Creativity (30 page)

Read Creativity Online

Authors: Mihaly Csikszentmihalyi

BOOK: Creativity
2.2Mb size Format: txt, pdf, ePub

T
HE
S
OURCES OF
M
EANING

According to Erik Erikson, the last psychological stage that people confront in their lives is what he called the task of achieving integrity. What he meant by this is that if we live long enough and if we resolve all the earlier tasks of adulthood—such as developing a viable
identity
, a close and satisfying
intimacy
, and if we succeed in passing on our genes and our values through
generativity
—then there
is a last remaining task that is essential for our full development as a human being. This consists in bringing together into a meaningful story our past and present, and in reconciling ourselves with the approaching end of life. If in the later years we look back with puzzlement and regret, unable to accept the choices we have made and wishing for another chance, despair is the likely outcome. In Erikson’s words: “A meaningful old age…serves the need for that integrated heritage which gives indispensable perspective on the life cycle. Strength here takes the form of that detached yet
active concern with life bounded with death, which we call wisdom…”

The notion of integrity connotes the ability to tie together, to relate to others outside oneself. Erikson thought that the perspective of an older person is based on a new definition of identity, which could be summarized in the sentence “I am what survives me.” If toward the end of life I conclude that nothing of myself is likely to survive, despair is likely to take over. But if I have identified with some more enduring entities, my survival will provide a sense of connection, of continuity, that keeps despair at bay. If I love my grandchildren, or the work I have accomplished, or the caus
es I have championed, then I am bound to feel a part of the future even after personal death. Jonas Salk calls this attitude “being a good ancestor.”

In our study, we did not pursue directly the question whether and to what extent our respondents had achieved a sense of integrity about their lives. But answers to one question shed some light on the issue of what entities serve as the kernel for the identity of this sample, the kernel around which a sense of integrity is likely to develop. The question was “Of the things you have done in life, of what are you most proud?” This question is certainly not ideal for studying integrity, because several respondents felt put off by the word
proud
and others were not too happy about singl
ing out a particular accomplishment as the source of their greatest pride. Nevertheless, people by and large answered the question in a way that suggested they were thinking of the most meaningful, important thing they had done in life and therefore of their main link to the future.

Categorizing the answers was very simple, since all of them were basically of one type. As we would expect in a group of such successful people, what they had achieved in their professional life was the first kind of answer. About 70 percent of the accomplishments mentioned as sources of pride had to do with one’s work. Surprisingly,
however, 40 percent of the women and 25 percent of the men (a good 30 percent of the whole group) mentioned the family first as what they were most proud of. These are some of the reasons two men give for their answers:

Well, I get a great deal of satisfaction and pride out of my children. And my grandchildren are absolutely delightful, because I do not have to worry about when they misbehave. I turn them over to their mothers. Grandchildren are created, I suspect, for grandfathers to play with. My grandchildren are all beautiful and a great source of enjoyment. Now, my children, some of them have had problems. But basically they have turned out pretty good. I have been very pleased with what they have accomplished and I am concerned about those who have problems. I am much more concerned about th
em than any of my problems. And I am more pleased with their accomplishments than I think I am pleased with my own. I get a good deal of pride from my family.

Loyal, hard work in keeping the family at its best; my wife and children. The fact that my marriage has been stable—better than stable, it’s been really very fortunate—has been essential, I think, for my particular character. I think if I had not had a stable sense that that part of my life was OK, better than OK, if I’d had children that were failures, or if I’d had a divorce, I’m sure it would have affected the tone of what I write and also the teaching; I don’t think I could have done the same kind of aggressive, bouncy teaching.

As the second excerpt suggests, pride in family is often combined with pride in work. One could even conclude that although the family was mentioned first in this answer, its importance is subsidiary to that of writing and teaching. It sounds almost as if the family matters primarily because it enables the writer to concentrate all his energies on his task. In fact, family and work are usually so inextricably related that it is difficult to say from a single answer whether fame and accomplishments are valued because they enhance the family’s well-being, or the other way around. It
is striking, however, that no other themes intruded on this simple duality. In the last years of the twentieth century, among sophisticated people of supremely high achievement, one may have expected a greater variety and more eso
teric topics on which to build a life’s narrative. It certainly appears to vindicate Freud’s deceptively simple answer to an inquiry about the secret for a happy life: “Love and work,” he said, and with those two words he may have run out of all the options.

In looking more closely at the answers, another interesting pattern appears. Some of the respondents—about 70 percent of the 70 percent who mentioned work first as source of pride—speak primarily about extrinsic reasons for feeling proud, such as the great contributions they have made, the recognition and prizes they received, their renown among colleagues. The remaining 30 percent emphasize intrinsic reasons—the cultural advance made possible by the accomplishment or the personal rewards of a difficult job well done.

The physicist John Bardeen, although mentioning extrinsic reasons, emphasizes more the intrinsic importance of what he had been working on:

I think the theory of superconductivity. The two things I’m most noted for are being coinventor of the transistor and the theory of superconductivity. The transistors, of course, had much more worldwide impact than superconductivity, but superconductivity was more of a challenge. And the theory had much greater impact on other fields of physics. As for theoretical contribution, it opened up some new ways of thinking about the structure of the nucleus and particles of high energy. So it contributed more to a deeper understanding of what the universe is all about, I think.

The more extrinsic responses tended to dwell on the number of copies the person’s books have sold, on the directorships of large research organizations he or she held, on the canvases displayed in important exhibitions—in other words, on the highlights of a job résumé. The economist George Stigler has a refreshingly direct answer to the question:

I guess I have to say the things in which I succeeded in impressing other people with what I have done. And those would be things like the two areas of work in which I received the Nobel Prize, and things like that. So those and certain other work that my profession has liked would be the things, as far as my professional life goes, of which I’m most proud.

