Fall from Pride (5 page)

“I see there's a big interview here with Fireman Getz,” Sarah said, obviously trying to shift the subject. “It says he has a broken arm but he doesn't regret going in first to try to put out the flames.”

“More fool he, and that Levi Miller, too. Levi's cousin to my waitress Anna, you know, and she says both men got released from the regional hospital. Well, I bet I know why
Mike Getz played the hero. He and his gal, Cindee what's-her-name—”

“Cindee Kramer. She works in the hardware store where I buy my paint.”

“Right. Anyhow, they're not married but been living together—”

“I know. That takes extra nerve around here.”

“They got into a real tiff in the restaurant last week, something about she didn't look up to him anymore, but I'll bet she does now. She had a real conniption at table eight in the back room. I was afraid he was going to start throwing things, but I'll bet he could run for mayor after those heroics,” she said, pointing to the picture of him, smiling, no doubt, prefire, all decked out in his fireman gear. “What? You're frowning again.”

“Nothing. I will just give the devil his due.”

Ray-Lynn wasn't sure what that meant, coming from an Amish girl, but she saw outside what she'd been looking for and muttered to herself, “Speak of the devil…”

The sheriff's shiny black cruiser with that bold light bar had pulled up to parallel park in front. The restaurant door opened, and Sheriff Jack Freeman came in, hanging his hat on a wooden peg, his sharp gaze scanning the room as if he'd find a robbery or kidnapping in progress in this little burg.

“Morning, Ray-Lynn, Sarah,” he said matter-of-factly. He passed them with a nod and his version of an official smile, then sat in his usual spot at the curve of the counter facing the door with his back to the wall so he could keep a good eye on things. Ray-Lynn used to scurry to pour him coffee and take his order—even when she knew what he'd order already—but she'd decided on another tactic now. No falling at his feet, just take it easy, a bit hard to get.

While Sarah scowled over the newspaper, Ray-Lynn sauntered down behind the counter and nonchalantly poured Jack his coffee during their usual chitchat about the weather. She was up for that much of their old routine, at least. She knew darn well he'd want sausage gravy on buttermilk biscuits and two eggs over easy, but she asked, “What will it be today, Sheriff? I'm sure you've got a busy day ahead with the extra folks in town, so I'll send someone right over to get your order.”

She left him staring wide-eyed at her while she went over to fill other people's cups at the tables.

Jack Freeman was a few years older than Ray-Lynn but he was holding up better than most men his age. No paunch, very few gray hairs, just enough to make his auburn hair looked frosted at the temples. Unlike the bearded Amish men, he was clean-cut, something he'd never changed from his former marine days. He always looked slightly tanned, which set off his clear, brown eyes and white teeth. His black uniform was military clean and crisp-looking, pretty surprising since he'd been divorced for years and Homestead's one dry cleaner had gone out of business. It annoyed Ray-Lynn that she got kind of shivery around him. The man exuded authority and control, both of which she was itching to dismantle, at least in private, with her Southern gal feminine wiles. But he seemed to put up a big wall when she came on soft and sweet, so her new strategy was worth a try.

She ignored him but made a big fuss over seating four tourists from Columbus, chatting away to them, while Anna Miller took the sheriff's order. Good—she could tell he didn't like the lack of personal attention. It was another risk, but she'd decided some things were worth it.

She walked back to Sarah while Jack took out his own
copy of the special edition of the
Home Valley News.
It was only about eight pages this time—a lot of ads, about half of them for businesses Peter had his finger in, even the Buggy Wheel Shop, which had only Amish customers who would go there to buy new buggies whether there was an ad or not.

“The rest of that fire article's not so bad, is it?” Ray-Lynn asked Sarah. “As I've told you a hundred times before, you're a fabulous artist and should be aiming higher than just quilt squares on barns. I know you're yearning to do more than copy patterns even if you do choose the colors.”

“I wish he hadn't put my age in here,” Sarah whispered, looking as if he'd written that she was a serial killer. “It sounds weird that a twenty-four-year-old woman still has her maiden name. ‘Sarah Kauffman, age twenty-four, from the Kauffman farm next door.' Why do papers think they have to tell stuff like that, and who told him my age?”

“Listen to your friend Ray-Lynn, my girl. At twenty-four, you are still what the big, bad world would consider a young chick, believe me. Now, I know Amish women your age are usually wed by now, but it'll happen. Besides, not to sound like a broken record, but you've got other talents, and I'm real sorry to see that first pretty quilt square you did got burned up with the barn. You've got to branch out, so my offer is still open for you to paint an Amish scene on that long wall right there instead of that old-fashioned wallpaper. I'll never forget those beautiful drawings you showed me from your sketchbook.”

