Devil's Peak (22 page)

* * *

The unease had driven Thobela up Table Mountain early Sunday morning. He drove to Kirstenbosch and climbed the mountain from behind, up Skeleton Gorge, until he stood on the crest and looked over everything. But it didn’t help.
He pulled and kneaded the emotion, looking for reasons, but none came.
It wasn’t only the woman.
“Oh God,” she had said. He had come from the shrubs and the shadows and in the dark he grabbed the firearm in her hand and gave it a sharp twist, so that she lost her grip. The dogs were barking madly around them, the sheepdog biting at his heels with sharp teeth. He had to kick the animal and Laurens had formed her last word.
“No.”
She had shielded herself with her hands when he lifted the assegai. When the long blade went in, peace had come over her. Just like Colin Pretorius. Release. That was what they wanted. But inside him there was a cry, a shout that said he couldn’t make war on women.
He heard it still, but there was something else. A pressure. Like walls. Like a narrow corridor. He had to get out. Into the open. He must move. Go on.
He walked over the mountain in the direction of Camp’s Bay. He clambered over rocks until the Atlantic Ocean lay far beneath his feet.
Why did he feel this urge now? To fetch his motorbike and have a long, never-ending road stretching ahead. Because he was doing the right thing. He did not doubt anymore. In the Spur with the street children he had found an answer that he hadn’t looked for. It had come to him as if it were sent. The things people did to them. Because they were the easiest targets.
He walked again. The mountain stretched out to the south, making humps you don’t expect. How far could you walk like this, on the crest? As far as Cape Point?
He was doing the right thing, but he wanted to get away.
He was feeling claustrophobic here.
Why? He hadn’t made a mistake yet. He knew that. But something was wrong. The place was too small. He stood still. This was instinct, he realized. To move on. To hit and then disappear. That was how it was, in the old days. Two, three weeks of preparation until you did your job and you got on a plane and were gone. Never two consecutive strikes in the same place: that would be looking for trouble. That left tracks, drew attention. That was poor strategy. But it was already too late, because he had drawn attention. Major attention.
That was why he had to get away. Get in his truck and drive.

28.

H
e put the kettle on.
“I’ll make the coffee, Dad,” said Carla.
“I want to do it,” he said. Then: “I don’t even know how you take your coffee.”
“I drink it with milk and without sugar and Fritz takes milk and three sugars.”
“Three?”
“Boys,” she said with a shrug.
“Do you have a boyfriend?”
“Kind of.”
“Oh?”
“There is a guy . . .”
“Is powdered milk okay?”
She nodded. “His name is Sarel and I know he likes me. He’s quite cute. But I don’t want to get too involved now, with the exams and things.”
He could hear Anna’s voice in hers, the intonation and the wisdom. “That’s smart,” he said.
“Because I want to study next year, Dad.”
“That’s good.”
“Psychology.”
In order to analyze her father’s mind?
“Maybe I can get a bursary if I do well, that’s why I don’t want to get involved now. But Mom says she’s put a bit of money aside for our studies.”
He knew nothing about it. He poured the water into the mugs, then the powdered milk and the sugar for Fritz.
“I want to take him his coffee.”
“Don’t worry about him, Dad. He’s just a typical teenager.”
“He’s struggling with his father’s alcoholism,” he said, climbing the stairs. Fritz lay on Griessel’s bed with the photo in his hands, the photo of them together as a family.
“Three sugars,” he said.
Fritz said nothing. Griessel sat on the foot of the bed. “I’m sorry,” he said.
Fritz replaced the photo on the windowsill. “It doesn’t matter.” He sat up and took the coffee.
“I’m sorry about everything I did to you. And to your mother and Carla.”
Fritz looked at the steam rising from the coffee mug. “Why, Dad? Why do you drink?”
“I’m working on that, Fritz.”
“They say it’s genetic,” said his son, and tested the temperature of the liquid with a cautious sip.

