Cutler 1 - Dawn (17 page)

"You have?"

"Why did they do it?"

"I heard that Mrs. Cutler had it made years later after she came to the conclusion you weren't going to be found alive. I was too little to go to the service, of course, but my grandmother told me no one but the family went anyway. Mrs. Cutler told everyone the day you was kidnapped was the same as if it was the day you died."

"No one mentioned it to me," I said "I just came upon it by accident when I wandered into the cemetery and found the family section."

"I suppose they'll be digging it up now," Sissy said.

"Not if my grandmother has her way," I mumbled.

"What's that?"

"Nothing," I said. I was still shaking from the sight of the small stone with that name on it. Even though it wasn't the name I accepted, it was meant to be me it was the same thing. I was glad to get to work and put my mind on other things.

After breakfast we went with the other chambermaids to Mr. Stanley's office. He gave out the assignments, new rooms that had to be prepared, rooms that had to be cleaned because guests were checking out. Sissy and I had to do what was called the east wing. We had fifteen rooms. We alternated rooms down the corridor. Just before lunch my father came to get me.

"Your mother is ready to meet you, Eugenia," he said.

"I told you . . . my name's Dawn," I retorted. Now that I had seen the gravestone, the other name was even more despicable.

"Don't you think Eugenia has a more distinguished sound to it, honey?" he asked as we walked. "You were named after one of my mother's sisters. She was only a young girl when she died."

"I know, but I didn't grow up with that name, and I don't like it."

"Maybe you will. If you give it a chance," he suggested.

"I won't," I insisted, but he didn't seem to hear or care.

We turned into the old section of the hotel and headed for the stairway, my pulse throbbing harder and harder with each forward step.

The upstairs had new-looking wallpaper with light blue polka dots, and the corridor had a plush cream carpet. A large window at the far end made it airy and bright.

"This is Philip's room," my father explained as we came to a door on the right, "and the next door is Clara Sue's. Our bedroom suite is right down here on the left. Your grandmother's suite is just around the corner."

We paused outside the closed door to his and my mother's bedroom, and my father took a deep breath, closing and opening his eyes as if he had a weight on his chest.

"I must explain something to you," he began. "Your mother is a very delicate woman. The doctors say she has frayed nerves, and so we try to keep tension and pressure away from her. She comes from a fine old southern family, aristocrats, and she was well protected all her life. But that's why I love her. To me she's like . . . a work of art, fine china, fragile, beautiful, exquisite," he said. "She's someone who needs to be protected, cherished, and held dearly. Anyway, you can imagine what all this has done to her. She's a little afraid of you," he added.

"Afraid of me? Why?" I asked.

"Well . . . bringing up our two children has been a strain on her as it is. To suddenly be confronted by a long-lost child who has lived an entirely different sort of life . . . it frightens her. All I ask is that you be patient.

"All right," he said, taking another deep breath and reaching for the doorknob, "here we go."

It was like entering another world. First we stepped into a sitting room with a burgundy velvet carpet. All of the furniture, although shiny, clean, and new-looking, was obviously antique. Later I would learn how valuable it was. It was all original and dated back to the turn of the century.

On the left was a fieldstone fireplace with a long, wide mantel. Atop it at the center was a silver frame with a picture of a young woman holding an umbrella and standing on the beach. She was dressed in a light-colored dress with a long hem. On both ends of the mantel were slim vases with a single rose in each.

Above the mantel was a painting of what must have been the original Cutler's Cove Hotel. There were people gathered on the lawn and people sitting on the wraparound porch. A man and a woman stood together at the front door. I wondered if they weren't supposed to be my grandparents. The sky behind and above the hotel was dotted with small puffy clouds.

To my immediate left was a piano. There was a sheet of music on it, but it looked as though it had been placed there simply for show. In fact, the entire sitting room looked unused, untouched, like a room in a museum.

