Everything's Eventual (55 page)

Tango-light, he thought. The kind of light that makes the dead get up out of their graves and tango. The kind of light

I have to get out of here, he whispered, and blundered back into the sitting room. He became aware that his shoes had begun to make odd smooching sounds, as if the floor beneath them were growing soft.

The pictures on the living room wall were crooked again, and there were other changes, as well. The lady on the stairs had pulled down the top of her gown, baring her breasts. She held one in each hand. A drop of blood hung from each nipple. She was staring directly into Mike's eyes and grinning ferociously. Her teeth were filed to cannibal points. At the rail of the sailing ship, the tars had been replaced by a line of pallid men and women. The man on the far left, nearest the ship's bow, wore a brown wool suit and held a derby hat in one hand. His hair was slicked to his brow and parted in the middle. His face was shocked and vacant. Mike knew his name: Kevin O'Malley, this room's first occupant, a sewing machine salesman who had jumped from this room in October of 1910. To O'Malley's left were the others who had died here, all with that same vacant, shocked expression. It made them look related, all members of the same inbred and cataclysmically retarded family.

In the picture where the fruit had been, there was now a severed human head. Yellow-orange light swam off the sunken cheeks, the sagging lips, the upturned, glazing eyes, the cigarette parked behind the right ear.

Mike blundered toward the door, his feet smooching and now actually seeming to stick a little at each step. The door wouldn't open, of course. The chain hung unengaged, the thumbbolt stood straight up like clock hands pointing to six o'clock, but the door wouldn't open.

Breathing rapidly, Mike turned from it and waded that was what it felt like across the room to the writing desk. He could see the curtains beside the window he had cracked open waving desultorily, but he could feel no fresh air against his face. It was as though the room were swallowing it. He could still hear horns on Fifth, but they were now very distant. Did he still hear the saxophone? If so, the room had stolen its sweetness and melody and left only an atonal reedy drone, like the wind blowing across a hole in a dead man's neck or a pop bottle filled with severed fingers or

Stop it, he tried to say, but he could no longer speak. His heart was hammering at a terrible pace; if it went much faster, it would explode. His minicorder, faithful companion of many case expeditions, was no longer in his hand. He had left it somewhere. In the bedroom? If it was in the bedroom, it was probably gone by now, swallowed by the room; when it was digested, it would be excreted into one of the pictures.

Gasping for breath like a runner nearing the end of a long race, Mike put a hand to his chest, as if to soothe his heart. What he felt in the left breast pocket of his gaudy shirt was the small square shape of the minicorder. The feel of it, so solid and known, steadied him a little brought him back a little. He became aware that he was humming and that the room seemed to be humming back at him, as if myriad mouths were concealed beneath its smoothly nasty wallpaper. He was aware that his stomach was now so nauseated that it seemed to be swinging in its own greasy hammock. He could feel the air crowding against his ears in soft, coagulating clots, and it made him think of how fudge was when it reached the soft-ball stage.

But he was back a little, enough to be positive of one thing: he had to call for help while there was still time. The thought of Olin smirking (in his deferential New York hotel manager way) and sayingI told you so didn't bother him, and the idea that Olin had somehow induced these strange perceptions and horrible fear by chemical means had entirely left his mind. It was theroom. It was the goddamnedroom.

He meant to jab out a hand to the old-fashioned telephone the twin of the one in the bedroom and snatch it up. Instead he watched his arm descend to the table in a kind of delirious slow motion, so like the arm of a diver he almost expected to see bubbles rising from it.

He closed his fingers around the handset and picked it up. His other hand dove, as deliberate as the first, and dialed 0. As he put the handset of the phone against his ear, he heard a series of clicks as the dial spun back to its original position. It sounded like the wheel onWheel of Fortune, do you want to spin or do you want to solve the puzzle? Remember that if you try to solve the puzzle and fail, you will be put out into the snow beside the Connecticut Turnpike and the wolves will eat you.

