Dancer of Gor (2 page)

what might be the nature of the startling organic whole, if it existed, the natural relationship, if (pg. 13) there should be such, in which they figured. I wondered what might possibly be the complement in nature to these overwhelming, undeniable, persistent things within me, which had so distressed and troubled me, which now so obsessed me, which caused me such anguish, these irresistible calls and cries within me, the agonizing needs I felt, and I shuddered. I looked in the mirror. How brazen she was to see herself in such a garment! I wondered how she might look, so clad, or perhaps in less, to a man. Suddenly she seemed small, and beautiful, and so vulnerable, and inutterably desirable. I sensed then what might be the nature of the complement in nature to my needs, what might be their flower, their sea, their carnivore, and I stood there terrified, sensing the imperiousness of that complement, its power, its uncompromising ferocity, what it might be to be its object, and knowing that if it existed it would have its way and be absolutely served.

How pleased I was, then, that surely no such complement could exist, that I was safe. I had nothing to fear.

I continued to look at the girl in the mirror. She was exquisite, I thought. She is beautiful, I thought, standing there in the brief silk, in the candlelight, so softly revealed. I had not realized she was so beautiful. I had never seen her before, it seemed, thusly, I had not guessed how marvelous she might be. Yes, it is fortunate that men such as those in my dreams do not exist. I thought, for what then, beauty, would be your fate at their hands? I considered what I might look like, with a chain on my neck. Such men, I thought, would take few chances of losing you, Doreen. Doubtless you would be kept in superb custody, if even the least sort of escape were remotely conceivable. I wonder if you would learn quickly to serve them well, according to their tiniest caprices. Yes, I thought, I would learn quickly and well. It would not be pleasant to feel their whips. I wept then, again, wondering if perhaps I had not been born elsewhere, perhaps time and time again, in other times, if I had not lived in Egypt or Sumer, or Chaldea, in rocky Hellas, or verdant Sybaris or bustling Miletus, if I had not been kept in the great palace in Persepolis, if I might not have seen Alexander, kneeling to him as a Persian slave, if I might not, a barbarian girl, have entered Rome in chains, herded before the chariot of a general, gracing with others his triumph, if I might not, as a Moslem girl, have served Crusaders in some remote fortress, or, as a Christian slave, found myself shamelessly exhibited and sold in an Arab market, thence to be taught to dance for masters.

Then I put such thoughts from my head. I did not think the (pg. 14) explanation for my needs, the mysterious things within me, which were so different from what I had been taught, could be so complex, or simple, as racial memories, or the memories of individuals whom I might have been in other places and times. They were rather, I suspected, though I could not know, a simple heritage of my sex, but there was this to be said, had I lived in another place or time I might perhaps have found female fulfillments which, categorically, it seemed, were to be denied to me in my present world, the neuteristic, anonymous world, so inimical to individuality and love, in which I found myself a prisoner of time and circumstance.

I looked into the mirror, and smiled. To be sure, I thought, perhaps you were once an Irish girl tied between the benches of a Viking ship, bound for Iceland, or a pale, prim English lady carried to Barbary, in 1802, who will be taught to feel, and serve dark masters in helpless ecstasy, but perhaps, too, you were not. That was she, and not really you. But who are you? Is there a ship somewhere that will come for you? Are the chains forged that will bind your limbs? Is there an iron, somewhere, waiting to be heated, which will mark your body? Is there a collar, somewhere, unknown to you, that you will someday know well, because it had been locked on your neck? I wonder. You are beautiful. I do not think men would be patient with you. They would want superb service, with no hesitation or compromise. You are that beautiful. Be pleased that men do not exist such as in your dreams, Doreen, for in their power, and in their arms, you would be raped, humiliated and unspeakable degraded. You do not know, responding helplessly to them, what they might make you, what you might become, I laughed, scornfully. What you might become? How pretentious you are! Do you think I do not know you, who you are, and what you are? Perhaps what you are is hidden from all the world, but it is not hidden from me! I know you, and what you are! Speak honestly or be beaten! What you might become, indeed! What you might become, I retorted, you already know in your heart, and know it fully well, you petty, lovely hypocrite, you already are!