"Right this way," my father said, indicating the double doors before us. He took hold of both handles and opened both doors with one graceful motion. I stepped forward into the bedroom and nearly gasped in astonishment. It was so big, I thought it was larger than most of the apartments I had lived in. The thick sea-blue carpet rolled on forever until it reached an enormous canopy bed at the far end. There were large windows on each side of the bed, with white lace curtains draped over them. The walls were covered with dark blue velvet. To the right was a long milk-white marble vanity table with cherry-red streaks running through it. There were two high-back matching cushioned chairs. Vases filled with jonquils were spaced along the table. A floor-to-ceiling mirror ran the entire wall behind the vanity table, which made the bedroom look even longer and wider.

A door on the left opened to a walk-in closet bigger than the room I now slept in. There was another closet down from that. The bathroom was on the right. I had only a glimpse of it, but I was able to see the gold fixtures in the sinks and the enormous tub.

My mother was almost lost in the enormous bed. She sat up against two jumbo fluffy pillows. She was wearing a bright pink silk robe with a lace cotton nightie. As we drew closer, she looked up from her magazine and put a chocolate back into the box that was beside her on the bed. Even though she was still in bed, she wore pearl earrings and lipstick and eyeliner. She looked as if she could get out of bed, slip into a fancy dress, and go dancing.

"Laura Sue, we're here," my father sang, stating the obvious. He stopped and turned to me, gesturing for me to come farther forward. "Isn't she a pretty girl?" he added when I stepped up beside him.

1 looked at the woman I had been told was my real mother. Yes, there were resemblances, I thought. We were both blondes, my hair the same shade of yellow and as bright as the morning sun. I had her blue eyes, and I had her peaches-and-cream complexion. She had a graceful neck and slight shoulders, and her hair rested softly on those shoulders and looked as if it had been brushed a thousand strokes, it was so soft and shiny.

She looked me over quickly, her eyes darting from my feet to my head, and then she gasped deeply as if trying to catch her breath. She brought her hand to the heart-shaped locket between her breasts and fingered it nervously. There was an enormous diamond ring on her hand, the stone so large it looked awkward and out of place on her slim, short finger.

I took a deep breath, too. The room was permeated with the scent of the jonquils, for there were vases of them on the end tables and one on the table in the far corner.

"Why is she in a chambermaid's uniform?" my mother asked my father.

"Oh, you know Mother. She wanted her to get used to the hotel life immediately," he replied. She grimaced and shook her head.

"Eugenia," she finally said in a whisper, directing herself to me. "Is it really you?" I shook my head, and she looked confused. She turned quickly to my father. A worried frown drew his eyebrows together.

"I must tell you, Laura Sue, that Eugenia has known only Dawn as her name, and she is a little uncomfortable being called anything else," he explained. A puzzled expression flashed through her face and creased her brow. She battered her eyelashes and pursed her lips.

"Oh? But Grandmother Cutler named you," she said to me, as if that meant it had been written in stone and could never be changed or challenged.

"I don't care," I said. Suddenly she looked frightened, and when she looked to my father this time, it was to ask for help.

"They named her Dawn? Just Dawn?"

"However, Laura Sue," my father said, "Dawn and I did just agree she would give Eugenia a chance."

"I never said I agreed," I said quickly.

"Oh, this will be so difficult," my mother said, shaking her head. Her hand hovered near her throat; her eyes darkened. Something frightening burgeoned in my heart just from watching her reactions. Momma had been deathly ill, but never looked as weak and helpless as my real mother did.

"Whenever anyone calls her Eugenia, she won't know they're calling her. You can't call yourself Dawn now," she said to me. "What would people think?" she moaned.

"But it's my name!" I cried. She looked as if she would cry herself.

"I know what we will do," she said suddenly, clapping her hands together. "Whenever we introduce you to anyone who is important, we will introduce you as Eugenia Grace Cutler. Around here, in the family's quarters, we will call you Dawn, if you like. Doesn't that sound sensible, Randolph? Won't Mother think so?"

"We'll see," he replied, not sounding happy. But my mother put on a pained expression, and he relaxed and smiled. "I'll speak to her."

"Why can't you just tell her that's what you want?" I asked my mother. At this point I was more curious than angry. She shook her head and brought her hand to her breast.

