Delphi Poetry Anthology: The World's Greatest Poems (Delphi Poets Series Book 50) (314 page)
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Authors: Homer,William Shakespeare
Walt Whitman (1819–1892)
WHO are you dusky woman, so ancient hardly human,
With your woolly-white and turban’d head, and bare bony feet?
Why rising by the roadside here, do you the colors greet?
(’Tis while our army lines Carolina’s sands and pines,
Forth from thy hovel door thou Ethiopia com’st to me,
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As under doughty Sherman I march toward the sea.)
Me master years a hundred since from my parents sunder’d,
A little child, they caught me as the savage beast is caught,
Then hither me across the sea the cruel slaver brought.
No further does she say, but lingering all the day,
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Her high-borne turban’d head she wags, and rolls her darkling eye,
And courtesies to the regiments, the guidons moving by.
What is it fateful woman, so blear, hardly human?
Why wag your head with turban bound, yellow, red and green?
Are the things so strange and marvelous you see or have seen?
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List of Poems in Alphabetical Order
List of Poets in Alphabetical Order
Walt Whitman (1819–1892)
AN old man bending I come among new faces,
Years looking backward resuming in answer to children,
Come tell us old man, as from young men and maidens that love me,
(Arous’d and angry, I’d thought to beat the alarum, and urge relentless war,
But soon my fingers fail’d me, my face droop’d and I resign’d myself,
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To sit by the wounded and soothe them, or silently watch the dead;)
Years hence of these scenes, of these furious passions, these chances,
Of unsurpass’d heroes (was one side so brave? the other was equally brave;)
Now be witness again, paint the mightiest armies of earth,
Of those armies so rapid so wondrous what saw you to tell us?
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What stays with you latest and deepest? of curious panics,
Of hard-fought engagements or sieges tremendous what deepest remains?
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O maidens and young men I love and that love me,
What you ask of my days those the strangest and sudden your talking recalls,
Soldier alert I arrive after a long march cover’d with sweat and dust,
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In the nick of time I come, plunge in the fight, loudly shout in the rush of successful charge,
Enter the captur’d works — yet lo, like a swift-running river they fade,
Pass and are gone they fade — I dwell not on soldiers’ perils or soldiers’ joys
(Both I remember well — many the hardships, few the joys, yet I was content).
But in silence, in dreams’ projections,
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While the world of gain and appearance and mirth goes on,
So soon what is over forgotten, and waves wash the imprints off the sand,
With hinged knees returning I enter the doors (while for you up there,
Whoever you are, follow without noise and be of strong heart).
Bearing the bandages, water and sponge,
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Straight and swift to my wounded I go,
Where they lie on the ground after the battle brought in,
Where their priceless blood reddens the grass, the ground,
Or to the rows of the hospital tent, or under the roof’d hospital,
To the long rows of cots up and down each side I return,
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To each and all one after another I draw near, not one do I miss,
An attendant follows holding a tray, he carries a refuse pail,
Soon to be fill’d with clotted rags and blood, emptied, and fill’d again.
I onward go, I stop,
With hinged knees and steady hand to dress wounds,
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I am firm with each, the pangs are sharp yet unavoidable,
One turns to me his appealing eyes — poor boy! I never knew you,
Yet I think I could not refuse this moment to die for you, if that would save you.
On, on I go, (open doors of time! open hospital doors!)
The crush’d head I dress (poor crazed hand tear not the bandage away),
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The neck of the cavalry-man with the bullet through and through I examine,
Hard the breathing rattles, quite glazed already the eye, yet life struggles hard
(Come sweet death! be persuaded O beautiful death!
In mercy come quickly).
From the stump of the arm, the amputated hand,
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I undo the clotted lint, remove the slough, wash off the matter and blood,
Back on his pillow the soldier bends with curv’d neck and side-falling head,
His eyes are closed, his face is pale, he dares not look on the bloody stump,
And has not yet look’d on it.
I dress a wound in the side, deep, deep,
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But a day or two more, for see the frame all wasted and sinking,
And the yellow-blue countenance see.