The girl in the mirror looked startled, and then pouting, and angry.

"Is it not true?" I challenged her.

"Yes!" she sobbed. "It is true!"

"Are you not rather burdensomely garbed?" I asked.

She drew off the tiny bit of silk. I watched her in the mirror. "You may dance," I told her.

(pg. 15) She looked at me, defiantly.

"You want to dance," I told her. "Dance."

I then, startled, saw her, myself, in the mirror. "Who are you?' I asked, "Who taught you to move like that? Where did you come from? Can you be truly Doreen? You are not Doreen as I have seen her before. Are you I? Are we the same? Surely that cannot be I! No one showed you such a dance! Has there been such a dance lurking in you all this time? Can we be the same? Surely that cannot be! Surely I must stop! You are the Doreen I must conceal, the Doreen whom I must, whatever be the cost or anguish, never permit to be seen, or even suspected! You are the Doreen I must deny. You are the Doreen I must hide! Yet you are my true self. I know that! It is my true self then that I must deny, and hide!"

I watched her.

"You bitch!" I chided her. "You brazen bitch! You meaningless, brazen little bitch!"

I watched. How shameless, how meaningless, how terrible, how worthless she was, that girl in the mirror, that writhing, astounding, uncontrollably sensuous little bitch!

She continued to dance.

I saw that she was worthless indeed, worth less than the dirt beneath the feet of gods, but that, too, in her way, she possessed incredible riches and power, in her beauty and femaleness, and in her dance. In the sense in which a free person was priceless, she was worthless, but, too, in her way, I could see that she would have value, value as a pair of boots might have value or a dog. She was the sort of person who would have a finite, measurable value. She was the sort of woman on whom a fair price could be put.

I collapsed to the rug, naked. I felt its coarse nap on my thigh and side. I clutched my arms about myself. I drew my legs up. I was terrified. I wept. I could not understand what I had done, and seen. The girl in the mirror was now gone. We were now one. I trembled.

I lay there for better than an hour, I think, in the flickering shadows, naked, on the rug. I listened to the sounds from outside, mostly those of traffic. Eventually the tiny candle burned out.

2
     
The Dictionary

The book is her," I said, "on the bottom shelf."

"Get it," he said.

Never again, of course, had I dared to don the tiny silken garment. I would have been too terrified to have done so. It brought out things too deep and marvelous, too shameful and terrible, too precious and beautiful in me. But it remained with my things, in the dresser. Nonetheless my life had changed, somehow, in perspective or understanding, if not greatly in overt deed or obvious fact, that night when I had seem myself as I was, or might be, in the mirror, when I had come to incontrovertibly learn my true nature, a nature which must be forever denied, thwarted and frustrated, a nature that had no place in my world.

"Yes?" I had asked, looking up from behind the reference desk. My heart had almost stopped beating. He was large, and supple. His hands and arms, long arms, seemed powerful. He was dressed in a dark business suit, with a tie. There seemed, however, something subtly awry with this vesture. He did not seem at ease somehow in this garment. There seemed something alien about him, something foreign. What startled me most about him at first, I think, was his eyes, and how they looked at me. I was not certain I could fathom such a look, but it had terrified me. It was almost, I had inexplicably felt, as though his eyes could see through my clothing. Perhaps, I thought, such a man has looked on many women, and would have difficulty in conjecturing the general nature of my most intimate lineaments. In that instant I had felt, in effect, naked before him. and then he had lifted his head and was glancing about the room, as thought he might understand my apprehension at being beneath a (pg. 17) gaze such as him. "Yes?" I repeated, as pleasantly as I could, catching my breath. He looked back at me, swiftly, fiercely. He was not interested in my pretenses, my games. I quickly lowered my head, unable, somehow, to meet that gaze. It is difficult to explain this, but if you meet such a man, you will know it. Before such a man a female can suddenly feel herself nothing. Then I sensed him turning again to one side. Mercifully I knew he had freed me of his gaze. I lifted my eyes a little, but not so much as to risk, should he turn, encountering his.