"I . . . can't stand arguments," she said. "Must there be arguments, Randolph?"

"Don't concern yourself with this, Laura Sue. I'm sure Dawn and I and Mother will work it all out."

"Good." She took a deep breath. "Good," she repeated. "That's settled," she said.

What was settled? I glanced at my father. He smiled at me as if to say let it be. My mother was smiling again, looking like a little girl who had been promised something wonderful like a new dress or a day at the circus.

"Come closer, Dawn," she said. "Let me get a real good look at you. Come, sit by the bed." She indicated a chair I should bring up with me. I did so quickly and sat down. "You are a pretty girl," she said, "with beautiful hair and beautiful eyes." She reached out to stroke my hair, and I saw her long, perfect pink fingernails. "Are you happy to be here, to be home?"

"No," I said quickly, perhaps too quickly, for she blinked and brought herself up as if I had slapped her. "I'm not used to it," I explained, "and I miss the only people I ever knew as my family."

"Of course," she said. "You poor, poor thing. How horrible this all must be for you." She smiled, a very pretty smile, I thought, and when I looked up at my father, I saw how much he adored her. "I knew you only for a few hours, held you in my arms for only a little while. My nurse, Mrs. Dalton, knew you longer than I did," she whined. She turned her sad eyes toward my father, and he nodded sadly.

"Whenever I am able to see you, you must spend as much time with me as you can, telling me all about yourself, where you have been, and what you have done. Did they treat you well?" she asked, grimacing as if preparing to hear the worst things: stories about being locked in closets or starved and beaten.

"Yes," I said firmly.

"But they were so poor!" she exclaimed.

"Being poor didn't matter. They loved me and I loved them," I declared. I couldn't help it. I missed Jimmy and little Fern so much it made me tremble inside.

"Oh, dear," my mother said turning to my father. "This is going to be just as difficult as I imagined it would be."

"It will take time," he repeated. "Don't work yourself into a panic, Laura Sue. Everyone will help, especially Mother."

"Yes, yes, I know." She turned back to me. "Well, I'll do what I can for you, Dawn, but I'm afraid my strength hasn't returned yet. I hope you will understand."

"Of course she will," my father said.

"After a while, when you've learned how to behave in society, we will have a little party to celebrate your homecoming. Won't that be nice?" she asked, smiling.

"I know how to behave in society," I replied, wiping the smile from her face.

"Well, of course you don't know how, dear. It took me ages and ages to learn the proper etiquette, and I was brought up in a nice home surrounded by nice things. People of position were continually coming and going. I'm sure you don't know the proper way to greet someone, or how to curtsy and look down when someone gives you a compliment. You don't know how to sit at a formal dinner table, what silverware to use, the proper way to eat soup, butter your bread, reach for things. There is so much for you to learn now. try to teach you as much as I can, but you must be patient, okay?"

I looked away. Why were these things important to her now? What about us really getting to know each other? What about a true mother-daughter relationship? Why wasn't she more interested in what I wanted and needed?

"And we can talk about womanly things, too," she said. I raised my eyes with interest.

"Womanly things?"

"Of course. We can't have you looking like this all the time."

"She's working in the hotel this summer, Laura Sue," my father reminded her gently.

"So? She can still look like a daughter of mine should look."

"What's wrong with the way I look?" I asked.

"Oh, dear, honey, your hair should be cut and styled. I'll have my beautician look at you. And your nails," she said, grimacing. "They need a proper manicure."

"I can't make beds and clean rooms and worry about my nails," I declared.

"She's right, Laura Sue," my father said gently.

"Does she have to be a chambermaid?" my mother asked my father.

"Mother thinks it's the best place to begin."

She nodded with a look of deep resignation as if whatever my grandmother thought or said was gospel. Then she sighed and contemplated me again, shaking her head gently.

"In the future please change into something pleasant before coming to see me," she told me. "Uniforms depress me, and always shower and wash your hair first. Otherwise, you will bring in the dust and grime."