Authors: Katharine Kerr
"If she's still in the well, it won't matter that she knows we're
coming," Burke answered,
The stone steps did not creak, but Dalton grimaced at each
footfall as they hastened down. Burke held a lantern, its lamp
hooded so mat only a single beam fell onto the steps before
them. The low ceiling of the crypt prevented the diffusion of
light
The sounds were coming through a low vaulted arch, built in
an age when men were smaller. They were louder now, and had
taken on definition; a sliding scrape, a pause, some tiny fidgety
sounds, and then another scrape.
Slowly they stepped through the arch. At the center of the
small chamber, a trestle with a bucket banging on a cord stood
over a circular hole three feet across. The sounds were echoing
off the low ceiling directly above.
The irregular oval of lantern light, which had advanced to the
edge of the well and then circled it like a cautious dog, slid sud-
denly to a far wall as Burke thrust the lantern into Dalton's
hands. Slowly he advanced to the edge of die well, where he
stood looking down for several seconds.
He's going to kill her. Dalton thought in alarm. He's going to
cosh in her head. In the dim light, he could not see whether
Burke's arms were raised. He wanted to call out, but didn't dare-
Then he saw a hand rise out of the blackness and grasp the lip
of the well. He didn't see Burke's reaction; his gaze was fixed on
the dim white shape clutching the stone's edge. A second later
another hand appeared, and a small head rose above the level of
me floor.
Its face was turned away, but Dalton could see the head tilt as
it noticed the dim light in the chamber. Then it turned, and a
dead white face—white even in the faint hooded lamplight—
turned and saw Dalton, men looked up at Burke.
"Have you come for me, then?" it asked in a little girl's voice,
scratchy with disuse. "I have been waiting so long."
A low moan filled the room, and Dalton realized with horror
that it was Burke. Something metal fell from his hands and
clanged against the stone floor.
The girl was pulling herself out of me hole. A funerary gown,
streaked with dirt, hung from her slender frame. The lantern
IN FEAR OF LITTLE NELL
209
beam fell as if of its own volition onto the girl; she blinked once
when it crossed her face.
She rose unsteadily to her feet, like one stiff from labor. Her
crown scarcely reached Burke's elbow, and the legs beneath her
ragged hem were thin as a doe's.
She held out her open arms, as though inviting the blow. "I
have been so cold and so lonely," she said in a quavering tone.
"I did not mean to be like this."
With a cry Burke bent over her, and her tiny arms closed
around his neck. Dalton shouted, or started to, but things hap-
pened too quickly for the sound to escape his throat.
Whether she pulled Burke down or slipped backward Dalton
could not tell, but the two fell together, with a terrible cracking
sound that must have been Burke's skull striking the far side.
Like a nut clattering down a rain spout, they knocked against the
sides going down, falling not freely but impeded, and hence for
far longer. Dalton thought he heard a scream, but it might have
been his own.
Dust flew through the beam as it swung wildly through the
chamber, then settled once more upon the well, now horribly si-
lent. Heart pounding, Dalton advanced to its edge, then leaned
slowly—he had to force himself for the last inches—over the
well's mouth, and shone the lantern downward. Rock dust boiled
up, obscuring the beam before it had. penetrated a yard. It would,
he realized, be hours in settling.
No sound from below. Somewhere behind, the faint call of
voices.
She could not have survived the fall, Dalton knew. Thin-boned
and emaciated, the poor monster had surely perished, breaking
(to some degree) the large man's fall. Even Burke, hale and burly
and aproned in cushioning leather, must lie unconscious at the
well's dry bottom.
Dalton tugged at the rope, which he found too thin to trust,
and pushed the bucket aside. He set the lantern next to the edge,
and unhooded it: the light cast a half-circle of pale illumination
through the dust-swarming chamber, but none fell into the well.
She is dead, he thought. Burke, perhaps, is alive. With trem-
bling hands he planted his palms upon either side of the well,
then swung his legs over the edge. Bracing each foot against the
rough stone was easy, and Dalton gingerly lowered his weight
below the level of the floor, disappearing at once into darkness.
If anything brushes my foot, I shall kick, he thought. / can
climb quickly, if need be. It is, moreover, a long way down.
210 Gregory Feeley
The image of the girl's pipestem arms rose before him, and a
puff of invisible dust made his eyes sting. "The poor girl," he
murmured, too intent on maintaining his footing as he slowly de-
scended the narrow shaft to direct his train of thought. "She
should not have ended thus."
He coughed as the dust coated his throat, and hawked in a
racking sob. "I'm coming," he said softly, as he let his soles slip
several feet before regaining purchase. The stone was not as chill
as the crypt itself had been; a few feet further, and its tempera-
ture was the same as his own flesh. "Poor helpless thing, I'm
coming...."
And when the hands reached up for him, he fell into their em-
brace with a cry of exhausted relief. The smell of moist earth
rose about him, a puff of warm breath, and Dalton fell into un-
consciousness with the release of his overstrained limbs.
He woke when something prodded his shoulder, paused, men
bumped against his knee. Dalton was tying in a tangle of limbs,
some his own. He reached out, every muscle aching, and felt a
tiny smooth arm, cool as a root. He jerked his hand back.
Something was bumping about in the darkness, striking the
wall every few seconds with a metallic clang. He suddenly
guessed it: the weight at the end of a dangling cord. With an ef-
fort he recalled the coil of hemp slung over the journalist's
shoulder. He grabbed at it, but snatched only air.
He looked up into the darkness, and saw it quickly brighten to
gray. A burning lucifer fell through the dust and dropped before
him, illuminating the surrounding carnage for an instant before
snuffing out. Both Burke and the girl lay motionless, a disor-
dered salad of outflung limbs and loose hair.