“Thanks, Ray-Lynn. I haven't shown anyone but Hannah, Ella and you those drawings, so I guess we're keeping each other's secrets, right?”

“And secrets they will remain for now,” Ray-Lynn said. The thing was, Sarah had eyes like a hawk. Maybe all artists
did. Though Ray-Lynn had tried to hide it, her Amish friend had picked up on the fact that she was smitten with Jack Freeman. “You just keep that offer about the mural in mind now,” she urged Sarah. “I'd pay you well for your time if we can just get permission from your powers-that-be around here.”

“Can I take this copy of the paper to show the arson investigator?”

“Why, sure. But if you don't want to be interviewed, better steer clear of the Esh place. I think a camera crew and a few others went out there to talk to him—oops, more customers to be seated.”

“I'm supposed to take some things to the Eshes, a chicken dinner when
Mamm
and Lizzie get it ready.”

Though Ray-Lynn knew the Amish rarely showed affection in public, she gave Sarah's shoulders a quick squeeze. As she passed Jack, heading to seat more folks who'd come in the front door, she said, “I'll have Anna refresh that coffee while you're waiting for whatever you ordered, Sheriff.”

IT WAS ARSON. BY NOON, NATE KNEW FOR SURE. He'd been interrupted more than once by curious Amish or others. Bishop Esh had said he trusted Nate's judgment so, with two of his sons, he was planting a cornfield to the south.

Nate had stonewalled the Cleveland reporter and her cameraman, though they still hung around by their van which read News Live at Five. He'd phoned the state fire marshal from the privacy of VERA. It was going to be an interesting case file. He hoped he wouldn't be recalled until the area supervisor returned from his daughter's wedding in Hawaii. He'd told Mark he had some leads already, though he hadn't told him he was convinced that there'd be another arson. He had nothing to back that up but his instincts, and Mark was a just-the-facts guy.

As he left VERA, Nate saw Sarah driving her buggy into the lane. His insides flip-flopped—probably, he told himself, because the reporter had asked him if he knew where Sarah
was and he'd said no. He hadn't exactly lied. She could have been anywhere on the three miles of road between here and the restaurant in Homestead.

“How's it going?” she asked as she reined in.

“Arson for sure,” he told her. “I'm going to point out the evidence to the bishop when he comes back for lunch.”

“We call it dinner,” she said, “and I've got it right here all packed up in my buggy. A lot more food than you moderns are used to, I bet, but we've all been up early working hard—you, too.”

“If I ate like your people, I'd gain more than evidence about an arson around here.”

“You could afford to gain some weight,” she said, then blushed. “I mean, someone who jogs and walks all over like you do, even though you drive your truck, too.”

“VERA's a gas hog, but I still call her my home away from home. But I'm now as much of an expert on banked, three-story barns as I am on VERA.”

Twice he'd spent late hours online and learned that banked barns were also called German barns—no surprise there. What was banked was the slanted, hard-packed earth leading up to the broad double doors. The only other entry was in the stone-constructed lower level. Originally, that was where the barn animals had stalls, though he'd observed that the local Amish kept their horses in stalls and their buggies stored on the second level called the threshing floor. A haymow or loft was on the third level under a peaked roof with a cupola on top to aerate the barn. Windows were small and minimal but threw enough light inside, especially if the double doors were open.

The most important thing he'd learned was that the window or windows were all on the third level. So the arsonist
had to have been up in the loft or on a ladder to get lit trailers to go through a window. Sarah's wooden ladders and scaffolding had been burned from outside the barn—but had they been used by the arsonist first?

“So how is VERA as a home?” she was asking.

“Cozy, maybe too cozy. I'll show you around, and then you'll see what I mean.”

He didn't say so but he found the confines of the VERA's high-tech combination of lab/office/storage/bathroom/bedroom a little claustrophobic, especially out here in the wide-open Home Valley surrounded by rolling hills. If the weather stayed mild and dry, he planned to keep sleeping out under the stars. It brought back the best memory he had of his dad when they used to camp out in Southern Ohio down by Old Man's Cave, before his whole childhood went up in flames.

“By the way,” he said when their mutual staring in silence stretched out a bit too long, “you'd better stay in the house if you don't want to be interviewed. As you can see by their vehicle, the TV folks are still here.” His BlackBerry tone sounded, and he looked down to see if it was his boss again. “I've got to take this,” he told her. “It's my foster mother, and I always take her calls.”

