Dead Horsemeat (18 page)

‘Not really, at this point. Aubert organised his trafficking through a company, Transitex, which I used to carry out a major property deal.’

Deluc pales slightly and the half-smile is wiped off his face, along with the irony.

‘Stop. I don’t want to hear any more. Our collaboration concerns property dealings. I helped out a brilliant developer, a bit of an entrepreneur. The sort of man we need to shake up officialdom, reshape
Paris and make it a European-class business capital. Occasionally bending the rules slightly, perhaps. The end justifies the means, as we used to say when I was young. But I’m not in any way involved with this drug trafficking business. And I don’t even want to hear about it.’

‘Cut out the fine talk about France’s best interests, Christian. This isn’t a party conference. I would put things a bit more simply. You’ve done me some huge favours, for which I’ve paid a very high price. But that’s not all. Aubert didn’t go down alone. Thirard was the number two in the ring, and he’s also been arrested, caught red-handed.

An abrupt silence. Deluc shudders. Thirard, the property investments in Chantilly, extremely compromising. Play for time. He takes a metal cigarette case out of his pocket. Slowly lights a cigarette. An Indian cigarette. He stares obstinately at the glowing tip.

‘There’s never been any question of drug trafficking between us.’

He looks up, meets Perrot’s insistent, steely gaze. Feels an unpleasant tightening around his heart.

‘Oh really? We met in Beirut, remember?’ A nod. ‘I wasn’t exactly rolling in it at the time. A warrant officer’s salary, no family, no inheritance. Seven years later, in Paris, I buy up half the Bastille district, mostly paid for in cash. Didn’t you wonder where the money came from?’ Silence. ‘And the suitcases I got you to carry for me? Cash again. Still no questions?’

Another silence. I knew it. I’ve always known that this had to happen one day, disaster… The waiters bring the desserts. Don’t lose your grip. Take this blow on the chin and do away with Perrot at the first opportunity.

‘What do you want from me?’

‘That’s better, now you’re being reasonable.’ The tone he uses to talk to the girls. Deluc doesn’t react. ‘Besides, I’m not asking much of you. I’ve taken my precautions, obviously. I sold off Transitex ages ago, legally too, there’s no way I can be implicated in the company’s activities. But my name is likely to come up in the Thirard case, and so is yours. And I want to avoid a zealous cop using it as an excuse to come and poke his nose in our business. You know as well as I do that it’s very complex and not always completely above board. In other words, delicate. This is what I want from you. The cop who arrested Aubert and Thirard is Superintendent Daquin, from the Paris Drugs Squad. He’s reputed to be
really tenacious. I’m asking you to have him taken off the case. They’ve got Aubert and Thirard, very clever, that’s enough. I’m not asking for the moon.’

Daquin. The same Superintendent who’d nabbed Olivier, and who dropped the case when he found out he was my son. A cop who has respect.

‘It can be done.’

‘I didn’t doubt it for a moment.’ Half-smile. His brown eyes cold and staring. ‘They’re waiting for you upstairs.’

In the bedroom, always the same one, Evita, sitting on a stool at a low table covered in beauty products, is applying her make-up with precise little dabs. Behind the table is a huge mirror. As soon as she sees him enter, she smiles and rises to greet him. In her high heels, she’s almost a head taller than him. Shoulder-length dark hair, heavily made-up chestnut eyes, blood-red bee-sting lips. Wearing a very short, clinging lamé dress with a plunging neckline and long sleeves that shows off her lovely shoulders, high breasts, slim hips and long legs sheathed in black, she has a beauty that turns heads. Standing in the doorway, Deluc lights one of his cigarettes.

Evita walks over to him and leads him over to the mirror, then undresses him as gently as if he were a baby. He surrenders, already thrilling to her touch. Once he’s naked, she hands him a white towelling bath robe. Welcome to the realm of love. He sits down on the stool and she kneels beside him. And starts applying make up to his face. Backcombs his hair, a squirt of hair spray. Rubs cream into his hands, massages his face, fingers light on his eyelids, his temples, cheeks and neck. He feels the muscles around his eyes and mouth relax one by one. Bliss. In front of her, a palette of fifteen or so colours, tubes, an arsenal of brushes. She begins with his eyes. Darkens the lashes, paints his eyelids. Uses white to distance the eyes from the nose, a line to make them look bigger, blue to make his gaze more intense. She stops to contemplate her work. Deluc takes on a different persona.