There was no ring in his ear. Instead, a harsh voice simply began speaking. This isnine! Nine! This isnine! Nine! This isten! Ten! We have killed your friends! Every friend is now dead! This issix! Six!

Mike listened with growing horror, not at what the voice was saying but at its rasping emptiness. It was not a machine-generated voice, but it wasn't a human voice, either. It was the voice of the room. The presence pouring out of the walls and the floor, the presence speaking to him from the telephone, had nothing in common with any haunting or paranormal event he had ever read about. There was something alien here.

No, not here yet but coming. It's hungry, and you're dinner.

The phone fell from his relaxing fingers and he turned around. It swung at the end of its cord the way his stomach was swinging back and forth inside him, and he could still hear that voice rasping out of the black: Eighteen! This is noweighteen! Take cover when the siren sounds! This isfour! Four!

He was not aware of taking the cigarette from behind his ear and putting it in his mouth, or of fumbling the book of matches with the old-fashioned gold-frogged doorman on it out of his bright shirt's right breast pocket, not aware that, after nine years, he had finally decided to have a smoke.

Before him, the room had begun to melt.

It was sagging out of its right angles and straight lines, not into curves but into strange Moorish arcs that hurt his eyes. The glass chandelier in the center of the ceiling began to sag like a thick glob of spit. The pictures began to bend, turning into shapes like the windshields of old cars. From behind the glass of the picture by the door leading into the bedroom, the twenties woman with the bleeding nipples and grinning cannibal-teeth whirled around and ran back up the stairs, going with the jerky delirious high knee-pistoning of a vamp in a silent movie. The telephone continued to grind and spit, the voice coming from it now the voice of an electric hair-clipper that has learned how to talk: Five! This isfive! Ignore the siren! Even if you leave this room, you can never leave this room! Eight! This iseight!

The door to the bedroom and the door to the hall had begun to collapse downward, widening in the middle and becoming doorways for beings possessed of unhallowed shapes. The light began to grow bright and hot, filling the room with that yellow-orange glow. Now he could see rips in the wallpaper, black pores that quickly grew to become mouths. The floor sank into a concave arc and now he could hear it coming, the dweller in the room behind the room, the thing in the walls, the owner of the buzzing voice. Six! the phone screamed. Six, this issix, this isgoddam fucking SIX!

He looked down at the matchbook in his hand, the one he had plucked out of the bedroom ashtray. Funny old doorman, funny old cars with their big chrome grilles and words running across the bottom that he hadn't seen in a long time, because now the strip of abrasive stuff was always on the back.

CLOSE COVER BEFORE STRIKING.

Without thinking about it he no longercould think Mike Enslin tore out a single match, allowing the cigarette to drop out of his mouth at the same time. He struck the match and immediately touched it to the others in the book. There was affffhut! sound, a strong whiff of burning sulfur that went into his head like a whiff of smelling salts, and a bright flare of matchheads. And again, without so much as a single thought, Mike held the flaring bouquet of fire against the front of his shirt. It was a cheap thing made in Korea or Cambodia or Borneo, old now; it caught fire at once. Before the flames could blaze up in front of his eyes, rendering the room once more unstable, Mike saw it clearly, like a man who has awakened from a nightmare only to find the nightmare all around him.

His head was clear the strong whiff of sulfur and the sudden rising heat from his shirt had done that much but the room maintained its insanely Moorish aspect. Moorish was wrong, not even very close, but it was the only word that seemed even to reach toward what had happened here what was still happening. He was in a melting, rotting cave full of swoops and mad tilts. The door to the bedroom had become the door to some sarcophagal inner chamber. And to his left, where the picture of the fruit had been, the wall was bulging outward toward him, splitting open in those long cracks that gaped like mouths, opening on a world from whichsomething was now approaching. Mike Enslin could hear its slobbering, avid breath, and smell something alive and dangerous. It smelled a little like the lion-house in the

Then flames scorched the undershelf of his chin, banishing thought. The heat rising from his blazing shirt put that waver back into the world, and as he began to smell the crispy aroma of his chest-hair starting to fry, Mike again bolted across the sagging rug to the hall door. An insectile buzzing sound had begun to sweat out of the walls. The yellow-orange light was steadily brightening, as if a hand were turning up an invisible rheostat. But this time when he reached the door and turned the knob, the door opened. It was as if the thing behind the bulging wall had no use for a burning man; did not, perhaps, relish cooked meat.

