Authors: Tim Powers
H
ER
L
EXUS
had not been stolen; and unfortunately the car telephone beeped at her while she was still on the Long Beach Freeway, within sight of the usual litter of old pickup trucks parked in the dirt by the river to her right and the usual half-dozen men on the banks with their fishing poles. DeLarava sometimes fished off the stern of the
Queen Mary
, late at night, and ate raw the big opal-eye perch and sea bass she occasionally hauled all the way up the side of the ship, but it never seemed to help. And these weary old men fishing in the poisoned Los Angeles River just seemed to mock her efforts.
She was soon crying as she held the telephone receiver to her ear, though her face as she stared through the windshield at the cars ahead of her was effortfully expressionless. More wrinkles she didn’t need. She could only speak haltingly as she steered with her left hand.
“Are you still there?” buzzed the voice from the phone.
“I’m here, Neal.” Why did the best vegetarian restaurant in Los Angeles have to have that name?
“So they’re going to meet us for lunch at Nowhere at one,” he went on. “Table for Obstadt, okay? They like the
Queen Mary
ghost show; be ready to defend this reunion-show concept, though, the ‘Ghost of a Chance’ thing, I don’t think they view it as feasible yet.” There was a click on the line. “You’ve got another call, Loretta—that’s all I had. See you at Nowhere, at one.”
“Right.” The line clicked on Obstadt’s end. DeLarava sniffed hard and blinked, then pushed a button on the back of the phone. “Hello?”
Over the background static of a portable telephone, she heard a steady echoing splashing. Whoever was calling her was doing so while urinating!
“Hi,” came a voice, “is this Loretta deLarava?”
“Who is
this?”
“Ms. deLarava? This is Ayres out in Venice Beach, and I don’t know if this one is worth your time, but—”
“Are you
pissing
as you speak to me, Mr. Ayres?”
The noise abruptly stuttered to a stop. “No,” Ayres said breathlessly. “No, of course not. Of course not.”
“Good. What did you want to speak to me about?”
“Um. Oh, yeah—this may not be the kind of thing you told me to watch for, but a big goddamn fish just washed up on the beach this morning. It’s about twenty feet long, apparently dead, and nobody can figure out what the hell kind of fish it is. And a bunch of lobsters and crabs crawled up out of the ocean at about the same time—they’re still running around, some of ‘em have got into the shops and the tennis courts. People are freaked.”
DeLarava’s heart was pounding, and all thought of Ayres’s discourtesy was forgotten. That would have to be
him
, causing that, she thought. Coming back out of the ocean these…thirty-three years later. Of course this new damned smoke would finally be the beacon that would lead him ashore. And if
Pete
Sullivan is in town, that would also have helped draw him out.
“Thanks, Bernie,” she croaked. She hung up the phone and began signaling for a lane change. She hadn’t needed to ask
where
at Venice Beach.
She would have to call the studio and have them send a news crew to Venice, and then scoot south on the 405 to pick up Joey Webb at his creepy Signal Hill apartment. Good thing he never went anywhere.
She wasn’t ready for this. Here was the old man coming out of the sea already—and Halloween was only three days off. It would definitely have to be
this
year,
this
Halloween. Would Joey
do
, would he be mask enough, all by himself? He’d probably be okay today, when she’d just be trying to see where the old man went, but what might happen on Saturday? Damn Sukie Sullivan anyway. Paranoid lush.
DeLarava’s scalp was itching again, under the rubber band that encircled it under her brushed-over hair, and when she scratched, the rubber band slipped upward and jumped to the top of her head, where it sat slackly holding her hair up in an effect that she knew from past experience looked like a miniature thatched hut. She couldn’t pull the rubber band back down into place before she got off the freeway—it took two hands, and she would want to fix her hair too.
She had started wearing a rubber band around her scalp when she turned forty
(in 1966!)
, as a measure to keep her facial skin pulled taut. It had perhaps never worked very well for that purpose, but she had noticed that the cerebral constriction of it seemed to keep her thoughts aligned, keep her personality from fragmenting into half a dozen frightened little girls. And when old triumphs began (irrationally!) to shake up silty clouds of guilt and shame in her thoughts, a rubber band or two around her skull helped to slow the involuntary tears.
But fresh tears were leaking out of her eyes now.
At least I’ve got an excuse to miss the Nowhere lunch
, she thought:
Alert businesswoman, consummate professional; had to go cover the story of the crabs terrorizing Venice
. And maybe my stateroom will be robbed today.
In ‘46, when she’d had her other name and had still been waiting tables in Fort Worth, her little rented house had been broken into. The burglars had emptied her jewelry box onto the bed, and had flung her best clothes onto the floor, and had even left a greasy handprint on her not-yet-paid-off radio—
but they had not taken anything at all
. Obviously she had had nothing, perhaps
had been
nothing, worth their attention.
The unconsidered life is not worth living. She had got consideration a number of times since then; she’d been robbed of diamonds, Krugerrands, fine cars—and she had gone to bed with a number of men, especially during her brief period of fame, and had even briefly been …
She shied away from memories of her marriage, and of a starkly sunny summer afternoon at Venice Beach.
But none of it had ever been enough to
confirm
her.
She knew it was Houdini’s fault.
The southbound 405 was crowded, and she had to slow down to a full stop in the right lane. She sat there expressionlessly leaking tears for a full minute before the cars ahead of her began to move, and only then, too late to fix it, did she remember her disordered hair. She glanced at the driver of a Volkswagen trundling along in the lane to her left, and wondered if he was puzzled by her unusual coif, but he was oblivious of her. That didn’t help at all.