“Foster mother?”

“I'll explain sometime.”

“I'll head straight in with the food and come out with the Eshes when you announce the arson,” she said with a snap of her reins. “Unless someone tells the TV people who I am, they won't notice me separate from the others at all.”

But even as he took the call, he couldn't help thinking that Sarah somehow stood out. Even among the Plain People, she didn't seem plain at all.

 

Everyone ate before hearing Nate's verdict, maybe, Sarah thought, to fortify themselves for what was to come. Then, too, though no one said so, it was possible the bishop was hoping the media outside would leave them alone to hear about the autopsy of the barn fire in private. That's what it felt like, Bishop Esh had said, an autopsy of his dead barn, with the burial and then, hopefully, the resurrection yet to come.

At the Esh table the number of guests swelled, but then
Mamm
and Lizzie had sent over enough fried chicken, biscuits, gravy, applesauce, chowchow, dandelion salad, schnitz pie and rhubarb crunch to feed an entire work crew. Churchwomen were taking turns sending a noon meal to the bishop's family for a while. The Eshes had insisted that Sarah, Nate and Mike Getz, who showed up and had just done an interview with the Cleveland TV station, join them. Also, two church elders, Reuben Schrock and Eli Hostetler, who both had Sarah's squares painted on their barns, dropped by in time for dessert and coffee.

Sarah saw that Nate ate like a field hand, after they'd just had that talk about his gaining weight. And she also noted that Nate watched Mike Getz like a hawk.

“I know now it was a bad move,” Mike, a big guy with a shaved head and goatee, admitted. “I shouldn't have rushed inside to try to pull some of the buggies out, but the barn looked like a goner and I wanted to save something.”

He ate with his left hand since his right was in a cast. Sarah could see the clean, white plaster had writing on it already, including in pink ink, “Love Ya! Cindee” and a large heart. Mike's head seemed to sit directly on his broad, slanted
shoulders—a man with no neck, and not, she thought, a lot of sense.

“But a broken bone's a small price to pay,” he went on, his mouth partly full, “to help a neighbor.”

Strictly speaking, Mike wasn't a neighbor of the Eshes but lived much closer to Elder Reuben Schrock and his family, over on Fish Creek Road.

“Have you rushed into other buildings on fire?” Nate asked. The entire Esh family, along with Sarah and Nate, had eaten first and it was mostly men at the table now, with Sarah and Esh daughter Naomi clearing dishes and serving more pie and coffee. Naomi was betrothed, and Sarah knew how badly she missed having her older sister Hannah here to help plan for the big event next autumn. Well, Sarah thought, maybe she and Ella could somehow convince Hannah to attend that day—if Sarah could talk Ella into building bridges with Hannah.

“I've always done what I could,” Mike Getz was telling Nate. “I've been working with the volunteer department since I was twenty—for six years. Man, I think your job must be really fascinating, Mr. MacKenzie.”

“It is,” Nate said, “and I'd be happy to talk to you about it. I always like to meet dedicated firefighters.”

Mike Getz just beamed. As she stood in the doorway to the kitchen, Sarah wondered if Mike had just gone to number one on Nate's list of suspects.

“We have something to announce,” Reuben Schrock said, and cleared his throat. “Bishop Esh, we would like to hold a barn raising soon as possible with an auction of goods even sooner to raise some cash for the project and to build up the alms fund for the rebuilding and other needs.”

“We are grateful,” Bishop Esh said, his voice quiet, his face
serious. Sarah could hear his wife, Mattie, standing beside her, sniff back a sob.

The other elder, Eli Hostetler, spoke. “Date for the raising to be determined, when we can clear the space and order the wood and all. But we'll be announcing the auction for next weekend at the schoolhouse, lest it rains.”

Sarah knew her family and others would donate quilts and that outsiders would snap them up. For once, she almost wished she liked quilting bees, but she never had, standing out like a black sheep among the other skilled-at-stitching Amish sisters. At least some of
Daad
's birdhouses would be for sale, a few things she had decorated. She wished she could contribute some painted quilt squares on wooden wall plaques, but her father had said he didn't think it was a good idea for her to be branching out too much.

When everyone rose from the table—still not hurried—and Nate passed Sarah, he whispered, “So is that alms fund like Amish insurance? Will you explain later?” He kept moving, not waiting for an answer.

