“—hid in the bamboo grove—”
“The grove is me.”
“—and quieted away.”
“In the quiet, I will learn what is wanted,” Susan said.
The winter storm hid in the bamboo grove and quieted away.
Beautiful, really.
With the litany of the rules completed, Susan Jagger was awash in a sea of quiet: the apartment profoundly silent around her, all hushed within her, as soundless as the lifeless void must have been only an instant before Creation, when God had not yet said,
Let there be light.
When the winter storm spoke again, his soft deep voice seemed not to come from the telephone but from within Susan. “Tell me where you are.”
“In bed.”
“I believe you’re alone. Tell me if I’m correct.”
“You are.”
“Let me in.”
“Yes.”
“Quickly.”
Susan put down the phone, got out of bed, and hurried through the dark apartment.
In spite of her quickened pace, her heartbeat continued to grow slower: strong, steady, calm.
In the kitchen, the only light was green and pale, issuing from the numerals on the digital clocks in the microwave and in the oven. The inky shadows didn’t hinder her. For too many months, this small apartment had been her world; and she was as intimately familiar with it as if she’d been raised here blind since birth.
A chair was wedged firmly under the doorknob. She removed it and slid it aside, and the wooden legs squeaked faintly on the tile floor.
The slide bolt at the end of the brass security chain rasped out of the slot in the latch plate. When she let go, the links rattled against the door casing.
She disengaged the first dead bolt. The second.
She opened the door.
A storm he was, and wintry, too, waiting on the landing at the head of the stairs, quiet now but filled with the rage of hurricanes, a fury usually well hidden from the world but always churning in him, revealed in his most private moments, and as he crossed the threshold into the kitchen, forcing her backward, shoving the door shut behind him, he clamped one strong hand around her slender throat.
30
The left and right common carotid arteries, providing the principal blood supply to the neck and head, arise directly from the aorta, which itself arises from the upper surface of the left ventricle. Having so recently departed the heart, the blood surging through both vessels is particularly rich in oxygen and is driven with force.
Hand cupped around the front of Susan’s throat, fingers spread along the left side of her neck, the pad of his thumb pressed just under her jawbone and over her right carotid, Dr. Mark Ahriman held her thus for perhaps a minute, enjoying the strong, steady throb of her pulse. She was so wonderfully full of life.
If he’d wanted to strangle her to death, he could have done so without fear of resistance. In this altered state of consciousness, she would stand, docile and unprotesting, while he choked the life out of her. She would ease to her knees when she could no longer stand, and then fold quietly into a graceful mound on the floor as her heart stuttered to a stop, apologizing with her eyes for being unable to die on her feet and, therefore, requiring him to kneel with her as he finished the job.
In fact, while dying, Susan Jagger would favor Dr. Ahriman with whatever attitude and expression he requested. Childlike adoration. Erotic rapture. Impotent rage or even lamblike meekness with a glaze of bafflement, if either of those responses amused him.
He had no intention of killing her. Not here, not now—though soon.
When the time inevitably came, he wouldn’t act directly to snuff Susan, because he had great respect for the scientific-investigation division of virtually any contemporary American police agency. When wet work was required, he always used intermediaries to deliver the death blow, sparing himself the risk of suspicion.
Besides, his purest bliss came from clever manipulation, not directly from mutilation and murder. Pulling the trigger, shoving in the knife, twisting the wire garrote—none of that would thrill him as keenly as using someone to commit atrocities on his behalf.
Power is a sharper thrill than violence.
More precisely, his greatest delight arose not from the end effect of using power but from the
process
of using it. Manipulation.
Control.
The act of exerting absolute control, pulling strings and watching people perform as commanded, was so profoundly gratifying to the doctor that in his finest moments of puppeteering, plangent peals of pleasure shook through him like great gongs of sound shivering the cast bronze of massive cathedral bells.
Susan’s throat beneath his hand reminded him of a long-ago thrill, of another slender and graceful throat that had been torn by a pike, and with this memory came a tintinnabulation through the bone bells of his spine.
In Scottsdale, Arizona, stands a Palladian mansion in which a willowy young heiress named Minette Luckland pounds her mother’s skull to mush with a hammer and shortly thereafter shoots her father in the back of the head while he is eating a slice of crumb cake and watching a rerun of
Seinfeld.
