Authors: David Nobbs
âShut up, Ted,' said Rita.
âYes, shut up, Ted,' echoed Gerry.
âI'm a frying pan,' grumbled Ted. âShe's a doormat. What are the boys? Garden gnomes?'
âShut up, Ted,' said Rita.
âYes, shut up, Ted,' echoed Gerry.
For the first time, through the mists of her emotions, Rita saw the rapt, staring faces of the guests. She was appalled.
âIs everybody listening to us?' she said. âFor God's sake! Please! I'm trying to have a private conversation with my fian ⦠with my ex â¦' She shook the freesias in frustration, â⦠with Gerry.'
There was a brief, stunned pause. Neville turned hurriedly to Rodney and said, âHow were your roses last year, Rodney?'
âCovered in greenfly,' said Rodney.
âReally? Ours weren't. Isn't that extraordinary, Liz? Rodney's roses were covered in greenfly and ours weren't.'
âGood old Neville,' said Liz. âFirst to the social rescue yet again.'
All over the room, trivial conversations were cranked into fragile life, and Rita turned back to face her jilted fiancé, in total privacy, in the middle of the crowd.
âI'm dreadfully sorry, Gerry,' she said. âAnd after you've paid for all this.'
âThat's hardly the aspect that upsets me most, Rita.'
âOh, Gerry. I had no idea I wasn't going to be able to go through with it, or I'd have broken it off earlier. I'd have done anything to spare you this humiliation.'
âI think anybody considering how you and I have behaved today might think it's your humiliation, not mine.'
âThank you, Gerry.'
âWhat for?'
âFor making it easier for me by being nasty.' Rita was shocked by Gerry's hot, hostile eyes, and tried an altogether less combative approach. âI'm sorry. Look, I set out today to marry you. Probably I still love you.'
âUnfortunately it doesn't say that in the wedding service.' There was a remorselessly thorough quality to Gerry's sarcasm. â“Do you take this man probably to love, perhaps to cherish even, in minor illness and in health, maybe almost till death or a long holiday do you part?”'
âPrecisely. So I couldn't marry you. Look, all this is entirely because of me and because of my life history and how I see my role as a woman.'
âAh! Aha!'
âWell all right. “Ah! Aha!” away. Gerry, I'm afraid I realised that I just don't want to be a politician's wife. Your brother said ⦠er â¦'
âWhat did my brother say? Why did I let him give you away? Where is he?'
Rita had found it difficult to decide who should give her away. Her father was dead, she had no brothers, her sons were out of the question. If she chose any other relative, she would offend her remaining relatives. So she had chosen Gerry's brother and offended them all.
People were trying not to seem interested in how things were going between Rita and Gerry. But they wished, even the most unselfish and thoughtful and well-mannered of them wished, even Neville wished, that they could hear every word.
âI wanted to face you on your own,' the lovely bride that wasn't to be was saying. âWe were driving along, we were more than half way there, I said, “I can't go through with it, Nigel.” He took me for a drink.'
âHe didn't even try to persuade you? The bastard!'
âHe did try to persuade me. It was no use. I had four large gins in the Three Tuns, where my appearance caused quite a sensation. Pool players stopped in mid-clunk. “Nigel,” I said, “I don't want to be the little woman who fondles his constituents' babies. I've played second fiddle too long. I don't want to be an appendage. I don't want to be a smile on his manifesto.”'
âAnd what did he say, my wonderful brother?'
âI can't tell you.'
âRita! You must.'
Yes. She must. In not turning up at the church she had exhausted her capacity for acting against Gerry's wishes.
âOh Lord! He said ⦠he said, “But, Rita, he'll never be elected. It'll just be one humiliating campaign and then âGoodnight, Hindhead.””
âThe bastard!'
âI said I didn't believe that.' Rita's head was swimming. She was finding it difficult to control her speech. âYou're intelligent, good-looking, energetic. Apart from an unfortunate tendency towards niceness and honesty you have all the qualities a politicians needs.' She frowned, aware that she had used too many plurals. She must concentrate. She must get things right. âBut you see, Gerry, when the crunch came, I found I didn't love you enough to give up my career.'