I dress the perforated shoulder, the foot with the bullet-wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive,
While the attendant stands behind aside me holding the tray and pail.
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I am faithful, I do not give out,
The fractur’d thigh, the knee, the wound in the abdomen,
These and more I dress with impassive hand (yet deep in my breast a fire, a burning flame).
Thus in silence in dreams’ projections,
Returning, resuming, I thread my way through the hospitals,
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The hurt and wounded I pacify with soothing hand,
I sit by the restless all the dark night, some are so young,
Some suffer so much, I recall the experience sweet and sad,
(Many a soldier’s loving arms about this neck have cross’d and rested,
Many a soldier’s kiss dwells on these bearded lips).
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List of Poems in Alphabetical Order
List of Poets in Alphabetical Order
Give Me the Splendid Silent Sun
Walt Whitman (1819–1892)
GIVE me the splendid silent sun with all his beams full-dazzling,
Give me juicy autumnal fruit ripe and red from the orchard,
Give me a field where the unmow’d grass grows,
Give me an arbor, give me the trellis’d grape,
Give me fresh corn and wheat, give me serene-moving animals teaching content,
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Give me nights perfectly quiet as on high plateaus west of the Mississippi, and I looking up at the stars,
Give me odorous at sunrise a garden of beautiful flowers where I can walk undisturb’d,
Give me for marriage a sweet-breath’d woman of whom I should never tire,
Give me a perfect child, give me away aside from the noise of the world a rural domestic life,
Give me to warble spontaneous songs recluse by myself, for my own ears only,
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Give me solitude, give me Nature, give me again O Nature your primal sanities!
These demanding to have them (tired with ceaseless excitement, and rack’d by the war-strife),
These to procure incessantly asking, rising in cries from my heart,
While yet incessantly asking still I adhere to my city,
Day upon day and year upon year O city, walking your streets,
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Where you hold me enchain’d a certain time refusing to give me up,
Yet giving to make me glutted, enrich’d of soul, you give me forever faces;
(Oh I see what I sought to escape, confronting, reversing my cries,
I see my own soul trampling down what it ask’d for).
Keep your splendid silent sun,
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Keep your woods O Nature, and the quiet places by the woods,
Keep your fields of clover and timothy, and your corn-fields and orchards,
Keep the blossoming buckwheat fields where the Ninth-month bees hum;
Give me faces and streets — give me these phantoms incessant and endless along the trottoirs!
Give me interminable eyes — give me women — give me comrades and lovers by the thousand!
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Let me see new ones every day — let me hold new ones by the hand every day!
Give me such shows — give me the streets of Manhattan!
Give me Broadway, with the soldiers marching — give me the sound of the trumpets and drums!
(The soldiers in companies or regiments — some starting away, flush’d and reckless,
Some, their time up, returning with thinn’d ranks, young, yet very old, worn, marching, noticing nothing;)
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Give me the shores and wharves heavy-fringed with black ships!
O such for me! O an intense life, full to repletion and varied!
The life of the theatre, bar-room, huge hotel, for me!
The saloon of the steamer! the crowded excursion for me! the torchlight procession!
The dense brigade bound for the war, with high piled military wagons following;
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People, endless, streaming, with strong voices, passions, pageants,
Manhattan streets with their powerful throbs, with beating drums as now,
The endless and noisy chorus, the rustle and clank of muskets (even the sight of the wounded),
Manhattan crowds, with their turbulent musical chorus!
Manhattan faces and eyes forever for me.
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List of Poems in Alphabetical Order
List of Poets in Alphabetical Order
Walt Whitman (1819–1892)
O CAPTAIN! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
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O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
O Captain! my Captain! rise up and hear the bells;
Rise up — for you the flag is flung — for you the bugle trills,
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For you bouquets and ribbon’d wreaths — for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
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You’ve fallen cold and dead.