A popular song from the fifties suggests that love makes the world go'round, but coincidence would probably be a better bet. Rufus Dearborn, who was staying that night in room 1414, up near the elevators, was a salesman for the Singer Sewing Machine Company, in town from Texas to talk about moving up to an executive position. And so it happened that, ninety or so years after room 1408's first occupant jumped to his death, another sewing machine salesman saved the life of the man who had come to write about the purportedly haunted room. Or perhaps that is an exaggeration; Mike Enslin might have lived even if no one especially a fellow on his way back from a visit to the ice machine had been in the hallway at that moment. Having your shirt catch fire is no joke, though, and he certainly would have been burned much more severely and extensively if not for Dearborn, who thought fast and moved even faster.

Not that Dearborn ever remembered exactly what happened. He constructed a coherent enough story for the newspapers and TV cameras (he liked the idea of being a hero very much, and it certainly did no harm to his executive aspirations), and he clearly remembered seeing the man on fire lunge out into the hall, but after that everything was a blur. Thinking about it was like trying to reconstruct the things you had done during the vilest, deepest drunk of your life.

One thing he was sure of but didn't tell any of the reporters, because it made no sense: the burning man's scream seemed to grow in volume, as if he were a stereo that was being turned up. He was right there in front of Dearborn, and thepitch of the scream never changed, but the volume most certainly did. It was as if the man were some incredibly loud object that was just arriving here.

Dearborn ran down the hall with the full ice-bucket in his hand. The burning man It was just his shirt on fire, I saw that right away, he told the reporters struck the door opposite the room he had come out of, rebounded, staggered, and fell to his knees. That was when Dearborn reached him. He put his foot on the burning shoulder of the screaming man's shirt and pushed him over onto the hall carpet. Then he dumped the contents of the ice-bucket onto him.

These things were blurred in his memory, but accessible. He was aware that the burning shirt seemed to be casting far too much light a sweltering yellow-orange light that made him think of a trip he and his brother had made to Australia two years before. They had rented an all-wheel drive and had taken off across the Great Australian Desert (the few natives called it the Great Australian Bugger-All, the Dearborn brothers discovered), a hell of a trip, great, but spooky. Especially the big rock in the middle, Ayers Rock. They had reached it right around sunset and the light on its man faces was like this hot and strange not really what you thought of as earth-light at all

He dropped beside the burning man who was now only the smoldering man, the covered-with-ice-cubes man, and rolled him over to stifle the flames reaching around to the back of the shirt. When he did, he saw the skin on the left side of the man's neck had gone a smoky, bubbly red, and the lobe of his ear on that side had melted a little, but otherwise otherwise

Dearborn looked up, and it seemed this was crazy, but it seemed the door to the room the man had come out of was filled with the burning light of an Australian sundown, the hot light of an empty place where things no man had ever seen might live. It was terrible, that light (and the low buzzing, like an electric clipper that was trying desperately to speak), but it was fascinating, too. He wanted to go into it. He wanted to see what was behind it.

Perhaps Mike saved Dearborn's life, as well. He was certainly aware that Dearborn was getting up as if Mike no longer held any interest for him and that his face was filled with the blazing, pulsing light coming out of 1408. He remembered this better than Dearborn later did himself, but of course Rufe Dearborn had not been reduced to setting himself on fire in order to survive.

Mike grabbed the cuff of Dearborn's slacks. Don't go in there, he said in a cracked, smoky voice. You'll never come out.