Evita dabs foundation over his whole face with a sponge. Then she applies her brushes to smooth away the wrinkles, fill out his cheeks, soften the wings of his nose and his jaw. She redraws the shape of his eyebrows, thinner, lighter. Deluc likes this calm face. There’s still the mouth. With a
brush she thickens his almost non-existent upper lip, gets rid of his twisted smile, paints his mouth a screaming, triumphant red. A shoulder-length chestnut wig, the same colour as her own hair, fringe. Then she adds the finishing touches, softening the effect with a powder puff. Fondles, caresses, whispered promises.

She takes his hand and leads him over to the big square bed covered in a huge white duvet. He lies on his back, his bath robe open. Above the bed is a mirror; he contemplates the reflection of his naked body for a moment and begins to float. Evita, standing before him, undresses. With a gesture she unzips her dress which crumples at her feet, a pair of pneumatic breasts, with small, hard, dark nipples. She steps out of her shoes, removes her black tights and G-string. A penis, pubic hair meticulously plucked.

She comes and lies down beside Deluc. More sighs and whispers. He buries his face in her voluminous breasts, which loll from side to side, frenziedly grabbing her penis. She caresses him much more gently. Kisses, caresses all over. A magic moment, fulfilment, two bodies become one, with four arms and legs, passionately caressing itself. Evita slips a condom on him and he eventually takes her. She always hurries him a little at this point, he can’t hold out any longer. His real pleasure is before, and he would like to draw it out longer.

Then, lying on his back, his arms folded, Deluc contemplates, between the white of the bed and his reflection in the mirror on the ceiling, his elongated slender body, like that of an adolescent, his slightly hazy, slightly careworn vamp’s face. The image spins, revolves, no more inner tension, no more space, no more time, a slow, nebulous drifting sensation, his body feels liberated.

He rises, and returns to the vertical, a little unsteady. Evita is in the bathroom, washing and dressing. He comes and sits in front of the big mirror, and begins to remove his make-up. The ritual of the descent, before landing, bringing with it regrets, a fleeting shame, the tensions and anxiety come flooding back. Much worse this time than usual. Perrot’s caught up with me. When he closes his eyes, he distinctly hears Perrot say:
‘That’s better, now you’re being reasonable’
. As if talking to a girl. He opens his eyes. There, in the mirror, staring back at him, is Perrot’s face, his cold, staring brown eyes. And a contemptuous smile. A surge of adrenalin and fury. Grabs a big pot of cream and hurls it at the face in the mirror, which
cracks and shatters in a shower of dazzling stars. Deluc will never remember the noise it made. On the bare wall facing him is the lens of a camera.

A pleasant awakening. It’s already late morning. A grey light, drizzle, body aching slightly. Today, he can take his time. A long, hot bath, images from last night floating around his head. Fascinating, the packets of cocaine that Le Dem delivered, one by one, from the mares’ wombs. Then a cold power shower. And the shaving ritual, the whole works, since he’s in no hurry. A long, supple shaving brush, English soap, and the best razor in the collection, a Swedish-made open razor. The silky caress of the steel on his skin, the precision and tension of the gesture, no room for error. This face and this body suit him.

And then, a carefully prepared breakfast. Frothy eggs scrambled over a bain-marie, and a very fresh goat’s cheese with bread, washed down with steaming coffee, a whole pot. Daquin eats lounging on the sofa, his feet on the coffee table, flicking through yesterday’s papers. Fancies a fuck. A few precise images of certain lovers’ bodies, an especially tender gesture or caress. Need to go cruising. But for the time being, he’s got to go down to the Drugs Squad headquarters. A whole day of work ahead of him, in the office, in the utmost calm. Go through the files, read the statements carefully. Don’t overlook a thing, think, plan the next stage. A fresh pot of coffee. Good.

By evening, the rain has stopped, the whole city plunges from greyness into night. Leaning on the parapet of the embankment, he watches the Seine flowing past, dark and peaceful. Once again, like this morning, desire. For life, for sex.