Dalton stirred with difficulty in the cramped space, and squea-
mishly felt their lifeless persons. Both were extensively bloodied,
as (he came to realize) he was himself. Numerous bones were
broken: he felt them through the girl's thin gown, and even
Burke's heavy clothing. The weight brushed his neck and he
grabbed it, pulling down hard once. A muffle shout reached him
from above. Wrapping the cord around his bloodied knuckles,
Dalton tugged to ensure it was secure, then began to climb. After
a moment he could feel the cord being slowly drawn up.
"Good God!" the parson cried when he neared the top. Dalton
blinked at the lantern as his head crossed the plane of the floor,
and he felt hands pulling at him. The journalist's face, frightened
and alarmed, swam briefly in his vision.
"Are you all right? Burke is—?"
IN FEAR OF LITTLE NELL
211
"Down there. Dead." He found it difficult to speak. "Both of
them," he managed to add.
They laid him on the stone cold floor, smoother than the well.
"You are hurt," the parson said.
Dalton touched the side of his face. It was raw, and stung
dully. He wondered if he were in shock.
The parson spoke of going for help; footsteps retreated up the
stone stairwell. Dalton felt a bundled jacket placed beneath his
head- The lantern was set nearby, and he could see the journalist
in the harsh shadows.
"You have been hurt," the journalist observed.
Dalton nodded.
"Scrapes, from the look. From cascading down the well."
Dalton said nothing.
"It must have been nasty, in that hole," the journalist said after
a moment. "Especially at the bottom."
"I feel as if I am still there," Dalton said.
The other man nodded, not looking at him. "She must have
been ... hard to resist. Going to all those children who loved
her, and none of them ever complaining, not one report from this
village. These angelic young girls, sometimes I think they spend
their lives training to be dead."
Dalton closed his eyes. When he opened them a moment later,
the journalist had met his gaze at last.
"We'll take you to the Professor, and he'll look at you, and
wait. And then we'll see, won't we?"
THE NEW W8LD THAT
NEVER WAS
Branchings from history
Tooa Song
by Kate Daniel
Statistics say most people today will have three careers in
their lifetime. As a writer Kate Daniel is on her third right
now, having already been a teacher and a computer pro-
grammer. She has six YA mystery novels in print, the most
recent being Babysitter's Nightmare II, along with several
fantasy short stories.
At certain times of the year, late at night, the Coaster Grove on
Coney Island seems to sing softly to itself. Those who walk be-
neath the trees at such times feel a sense of awe, as though they
walk in a holy place. The grove has stood for over a hundred
years, immune to the twentieth century, wrapped in the peace of
an older time, and some credit the sensation to age. But even
they do not know how deep the years are that twist around the
young trees, or how far their roots extend. Like so many dreams
of the new world, the dream that is the Grove began in the old,
in a promise and prophecy given to a young girl as old as the At-
tic hills....
*'Go; you'll fee! better. See what a wonderful place this coun-
try is!"
The landlady's shrill voice grated on Daphne's ears. At least
the woman spoke Greek. It wasn't a musical sound, but it carried
the accents of home, here in this new world of foreigners where
Daphne was trapped by bricks and streets. And Mrs. Kontos
meant well. She was kind. Kind, but she'd never heard the del-
icate song of a breeze dancing among spring leaves, never tasted
216 Kate Daniel
the silence when trees hold their breath.... Daphne never should
have left her grove, no matter what the laurel had promised.
"You're so thin," Mrs. Kontos went on. "And pale as well. Go
on, let the salt air put some flesh on you. A body'd think you
was consumptive, to look at you- You couldn't go alone, it
wouldn't be proper, what with you not married yet and at your
age, too, but the Pappadeases want to take you.'*
"Are there woods there?" None of the trees in this new land
spoke to Daphne. She had tried to call them with her powers so
many times, in the park near the tenement, on the tree-lined
paths of Central Park. There was never a response, and she had
almost given up hope of finding me grove the laurel had prom-
ised her. But at least the scent of green helped her stay alive
amid me noise and crowds of this great city.
"Woods! What do you need with woods? There's people there,
good people—well, some others as well, but Mrs. Pappadeas will
watch out for you.** Mrs. Kontos nodded as she looked at
Daphne. "Your aunt is a decent woman. Miss, but she should
have found a proper match for you before now."
Daphne said nothing. Mrs. Kontos meant well, but Daphne
feared her. The tiny woman was a tireless matchmaker. Next she
would again hymn the praises of the Pappadeas' eldest son,
Nikkolas. He was past twenty and reckoned a good catch, with
dark good looks. For weeks now Nikki had pursued her, confi-
dent that the eldest son of a prosperous family would never be
refused as a match. Mrs. Kontos would be outraged if she knew
how little interest Daphne had in him. But she had watched
many young mortals such as Nikki fade with age, brittle as au-
tumn leaves in as little time. Daphne shivered. Nikkotas
Pappadeas was mortal, but she feared him even more than the
landlady. She feared the autumn he would bring to her eternal
spring.
Despite her misgivings, the next Saturday found Daphne
standing with Mrs. Pappadeas on the deck of an overcrowded ex-
cursion steamer as it cast off from the pier and started down the
river toward the ocean and Coney Island. The Atlantic wasn't the
wine-dark sea she longed for, any more than Coney Island was
one of the Kikladhes. But the Atlantic led to the Middle Sea and
the home she'd never see again.
She tried to shut her ears against the horrible din of the
"band," a small group of musicians who seemed determined to
force payment from the crowd by playing till they yielded their
WOOD SONG 217
silver dimes. Money was a mortal concern, but mortal concerns