* * *

Jamie Keyter was wearing a sports shirt and tight khaki trousers. The short sleeves of the shirt were too narrow and had shifted up above the bulging biceps. He sat on one of the bar stools at the breakfast bar and drank coffee with two sugars and milk and he glanced periodically at Carla while he spoke. That annoyed Griessel.
“And I went up to the little house, like a little
kaia,
and you couldn’t see anything, hear anything but the TV show inside, the one with the crazy kaffi . . . green fellow who gives away prizes in green language and I knocked but they didn’t hear me. So I opened the door and there they sat drinking. All four, glass in the hand. Cheers! But when they saw me, you should have seen them jump and it was mister this and mister that. The house was dirty and it was empty. Typical greens: they have nothing, but there’s this giant TV in the corner and there are four greens living in the
kaia,
two old and two young ones. I don’t know how people can live like that. And they didn’t want to talk; they just sat there and stared at me. And when they did talk, they lied. The girl works in the house and it was all: ‘Miss Laurens was a good missus, she was good to all of us.’ They’re lying, Benny, I’m telling you.” He looked pointedly at Carla, who lay on the couch.
“Did you ask them about her fits of rage?”
“I asked and they said it wasn’t so, she was a good missus and they kept turning back to the TV and looking sideways at the wine box. Bloody drunken lot, if you ask me.” He was still looking at Carla.
“And they didn’t see anything?” He knew what the answer would be.
“Saw nothing, heard nothing.”
“The pathologist says it was the same weapon. The same assegai as the previous murders.”
“Okay,” said Keyter.
“Did you ask about Bothma? What she’s like?”
“Oh, no. We already know.”
He let that go. He didn’t want to say something in front of the children.
“So,” said Keyter to Carla. “What do you do?”
“I’m writing matric.”
“Okay,” he said. “I get it.”
“What?” she asked.
“If I give you a rand, will you phone me when you’re finished.”
“In your dreams,” she said. “And what is your problem anyway?”
“My problem?”
“Greens? Only racists say things like that.”
“I haven’t got a racist hair on my head.”
“Yeah, right.”
Griessel had been busy with his thoughts. He missed this exchange. “Do me a favor, Jamie.”
“Okay, Benny.”
“The file on Cheryl Bothma, the daughter. Find out who’s handling that.”
“I thought you talked to them yesterday?”
“I only talked to the guys who dealt with the assegai murders. I’m talking about the case of the child. When they arrested Laurens.”
“I get it.”
“Please.”
“No, I mean I know which one you mean. But what’s the use?”
“Something is not right with this thing. I don’t know what. Yesterday Bothma . . .”
“But the pathologist said it’s the same guy?”
“I’m not talking about the murder of Laurens. I’m talking about the murder of the child.”
“But that’s not our case.”
“It’s our job.”

* * *

“He’s weird,” said Carla when they eventually got rid of Keyter.
“He’s a
drol,
” Fritz called down the stairs.
“Fritz!” said Griessel.
“I could use a ruder word, Dad.”
“But where does he get the money?” asked Carla.
“What money?”
“Didn’t you notice, Dad? The clothes. Polo shirt, Daniel Hechter trousers. Nikes.”
“Who’s Daniel Hechter?”
“He’s married to Charlize Theron, Dad!” yelled Fritz from upstairs. “But he’s not a murderer.”
For the first time Carla laughed and then Griessel laughed with her.

* * *

In the Ocean Basket in Kloof Street, while they waited for their food, Carla asked him about the Artemis case. He suspected that was her way of avoiding the silences. Out of the blue, in the middle of the discussion, she asked: “Why did you become a policeman, Dad?”
He had no ready answer. He hesitated and saw Fritz look up from the magazine and knew he had to get this right. He said, “Because that is who I am.”
His son raised an eyebrow.
Griessel rolled his shoulders. “I just knew I was a policeman. Don’t ask me why. Everyone has a vision of himself. That is how I saw myself.”
“I don’t see myself,” said Fritz.
“You’re still young.”
“I’m sixteen.”
“It will come.”
“I am not a policeman. And besides, I’m not going to drink. Policemen drink.”
“Everyone drinks.”
“Policemen drink more.”
And with that he went back to his magazine and took no further part in the conversation. Until they had eaten and Griessel asked Carla casually if she knew an Afrikaans song with the words:
“ ’n Bokkie wat vanaand by my kom le a, sy kan maar le a, ek is ’n loslappie.”
A babe who wants to lie with me tonight, can lie with me, I’m free and easy.
She was still pointing her thumb at her brother when Fritz, without looking up, asked: “What recording?”
“I don’t know, I just heard it the other night over the radio.”
“Was it a medley or a whole song?”
“A whole song.”
“Kurt Darren,” said Fritz.
Griessel had no idea who Kurt Darren was but he wasn’t going to admit it. He didn’t need another Charlize Theron quip.
“Kurt Darren needs to get himself a decent bass guitarist,” said Griessel.
Something changed in his son’s face. It was as if the sun came up. “Yeah right, that’s right, his whole mix is wrong. It’s an ancient song, but it has to rock. Theuns Jordaan does it better. He’s the guy who does the medley with
‘Loslappie,’
but he’s just as scared of proper bass. There is only one oke in Afrikaans who makes good use of bass, but he doesn’t sing that song. It’s a helluva pity.”
“Who’s that?”
“Anton Goosen.”
“I know Anton Goosen,” said Griessel with relief. “He’s the guy who sang that thing about the donkey cart?”
“A donkey cart?”
“Yes, what was the name of the song?
Kruidjie-roer-my-nie?
”
“That’s like, a hundred years ago, Dad,” said Fritz in amazement. “The Goose doesn’t sing stuff like that anymore. He rocks now. He’s got the Bushrock Band.”
“Unbelievable.”
“No, you know what’s really unbelievable, Dad? The guy who plays bass for the Bushrock Band is the same guy who backed Theuns Jordaan with his
‘Loslappie’
medley. And he had Anton L’Amour on lead, but Theuns is too middle-of-the-road. Not bad, but he doesn’t want to rock. He doesn’t want to badass. Diff-olie is badass. And . . .”
“Diff-olie?”
“Yes. And—”
“Diff oil is the name of a
band?
”
“With all due respect, how long were you drunk, Dad? There’s Diff-olie and Kobus and Akkedis and Battery 9 and Beeskraal and Valiant Swart and they all kick butt. There’s every type of rock in Afrikaans now, from heavy metal to Country. But you have to listen to Anton live in concert if you want to hear bass and genuine rock. Anton likes heavy bass, he turns it on. The only downside of that concert is the flippin’ audience.”
“The flippin’ audience?”
“Yup. That will teach the Goose to play in the State Theater. They did this awesome rock and instead of the people going ape, they clapped. I ask you. It’s not a flippin’ school concert, it’s rock, but they gave him these self-conscious ovations. Flippin’ Pretoria.”
“Mister Boere Rock,” said Carla, and cast her eyes up to heaven.
“It’s better than that Leonard Cohen crap that
you
listen to.”
Griessel was beginning to form a reproof when he began to laugh. He couldn’t help himself and he knew why: he was in total agreement with his son.
When he had stopped laughing Fritz said, more to himself than to Griessel: “That’s the one way I see myself.”
“How?”
“Bass guitarist.”
“For Karen Zoid, I suppose,” said his sister.
He pulled up his nose at Carla. “Only the uninformed think she’s into rock only. You read too much
You
magazine. Zoid is closet ballad queen, not a rock chic. But she
is
awesome and that’s a fact.”
“And you have an enormous crush on her.”
“No,” said Fritz with regret. “Karen is spoken for.” Then he turned to his father. “So you like bass too, Dad?”
“A little,” said Griessel. “A little.”

