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Authors: Clive James

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A four-volume edition of the journalism, essays, and letters, which was published in 1968 (co-edited by Ian Angus and Orwell’s widow, Sonia), had already given us a good idea of how the
tree grew, but now we get an even better chance to watch its roots suck up the nutrients of contemporary political experience and— But it’s time to abandon that metaphor. Orwell never
liked it when the writing drove the meaning. One of his precepts for composition was ‘Let the meaning choose the word, and not the other way around.’ For him prose style was a matter in
which the ethics determined the aesthetics. As a writer, he was his own close reader. Reading others, he was open to persuasion, but he would not be lulled, least of all by mellifluous rhetoric.
Anyone’s prose style, even his, sets out to seduce. Orwell’s, superficially the plainest of the plain, was of a rhythm and a shapeliness to seduce the angels. Even at this distance, he
needs watching, and would have been the first to admit it.

 

Orwell was born into the impoverished upper class – traditionally, for its brighter children, a potent incubator of awareness about how the social system works. Either
they acquire an acute hunger to climb back up the system – often taking the backstairs route through the arts,
à la
John Betjeman – or they go the other way, seeking an
exit from the whole fandango and wishing it to damnation. Orwell, by his own later accounts, went the other way from his school days onward. In one of his last great essays, ‘Such, Such Were
the Joys’, he painted his years at prep school (where he nicknamed the headmaster’s gorgon of a wife Flip) as a set of panels by Hieronymus Bosch:

‘Here is a little boy,’ said Flip, indicating me to the strange lady, ‘who wets his bed every night. Do you know what I am going to do if you wet your
bed again?’ she added, turning to me. ‘I am going to get the Sixth Form to beat you.’

Orwell had a better time at Eton – it sounds as if he would have had a better time in Siberia – but twenty years later, after he left it, reviewing his friend Cyril Connolly’s
partly autobiographical
Enemies of Promise
, he poured scorn on Connolly’s fond recollections of the place. When Connolly proclaimed himself fearful that after his climactic years of
glory at Eton nothing in the rest of his life could ever be so intense, Orwell reacted as if Flip had just threatened to deliver him to the Sixth Form all over again: ‘ “Cultured”
middle-class life has reached a depth of softness at which a public-school education – five years in a luke-warm bath of snobbery – can actually be looked back upon as an eventful
period.’

Orwell often reviewed his friends like that. With his enemies, he got tough. But it should be said at the outset that even with his enemies he rarely took an inhuman tone. Even Hitler and Stalin
he treated as men rather than as machines, and his famous characterization of the dogma-driven hack as ‘the gramophone mind’ would have lost half its force if he had not believed that
there was always a human being within the fanatic. His comprehension, though, did not incline him to be forgiving: quite the reverse. Society might have made the powerful what they were as surely
as it had made the powerless what they were, but the mere fact that the powerful were free to express whatever individuality they possessed was all the more reason to hold them personally
responsible for crushing the freedom of others. When they beat you, you can join them or you can join the fight on behalf of those they beat. It seems a fair guess that Orwell had already made his
choice by the time Flip threatened him with a visit from the Sixth Form.

 

In the early part of his adult life, he was a man of action. He wrote journalism when he could – for him it was more natural than breathing, which, thanks to a lurking
tubercular condition, eventually became a strain – but he wanted to be where the action was. Already questioning his own privileged, if penny-pinching, upbringing and education, he went out
to Burma at the age of nineteen and for the next five years served as a colonial policeman – an experience from which he reached the conclusion (incorporated later into his novel
Burmese
Days
and his essays ‘Shooting an Elephant’ and ‘A Hanging’) that the British Empire was a capitalist mechanism to exploit the subjugated poor. Back in Europe, he found
out what it was like to be a proletarian by becoming one himself –
Down and Out in Paris and London
,
The Road to Wigan Pier
– and expanded his belief about the
exploitative nature of the Empire to embrace the whole of capitalist society, anywhere. He volunteered for service in Spain in the fight against Franco, and the selfless comradeship of ordinary
Spaniards risking their lives to get justice –
Homage to Catalonia
– confirmed his belief that an egalitarian socialist society was the only fair and decent alternative to the
capitalist boondoggle, of which Franco’s Fascism, like Hitler’s and Mussolini’s, was merely the brute expression.