âWhat career?' Gerry didn't attempt to hide his scorn.
âPrecisely! I must do something soon. I don't love you enough to fill my garden with Bulgarian wine, Lymeswold cheese, and hordes of frantically argumentative moderates. I don't love you enough to host elegant dinner parties for smiling Japanese businessmen with microchips on their shoulders. It came to me that I must release you before I trapped you. I'm so very, very sorry. And really, dear dear Gerry, there's nothing more to be said and oh God I must explain to them before I cry.'
Rita scurried to the end of the room, clutching her posy fiercely. âLadies and gentlemen,' she called out. Silence fell with suspect haste. She stood facing all her guests; all Gerry's guests; her ex-husband, whose face was a vault of secrets; his ex-lover, whose face was an open book; Neville, his face creased in concentration and sadness; Jenny and her llamas on the verge of tears; Rodney and Betty frowning in unison, synchronised swimmers in a pool of sorrow; Elvis, unaware of Carol Fordingbridge's drowning arm clinging hopefully to him; Simon, as concerned for another person's predicament as it's possible for a young man to be while remaining an estate agent; a pale shaft of late afternoon sunshine catching Corinna's yellow dress; Sandra, her corn-coloured hair dishevelled, her apron crooked, her hands clutching a disturbingly large pile of dirty pudding plates, her fierce young eyes uncertain whether to look
at Rita or Corinna; and, between Rita and all these people, the wrecked buffet, over which the uncut cake towered, a snow-covered cathedral that had miraculously survived the bombing of the surrounding city.
Rita looked at all this through wet eyes and saw none of it. Saw a blur. Lowered her eyes as if she might find on the floor the words that she sought.
âLadies and gentlemen,' she said. âI owe you all an apology for ruining this dreadful day. I mean this wonderful day that it would have been if I hadn't ruined it. Ladies and gentlemen ⦠and everybody else ⦠what I've done today is because of being a woman, and the unhappiness of my first marriage.'
âTerrific!' said Ted. âI'm having a wonderful day.'
âShut up, Ted,' said Rita.
âYes, shut up, Ted,' echoed Gerry.
âShut up, Gerry,' said Rita. âLeave this to me. Ladies and gentlemen, Gerry's been very good to me. The best and most generous lover I've ever had.'
âTremendous!' exclaimed Ted.
âShut up, Ted,' said Rita.
âYes, shut up, Ted,' echoed Corinna Price-Rodgerson.
âStarved of true love as I had been for most of my life â shut up, Ted!'
Ted, who hadn't spoken, looked outraged, as if he would never in his life dream of interrupting a woman.
âI mistook my gratitude, my freedom, for love,' continued Rita. âI thought I wanted to marry Gerry, but I can't, because I'd only be a manifesto, and I don't want to end up as a smile on his appendage.'
âShe's drunk,' said Betty quietly, but not quite quietly enough.
âYes!' said Rita. âAnd it takes one to know one. I am a bit drunk, because I had three tuns at the Four Gins ⦠and tonic.' She raised her glass to her lips, then seemed to notice it for the first time. âOh no!' she said. âNo!' She put her hand over the top of the glass. âCoffee, please. Black. For a black day. Ladies and gentlemen, Gerry will meet a fine woman who will love him as I can't, and you ⦠you will all forget this day. Please! And ⦠I'm so sorry.'
Rita hurried off, past people torn between compassion, horror
and the knowledge of what a good story it would make. She was shuddering and gasping.
Elvis rushed over to her and took her in his arms.
