Dolly and the Starry Bird-Dorothy Dunnett-Johnson Johnson 05 (24 page)

May the winds blow gently

On that quiet and peaceful spot

Where the one we love lies resting

And will never be forgot.

The man holding my other arm whirled around and released me, his hands reaching out to someone I could not quite see, dodging and ducking around us in the darkness. Then Johnson’s voice said, “Ruth! Run like hell, sweetie…” And I did.

Feet trampled the ground all about me. Near the door of the Dome there was a burst of shouting and another shot. A little flame bloomed in the darkness to one side of me and I swerved away as the sound of the shot exploded in my ear. Johnson’s voice said breathlessly, “It’s all right. It was my gun. Make for the villa.”

“No,” I said, and stopped. “We’ve got to get Di. And listen…”

Johnson said, “I’ll look after Di. Run for the villa. I’ll draw them off.”

The firing was nearer now, and the shouting. Someone came racing up beside us and I saw Johnson’s arm rise in the gloom and descend with the revolver in it, butt downward. There was the sound of a thud and a fall, and Johnson grabbed my arm again and began ushering me at a brisk downward canter in the direction of Maurice’s villa. I said, “Maurice is on the wrong side, you bloody idiot.”

I should have known better. I should have kept my mouth shut and trusted him. The gray-haired man was out there somewhere in the darkness, and the man Johnson had just felled, and probably three others beating about, but all I could think of was Di lying helpless there in the Dome, and Maurice waiting behind the lit window for us all to walk into the limelight.

So I bleated out, and a figure rose from the bushes in front of us which had nothing to do with the shouting men from the Dome just behind. A neat figure which blocked out the stars and waved its revolver so that it flashed just once in the dimness.

“It isn’t Maurice you have to worry about,” said Innes Wye. “Drop your gun, Johnson. I’m taking you both where no one can get at you until Ruth has told me just where those photographs are.”

Johnson dropped his gun. He could hardly argue with the barrel of Innes’s Dardick pointing straight at him and a recollection of the fate of the fish tank. Then we were making a stumbling run through the garden. I had forgotten we were near the door of Mouse Hall until I was thrust through it, with Johnson blundering after me.

I thought it was plain myopia, and then I realized what he had tripped over. The body of Di, groggily shaking its head, lay across the threshold in the winking light of Innes’s banks of electronic instruments.

Innes bent and, pulling her inside, closed and locked the door, his revolver trained on us without ceasing. He switched on the light. “Yes. I thought she might be better here than lying in the Dome,” said Innes Wye. “How lucky we all met. You see, Johnson, I needed you. I needed you for a hostage.”

I should have known. Anyone who killed locusts and lobsters the way Innes did was bound to be kinky. The fact that he kept white mice as well just went to prove it. I wondered why he needed hostages and then I didn’t wonder anymore because far in the distance through the locked door and shuttered windows came the sound of more firing and the shouting of many more voices. The police had arrived at the hill. And Innes was here by arrangement, waiting for his friends so that they could all beat it together. With us as his insurance against accidents.

The lights popped in and out and the thin green lines wiggled and Di sat up and said, “How the hell did I get here… Oh!” as she saw Innes.

Johnson stayed where he was, under Innes’s gun with his back to the white foam plastic blocks of the Incubator, but I knelt down beside her and Innes let me. I said, “Di. You did tell the police, didn’t you? Somewhere?”

She pulled her wig off with one hand and fanned herself with it. Even dumped on the floor in a mess of torn fitch, she looked like the front cover of
Harper’s Bazaar
. “No,” she said blankly, looking around her. “I didn’t wait for the others. When they hauled you two away I upped anchor and sailed
Dolly
after you.” She looked at Johnson. “I picked the lock on your car and followed in it. What is he pointing a gun at you for?”

“I think he’s going to shoot Johnson if I don’t give him Charles’s photographs,” I said wildly.

Di got to her feet and held her neck, swearing. “Then for Christ’s sake, give them to him, darling,” she said testily.

I knew she had a crush on Johnson. I had a slight one myself, except that he didn’t seem to be handling this situation with any particular aplomb. I mean, for God’s sake, to be held up at pistol point by Innes. I said, “The negatives are on the shelf, in the fourth bag of Poppy’s Cuddle.”

“They aren’t,” said Johnson, suddenly stung into speech. “I searched every inch —”

“I know you did,” cried Innes, equally outraged. “That bastard Timothy laid me out and you pinched my key. Where did you put the photographs?”