So here, already formed, were two of his three main political beliefs – about the awfulness of capitalism and the need for an egalitarian alternative. There was nothing uncommon about them
except their intensity: plenty of intellectuals from his middle-class background had reached the same conclusions, although few of them as a result of direct experience. The third belief was the
original one. It was more than a belief, it was an insight. Again, he was not the only one to have it, or at any rate part of it: though such illustrious invitees to the Soviet Union as Bernard
Shaw, H. G. Wells and the Webbs had been fooled into admiration by the standard tricks of Potemkin Village set-dressing, Bertrand Russell, André Gide, E. E. Cummings, Malcolm Muggeridge and
several other visiting commentators had already spotted that the vaunted socialist utopia was a put-up job, and in 1938 the Italian-born Croatian ex-Communist Anton Ciliga, in his book
Au pays
du grande mensonge
(In the Land of the Big Lie), gave a detailed account of the Gulag system, which he knew from the inside. But nobody ever expressed his revulsion better or more lastingly
than Orwell, who got it right without ever having to go there.

He went somewhere else instead. Discovering in Spain, from the behaviour of the Russian representatives and their Communist adherents, that the Soviet Union was as implacable an enemy of his
egalitarian aspirations as Nazi Germany or Fascist Italy, he developed the idea that it wasn’t enough to be against Mussolini and Hitler: you had to be against Stalin as well, because the
enemy was totalitarianism itself. That was as far as he got before his career as a man of action came to an end. Shot in the throat by a sniper, he recuperated, but if he had stayed in Spain any
longer he would have almost certainly been murdered. The anarchist group in whose ranks he had fought, the POUM, was being liquidated on Soviet orders, and his name was on the list. (The evidence
is all here, in Volume XI, and it is enough to bring on a cold sweat: losing Orwell to the NKVD would have had the same devastating effect on our intellectual patrimony that the loss of the
historian Marc Bloch and the literary critic Jean Prévost to the Gestapo had on the French.)

Back in England with his three main beliefs – capitalism was a disease, socialism was the cure, and Communism would kill the patient – the erstwhile man of action carried on his
cause as a man of letters. For part of the Second World War, he was a member of the Home Guard, and for a further part he was with the BBC, preparing broadcasts for India, but as far as the main
action went he was an onlooker. No onlooker ever looked on more acutely. The journalism he wrote at the close of the thirties and in the forties would have been more than enough by itself to
establish him as having fulfilled his life’s purpose, which he made explicit in his last years: ‘What I have most wanted to do is to make political writing into an art.’ The whole
heavy atmosphere of the prelude to the war, the exhausting war itself, and its baleful aftermath: it’s all there, reported with a vividness that eschews the consciously poetic but never
lapses from the truly dramatic, because he had the talent and the humility to assess even a V-1 in terms of its effect on his own character, using his soliloquy to explain the play:

Every weapon seems unfair until you have adopted it yourself. But I would not deny that the pilotless plane, flying bomb, or whatever its correct name may be, is an
exceptionally unpleasant thing, because, unlike most other projectiles, it gives you time to think. What is your first reaction when you hear that droning, zooming noise? Inevitably, it is
a hope that the noise
won’t stop
. You want to hear the bomb pass safely overhead and die away into the distance before the engine cuts out. In other words, you are hoping
that it will fall on somebody else.

Along with the exterior drama, however, an interior drama is now, at long last, fully revealed. Tracking his mind from note to memo, from letter to book review, from article to essay, we can see
what happened to those early beliefs – which two of them were modified, and which one of them was elaborated into a social, political, ethical and even philosophical concept whose
incorporation into
Animal Farm
and
Nineteen Eighty-Four
would make him into a man of action all over again, a writer whose books helped to bring down an empire, even if it
wasn’t the same empire he originally had in mind.