My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
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Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
List of Poems in Alphabetical Order
List of Poets in Alphabetical Order
When Lilacs Last in the Dooryard Bloom’d
Walt Whitman (1819–1892)
WHEN lilacs last in the dooryard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d, and yet shall mourn with ever-returning spring.
Ever-returning spring, trinity sure to me you bring,
Lilac blooming perennial and drooping star in the west,
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And thought of him I love.
O powerful western fallen star!
O shades of night — O moody, tearful night!
O great star disappear’d — O the black murk that hides the star!
O cruel hands that hold me powerless — O helpless soul of me!
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O harsh surrounding cloud that will not free my soul.
In the dooryard fronting an old farm-house near the white-wash’d palings,
Stands the lilac-bush tall-growing with heart-shaped leaves of rich green,
With many a pointed blossom rising delicate, with the perfume strong I love,
With every leaf a miracle — and from this bush in the dooryard,
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With delicate-color’d blossoms and heart-shaped leaves of rich green,
A sprig with its flower I break.
In the swamp in secluded recesses,
A shy and hidden bird is warbling a song.
Solitary the thrush,
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The hermit withdrawn to himself, avoiding the settlements,
Sings by himself a song.
Song of the bleeding throat,
Death’s outlet song of life (for well dear brother I know,
If thou wast not granted to sing thou would’st surely die).
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Over the breast of the spring, the land, amid cities,
Amid lanes and through old woods, where lately the violets peep’d from the ground, spotting the gray débris,
Amid the grass in the fields each side of the lanes, passing the endless grass,
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprisen,
Passing the apple-tree blows of white and pink in the orchards,
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Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.
Coffin that passes through lanes and streets,
Through day and night with the great cloud darkening the land,
With the pomp of the inloop’d flags with the cities draped in black,
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With the show of the States themselves as of crape-veil’d women standing,
With processions long and winding and the flambeaus of the night,
With the countless torches lit, with the silent sea of faces and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn,
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With all the mournful voices of the dirges pour’d around the coffin,
The dim-lit churches and the shuddering organs — where amid these you journey,
With the tolling tolling bells’ perpetual clang,
Here, coffin that slowly passes,
I give you my sprig of lilac.
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(Nor for you, for one alone,
Blossoms and branches green to coffins all I bring,
For fresh as the morning, thus would I chant a song for you
O sane and sacred death.
All over bouquets of roses,
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O death, I cover you over with roses and early lilies,
But mostly and now the lilac that blooms the first,
Copious I break, I break the sprigs from the bushes,
With loaded arms I come, pouring for you,
For you and the coffins all of you O death.)
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O western orb sailing the heaven,
Now I know what you must have meant as a month since I walk’d,
As I walk’d in silence the transparent shadowy night,
As I saw you had something to tell as you bent to me night after night,
As you droop’d from the sky low down as if to my side (while the other stars all look’d on),
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As we wander’d together the solemn night (for something I know not what kept me from sleep),
As the night advanced, and I saw on the rim of the west how full you were of woe,
As I stood on the rising ground in the breeze in the cool transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul in its trouble dissatisfied sank, as where you sad orb,
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Concluded, dropt in the night, and was gone.
Sing on there in the swamp,
O singer bashful and tender, I hear your notes, I hear your call,
I hear, I come presently, I understand you,
But a moment I linger, for the lustrous star has detain’d me,
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The star my departing comrade holds and detains me.
O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be for the grave of him I love?
Sea-winds blown from east and west,
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Blown from the Eastern sea and blown from the Western sea, till there on the prairies meeting,
These and with these and the breath of my chant,
I’ll perfume the grave of him I love.
O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
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To adorn the burial-house of him I love?
Pictures of growing spring and farms and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air,
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific,
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In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there,
With ranging hills on the banks, with many a line against the sky, and shadows,
And the city at hand with dwellings so dense, and stacks of chimneys,
And all the scenes of life and the workshops, and the workmen homeward returning.
Lo, body and soul — this land,
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My own Manhattan with spires, and the sparkling and hurrying tides, and the ships,
The varied and ample land, the South and the North in the light, Ohio’s shores and flashing Missouri,
And ever the far-spreading prairies cover’d with grass and corn.