Subsequently, she leaps from a second-floor gallery, free-falling eighteen feet, impaling herself on a spear held by a statue of Diana, goddess of the moon and the hunt, which stands on a fluted plinth in the center of the entry rotunda. The suicide note, indisputably written in Minette’s own neat hand, claims that she has been sexually abused since childhood by both parents—an outrageous slander that Dr. Ahriman had suggested to her. Around Diana’s bronze feet: spatters of blood like red plum-flower petals on white marble floor.
Now, standing half naked in the shadowy kitchen, green eyes reflecting the faint green light of the digital clock in the nearby oven, Susan Jagger was even lovelier than the late Minette. Although her face and form were the stuff of an erotomaniac’s sweat-drenched dreams, Ahriman was less excited by her looks than by the knowledge that in her lithe limbs and supple body was a lethal potential as great as that unleashed in Scottsdale so many years ago.
Her right carotid artery throbbed against the doctor’s thumb, her pulse slow and thick. Fifty-six beats per minute.
She was not afraid. She was calmly awaiting use, as though she were an unthinking tool—or, more accurately, a toy.
By using the trigger name
Ben Marco
and then by reciting the conditioning haiku, Ahriman had transferred her into an altered state of consciousness. A layman might have used the term
hypnotic trance,
which to a certain extent it was. A clinical psychologist would have diagnosed it as a fugue, which was closer to the truth.
Neither term was adequately defining.
Once Ahriman recited the haiku, Susan’s personality was more deeply and firmly repressed than if she were hypnotized. In this peculiar condition, she was no longer Susan Jagger in any meaningful sense, but a nonentity, a meat machine whose mind was a blank hard-drive waiting for whatever software Ahriman chose to install.
If she had been in a classic fugue state, which is a serious personality disassociation, she would have appeared to function almost normally, with a few eccentric behaviors but with far less detachment than she now exhibited.
“Susan,” he said, “do you know who I am?”
“Do I?” she asked, her voice fragile and distant.
In this state, she was incapable of answering any question, because she was waiting to be told what he wanted of her, what act she must commit, and even how she must feel about it.
“Am I your psychiatrist, Susan?”
In the gloom, he could almost see the puzzlement on her face. “Are you?”
Until she was released from this state, she would respond only to commands.
He said, “Tell me your name.”
Receiving this direct instruction, she was free to provide whatever knowledge she possessed. “Susan Jagger.”
“Tell me who I am.”
“Dr. Ahriman.”
“Am I your psychiatrist?”
“Are you?”
“Tell me my profession.”
“You’re a psychiatrist.”
This more-than-trance-not-quite-fugue state had not been easily engineered. Much hard work and professional dedication had been required to remake her into this pliant plaything.
Eighteen months ago, before he had been her psychiatrist, on three separate carefully orchestrated occasions, without Susan’s knowledge, Ahriman had administered to her a potent brew of drugs: Rohypnol, phencyclidine, Valium, and one marvelous cerebrotropic substance not listed in any published pharmacopoeia. The recipe was his own, and he personally compounded each dose from the stock in his private and quite illegal pharmacy, because the ingredients must be precisely balanced if the desired effect were to be achieved.
The drugs themselves had not reduced Susan to her current obedient condition, but each dose had rendered her semiconscious, unaware of her situation, and supremely malleable. While she had been in this twilight sleep, Ahriman had been able to bypass her conscious mind, where volitional thinking occurred, and speak to her deep subconscious, where conditioned reflexes were established and where he met no resistance.
What he had done to her during those three long sessions would tempt tabloid newspapers and writers of spy novels to use the word
brainwashing,
but it was nothing as twentieth-century as that. He had not torn down the structure of her mind, with the intention of rebuilding it in a new architecture. That approach—once favored by the Soviet, the Chinese, and the North Korean governments, among others—was too ambitious, demanding months of around-the-clock access to the subject in a dreary prison environment, with lots of tedious psychological torture, not to mention a tolerance for the wretch’s annoying screams and cowardly pleading. Dr. Ahriman’s IQ was high, but his boredom threshold was low. Besides, the rate of success using traditional brainwashing techniques was uninspiring and the degree of control seldom total.
