Crash and Burn

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Authors: Maggie Nash

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BOOK: Crash and Burn
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Table of Contents

Legal Page

Title Page

Book Description

Dedication

Trademarks Acknowledgment

Prologue

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

New Excerpt

About the Author

Publisher Page

 

 

 

Crash and Burn

ISBN #
978-1-78430-611-3

©Copyright Maggie Nash 2015

Cover Art by Posh Gosh ©Copyright September 2015

Edited by
Sue Meadows and Ann Leveille

Totally Bound Publishing

 

This is a work of fiction. All characters, places and events are from the author’s imagination and should not be confused with fact. Any resemblance to persons, living or dead, events or places is purely coincidental.

 

All rights reserved. No part of this publication may be reproduced in any material form, whether by printing, photocopying, scanning or otherwise without the written permission of the publisher, Totally Bound Publishing.

 

Applications should be addressed in the first instance, in writing, to Totally Bound Publishing. Unauthorised or restricted acts in relation to this publication may result in civil proceedings and/or criminal prosecution.

 

The author and illustrator have asserted their respective rights under the Copyright Designs and Patents Acts 1988 (as amended) to be identified as the author of this book and illustrator of the artwork.

 

Published in 2015 by Totally Bound Publishing,
Newland House, The Point, Weaver Road, Lincoln, LN6 3QN

 

Totally Bound Publishing is a subsidiary of Totally Entwined Group Limited.

 

Warning:

 

This book contains sexually explicit content which is only suitable for mature readers. This story has a
heat rating
of
Totally Sizzling
and a
Sexometer
of
2.

 

 

 

 

 

 

 

 

CRASH AND BURN

 

 

Maggie Nash

 

A cop with a mission. A woman with no memory. A killer who hunts them both.

Plagued by nightmares of a train crash, Beth Hamilton returns to the scene of the accident and finds herself fleeing from a deadly enemy she can’t remember. An unlikely partnership with sexy cop Daniel Wyatt triggers a dangerous chain of events. She must learn to trust her instincts, because when she’s running for her life, the enemy might be closer than she thinks.

 

 

Dedication

 

 

This book is lucky enough to be given a second life, and I want to thank all those who helped me achieve this. Firstly to Virginia and Venus for being awesome beta readers, and secondly to my amazing editor Sue Meadows for helping me make it a much better book than it was originally. I love you all!

 

 

Trademarks Acknowledgment

 

 

The author acknowledges the trademarked status and trademark owners of the following wordmarks mentioned in this work of fiction:

 

Ikea:
Inter-Ikea
Systems B.V. Corporation

Range Rover: Jaguar Land Rover Limited Private Company

Outlook: Microsoft Corporation

Open Learning: Caldera Systems, Inc.

Riverview: Riverview College, Riverview NSW Australia

St. Joseph’s: St Joseph’s College, Hunter’s Hill NSW Australia

Glock:
Glock, Inc.

Suburban Outback: Fuji Jukogyo Kabushiki Kaisha a/t/a Fuji Heavy Industries Ltd.

Pollyanna:
Pollyanna
by
Eleanor H. Porter

Basic Instinct
: 1992,
Carolco Pictures

Bolero
: Maurice Ravel

Yellow Pages: Yellow Pages Inc.

 

Prologue

 

 

 

Sydney-Canberra Express

October 15th

 

In her hiding place in a dark alcove off the main walkway of the train, Beth Hamilton forgot how to breathe. The drama unfolding before her eyes starred a short, stocky man in a conservative suit, and from what she could see, he was in big trouble. Her suspicions were confirmed as another man pointed the barrel of a gun directly at his balding head.

Not your usual scenery for a train trip to Canberra.

Her throat closed up as she watched the gunman lift the mask he wore to reveal himself to his victim. Seeing his face, Beth closed her mouth, biting on her top lip to prevent any sound from escaping.

“You,” said the bald man. “What do you want?”

The gunman smirked. “I want you to see the face of your executioner. You should have known we wouldn’t let you get away with selling us out.”

After bolting back to her own compartment at the scream that followed, she leaned against the door and willed her pounding heart rate to slow down.
Holy Cow.
All she’d wanted was to get a drink from the machine in the next carriage. Never in her wildest dreams had she expected to see a shoot-out.

Don’t panic. They didn’t see you.

Her gasps of air came in quick succession as she tried to think. She should act, but what could she do? The compartment was empty, except for some guy slumped in his seat, sleeping.

Should she wake him? She had no choice. There was no one else and no time. Either way, she couldn’t just leave him there, not with a gunman so close by. She leaned forward and took hold of his shoulder.

He didn’t react.

“Wake up,” she pleaded as she reached for him again, this time more forcefully.