“I didn’t get them,” said Johnson viciously.

“They’re in the fourth bag of Cuddle,” I repeated with patience. “I cut them all into strips.”

There was a silence. The sound of shouting and firing, which had receded into the distance, became suddenly noticeably louder. “Get them,” said Innes.

To cover us all, he made Di and Johnson back beside me until we reached Poppy’s cage. Behind the bars, the tin container full of shredded white bedding was bulging and still. Poppy was having a nap. On the shelf up above, labeled in Innes’s methodical way, were her pails of sawdust and her packs of rolled oats, her bag of sunflower seeds and her hamster dinners. Beside them, in an orderly row, were the bags of Cuddle, shipped out from England.

I reached behind me for the fourth, and handed it over to Innes. Then we stood all three in a row while he tried to open it.

Someone banged on the door.

Innes swore. You can’t open a bag of Cuddle one-handed. I know, because I have tried it.

Someone banged on the door again. Someone pumped a shot into the door and a voice said, “Open up. Open up or I’ll shoot the lock off.”

It wasn’t the police. It was the voice of the gray-haired man who had threatened to have Di assaulted. Di said, jeeringly, “You’d better open up, hadn’t you?”

Maybe she thought it was the police. Maybe Innes himself wasn’t sure if it might be a trick. In any case, he didn’t at once let his friends in. He backed, bag and gun in his hands, to the window, edged a shutter open with a jerk of his elbow and peered outside.

A shot smashed the glass and sang into the room, ending its life in the base of the Incubator. Innes inserted his gun in the hole and fired back instantly.

“Innes,” said Johnson gently.

The Dardick, smoking, swung around and trained on Johnson before he had stopped speaking. “Your friends won’t get in,” said Innes firmly. “You may as well get used to the idea. You’re beaten, Johnson.” Another burst of fire came from outside the building and he swung around to the window, pressing the trigger. A figure in a dark jersey and trousers appeared for a moment, illuminated by the light from the window, and dived into the bushes, firing. Innes fired back three more shots. I said, rather slowly, “That was Dimitri.”

“The bastard,” said Innes feelingly. He looked back at Johnson. “How many more of your chums are waiting outside there, eh? Six? Twelve? By God, I’ll give them a run for their money.” Giorgio, looming into his sights, took a quick potshot and raced out of them, followed by a hail of Dardick bullets from Innes.

I said, “Innes. They’re on your side.”

“
My
side?” said Innes, laughing gratingly. “They’re on the side of your friend Johnson. D’you know how I got here tonight? I followed Lenny. He knew where to come.”

“You should have asked him whom he was following,” said Johnson mildly. “Innes, whom do you work for?”

“Who?” said Innes. He fired off three more shots. I reckoned it made twelve altogether.

“Whom,” said Diana. The gray-haired man appeared, calling something, and Innes fired another shot, followed by a second.

Someone battered at the door and he loosed off two more. The second time the gun only clicked.

“He works for the American security service. Don’t you, Innes?” Diana said. “Open the door, darling. We don’t want anyone hurt.”

Innes turned, bag in one hand and Dardick uselessly in the other, and Diana looked at him smiling, a little gun perched in her fingers. The one we had seen her lose in the Dome when they pounced on her. “I’ll take the bag,” she said, and held her hand out to Innes.

Innes produced a number of very pale think-bubbles and looked at her. I looked at her too, but I was mainly concerned with watching Johnson. He was standing where he had first taken his stance with his back to the Incubator, and the way he was looking at Di was neither staggered nor baleful, but just mildly satisfied. The banging on the door increased and Di, letting drop a swearword which made even Johnson blink, backed and opened the door, keeping the gun trained with profound expertise straight upon us.

The gray-haired man walked quickly in, followed by three of his henchmen, the last of whom barred the door quickly. Spreading out, guns in hand, Giorgio, Dimitri and Pietro manned the windows. The gray-haired man, also gun in hand, turned to Di and said in Italian, “What the hell took you so long? Have you got it?”

“In the bag,” said Di calmly. Still keeping us covered, she gave him the packet of Cuddle. He kneaded it.

“The girl cut it to shreds. You will have to piece it together,” said Di prosaically. Other than making sure she could kill us if necessary, she gave us no more of her valuable attention.