âMum!' he said. Despite his years of study, despite the vast riches of the English language, he could think of no words to add, so he repeated the one word that seemed appropriate. âMum!' And Jenny hurried over, tears streaming, llamas heaving, and said âRita!' and kissed her, and Rita said âJenny!' and Elvis hugged them both, and they looked round for a chair, and a rather florid man â he was an architect who designed futuristic tubular shopping fortresses and lived in a Georgian house near Hazlemere, did they but know it â saw the gesture, and his good manners overcame his feelings of solidarity with Gerry, and he brought over a chair, saying unnecessarily, âA chair,' and Jenny said, âThanks,' and Rita subsided into the chair, and Elvis said, âMum!' and the riches of the English language remained unexplored.
Rita gave a tiny, tired grin. âI'm all right now,' she said. âSuddenly I'm all right. I feel very small and very cold but very sober.'
âHow lovely she would have looked!' Betty Sillitoe, over-sentimental as usual, gave a vast sigh. âHow magnificent her dress would have been.'
âIt still is,' protested the former big wheel behind Cock-A-Doodle Chickens.
âYou know what I mean.' Betty sighed again. âIt was sad to see her drunk, though.'
âIt's always sad when somebody you like and admire lets themselves down in public. More grape juice?'
âPlease.'
Carol Fordingbridge smiled at Rita, but could think of nothing to say, so, sensibly under the circumstances, she said nothing. She tried to link arms with Elvis, but he shrugged her arm off. Behind them, cold streaks of orange and red were fading slowly to mauves and purples as the short day died.
Sometimes Rita dreaded asking the most simple questions, but this one couldn't be avoided. âWhere's Paul?'
âHe refused to come,' said Jenny, half embarrassed, half defiant.
âGood for him,' said Rita.
âOh terrific,' said Elvis. âI face up to the total embarrassment of the occasion, because I love you, and Paul gets praised for copping out.'
âElvis! Your mother's got enough problems without you getting in a temper,' said Carol.
âTemper?' Elvis showed just a touch of temper at the suggestion. âI'm not getting in a temper.'
âNo. I know. I've seen your tempers,' said his fiancée. âLike when I put tomato purée in the coq au vin.'
âCarol!'
âI don't suppose Jean-Paul Sartre ever lost his temper because Simone De Beauvoir put tomato purée in the coq au vin.'
âThat's the whole point.' Elvis sounded wearily long-suffering beyond his years. âSimone De Beauvoir would never have put tomato purée in the coq au vin.'
âElvis!' said Jenny. âThree quarters of the world are starving.'
âI know. And I deplore it,' said Elvis. âBut I fail to see any logical link between that and putting tomato purée in coq au vin.'
âThis is ridiculous,' said Jenny. âWe've got more urgent things to think about.'
âNo. Please,' begged Rita. âI can't take any more talk about the urgent things. Let's talk about tomato purée.' Nobody spoke. âNobody has anything to say about tomato purée, it seems.'
âHello!' Simon tossed his absurdly cheery greeting into their resonant silence.
âHello, Simon,' said Rita. He was a man made for morning dress. In sweaters he was a fish out of water, in jeans a laughing stock. He was made for great occasions and Rita had ruined his great occasion, she had ruined everybody's great occasion. Oh God! âSorry to ruin your day.'
âNot at all,' protested Simon, with that bottomless willingness to please that would surely take him far up the ladder with Trellis, Trellis, Openshaw and Finch. âNot at all. It's been a terrific ⦠well, not a terrific ⦠not at all terrific, of course, but ⦠apart from not being terrific, it's been ⦠well â¦'
Elvis finished it for him. â⦠terrific.'
âWell, yes. Well, it has.'
Carol turned the torch of her beauty full onto Elvis's face. It was a beauty to which only he, it seemed, was blind. And he was her fiancé. Strange are the ways of young love.
âI've spotted a flaw in your logic,' she said.
âYou what?' Elvis was incredulous.
âYou said you'd faced up to the total embarrassment of the occasion, but you didn't know it was going to be embarrassing when you faced it.'
âI was talking of the embarrassment of Mum marrying Gerry, not the embarrassment of her not marrying him.'
Elvis stomped off. Carol gave a little embarrassed laugh.