"Have you Harper's Dictionary of Classical Literature and Antiquities?" he asked.

"Of course," I said, in relief. Suddenly our relationship became explicable and modular. "Its number is in the card catalog," I said.

I sensed him looking at me.

"You can fine the number for it in the card catalog," I told him.

He did not move toward the card catalog.

"Can you recognize it?" I asked.

He was silent. I sensed he might be becoming angry. Did he think I was going to wait on him?

"If you can recognize it," I said, "I can tell you where it is. It is down that aisle, and on the left, toward the end, on the bottom shelf."

"Show me," he said.

"I'm busy," I said.

"No, you are not," he said. To be sure, he was right. I was not really busy. Perhaps he had determined that before he had come to the desk. I had a distinct, uneasy sense, then, that he might be remembering, and keeping an account in some way, of my petty delays.

I rose from behind the desk. He stood back. I would precede him. That was appropriate, of course, as it was I who knew where the book was. To be sure, it made me uneasy to walk before him. No one, or hardly anyone, as far as I knew, incidentally, ever used that book or showed any interest in it. We learn of it, of course, in library science. It is a standard reference work in its area. I knew where it was, from shelf reading. Too, of course, I knew the general range of numbers within which it fell. Indeed, I had had to memorize such things for examinations. I preceded the fellow to the aisle, and down it. It seemed, somehow, now, that the shelves were close on both sides. The space between them seemed somehow narrower, and more wall-like, than usual. The library is well lit. I was very conscious of him (pg. 18) behind me. I did not think he was a classics scholar. "Perhaps you want to look up something for a crossword puzzle." I said, lightly. Then I was afraid, again, doubtless foolishly, that he might be keeping an account of such things as my remark. Perhaps it had not pleased him. But what did it matter whether he was pleased or not?

"You are wearing a skirt," he said.

I stopped, frightened. I turned and looked at him, briefly. He was a quite large man anyway, but here, in this enclosed space, the shelves on each side, he seemed gigantic. I felt tiny before him. His bulk, somehow seemingly ungainly in that suit and tie, seemed to fill the space between the shelves. "Is the book here?" he asked. "No," I said. But I felt suddenly, and the thought frightened me, that he knew where the book was, that he knew very well where the book was. I then turned and continued down the aisle. In a moment I had reached its vicinity. I could see it there now, on the bottom shelf.

"It's there," I said, "on the bottom shelf, that large book. You can see the title."

"Are you a female intellectual?" he asked.

"No," I said, hastily.

"But you are a librarian," he said.

"I am only a simple librarian," I said.

"You have probably read a great deal," he said.

"I have read a little," I said, uncertainly, uneasily.

"Perhaps you are the sort of woman who has read more than she has lived," he said.

"The book is on the bottom shelf," I said.

"But soon perhaps," he said, "books will be behind you."

"It is down there," I said, "on the shelf, on the bottom."

"Are you a modern woman?" he asked.

"Of course," I said. I did not know what else to say. In one sense, of course, I supposed this was terribly false.

"Yes," he said. "I can see that it is true. You are tight, and prissy."

I made as though to leave, but his eyes held me where I was, immobile. It was almost as though I was held in place, standing there, before him, by a fixed collar, mounted on a horizontal rod, extending from a wall.

"Are you one of the modern women who are intent upon destroying me?" he asked.

I regarded him, startled.

"Are you guilty of such crimes?" he asked.

"I do not know what you are talking about," I said, frightened.

(pg. 19) He smiled. "Are you familiar with the book on the bottom shelf?" he asked.