She was always a clever bitch, with the brightest attributes of both her nations. Only Innes, staring at Johnson, seemed still to be totally at a loss. Johnson smiled at him. “Let me introduce you,” he said to Innes mildly. “Miss Diana Minicucci and her father, His Highness the Prince. Are you really one of Joe Grady’s roving scientists?”

“Yes,” said Innes. He looked very shocked. I wondered if he really was an American agent, and decided that if Johnson said so, he probably was. Johnson said, “Congratulations. Was it your two thugs then who gave Ruth the going-over in Ischia?”

“Yes,” said Innes defensively. He turned to me. “I have to explain that.”

“Not now,” said Johnson. “After they examine the contents of that bag, you realize, they are going to shoot us.”

“Ruth and me,” said Innes gravely. “I expect that.”

“And Mr. Johnson,” said Prince Minicucci, lifting his handsome gray head from the Cuddle bag. “Since introductions are in order, perhaps I should make you known to one another? Dr. Wye, Mr. Johnson is a member of British Intelligence. If you hadn’t stopped him just now, he would have been safely in the Villa Sansavino with Miss Russell. A basin, Diana.”

Which was a pity. Because when she brought it and he up-ended the Cuddle, there were no strips of negatives in it. They left Dimitri at the window and they all came and stood looking at me — all except Diana who kept her lashes and her revolver unwaveringly on my friend Johnson. Johnson said, “Ruth, you deserve the British Empire Medal and I shall worship you forever, but don’t confuse anybody any longer. Tell them where the photographs are.”

“And then they shoot us,” I said.

A voice in the distance, speaking first in Italian and then in English said, “We know you are inside. If you open the door and come out, unarmed, with your hands resting on your heads, we will spare your lives. Otherwise we shall blow the door down.”

“And then,” said Johnson, “they can use us as hostages. Go on.”

The voice outside began painstakingly all over again. “We know you are inside…”

Prince Minicucci walked to the window. Through the crack in the shutters we could all see the floodlights: lights surrounding Mouse Hall in its entirety, and shining on uniformed heads and the long barrels of rifles. It reminded me of the day the Chief of Police discovered he had been riding for half an hour in the same limousine as a gas balloon. Diana’s father cupped his hands and called in Italian, “We have here Mr. Johnson, Dr. Wye and Miss Russell. We demand to leave this building and quit the country without molestation. Otherwise they shall all die.”

“I am afraid Miss Russell,” said Di, “is going to perish before anyone if she doesn’t hand over that film roll. Don’t be mad, darling. It is here, isn’t it?”

She looked at me as she had always done, cool, superior, vaguely friendly, with no evil intentions toward anyone so long as they didn’t interfere with her creature comforts. I said, “Yes, it’s here. Behind the power cables. I put it there that day Johnson and Jacko and I unmanned the Incubator.”

It was true, this time. If they shone a light where I pointed they would find it: the original film from the Zeiss Icarex, tucked in behind the hank of 2000-volt cable that festooned the three walls of Mouse Hall. I had put it there when Johnson had switched the power off on that one day we all came to search here. Unless someone switched the power off again, it could not be removed.

Johnson had searched for it, and perhaps seen it, but if he had removed it, every one of Innes’s instruments would have recorded it. And Innes himself, of course, was the last person to switch off the power, even if he had dreamed of anyone choosing his private locked Hall as a hiding place. Outside, someone with a loudspeaker said, “You are invited to come out unarmed, with your hands resting on top of your heads. Provided the three people you mention are quite unharmed, I promise a cease-fire immediately.”

The Prince said, “They will use tear gas. Close the shutters. Dr. Wye, I desire a battery spotlight… Dear sir, why should I hesitate to shoot one of you now? Ah, that is wise.”

He switched on the light Innes had given him. “Now, Diana.” And Di, bending, turned off the power.

All the machines, as once before, fell totally silent. Outside, the voices of the polizia could be heard very clearly; inside you were aware of heavy breathing, and the half-lit circle of faces, intent and sweating like a Rembrandt etching at Sotheby’s. Minicucci walked out of the circle.

He was a short man, and the bank of instruments made it awkward to reach to the cable. He looked around for a stool and, finding one, pulled it over and climbed upon it.

Even Di watched him. That was how she failed to see Johnson lash out and kick over the battery lamp. One moment we were there, isolated in our pool of light and our silence. The next, darkness fell, and bloody chaos.