Lo, the most excellent sun so calm and haughty,
The violet and purple morn with just-felt breezes,
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The gentle soft-born measureless light,
The miracle spreading bathing all, the fulfill’d noon,
The coming eve delicious, the welcome night and the stars,
Over my cities shining all, enveloping man and land.
Sing on, sing on you gray-brown bird,
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Sing from the swamps, the recesses, pour your chant from the bushes,
Limitless out of the dusk, out of the cedars and pines.
Sing on dearest brother, warble your reedy song,
Loud human song, with voice of uttermost woe.
O liquid and free and tender!
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O wild and loose to my soul — O wondrous singer!
You only I hear — yet the star holds me (but will soon depart),
Yet the lilac with mastering odor holds me.
Now while I sat in the day and look’d forth,
In the close of the day with its light and the fields of spring, and the farmers preparing their crops,
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In the large unconscious scenery of my land with its lakes and forests,
In the heavenly aerial beauty (after the perturb’d winds and the storms),
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides, and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
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And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages,
And the streets how their throbbings throbb’d, and the cities pent — lo, then and there,
Falling upon them all and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail,
And I knew death, its thought, and the sacred knowledge of death.
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Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
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To the solemn shadowy cedars and ghostly pines so still.
And the singer so shy to the rest receiv’d me,
The gray-brown bird I know receiv’d us comrades three,
And he sang the carol of death, and a verse for him I love.
From deep secluded recesses,
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From the fragrant cedars and the ghostly pines so still,
Came the carol of the bird.
And the charm of the carol rapt me,
As I held as if by their hands my comrades in the night,
And the voice of my spirit tallied the song of the bird.
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Come lovely and soothing death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later delicate death.
Prais’d be the fathomless universe,
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For life and joy, and for objects and knowledge curious,
And for love, sweet love — but praise! praise!
For the sure-enwinding arms of cool-enfolding death.
Dark mother always gliding near with soft feet,
Have none chanted for thee a chant of fullest welcome?
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Then I chant it for thee, I glorify thee above all,
I bring thee a song that when thou must indeed come, come unfalteringly.
Approach strong deliveress,
When it is so, when thou hast taken them I joyously sing the dead,
Lost in the loving floating ocean of thee,
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Laved in the flood of thy bliss O death.
From me to thee glad serenades,
Dances for thee I propose saluting thee, adornments and feastings for thee,
And the sights of the open landscape and the high-spread sky are fitting,
And life and the fields, and the huge and thoughtful night.
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The night in silence under many a star,
The ocean shore and the husky whispering wave whose voice I know,
And the soul turning to thee O vast and well-veil’d death,
And the body gratefully nestling close to thee.
Over the tree-tops I float thee a song,
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Over the rising and sinking waves, over the myriad fields and the prairies wide,
Over the dense-pack’d cities all and the teeming wharves and ways,
I float this carol with joy, with joy to thee O death.
To the tally of my soul,
Loud and strong kept up the gray-brown bird,
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With pure deliberate notes spreading filling the night.
Loud in the pines and cedars dim,
Clear in the freshness moist and the swamp perfume,
And I with my comrades there in the night.
While my sight that was bound in my eyes unclosed,
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As to long panoramas of visions.
And I saw askant the armies,
I saw as in noiseless dreams hundreds of battle-flags,
Borne through the smoke of the battles and pierc’d with missiles I saw them,
And carried hither and you through the smoke, and torn and bloody,
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And at last but a few shreds left on the staffs (and all in silence),
And the staffs all splinter’d and broken.
I saw battle-corpses, myriads of them,
And the white skeletons of young men, I saw them,
I saw the débris and débris of all the slain soldiers of the war,
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But I saw they were not as was thought,
They themselves were fully at rest, they suffer’d not,
The living remain’d and suffer’d, the mother suffer’d,
And the wife and the child and the musing comrade suffer’d,
And the armies that remain’d suffer’d.
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