Rather, the doctor had gone down into Susan’s subconscious, into the cellar, and he had added a new chamber—call it a secret chapel—of which her conscious mind remained unaware. There, he conditioned her to worship one god to the exclusion of all others, and that god was Mark Ahriman himself. He was a stern deity, pre-Christian in his denial of free will, intolerant of the slightest disobedience, merciless with transgressors.
Thereafter, he had never again drugged her. There was no need to do so anymore. In those three sessions, he had established the control devices—the Marco name, the haiku—that instantly repressed her personality and took her to the same deep realms of her psyche to which the chemicals had taken her.
In the final drug session, he also implanted her agoraphobia. He thought it was an interesting malady, ensuring satisfying drama and many colorful effects as she gradually cracked apart and finally came to ruin. The whole point, after all, was entertainment.
Now, with his hand still upon Susan’s throat, he said, “I don’t think I’ll be myself this time. Something kinky tonight. Do you know who I am, Susan?”
“Who are you?”
“I’m your father,” Ahriman said.
She did not reply.
He said, “Tell me who I am.”
“You’re my father.”
“Call me Daddy,” he instructed.
Her voice remained distant, devoid of emotion, because he had not yet told her how she was required to feel about this scenario. “Yes, Daddy.”
Her carotid pulse, under his right thumb, remained slow.
“Tell me the color of my hair, Susan.”
Although the kitchen was too dark for her to determine his hair color, she said, “Blond.”
Ahriman’s hair was salt-and-pepper, but Susan’s father was indeed a blond.
“Tell me the color of my eyes.”
“Green like mine.”
Ahriman’s eyes were hazel.
With his right hand still pressed to Susan’s throat, the doctor leaned down and kissed her almost chastely.
Her mouth was slack. She was not an active participant in the kiss; in fact, she was so passive that she might as well have been catatonic if not comatose.
Biting gently at her lips, then forcing his tongue between them, he kissed her as no father should ever kiss a daughter, and although her mouth remained slack and her carotid pulse did not accelerate, he sensed her breath catch in her throat.
“How do you feel about this, Susan?”
“How do you want me to feel?”
Smoothing her hair with one hand, he said, “Deeply ashamed, humiliated. Full of terrible sorrow…and a little resentful at being used like this by your own father. Dirty, debased. And yet obedient, ready to do what you’re told…because you’re also aroused against your will. You have a sick, hungry need that you want to deny but can’t.”
Again he kissed her, and this time she tried to close her mouth to him; she relented, however, and her mouth softened, opened. She put her hands against his chest, to fend him off, but her resistance was weak, childlike.
Under his thumb, the pulse in her right carotid artery raced like that of a hare in the shadow of a hound.
“Daddy, no.”
The reflection of green light in Susan’s green eyes glistered with a new watery depth.
Those shimmering fathoms produced a subtle fragrance, faintly bitter, briny, and this familiar scent caused the doctor to swell with fierce desire.
He lowered his right hand from her throat to her waist, holding her close.
“Please,” she whispered, managing to make that one word both a protest and a nervous invitation.
Ahriman breathed deeply, then lowered his mouth to her face. The reliability of a predator’s sense of smell was confirmed: Her cheeks were wet and salty.
“Lovely.”
With a series of quick little kisses, he moistened his lips on her damp skin, and then explored his flavored lips with the tip of his tongue.
Both hands around her waist now, he lifted her and carried her backward, until he was pressing her between his body and the refrigerator.
“Please” again, and then once more “please,” the dear girl so conflicted that eagerness and dread spiced her voice in equal measure.
Susan’s weeping was accompanied by neither whimper nor sob, and the doctor savored these silent streams, seeking to slake the thirst that he could never satisfy. He licked a salty pearl from the corner of her mouth, licked another from the flared rim of a nostril, and then suckled on the droplets beaded across her eyelashes, relishing the flavor as though this would be his sole sustenance for the day.
Letting go of her waist, stepping back from her, he said, “Go to your bedroom, Susan.”
Sinuous shadow, she moved like hot tears, clear and bitter.
The doctor followed, admiring her graceful walk, to her bed in Hell.