. She felt like one who has sinned a great sin.

The circumstance had been the gentle dip of Troy's mouth downwards upon her own. He had kissed her.

She could not tell if his kiss had been hard or passionate, for she knew nothing of a lover's embrace, this being her first; all she knew was that it lasted too short a time, that she had yielded to him in delicious surrender, that he had lightly touched her breast and she had liked it; not fought nor struggled nor run away, but kissed him in return, and that this had not been enough for her. Now every part cried out for more, and while he had withdrawn and gone away as debonair as ever, she was left aching, quivering with the need his kiss had aroused. Like the caterpillar, her heart was spitted on the point of Troy's sword. Her tears may have been partly due to shame, but more, she had to confess to herself, they were the tears of a woman thwarted, a woman fallen so deep in love that she could hold back no part of herself; a woman who longed to repeat the sin as soon as ever she could.

PARTICULARS OF A TWILIGHT WALK

We now see the element of folly distinctly mingling with the many varying particulars which made up the character of Bathsheba Everdene. It was almost foreign to her intrinsic nature. Introduced as lymph on the dart of Eros, it eventually permeated and coloured her whole constitution. Bathsheba, though she had too much understanding to be entirely governed by her womanliness, had too much womanliness to use her understanding to the best advantage. Perhaps in no minor point does woman astonish her helpmate more than in the strange power she possesses of believing cajoleries that she knows to be false — except, indeed, in that of being utterly sceptical on strictures that she knows to be true.

Bathsheba loved Troy in the way that only self-reliant women love when they abandon their self-reliance. When a strong woman recklessly throws away her strength she is worse than a weak woman who has never had any strength to throw away. One source of her inadequacy is the novelty of the occasion. She has never had practice in making the best of such a condition. Weakness is doubly weak by being new.

Bathsheba was not conscious of guile in this matter. Though in one sense a woman of the world, it was, after all, that world of daylight coteries and green carpets wherein cattle form the passing crowd and winds the busy hum; where a quiet family of rabbits or hares lives on the other side of your party-wall, where your neighbour is everybody in the tything, and where calculation is confined to market-days. Of the fabricated tastes of good fashionable society she knew but little, and of the formulated self-indulgence of bad, nothing at all. Had her utmost thoughts in this direction been distinctly worded (and by herself they never were), they would only have amounted to such a matter as that she felt her impulses to be pleasanter guides than her discretion. Her love was entire as a child's, and though warm as summer it was fresh as spring. Her culpability lay in her making no attempt to control feeling by subtle and careful inquiry into consequences. She could show others the steep and thorny way, but “reck'd not her own rede.”

And Troy's deformities lay deep down from a woman's vision, whilst his embellishments were upon the very surface; thus contrasting with homely Oak, whose defects were patent to the blindest, and whose virtues were as metals in a mine.

The difference between love and respect was markedly shown in her conduct. Bathsheba had spoken of her interest in Boldwood with the greatest freedom to Liddy, but she had only communed with her own heart concerning Troy.

All this infatuation Gabriel saw, and was troubled thereby from the time of his daily journey a-field to the time of his return, and on to the small hours of many a night. That he was not beloved had hitherto been his great sorrow; that Bathsheba was getting into the toils was now a sorrow greater than the first, and one which nearly obscured it. It was a result which paralleled the oft-quoted observation of Hippocrates concerning physical pains.

That is a noble, though perhaps an unpromising, love which not even the fear of breeding aversion in the bosom of the one beloved can deter from combating his or her errors. Oak determined to speak to his mistress. He would base his appeal on what he considered her unfair treatment of Farmer Boldwood, now absent from home.

An opportunity occurred one evening when she had gone for a short walk by a path through the neighbouring cornfields. It was dusk when Oak, who had not been far a-field that day, took the same path and met her returning, quite pensively, as he thought.

The wheat was now tall, and the path was narrow; thus the way was quite a sunken groove between the embowing thicket on either side. Two persons could not walk abreast without damaging the crop, and Oak stood aside to let her pass.