“What the—?” His eyelids fluttered as the no-longer-sleeping figure returned from the Land of Nod to the present. Beth watched as he woke slowly, blinking a few times.

She leaned closer to his face and shook him again. He smiled. A slow, sexy smile.

Holy cow. No man should be this good-looking
. “You have to wake up
now
.”

As he caught her eye, he winked. “Well, you certainly know how to get a man’s atten—”

“Just shut up and listen,” she said, stopping him mid-word.
Why do men always wake up thinking of sex?
Although, with him, any other time…
Stop it, Beth!
She shook her head to clear her totally inappropriate thoughts and continued. “We don’t have time. We’re in danger.”

He pulled himself up in the seat and bent his head from side to side, stretching the kinks out of his neck.

Who is this guy? Here we are in the middle of a crisis and he’s doing his morning stretches?
“There’s a man out there—with a gun.”

“And?” he asked, looking over her head to see what was happening behind her, as if he didn’t quite believe her. Great, just her luck—a moron.

“And…he’s going to shoot someone!”

He sat up even straighter, now wide-awake and finally, it appeared, all business. “Where?” he asked as he narrowed his eyes.

“Out there in the corridor,” she pointed. At least he believed her.

The Hugh Jackman lookalike moved forward in his seat and whispered close to her ear. She noticed his spicy scent and tried not to think about how his warm breath sent tingles across her skin.

“Did they see you?”

“No, I don’t think so,” she whispered, as she shuffled backward, shrugging her shoulders in an attempt to throw off the tingling sensations coursing down her spine. “I hope not. I got out of there as fast as I could. Got any ideas as to what we should do?”

He nodded. “We need to contact the guard, but we definitely don’t want to start a panic. You head the other way down the train, find the conductor and tell him to call the police, then move to a safer part of the train and stay out of sight.”

Okay, not such a moron, but a macho chauvinist type. He strode in the direction of the gunman, but Beth stopped him by gripping his shoulder before she turned him around to face her. “And what will you be doing?”
Macho types aren’t supposed to leave the damsels alone, are they?

He pulled a face that told her she shouldn’t ‘worry her pretty little head’.

“I’m going to check out what’s happening up ahead.”

Not without me.
“Neither of us should be going anywhere alone, not when there’s an idiot with a gun loose on this train,” said Beth, determined not to show how terrified she really was.

‘Hugh’ cocked his head to the side. “You said it yourself. We need to get help fast, so you go alert the conductor, and I’ll go and see what’s happening.”

“What if there’s another gunman back the other way? I’ve got a better idea,” whispered Beth. “We both check out what’s up ahead, then we both get the conductor.” She lifted her chin and glared at the sexy stranger, daring him to disagree with her.

He narrowed those gorgeous brown eyes as he opened his mouth to say something, but then he paused. Shaking his head, he spoke, “I suppose that’s a possibility. All right, we go together—but stay close and do what I say, okay?”

“Sure.”
Anything not to be left alone here.
She nodded, and after a brief pause, he reluctantly moved toward the corridor, gesturing for her to follow him. As he edged forward, Beth walked closely behind him. The train swerved around a bend and she would have tripped if not for the hard male body in front of her, and the large hands belonging to said body that reached out to steady her. Her arms zinged from the contact and she instinctively moved backward, increasing the distance between them.
God almighty, this guy is a lightning rod!

The rattle of the wheels bumping along the tracks competed with the pounding in her chest. When they reached the area where the two men were, he signaled for Beth to stop and crouch behind a seat. She slid into the space and cautiously peered out. Both men battled for control of the gun and from where Beth hid, it was definitely no contest. The gunman was taller, and from the size of the muscles in his arms, a lot stronger. It was only a matter of time before he overwhelmed the weaker man.

The gun went off. The shorter one grabbed his side where a dark red stain was rapidly spreading and, losing his balance, he fell through the open door to countryside below. The gunman straightened his clothes and adjusted his mask before casually walking over to the door, staring out while he replaced the clip in his gun.

Beth gasped.

The masked man turned back to the cabin and spied them both. He shifted quickly, striding toward them. ‘Hugh’ shoved Beth back toward the corridor, placing his body in front, shielding her.

“Get back!”

The gunman steadied himself, took aim and fired. Fortunately for ‘Hugh’, the jerking of the train around a bend caused him to lose his footing and the bullet missed its mark.

Beth bit down on her lip to prevent the scream that built up in her throat and slid back into the alcove of the seat, pressing hard against the wall, hugging her knees. A weapon… She needed a weapon. She scanned the limited space and spied a newspaper. She grabbed it then rolled it into a tight roll. It was better than nothing.

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