* * *

Cloete phoned again when they were on their way to Brackenfell.
“I thought you had a thing about the media, Benny.”
“What?”
“Last night. Then it was ‘vultures’ and ‘tell them to go to hell’ and this morning I see you prefer to speak to them direct.”
“What are you talking about?”
“Front page of the
Rapport,
Benny. Front fucking page: ‘A source close to veteran Detective Inspector Benny Griessel of the Peninsula Unit for Serious and Violent Crimes (SVC) says that the team is still investigating the possibility that the vigilante was not responsible for the murder of Laurens.’ I know I didn’t fucking say that.”
“I did not f . . .” He realized the children were in the car with him. “It wasn’t me.”
“Must have been the ghost girl of Uniondale.”
“I’m telling you, it wasn’t me . . .” Then he fell silent because he knew who it was. Biceps Keyter. That’s who.
“Doesn’t matter. Thing is, the dailies want a follow-up, because everyone has an opinion now. Even the politicians. The DP says the ANC is to blame, the Death Penalty Party say it’s the voice of the people and the
Sunday Times
ran an opinion poll and seventy-five per cent of the nation say the assegai man is a hero.”
“Jissis.”
“Now the dailies are phoning me like crazy. So I thought, while you’re doing my job, you can handle the inquiries yourself.”
“I told you, Cloete, it wasn’t me.”
Cloete was quiet for a moment, then asked, “What’s new?”
“Since yesterday?”
“Yes.”
“Nothing.”
“Benny, you have to give me something. The dailies want blood.”
“One thing, Cloete, but you have to clear it with Matt Joubert.”
Cloete said nothing.
“Do you hear?”
“I hear.”
“We were with the commissioner last night. The plan is to put together a task team tomorrow. We’re bringing people in from the stations.”
“To do what?”
“I’m not telling the press that.”
“That’s fuck-all, Benny. A task team. So what?”
“Talk to Joubert.”
“I prefer to talk to the source close to veteran Detective Inspector Benny Griessel,” said Cloete, and put the phone down in his ear.
“What was that all about?” asked Fritz from the back.
“The media,” said Benny and sighed.
“They’re like a bunch of hyenas,” said Fritz.
“Vultures,” said Griessel.
“Yup,” said Fritz. “When there’s a carcass they start circling.”
He dropped them off at his wife’s at three minutes to six. Fritz said: “Hang on just a minute,” and jumped out of the car.
“It was a lovely day, Dad,” said Carla and hugged him.
“It was,” he said.
“Bye, Dad. See you next week.”
“Bye, my child.”
She got out and went into the house. Fritz came out of the door with an object in his hand. He came up to Griessel’s window and held it out.
Griessel took it. It was a CD case. Anton & Vrinne & Die Bushrockband. Anton & Friends & the Bushrockband.
“Enjoy,” said Fritz.