“Oh, is it Gabriel?” she said. “You are taking a walk too. Good-night.”

“I thought I would come to meet you, as it is rather late,” said Oak, turning and following at her heels when she had brushed somewhat quickly by him.

“Thank you, indeed, but I am not very fearful.”

“Oh no; but there are bad characters about.”

“I never meet them.”

Now Oak, with marvellous ingenuity, had been going to introduce the gallant sergeant through the channel of “bad characters.” But all at once the scheme broke down, it suddenly occurring to him that this was rather a clumsy way, and too barefaced to begin with. He tried another preamble.

“And as the man who would naturally come to meet you is away from home, too — I mean Farmer Boldwood — why, thinks I, I'll go,” he said.

“Ah, yes.” She walked on without turning her head, and for many steps nothing further was heard from her quarter than the rustle of her dress against the heavy corn-ears. Then she resumed rather tartly —

“I don't quite understand what you meant by saying that Mr. Boldwood would naturally come to meet me.”

I meant on account of the wedding which they say is likely to take place between you and him, miss. Forgive my speaking plainly.”

“They say what is not true.” she returned quickly. “No marriage is likely to take place between us.”

Gabriel now put forth his unobscured opinion, for the moment had come. “Well, Miss Everdene,” he said, “putting aside what people say, I never in my life saw any courting if his is not a courting of you.”

Bathsheba would probably have terminated the conversation there and then by flatly forbidding the subject, had not her conscious weakness of position allured her to palter and argue in endeavours to better it.

“Since this subject has been mentioned,” she said very emphatically, “I am glad of the opportunity of clearing up a mistake which is very common and very provoking. I didn't definitely promise Mr. Boldwood anything. I have never cared for him. I respect him, and he has urged me to marry him. But I have given him no distinct answer. As soon as he returns I shall do so; and the answer will be that I cannot think of marrying him.”

“People are full of mistakes, seemingly.”

“They are.”

The other day they said you were trifling with him, and you almost proved that you were not; lately they have said that you be not, and you straightway begin to show — ”

“That I am, I suppose you mean.”

“Well, I hope they speak the truth.”

“They do, but wrongly applied. I don't trifle with him; but then, I have nothing to do with him.”

Oak was unfortunately led on to speak of Boldwood's rival in a wrong tone to her after all. “I wish you had never met that young Sergeant Troy, miss,” he sighed.

Bathsheba's steps became faintly spasmodic. “Why?” she asked.

“He is not good enough for ‘ee.”

“Did anyone tell you to speak to me like this?”

“Nobody at all.”

“Then it appears to me that Sergeant Troy does not concern us here,” she said, intractably. “Yet I must say that Sergeant Troy is an educated man, and quite worthy of any woman. He is well born.”

“His being higher in learning and birth than the ruck o' soldiers is anything but a proof of his worth. It show's his course to be down'ard.”

“I cannot see what this has to do with our conversation. Mr. Troy's course is not by any means downward; and his superiority
is
a proof of his worth!”

“I believe him to have no conscience at all. And I cannot help begging you, miss, to have nothing to do with him. Listen to me this once — only this once! I don't say he's such a bad man as I have fancied — I pray to God he is not. But since we don't exactly know what he is, why not behave as if he
might
be bad, simply for your own safety? Don't trust him, mistress; I ask you not to trust him so.”

“Why, pray?”

“I like soldiers, but this one I do not like,” he said, sturdily. “His cleverness in his calling may have tempted him astray, and what is mirth to the neighbours is ruin to the woman. When he tries to talk to ‘ee again, why not turn away with a short ‘Good day'; and when you see him coming one way, turn the other. When he says anything laughable, fail to see the point and don't smile, and speak of him before those who will report your talk as ‘that fantastical man,' or ‘that Sergeant What's-his-name.' ‘That man of a family that has come to the dogs.' Don't be unmannerly towards en, but harmless-uncivil, and so get rid of the man.”