They all gathered outside where Nate, standing knee-deep in the black bones of the barn, took over. The TV reporter, a blonde woman, scribbled notes while her cameraman held out a microphone on a long pole. The bishop had asked them not to film, and they'd agreed. It wasn't so much, Bishop Esh had explained to the reporter, that the Amish saw still or moving pictures as making graven images, which the Bible warned about, but that having one's picture taken or being featured in a magazine or newspaper story could make one prideful—that is, feel better than or separate from the community.

Sarah thought again of her interview with Peter Clawson, who had just come roaring in in his truck.
Had
she been
prideful to speak to him and to be so pleased with the printed color pictures of her quilt squares adorning Amish barns? Community oneness was everything to her people, their essence, their very survival. So why couldn't she squash her desire to paint entire pictures of the Amish? Defiant independence to chase a personal dream fueled by a God-given talent had ruined Hannah's life so far.

Word really must have spread that the arson investigator was going to give his verdict. Most of the Lantz family from the third adjoining farm buggied in, including Sarah's friend Ella, her parents and four of her siblings. Sarah noted that Barbara, nearly sixteen, went over to stand by Gabe, but he shook his head at something she said and shifted a few steps away. Ella came over to stand by Sarah, linking arms with her as Nate's voice rang out in the hush. It was disturbed only by the spring breeze turning the windmill, birdsong and the occasional snorting of the buggy horses tied to the fence rails near where Hannah and Sarah had stood together just last night. She should be here, Sarah thought, and whispered that to Ella. “
Ya,
Hannah should be home with her family and you and me, just like in the old days,” Ella whispered as Nate's deep voice rang out.

“Arson is often proved by investigators finding a path of foreign accelerants that ignited, then spread, the flames. Accelerants can include grease, kerosene, gasoline and paint thinner, but I've been able to eliminate the accidental spill-age of those or even the presence of those. Besides finding a bunch of matches—unlit—outside of the barn, I found evidence of accelerants within, so let me explain and point that out.”

His cell phone tone sounded. Sarah noted he ignored it.

“The front door frame,” he said, pointing to a big, tumbled beam with a blackened metal handle on it, “shows what we call alligatoring—shiny blisters.” Several people leaned closer. The Cleveland reporter and Peter Clawson scratched away on their notepads.

“This indicates a rapid rise in temperature of the blaze, so nothing really smoldered. Evidence here,” he said, continually moving through the debris and pointing things out, “indicates it spread unusually fast, which eyewitnesses corroborated. These beams were from the roof—third or loft floor. Also, the fire seems to have started in more than one place, one at the back of the barn near a window, another near the east side window. Multiple V-pattern burns are also major clues pointing to arson.

“But how did someone reach those high windows to get the fire going in the loft where hay was stored? I'm surmising that the arsonist used one or both of the ladders that were on the ground outside the barn, which were then destroyed in the fire. In that respect, the arsonist either knew the ladders were available or stumbled into being able to use them. It meant he or she could stay outside the barn rather than going in and climbing the built-in ladders within to start the fire.”

The arsonist had used her ladders! Why hadn't he told her that—warned her he'd say that? At least no one but Mattie Esh so much as glanced her way, but it made her sick that her equipment might have been a part of this—and that Nate had not confided that to her earlier when he told her it was arson.

“What might this accelerant be?” he went on. “I'm still running some tests in my mobile lab, but kerosene residue can be recovered from beneath floorboards, which it permeates. It can be found under the ash-and-water pastelike
substance a hot, fast fire leaves behind. That was probably the case here, especially on the third floor or loft level, which was the ceiling of the threshing floor level. Bishop Esh reports that no kerosene was in the barn, not even an old lantern, and no gasoline in the farm equipment. No green hay to give off methane to cause spontaneous combustion, the latex, water-soluble paint cans were sealed.” A few heads turned Sarah's way. “So my report, sad to say, in such a helpful, concerned community is criminal arson by a fairly primitive incendiary device lit from at least two points through small window access on the loft level.”

“Any way to catch the firebug with what you got?” Mike Getz spoke up.

“Arsonists have a way of being caught in a trap of their own making,” Nate said, staring at the big man. “The Esh fire is a crime and will be severely prosecuted by the state fire marshal's department in the state courts of Ohio. The penalty for such is long prison time. So spread the word that arson is never, never worth the risk.”

Sarah noted that the portly, ruddy-faced Peter Clawson kept nodding fiercely, as he stood a few people in front of her. Sarah pulled Ella off to the side before he could turn around and ask her more questions. But she heard him tell the Cleveland reporter, “You can't say the guy isn't eminently quotable. You got some great sound bites, and I got another great article for the
Home Valley News,
and you can quote me on that.”