Every other Nobel Prize winner, however, gave reasons that were intrinsic. Perhaps among these individuals who are so close to the top rungs of achievement in their fields, only those who have reached the highest stages can afford the luxury of playing down the importance of worldly success. But a closer look at the answers suggests that it is unwise to place too much weight on the answers to this single question. The reason becomes evident when we realize that almost 40 percent of the men gave responses that were coded as intrinsic, whereas none of the women did—every single
one of them talked about the pride they felt in the extrinsic aspects of their contributions.

Yet these women enjoy their work, are in awe of its importance, and are much less interested in the fame and power it might bring them. It would be difficult to find a male scientist as much in love with his work as Vera Rubin, an artist as committed as Eva Zeisel, a historian as excited by his craft as Natalie Davis. So why did the women tend to emphasize external success in their answers to the question about pride? Probably because women have a much more difficult time gaining recognition than men, and therefore when they get it, it means more to them. In any case, this contradi
ction illustrates the important point that trying to interpret a single answer out of the total context of what we know about a person can be deceptive. Isabella Karle, who at first gives a rather extrinsic response, in a different part of the interview, sounds definitely more interested in the intrinsic aspects of her work:

I’ve been successful in the sense that I’ve had all sorts of scientific awards and have been elected to memberships in what are considered the “elite” societies. And I get invited to speak at all sorts of universities all over the world, and that’s all very nice. But I think that the biggest satisfaction is just doing, finding out something about nature that hasn’t been known before. There’s the satisfaction of seeing what some of these molecules look like. There’s a satisfaction in seeing how they may react. I suppose it’s very personal—why other people find satisfaction in play
ing a Beethoven sonata faultlessly, or painting a picture.

Following the ins and outs of our respondents’ answers to the question about pride, we conclude that, like the rest of the world,
they also stress in their personal narratives the twin themes of work and love. These are the sources from which they build a meaningful story about their pasts and a bridge to the future. The fact that they were lucky in having achieved a greater renown than most people get for their efforts does not seem to make much difference. There is no evidence that being awarded one or two Nobel Prizes gives a person a greater claim on wisdom or a surer defense against despair than having lived a full life as an honest plumber and parent.

F
ACING THE
I
NFINITE

At the time of the interviews, all of our respondents were still actively involved in family and work projects that reflected the main themes of their lives. But often their interest had broadened to include larger issues: politics, human welfare, the environment, and occasionally transcendent concerns with the future of the universe. Interestingly, in entering the last decades of life, none of them appears to have embraced an orthodox religious faith. Fear of death did not loom large; certainly not enough to send them to seek solace in a faith that had been alien at an earlier age
. Those few who, like sociologist Elise Boulding, had strong religious foundations to start with continued in their beliefs. Yet even when a ritualized faith was missing, a broader faith seemed to be much in evidence: a faith in an ultimately meaningful universe, which imposes requirements of awe and respect—and curiosity—on men and women.

Perhaps the closest anyone has come to a conversion experience is the pediatrician Benjamin Spock, who has been taken to task by religious fundamentalists and preachers such as Norman Vincent Peale for having introduced permissiveness into American child rearing and thus corrupted the national character. Now in his nineties, Spock is writing a book on spirituality. But his understanding of spirituality is a far cry from that of institutionalized religions:

Spirituality, unfortunately, is not a stylish word. It’s not a word that gets used. That’s because we’re such an unspiritual country that we think of it as somewhat corny to talk about spirituality. “What is
that
?” people say. Spirituality, to me, means the nonmaterial things. I don’t want to give the idea that it’s something mystical; I want it to apply to ordinary people’s ordinary lives: things
like love, and helpfulness, and tolerance, and enjoyment of the arts or even creativity in the arts. I think that creativity in the arts is very special. It takes a high degree and a high type of spirituality to want to express things in terms of literature or poetry, plays, architecture, gardens, creating beauty any way. And if you can’t create beauty, at least it’s good to appreciate beauty and get some enjoyment and inspiration out of it. So it’s just things that aren’t totally materialistic. And that would include religion.

All through her adventurous life the ceramist Eva Zeisel has tried to help the disadvantaged and has used her artistic gifts in part to advance left-wing causes that she sincerely believed would make the world a better place to live in. Now in her eighties, she looks at her past with objective eyes and, while not regretting anything, is no longer sure that her motives were the wisest. Although, without regrets or despair, she finds that the only thing she can absolutely rely on is the work she has produced, and perhaps the old goal of “doing good”—although she is less sanguine about that:

I was thinking how to convey my accumulated wisdom to my granddaughter. And one of the things that I thought to tell her is that one tries to do good and one tries to produce something. I find that my craft helped me very much to make life meaningful, because once you make a pot and it is outside of you, it makes your life kind of justified and not flimsy. After all you go through, at the end you die, and it makes life much more…well, satisfying. It justifies your existence….

Then the question of doing good for society. Don’t forget that all our contemporaries and ourselves had some big ideology to live for. Everybody thought he had to either fight in Spain or die for something else, and most of us had to be in prison for one reason or another. And then at the end it turns out that none of these great ideologies was worth your sacrificing anything for. Even doing personal good is very difficult to be absolutely sure about. It’s very difficult to know exactly whether to live for an ideology or even to live for doing good. But there cannot be anything wrong in mak
ing a pot, I’ll tell you. When making a pot you can’t bring any evil into the world.

Other books

Olive and Let Die by Susannah Hardy
Lust by Charlotte Featherstone
The Darkest Gate by S M Reine
Fatal Error by Michael Ridpath
The Horse Healer by Gonzalo Giner
The Stone Road by G. R. Matthews