First, though, with the Spanish war over and the full European war not yet begun, he had another battle on his hands, bloodless this time but almost as noisy: the battle against Britain’s
left-wing intellectuals. He realized that they had wilfully declined to get the point about Spain: they still saw Communism as the only bulwark against Fascism. Worse, they thought that the Moscow
trials were justified or otherwise to be condoned – a price worth paying to Build Socialism. Orwell’s conviction that no socialism worth having could be built that way set him at odds
with the progressive illuminati of his generation, and that altercation was made sharper by how much he and they had in common. He, too, had had the generosity to declare his own privileges
meaningless if they were bought at the expense of the downtrodden. He, too, believed that the civilization that had given birth to him was a confidence trick. And, although he had already concluded
that free speech was the one liberal institution no putative future society could abolish if it was to remain just, he still thought that the plutocratic oligarchy allowed liberal institutions to
continue only as part of the charade that favoured the exploitation of the poor. (In the sixties, the same notion lived again, as ‘repressive tolerance’.) Fascism, he proclaimed, was
just bourgeois democracy without the lip service to liberal values, the iron fist without the velvet glove. In 1937, he twice ventured the opinion that democracy and Fascism ‘are Tweedledum
and Tweedledee’. In the same year, he warned that ‘the moneyed classes’ might trick Britain into ‘another imperialist war’ with Germany: language hard to distinguish
from Party-line boilerplate.

Orwell could always see the self-serving fallacy of pacifism, but he had a soft spot for Bertrand Russell’s version of it, which should have been detectable as pure wind even at the time,
when Hitler had already spent more than five years abundantly demonstrating that the chances of the non-violent to temper his activities by their moral example were exactly zero. But Orwell gave
the philosopher’s well-intended homilies a sympathetic review. Orwell was thus in line with the Labour Party, which, from the opposition benches, railed against the threat of Fascism but
simultaneously condemned as warmongering any moves towards rearmament. It was the despised reactionaries, with Chamberlain at the head of the Conservative government and Churchill growling
encouragmenent from the back benches, who actively prepared for war against Hitler. Distancing himself from the Communists and their fellow travellers in his attitude to the USSR, Orwell was
dangerously close to them in supposing bourgeois democracy to be teetering on the rim of history’s dustbin, into which more realistic forces would combine to shove it beyond retrieval. In
Germany, the same aloof attitude on the part of the social democrat intellectuals had fatally led them to high-hat the Weimar Republic while the Communists and the Nazis combined to strangle it,
but Orwell had not yet fully learned the lesson. On the Continent, or already fleeing from it, there were plenty of veteran political commentators who had learned it all too well at the hands of
one or the other of the two extremist movements and sometimes both, but apart from Franz Borkenau, Arthur Koestler and perhaps Boris Souvarine it is remarkable how few of them influenced
Orwell’s views. By international standards he was a late developer.

Pre-war, Orwell was in a false position, and his journalistic output during the war is largely the story of how he came to admit it. But before he started getting round to that, he had one more,
even more glaring, false position still to go. When the war began he said that Britain was bound to be defeated unless it had a social revolution, which might even require an armed uprising.
Possibly he had been carried away by the rifles issued to the Home Guard, and had visions of an English POUM taking pot shots at the oppressor. (Orwell rose to the rank of sergeant in the Home
Guard, but Davison should have found room to say, in a footnote, that his hero was notoriously more enthusiastic than competent: a Court of Inquiry was conducted after he supervised a mortar drill
that almost resulted in the decapitation of one of his men.) Even in 1941, well after the Battle of Britain demonstrated that this bourgeois democracy might well hope to withstand Hitler, we can
still hear Orwell promising that ‘England is on the road to revolution’ and that to bring the revolution about a ‘real English socialist movement’ would be ‘perfectly
willing to use violence if necessary’.

But if a pious wish helped to sustain him, the facts were simultaneously hard at work on a mind whose salient virtue was its willingness to let them in. He had noticed that Poland, whatever the
condition of its liberal institutions under the pre-war regime, was immeasurably worse off now that the Nazis and the Soviets (following the letter of the Molotov-Ribbentrop Pact’s secret
protocols, although he had no means of knowing that yet beyond guesswork) had combined to expunge all traces of its civilization, including as many of its intelligentsia as they could round up.
There were steadily accumulating written indications that he was becoming more and more impressed by the one fact about his country he had never been able to argue away. A state against which he
could say out loud that he ‘was perfectly willing to use violence if necessary’ might have something to be said for it – something central, and not just peripheral – if it
was not perfectly willing to use violence against him.

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