The day after the day after tomorrow would be her seventy-seventh birthday. She had been born on Halloween in Grace Hospital in Detroit at 1:26 in the afternoon, in, apparently, the very instant that the famous magician and escape artist Harry Houdini was expiring in the same hospital.
And she had been robbed of her birth-ghosts, the psychic shells of herself that had been thrown off in the stress and fright of being born. Those shells should have been instantly reabsorbed, like the virtual photons that electrons are always throwing off and then recapturing…but they had been caught by someone else, and so she had been tumbled out into this busy world with only a fraction of her proper
self
. The loss had to be connected with Houdini’s death.
DeLarava hit the brake pedal again as taillights flashed red in front of her, and she thought about what Sukie Sullivan had said to her brother Pete on the telephone on Friday night, just before she’d shot her own drunken head off:
Go to the place where we hid—a thing, some things, okay? In a garage? It’s what you’re gonna need
…And Pete had said,
Where you can’t hardly walk for all the palm fronds on the pavement, right? And you’ve got to crawl under low branches? Is it still there? And Sukie had replied, I’ve never moved it.
DeLarava was sure that they’d been talking about Houdini’s mask—the severed thumb and the plaster hands. The loss of them at Kennedy Airport in ‘75 had not been a random, tragic luggage theft after all—the twins had snatched the package, and hidden it from her. That, and the theft of her birth-ghosts, had been the only robberies that had ever hurt her.
A garage, she thought as she signaled for a lane change to the left, with palm fronds on the pavement and low branches around it. That could be nearly any where—and if Pete has recovered the thumb and the hands, there’s no use in me finding the garage now anyway. And if he’s carrying them with him, then he’s masked and I can’t track him.
At least not by psychic means.
But the old man is apparently out of the sea now, or at least emerging. Maybe I can catch him and eat him even without Pete being present as a lure. And though my twin set is broken, I ought to be able to get by, just with the help of Joey Webb. A real bag-full-of-broken-mirror schizophrenic is nearly as good a mask as a pair of twins.
And maybe this…this
lobster quadrille
will even draw Nicky Bradshaw out of hiding, him being the old man’s godson and all, and the old man having got him his start in show business. Maybe I could have Bradshaw gassed or knocked unconscious. Do people dream, when they’re unconscious? If so, I could probably be on hand to get live footage of one godalmighty fireball in Venice. It’d certainly be a more valuable bit of film to peddle to the networks than this feature on the lobsters and the dead fish.
It might even be possible for me to catch Nicky’s ghost. I wonder how that one would taste, it having been in effect carried in a locket around his neck for seventeen years.
N
EAL
O
BSTADT
’
S
offices were on the roof of the Hopkins Building on the corner of Beverly Glen and Wilshire, ten stories above the Westwood sidewalks and overlooking the tan blocks of the UCLA buildings to the west and the green lawns of the Los Angeles Country Club to the east. The walls of his consulting room were sectional cement slabs paneled with Burmese teak, but there was no roof, just a collapsible vinyl awning that was rolled back this morning to let the chilly breeze flutter the papers on the desk. Obstadt was slouched sideways in his thronelike chair, squinting up at an airliner slanting west across the blue sky.
“Loretta’s a clown,” he said without looking away from the plane. “Trying to eat the ghost of Jonah or somebody out of those fishes she hooks up from that puddle around the
Queen Mary.”
The black-bearded man across the desk from him opened his mouth, but Obstadt held up a hand.
“Got to think,” Obstadt said. “I need…what I need is a fresh viewpoint.”
He pulled open a drawer and lifted out of it a thing that looked like a small black fire extinguisher. From his pocket he fished a thumb-sized glass cartridge, and he looked at the label hand-Dremled onto the side:
HENRIETTA HEWITT
—9-5-92.
“Was last month a good vintage?” he asked absently as he laid the cartridge into a slot in the nozzle at the top of the black cylinder and then twisted a screw at the base of the slot until he heard a muffled hiss inside the cylinder. A plastic tube like a straw stuck out from the top of the nozzle, and he leaned forward over the desk to get his lips around it.
He exhaled through his nose for several seconds, then pressed a button on the side of the nozzle and inhaled deeply.
All at once:
Yellowed curtains flapping in an old wood framed window with peeling white paint, hip and wrist lanced with flaring hot pain against the dusty carpet and the weight of the whole noisy planet crushing her sunken chest; only newspapers for years now on the big leather recliner by the TV, no one will find me, who’ll feed Mee-mow and Moozh; Edna and Sam both moved away, back East, having had weddings of their own, but a string of Christmases before that with smells of pine and roasting turkey, and bright-painted metal toys; and their births, wailing little creatures wet and red-faced after the hours of anxious, joyful, expanding pain—(nothing like this constricting agony that was smashing her out of existence now like a locomotive rolling a fragmenting car in front of it)—and breath-catching nakedness under sweaty sheets in a palm-shaded Pasadena bungalow, a wedding in 1922, drunk, and driving the boxy new Ford around and around the little graveled traffic circle at Wilshire and Western; long hair easier to brush when the air carried the sulfur smell of smudge pots burning in the orange groves in the winter, and a schoolhouse and pet ducks in the fiat farmlands out home in the San Fernando Valley, dolls made of wood and cloth, and smells of cabbage and talcum powder and sour milk; pain and being squeezed and choking and bright light—ejected out into the cold!—and now there was nothing but a little girl falling and falling down a deep black hole, forever.