Delphi Complete Works of George Eliot (Illustrated) (393 page)

BOOK: Delphi Complete Works of George Eliot (Illustrated)
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Sir James never ceased to regard Dorothea’s second marriage as a mistake; and indeed this remained the tradition concerning it in Middlemarch, where she was spoken of to a younger generation as a fine girl who married a sickly clergyman, old enough to be her father, and in little more than a year after his death gave up her estate to marry his cousin — young enough to have been his son, with no property, and not well-born. Those who had not seen anything of Dorothea usually observed that she could not have been “a nice woman,” else she would not have married either the one or the other.

Certainly those determining acts of her life were not ideally beautiful. They were the mixed result of young and noble impulse struggling amidst the conditions of an imperfect social state, in which great feelings will often take the aspect of error, and great faith the aspect of illusion. For there is no creature whose inward being is so strong that it is not greatly determined by what lies outside it. A new Theresa will hardly have the opportunity of reforming a conventual life, any more than a new Antigone will spend her heroic piety in daring all for the sake of a brother’s burial: the medium in which their ardent deeds took shape is forever gone. But we insignificant people with our daily words and acts are preparing the lives of many Dorotheas, some of which may present a far sadder sacrifice than that of the Dorothea whose story we know.

Her finely touched spirit had still its fine issues, though they were not widely visible. Her full nature, like that river of which Cyrus broke the strength, spent itself in channels which had no great name on the earth. But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.

 

 

THE END

DANIEL DEROND
A

 

Daniel Deronda
was first published in 1876. It was the last novel Eliot completed and the only one set in her contemporary Victorian society. Its mixture of social satire and moral searching, along with a sympathetic rendering of Jewish proto-Zionist and Kaballistic ideas has made it a controversial final statement of one of the greatest of Victorian novelists.

 

The first edition

CONTENTS

 

BOOK I. — THE SPOILED CHILD.

CHAPTER I.

CHAPTER II.

FANNY DAVILOW.

CHAPTER III.

CHAPTER IV.

CHAPTER V.

CHAPTER VI.

CHAPTER VII.

CHAPTER VIII.

CHAPTER IX.

CHAPTER X.

BOOK II — MEETING STREAMS.

CHAPTER XI.

CHAPTER XII.

CHAPTER XIII.

CHAPTER XIV.

CHAPTER XV.

CHAPTER XVI.

CHAPTER XVII.

CHAPTER XVIII.

BOOK III — MAIDENS CHOOSING.

CHAPTER XIX.

CHAPTER XX.

CHAPTER XXI.

CHAPTER XXII.

CHAPTER XXIII.

CHAPTER XXIV.

CHAPTER XXV.

CHAPTER XXVI.

CHAPTER XXVII.

BOOK IV — GWENDOLEN GETS HER CHOICE.

CHAPTER XXVIII.

H. M. GRANDCOURT.

THOMAS CRANMER LUSH.

CHAPTER XXIX.

CHAPTER XXX.

CHAPTER XXXI.

CHAPTER XXXII.

CHAPTER XXXIII.

CHAPTER XXXIV.

BOOK V. — MORDECAI.

CHAPTER XXXV.

CHAPTER XXXVI.

CHAPTER XXXVII.

CHAPTER XXXVIII.

CHAPTER XXXIX.

CHAPTER XL.

BOOK VI — -REVELATIONS

CHAPTER XLI.

CHAPTER XLII.

CHAPTER XLIII.

CHAPTER XLIV.

CHAPTER XLV.

CHAPTER XLVI.

CHAPTER XLVII.

CHAPTER XLVIII.

CHAPTER XLIX.

BOOK VII. — THE MOTHER AND THE SON

CHAPTER L.

TO MY SON, DANIEL DERONDA.

LEONORA HALM-EBERSTEIN.

CHAPTER LI.

CHAPTER LII.

HANS MEYRICK.

CHAPTER LIII.

CHAPTER LIV.

CHAPTER LV.

CHAPTER LVI.

CHAPTER LVII.

BOOK VIII. — FRUIT AND SEED.

CHAPTER LVIII.

CHAPTER LIX.

CHAPTER LX.

CHAPTER LXI.

CHAPTER LXII.

CHAPTER LXIII.

CHAPTER LXIV.

CHAPTER LXV.

CHAPTER LXVI.

CHAPTER LXVII.

CHAPTER LXVIII.

CHAPTER LXIX.

CHAPTER LXX.

 

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