The Marais district isn’t far. Barely more than five minutes on foot. He turns into a narrow little street between ancient buildings, full of memories like a familiar garment. The tarmac is drying out. Young men and women, mainly men, amble around amid the lit-up shops, shady bars and cafés spilling onto the pavements. The occasional burst of music. Dreadful music, but it’s part of the scene. Gorgeous boys walk in the middle of the road, tantalising arses and bright eyes, all attainable, all anonymous. Daquin walks behind a tall, slender fair-haired guy, tight
sweater, hip-hugging jeans, with a slit below the buttocks. Couldn’t be more explicit. The outline of a pack of condoms discernible in his back pocket. His shoulders sway as he walks, exchanging greetings, smiles and banter with various people. A regular. Daquin slowly draws closer.

Ten minutes later they are together, leaning on the bar of a dark, overcrowded café, having a drink: Daquin a margarita, and the fair-haired Adonis – ‘My name’s Michel’ – fine features, huge eyes, delightfully calm and available, a rum.

Daquin slips his hand inside the slit jeans, feels his way to the inner thigh. A burning in his belly. Kisses the velvety base of his neck. Discovers the taste of his skin, a faint citrusy tang, or is it the margarita? His lips move very slowly round to the corner of Michel’s mouth. Not yet. Take his time, prolong the ache of desire until it becomes almost unbearable. And then, the cool lips under his tongue, the warm mouth. The ever new thrill of chance and discovery.

A few drinks later, Michel: ‘A friend has lent me a studio flat just around the corner. Shall we go there?’

A small apartment on the top floor of a seventeenth-century building, exposed beams, white walls. Daquin slides his hands inside the tight sweater, smooth, narrow chest, nipples tautening at his touch. Removes the sweater, then pulls Michel by his jeans belt, has him kneel on the big bed in a dark wood frame with a white crotchet cotton bedspread. Undoes the buttons, one by one, very slowly, to reveal the paler skin on his stomach, feels a pang, the curly tuft rough to the touch, the pubes of a fair-haired man, sparser than usual. Slips the jeans down over his hips, then down his long, slightly too slender legs, which feel hard under the curly down that electrifies the palms of his hands.

Michel now completely naked on the bed, golden as warm bread. So happy to be gazed at, admired, caressed and licked. Your pleasure kindles mine. You are the one I’ve dreamed of.

On arriving at his office on Monday morning, Daquin finds a note:
Urgent. The director wants to see you
. Immediately on the defensive.

And in fact the atmosphere is decidedly frosty. Daquin sits down, ensconces himself in the armchair and waits. The director opens fire.

‘A remarkable investigation. Bravo.’

Daquin, slightly taken aback.

‘You haven’t had my report yet.’

‘But I expect to receive it later today. Don’t forget we have a press conference on Transitex this evening.’

‘I’ll be ready.’

‘I wanted to see you before you finished writing this report of yours, to ask you to be discreet concerning Perrot. He’s the biggest property developer in the Paris marketplace, and it would be better if his name didn’t appear. Especially of course in front of the press.’

Daquin is flabbergasted. He thinks I’m mentally incompetent.

‘Perrot has already been mentioned in my earlier reports.’

‘What’s done is done. I’m talking about the report you’re about to write.’

So the intervention from on-high is recent, probably today. Say something.

‘Is that your opinion sir, or that of the Minister?’

‘It’s not an opinion, Daquin, it’s an order. That should be enough.’

‘It’s enough, Sir.’

Daquin rises and takes his leave.

Daquin goes back up to his office, where his entire team is waiting in a mood of elation.

‘The director of the Drugs Squad congratulates you all on the Transitex case…’ A pause. ‘…which he now considers closed.’

What an anticlimax. Daquin silences Lavorel with a gesture.

‘I don’t want to hear you, Lavorel, I know what you’re going to say. As our activities are going to slow down considerably, I suggest that Amelot, Berry and Le Dem make up for their lost days off. Lavorel and Romero will stay with me today to help me write our final report. And we’ll meet back here in one week.’

Le Dem and the new boys move into the neighbouring office to gather their belongings. Daquin remains silent, listening to the noises from next door. The door closes. Footsteps in the corridor. Then a knock on the communicating door.

‘Come in.’

Le Dem, beetroot. Daquin smiles at him.

‘What do you want?’

‘I’m not bothered about taking days off…’

‘What next?’

‘I consider myself as part of your team, on a par with Lavorel and Romero.’

‘You may find yourself involved in something that’s going to get very messy.’

‘I’m sure.’

‘Well, sit down. Here’s the truth. Our investigation has been halted by the director, on orders that come from higher up, but I don’t know where, because someone’s protecting Perrot.’